Re: [Frameworks] Luther Price RIP

[trevor adams]

Condolences to his loved ones.  Sodom is easily the most visceral s-8 film I've 
ever experienced!  Trev


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From: FrameWorks  on behalf of Eric 
Theise 
Sent: Tuesday, June 16, 2020 7:47 PM
To: Experimental Film Discussion List 
Subject: Re: [Frameworks] Luther Price RIP

Tom Rhoads, wasn't it? First time I encountered his films that was the name 
under which they were distributed.


On Tue, Jun 16, 2020 at 12:36 PM Dominic Angerame 
mailto:dominic.anger...@gmail.com>> wrote:
The prints that are at Canyon Cinema SODOM, GREEN and WARM BROTH may be the 
only copies. He also used the name Jason Rhoades.
Dominic




On Jun 16, 2020, at 12:25 PM, Dan Anderson 
mailto:bcfilmf...@gmail.com>> wrote:

One of the most mysterious figures in the business. As the legend goes, he had 
a pseudonym or two (?)
Hopefully his works get preserved and written about more. Truly on the radical 
edge of avant-garde film.


On Tue, Jun 16, 2020 at 1:48 PM Dominic Angerame 
mailto:dominic.anger...@gmail.com>> wrote:
I am also sad to hear this news his work was very explosive I only knew him 
thru my dealings with at Canyon Cinema

On Tue, Jun 16, 2020 at 11:28 AM 
mailto:rob...@ontosmedia.com>> wrote:
I'm very sorry to hear that.  The intensity of his work was profound, a
revelation about what experimental film can be.


On 2020-06-16 11:56, Warren Cockerham wrote:
> One of the biggest hearts of any human
>
>> On Jun 16, 2020, at 10:57 AM, Esperanza Collado
>> mailto:esperanzacolla...@gmail.com>> wrote:
>
>> 
>>
>> Hi all,
>>
>> I just heard that Luther Price passed away but don't know the
>> reason. I only met him once in 2017 in A Coruña and we had the most
>> bizarre conversation in a jazz bar. Ed Halter was with him and took
>> care of him, I don't know much more but I thought I would share
>> here. There certainly was an aura of mystery around him.
>>
>> Best,
>>
>> --
>>
>> Esperanza Collado
>> www.esperanzacollado.net [1]
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
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>
>
> Links:
> --
> [1] http://www.esperanzacollado.net
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Re: [Frameworks] tips for shooting on print stock?

[trevor adams]

Mr. Antos is correct, sir.  It's less than half the going rate of reversal.  
Also, this particular stock doesn't have the backing which makes 
hand-processing arduous (as it's been explained to me).  And ignorance is about 
the most cultivated quality in my work!
Trevor Adams
sinemodafatestare.com


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From: FrameWorks  on behalf of Julian 
Antos 
Sent: Thursday, March 21, 2019 12:14 AM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] tips for shooting on print stock?

I think the appeal is that it’s much cheaper!

On Wed, Mar 20, 2019 at 7:11 PM Francisco Torres 
mailto:fjtorre...@gmail.com>> wrote:
pardon my ignorance but I have never understood the use of print stock
as camera original. Would using reversal accomplish similar results?

2019-03-20 12:20 GMT-04:00, MONO NO AWARE 
mailto:mononoawaref...@gmail.com>>:
> https://vimeo.com/290301242
>
> Results from our workshop.   A few water marks, but for their first time in
> the lab processing, to be cross processing and have these results its
> pretty good, could have used a darker orange filter, but it was overcast
> and we couldn't forfeit the light.
>
>
> ◅
> *MONO NO AWARE*
> 501c3 Cinema Arts Non-Profit Organization est. 2007
> | Film Stock | Equipment | Lab Facilities | Workshops |
> a: 33 Flatbush Avenue, Brooklyn New York
> <https://www.google.com/maps/dir//33+Flatbush+Ave,+Brooklyn,+NY+11217/@40.6877184,-73.9819882,17z/data=!4m17!1m7!3m6!1s0x89c25bb25464b153:0x663d26fd9a518085!2s33+Flatbush+Ave,+Brooklyn,+NY+11217!3b1!8m2!3d40.6877184!4d-73.9797995!4m8!1m0!1m5!1m1!1s0x89c25bb25464b153:0x663d26fd9a518085!2m2!1d-73.9797995!2d40.6877184!3e2>
> e: mononoawarefilm.com<http://mononoawarefilm.com> c: +1 2674561143 
> <%2B1%20267%20456-1143> in:gram
> <https://www.instagram.com/mononoawarefilm/>
> <%2B1%20267%20456-1143>
> press: New York Times
> <https://www.nytimes.com/2017/07/11/nyregion/a-brooklyn-film-school-where-the-digital-revolution-didnt-happen.html>,
> ViceTV
> <https://video.vice.com/en_us/video/the-brooklyn-film-organization-bringing-analog-back-to-the-masses/584f0f243d8095724ccdaf1e>,
> The Brooklyn Rail
> <https://brooklynrail.org/2018/11/film/Mixed-Use-MONO-NO-AWARE>
>
>
> On Wed, Mar 20, 2019 at 12:13 PM Anna Kipervaser
> mailto:anna.kiperva...@gmail.com>>
> wrote:
>
>> I am often shooting on 3383; I use an 85 filter (orange to compensate for
>> lack of orange base in the stock and to get near true color) and rate
>> 3383
>> at 3. Then I process in Tetenal E6 in a lomo reel/tank. Recipe below.
>>
>> FD: 100 degrees F, 2:45min
>> H2O: 5min, warm, not warmer than 100 degrees F
>> CD: 100 degrees F, 6min
>> H2O: 5min, warm, not warmer than 100 degrees F
>> BLIX: 100 degrees F, 6min
>> H2O: 10min, cool.
>> Stabilizer out of tank: 30sec
>> Shake reel
>> Hang film to dry
>>
>> Also, Mono No Aware has had successful results with C41.
>>
>> Always,
>>  Anna
>>
>>
>>
>> ---
>> anna kipervaser
>> 847.571.6943
>>
>> annakipervaser.com<http://annakipervaser.com>
>> yellowfilmlab.com<http://yellowfilmlab.com>
>> onlookfilms.com<http://onlookfilms.com>
>>
>>
>>
>>
>> On Tue, Mar 19, 2019 at 9:03 AM 
>> mailto:frameworks-requ...@jonasmekasfilms.com>>
>> wrote:
>>
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>>> Today's Topics:
>>>
>>>1. Re: Barbara Hammer, RIP (Dominic Angerame)
>>>2. tips for shooting on print stock? (trevor adams)
>>>3. Re: tips for shooting on print stock? (Scott Dorsey)
>>>4. Re: tips for shooting on print stock? (Nicole Baker)
>>>
>>>
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>>> -- Forwarded message --
>>> From: 

[Frameworks] tips for shooting on print stock?

[trevor adams]

Hiya one'n all,

I'm seeking any advice/ tips for shooting on 3383 color vision print stock, 
with a bolex.  Everybody I've spoken to says use an ASA of 5, I'm not sure if i 
should even take light readings?  Anything would be helpful...
Thanks,
Trevor Adams


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