Hey Frameworkers,
I paired four of my students' pandemic-made films with works from the
Filmmaker's Coop.  If you buy a ticket ($6 details below) a password
protected vimeo link AND a zoom link to the q and a (July 1 7 PM) will be
sent to you.

best,
Mark Street

Here's a trailer for the show:

https://www.youtube.com/watch?v=L2BbwXBUM-A

the facebook event:

https://www.facebook.com/events/2351275305174695

Mark



Dear supporters of the Film-Makers' Cooperative,

This week: "Something Old, Something Blue," curated by Mark Street. Tickets
here.
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Click here
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*ONLINE SCREENING | SOMETHING OLD, SOMETHING BLUE*

*CURATED BY MARK STREET*

*VIMEO LINK AVAILABLE JUNE 24–JULY 1*

*Q&A ON ZOOM JULY 1 @ 7PM ET*

*CLICK **HERE*
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FOR TICKETS*

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This program pairs 4 brand new films from Fordham University students (who
had to leave campus Friday March 13 because of the pandemic) with works
previously in distribution. Made between 1964 and 2020 these films
investigate fractious politics, urgent street protests, domestic
contemplation, melancholic memories and economic anxieties.


*LINE-UP:*

– *Estamos Cansados*

Jeff Figuereo, 2020, 4 minutes

A personal documentary about the growing distrust of the Dominican
government by its people. Super 8 footage showcases the Dominican protests
in Washington Heights in November 2019.


– *This is Not Normal*

Sophie Lee, 2020, 6 minutes

A meditation on the uncertainty and absurdity of the pandemic through the
eyes of a college senior.


– *American Onement*

Tim Lee, 2020, 11 minutes

The film calls attention to the continued obliteration of “the American
Dream” via polarization, fundamentalism, commercialism, and plain old
delusion riddled apathy— all of which our duopolistic political party
system fuels and supports.


– *Remnants of Normality*

Leeanna Harisprashad, 2020, 2.5 minutes

This work is a collection of memories of life before social distancing. It
reminisces on moments we took for granted, people we wish we could've known
sooner, and places we long to visit again.


– *My Mis-Education in 3 Graphics*

Mary Filippo, 2020, 3.5 minutes

A chapter on market (economics model of supply and demand) assumptions;
these include the absence of advertising, as if our demand for stuff is
there without it.


– *Who Do You Think You Are*

Mary Filippo, 1986, 10 minutes

A filmmaker investigates her own cigarette smoking habit while wishing she
could make “a film about injustice.”


*Peace Pickets Arrested for Disturbing the Peace*

Leonard M Henny, 1968, 7 minutes

This documentary depicts the preparations for and the development of the
October 1967 non-violent, anti-draft demonstration at the Oakland Induction
Center that led to the arrest of Joan Baez and 20 pacifists.


*Go Go Go*

Marie Menken, 1964, 11.5 minutes

Various parts of the city of New York, the busy man's engrossment in
busy-ness; a tour-de-force depiction of the kinetic rhythms of daily life.


*Blues*

Larry Gottheim, 1970, 8.5 minutes

A bowl of blueberries in milk, changing light radiant on the berries and on
the glazed bowl, the ever more radiant orb of milk transforming into
glowing light itself, with a brief shadow coda answering the complex play
of shadows. The pulses of vision, the simple natural processes, lift the
spirit.


*CHECK OUT OUR ONLINE STORE!*

*BOOKS*
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*'I Was a Flawed Modernist': *
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*Collected Writings of and Stories about Paul Sharits*
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Legendary—yes, infamous--experimental filmmaker Paul Sharits comes to life
in two ways in* 'I Was a Flawed Modernist': Collected Writings of and
Stories about Paul Sharits. *A cinema studies page turner, one section of
this book features oral histories of the colorful artist, many of which
come from artists of their own renown such as Carolee Schneemann, Robert
Longo and Tony Conrad. The other section offers all of Sharits' available
writings, many of them—including letters to Stan Brakhage and Henry Holmes
Smith--previously unpublished. Here, Sharits reveals a subtle intellect not
usually associated with a man of such flamboyance. This double-faceted
volume presents a vivid and sometimes contradictory picture of Paul Sharits
and lives up to its description as “the definitive collection.” (Bruce
McClure).

Sarah Markgraf, the editor, is Professor of Cinema Studies at Bergen
Comunity College in New Jersey. Her writing has appeared in *Millennium
Film Journal,* *Afterimage*, *Film Quarterly*, and *Metaphor and Symbol*.


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*for more film content!*


The Film-Makers' Cooperative is made possible by the New York State Council
on the Arts with the support of Governor Andrew M. Cuomo and the New York
State Legislature, and also by the New York City Department of Cultural
Affairs.

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Film Coop
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New York, New York 10016

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Filmography <http://matthewrobertcarlson.com>/ BLVD
<http://boulevardfilmfestival.org>
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