, Kajtek Zedd;* Thus Spake Zarathustra* starring Nick
> Zedd, Rev Pat Moonblood, Saint Rev Jen;* Paintings 2009-11, No Plague
> Like Home* starring Saint Rev Jen, Vox;* Demonic Sweaters* starring Gio
> Guzman, Diriak Romay, Jose Luis Cruz, Ivania, Odiosa Athena, Zerak Zedd;
> Admission $10
>
> 7/16
> Montreal, Quebec h2x2v1: *Cinema Excentris*
> 9 PM, 3536 St-Laurent
> *VISIONS 16.07.15 = ROBERT TODD | SHORTS*
> VISIONS en collaboration avec Double Negative Collective présente LA
> POETIQUE DE L'ESPACE : LES FILMS DE ROBERT TODD (16mm, 70mins) 16.07.15 |
> 21h | Cinema Excentris | En présence du cinéaste | Filmmaker present copies
> 16mm | 16mm prints sans dialogues | no dialogue "A specialist in lyrical
> 16mm filmmaking as well as a sound and visual artist, Robert Todd
> continually produces short works that resist categorization." « Spécialiste
> de la réalisation de films lyriques tournés en 16mm et artiste en arts
> sonores et visuels, Robert Todd réalise incessamment de courts films qui
> résistent à toute catégorisation. »
>
> 7/16
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3=ba66f0bd38=4e65756555>
> 6:15 pm, New York, NY.
> *ICP: BARR/GIBBONS/AUDER PROGRAM*
> Given the blatant parallels between voyeurism and the cinema, it is no
> surprise that artists have used it as a point of departure for works that
> can be in turn hilarious and sobering. Burt Bar’s THE WOMAN NEXT DOOR
> utilizes refined shots, minimal dialogue, and an ambient soundtrack to
> create a stripped-down examination of isolation and voyeurism as we follow
> a man’s evolution from curious neighbor to a full-fledged voyeur. Barr
> explains, “The man’s life is so restrictive, that every sound she makes,
> every glimpse of her becomes a monumental event.” The title reveals the
> basic premise for Joe Gibbons’s SPYING, a brilliant and perverse work
> described by J. Hoberman as, “An exercise in applied voyeurism – a
> hilariously perverse MAN WITH A MOVIE CAMERA.” Michel Auder’s THE
> CONVERSATION, BROOKLYN finds him eavesdropping on two women as they talk
> about their lives, sex, drugs, motherhood, and more. Auder has said, “That
> really might be the most transgressive video I ever made because you really
> see those two young women talking…. They are about to be women, and they
> are talking right there on my stoop and I can hear them from my studio and
> I just put my camera out and it just happened.” Burt Barr THE WOMAN NEXT
> DOOR (1984, 19 min, video) Joe Gibbons SPYING (1977-78, 31.5 min, Super
> 8mm-to-16mm. Preserved by Bard College with support from the National Film
> Preservation Foundation.) Michel Auder THE CONVERSATION, BROOKLYN (2003, 4
> min, digital) Total running time: ca. 60 min.
>
> *SUNDAY, JULY 17, 2016*
>
> 7/17
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3=fadd9b9e29=4e65756555>
> 8:00 pm, New York, NY.
> *ICP: BARR/GIBBONS/AUDER PROGRAM*
> See notes for July 16, 6:15 pm.
> --
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> -- Forwarded message --
> From: Morgan Hoyle-Combs <mhoyleco...@yahoo.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Cc:
> Date: Sat, 9 Jul 2016 19:52:58 -0700
> Subject: [Frameworks] Rephotographing 16mm
> Hello all,
>
> One of my 16mm films came out a little too dense. It was a Double X roll
> processed as a reversal but the end result was rather dark. There's still
> images but they need to be blown out. Is there a way to rephotograph the
> roll to give it more contrast? Could this be done via optical printer?
>
> Let me know whatever helps!
>
> -Morgan
>
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