links
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** This week [February 14 - 22, 2015] in avant garde cinema
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NEW CALLS FOR ENTRIES:
Newport Beach Film Festival (Newport Beach, California, U.S; Deadline: February
06, 2015)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6981b842d5&e=4e65756555
The Center for Fine Art Photography (Fort Collins, Colorado US; Deadline: March
18, 2015)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5a18d41b53&e=4e65756555
25 FPS Festival (Zagreb, Croatia; Deadline: May 31, 2015)
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Institut des hautes etudes en arts plastiques (Iheap) (New York; Deadline:
March 01, 2015)
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Jacket Video Art Showcase (st augustine, FL, US; Deadline: March 02, 2015)
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=355040fc58&e=4e65756555
Gallery 263 (Cambridge, MA United States; Deadline: March 01, 2015)
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Iowa City International Documentary Film Festival (Iowa City; Deadline:
February 27, 2015)
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DEADLINES APPROACHING:
Multidisciplinary residency art call (Tondela,Viseu,Portugal; Deadline:
February 15, 2015)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f2322199a9&e=4e65756555
Montreal Underground Film Festival (Montreal, QC, Canada; Deadline: February
14, 2015)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f5af1d10bb&e=4e65756555
INTERNATIONAL VIDEO ART REVIEW THE 03 (Krakow, Poland; Deadline: March 01, 2015)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7e14519850&e=4e65756555
artvideoKOELN (Cologne, Germany; Deadline: March 02, 2015)
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ANIMATOR 2015, 8th International Animated Film Festival (Poznan, Poland;
Deadline: March 02, 2015)
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The Center for Fine Art Photography (Fort Collins, Colorado US; Deadline: March
18, 2015)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0d22e83110&e=4e65756555
Institut des hautes etudes en arts plastiques (Iheap) (New York; Deadline:
March 01, 2015)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=61d5927bf9&e=4e65756555
Jacket Video Art Showcase (st augustine, FL, US; Deadline: March 02, 2015)
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b7b6257eb7&e=4e65756555
Gallery 263 (Cambridge, MA United States; Deadline: March 01, 2015)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9334aeeb70&e=4e65756555
Iowa City International Documentary Film Festival (Iowa City; Deadline:
February 27, 2015)
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Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Like A Box of Chocolates: Cinematic Valentines From the Film-Makers'
Cooperative (#anchor1) [February 14, Brooklyn, New York 11237]
* Slow Sun: An Evening of Sound & Film Performances (#anchor2) [February 14,
Los Angeles, California]
* Essential Cinema: Warhol's Blow Job & Eating Too Fast (#anchor3) [February
14, New York, New York]
* Costa Da Morte (#anchor4) [February 14, New York, New York]
* Stephanie Barber: A Folding of Risk and Taker— Daredevils (#anchor5)
[February 14, San Francisco, California]
* Ho Tzu Nyen – the Cloud of Unknowing (#anchor6) [February 14, Toronto,
Ontario, Canada]
* Erc @ 3 Years - the Deadman + Let Me Die A Woman (#anchor7) [February 15,
Austin, Texas 78701]
* More Real Than Reality Itself With A.L. Steiner At Uniondocs (#anchor8)
[February 15, Brooklyn, New York 11211]
* This Sunday! Salad Days: A Decade of Punk In Washington, Dc (1980-90),
Documentary Screening (#anchor9) [February 15, Harrisburg, Pennsylvania 17102]
* Festival of (In)Appropriation #7 (#anchor10) [February 15, Los Angeles,
California]
* The Festival of (In)Appropriation #7 (#anchor11) [February 15, Madison,
Wisconsin]
* Essential Cinema: Kenneth Anger Program (#anchor12) [February 15, New York,
New York]
* Terry Chatkupt, Julie Orser, Marco Rios (#anchor13) [February 15, New York,
New York]
* Let Your Light Shine - Films By Jodie Mack (#anchor14) [February 16,
Cambridge, Massachusetts]
* Costa Da Morte (#anchor15) [February 16, New York, New York]
* Costa Da Morte (#anchor16) [February 16, New York, New York]
* Jefre Cantu-Ledesma W/ Paul Clipson / Gabi / Gdfx / Austin Caesar.
(#anchor17) [February 18, Brooklyn, New York]
* Wie Man Sieht (As You See) -- In Memory of Filmmaker Harun Farocki Screening
6: Bilder Der Welt Und Inschrift Des Krieges (Images of the World and the
Inscription War) (#anchor18) [February 18, Los Angeles, California]
* Three Films By Peter Hutton (#anchor19) [February 18, New York, New York
10002]
* Costa Da Morte (#anchor20) [February 18, New York, New York]
* Robin Deacon: White Balance (#anchor21) [February 19, Chicago, Illinois]
* Costa Da Morte (#anchor22) [February 19, New York, New York]
* Blanca viÑAs & Albert Alcoz Presentan... "La Noche Inventada" (#anchor23)
[February 20, Barcelona, SPAIN]
* Quick Billy (#anchor24) [February 20, New York, New York]
* Inevitability of Forgetting: Films of Lewis Klahr— We Live In Cities and Pass
Through Varied Ambiances… (#anchor25) [February 20, San Francisco, California]
* Essential Cinema: Baillie/Crockwell Program (#anchor26) [February 21, New
York, New York]
* Essential Cinema: Stan Brakhage Program (#anchor27) [February 21, New York,
New York]
* Joe Gibbons Benefit (#anchor28) [February 21, San Francisco, California]
* Sat. 2/21: Joe Gibbons Benefit Screening (#anchor29) [February 21, San
Francisco]
* American Originals Now: Cathy Lee Crane (#anchor30) [February 21, Washington,
DC]
* American Originals Now: Cathy Lee Crane (#anchor31) [February 21, Washington,
DC]
* Essential Cinema: Stan Brakhage Program 2 (#anchor32) [February 22, New York,
New York]
* Essential Cinema: Stan Brakhage's Dog Star Man (#anchor33) [February 22, New
York, New York]
* Space Material/Immaterial Place: Films By Jeremy Moss (#anchor34) [February
22, San Francisco, California]
SATURDAY, FEBRUARY 14, 2015
2/14
Brooklyn, New York 11237: Filmmakers Coop
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=727177f99c&e=4e65756555
7:30pm, Brooklyn Fire Proof, 119 Ingraham St (In the Alley)
LIKE A BOX OF CHOCOLATES: CINEMATIC VALENTINES FROM THE FILM-MAKERS' COOPERATIVE
Valentine's Day treats will be served! Did you know that one of the keywords on
the Coop catalog's search page is "erotic"? Bring your current or prospective
lover(s) for a stimulating selection of search returns, with films by Saul
Levine, Tom Chomont, Jose Rodriguez-Soltero, Bob Cowan, Willard Mass, Walter
Gutman, James Benning and Bette Gordon, Storm de Hirsch and Jerry Abrams.
Something for every sensibility. Program includes: -Jerry Abrams "Lotus Wing"
1968, 16mm, color & b&w, 16.5 min -Bob Cowan "Soul Freeze" 1967, 16mm, b&w, 25
min -Willard Maas "Orgia" 1967. 16mm, color, 12 min -Saul Levine "Note to Poli"
1983, 16mm, color, 2.5 min -Storm de Hirsch "The Tattooed Man" 1969, 16mm,
color, 35 min -Jose Rodriguez-Soltero "Jerovi" 1965, 16m m, color, 11.5 min
-Tom Chomont "Oblivion" 1969, 16mm, color, 4.25 min -James Benning & Bette
Gordon "I-94" 1974, 16mm, color, 3 min -Walter Gutman "Bolex" 1974, 16mm,
color, 12 min Curated by Sasha Janerus Presented in Collaboration:
Millennium Film Workshop and Film-Makers' Cooperative
2/14
Los Angeles, California: Echo Park Film Center
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bb44598c17&e=4e65756555
8pm, 1200 N. Alvarado St. Los Angeles, California 90026
SLOW SUN: AN EVENING OF SOUND & FILM PERFORMANCES
The Echo Park Film Center presents expanded cinema performances by John Davis &
Tooth / Byron Westbrook & Paul Clipson. SLOW SUN presents poetic and
hallucinatory collisions of sound and image in two performances charting the
dynamic trajectories of "visual music" in its transcendental forms. John Davis
is a visual artist and musician. His current work builds on the transcendental
realities of personal poetic filmmaking, while expanding the relationship
between moving image and sound through live performance, collaboration,
experimentation and improvisation. Tooth is an artist that works in film,
sound, performance and other time-based disciplines. His performance work
primarily concerns itself with the phenomenology of trance states and their
function within a collision of cultural, political and personal realities.
Byron Westbrook is an artist and composer working with the dynamic quality of
physical space through site-specific installations and unique listening formats
to
activate architecture and community. Paul Clipson is a San Francisco-based
filmmaker who often collaborates with sound artists and musicians on films,
live performances, and installations.
2/14
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=822f32f023&e=4e65756555
5:15 pm, 32 2nd Ave.
ESSENTIAL CINEMA: WARHOL'S BLOW JOB & EATING TOO FAST
VALENTINE’S DAY DOUBLE-BILL! BLOW JOB 1964, 36 min, 16mm, b&w, silent “Warhol’s
unmoving camera remains focused in close-up on the head of a young man, never
descending below his shoulders to show the sex act advertised by the film’s
title, which is nevertheless legible, in slow motion, in the changing
expressions passing across his face. By wittily restricting what his camera
sees, Warhol frustrates the expectations of porn fans and film censors alike,
while simultaneously implicating both audiences in the same illicit desire.”
–Callie Angell & EATING TOO FAST 1966, 66 min, 16mm, b&w “Also called BLOW JOB
NO. 2, [this] is an ironic remake, with sound, of Warhol’s 1964 minimalist
classic; it is also a stunningly beautiful portrait film. Art critic and writer
Gregory Battcock faces the camera in close-up, determined, it seems, to show
little response to the sex act taking place below the frame. For most of the
first reel, there is no camera movement, no dialogue, and little
perceptible action, until a phone call prompts a humorous downward pan.
Battcock’s animation during this phone conversation is in stark contrast to the
resignation with which he returns to the tedium of sex. The unclimactic second
reel contains many pans and other camera movements, suggesting that this film
may have been intended for double-screen projection.” –Callie Angell
2/14
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=419d3d6fe0&e=4e65756555
7:30 pm, 32 2nd Ave.
COSTA DA MORTE
See notes for Feb. 13, 7:30 pm.
2/14
San Francisco, California: San Francisco Cinematheque
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3dbc95350c&e=4e65756555
7:30pm, Yerba Buena Center for the Arts, 701 Mission Street
STEPHANIE BARBER: A FOLDING OF RISK AND TAKER— DAREDEVILS
Presented in association with the Cinema Department at San Francisco State
University. Deeply philosophical, frequently humorous and deceptively simple in
form, the films, video works, poetry and book projects of Stephanie Barber
operate at the intersections of spoken, written, composed, conversational and
incidental language, reflecting shifting experiential qualities and varying
modes of address. Barber’s feature-length DAREDEVILS (2013) is a three-part
narrative portrait of risk and intimacy, presenting an interview between a
young writer and an admired artist as a reverberating life event and turning
point. Writes Barber, "The classic rising action, climax and denouement are
sculpted, not by cause and effect, but by the subtle movements to and from
understanding that are inherent in conversation. Bubbles of intimacy are blown
and popped, begin to be blown again." Come early (7pm) for a pre-show,
as-you-enter excerpt of I Love You, a Valentine’s Day delight (drawn from
jhana and the rats of james olds) featuring 789 visitors to Barber’s 2011
artist-in-residence project at the Baltimore Museum of Art. Admission: $10
general/ $6 Cinematheque members
2/14
Toronto, Ontario, Canada: Pleasure Dome
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=622d94f039&e=4e65756555
12 — 6 PM, 401 Richmond Street West, Suite 376
HO TZU NYEN – THE CLOUD OF UNKNOWING
Trinity Square Video and Pleasure Dome are pleased to present the Canadian
premiere Ho Tzu Nyen’s immersive and theatrical audio and visual installation
The Cloud of Unknowing (2011, 28 min). Presented for five weeks from February
14 to March 21 ( 12 — 6 PM) The Cloud of Unknowing is titled after a fourteenth
century mystical treatise on faith, where the cloud paradoxically acts as a
metaphor for both an impediment to, and reconciliation with, the unknown or the
divine experience. Shot in a decaying block of vacated apartments in the remote
outskirts of Singapore, The Cloud of Unknowing is fittingly flooded with
ghostly presences. Ethereal clouds infiltrate and invade the homes of the eight
characters, culminating in hysterical confrontations with inscrutable specters.
Each vignette is based on characters drawn from Western European artworks by
such artists as Tintoretto, Caravaggio, Francisco de Zurbarán, Antonio da
Correggio, Giovanni Lorenzo Bernini, and René Magritte, as
well as the Eastern landscapes of Mi Fu and Wen Zhengming. Trailer:
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ffe3a7a9cd&e=4e65756555
SUNDAY, FEBRUARY 15, 2015
2/15
Austin, Texas 78701: Experimental Response Cinema
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a1d859a384&e=4e65756555
5:00pm, Alamo Drafthouse Ritz, 320 E 6th St
ERC @ 3 YEARS - THE DEADMAN + LET ME DIE A WOMAN
Celebrating our third anniversary, Experimental Response Cinema is pleased to
offer its third installment of Avant Erotica, a post-Valentines Day double-shot
hangover remedy of sexual digression, by two leading women director/artists.
Starting off is avant garde artist Peggy Ahwesh's notoriously provocative The
Deadman (1990, 16mm, 39 mins.), made with Keith Sanborn and based on the
transgressive novel by George Bataille, charting "the adventures of a
near-naked heroine who sets in motion a scabrous free-from orgy before
returning to the house to die - a combination of elegance, raunchy defilement
and barbaric splendor." (Jonathan Rosenbaum) Topping off the program is the
1975 feature Let Me Die A Woman (1977, 35mm, 79 mins.) - part documentary, part
exploitation film - profiling the work of "sex reassignment" surgeon Dr. Leo
Wollman and his various transexual patients, directed with equal parts
sensitivity and titillation by low budget sexploitation queen Doris Wishman, who
is arguably the most prolific female filmmaker of the post-silent movie era.
Programmed by Scott Stark. Special thanks to Peggy Ahwesh, the Alamo Drafthouse
at the Ritz, and the American Genre Film Archive! Full program:
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4c786fae3c&e=4e65756555
feb-15th-erc-3-years-the-de adman-let-me-die-a-woman/
2/15
Brooklyn, New York 11211: UnionDocs
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5c8ed3af6c&e=4e65756555
7:30pm, 322 Union Ave
MORE REAL THAN REALITY ITSELF WITH A.L. STEINER AT UNIONDOCS
More Real Than Reality Itself, 2014 USA, 3-channel DV, 54 mins. Political
action, cultural shifts and social revolutions are a continuum of processes,
yet are often framed as a "historical past" with a finite ending; likewise,
"history" is often framed as a competition that produces a series of winners,
losers, victors and victims- events with distinctive successes and failures.
Such frameworks construct deceptive linearities, hierarchies and patriarchies.
This video project explores the term "radical"- how nature, nurture, gender and
heteronormative culture formulate a personal and positional politic. Utilizing
activism as autobiography, this project attempts to delve into the then, how,
why and now of political herstoriographies.
2/15
Harrisburg, Pennsylvania 17102: Moviate
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=56aa3cfbd8&e=4e65756555
7:00pm - 9:00pm, Midtown Cinema, 250 Reily St
THIS SUNDAY! SALAD DAYS: A DECADE OF PUNK IN WASHINGTON, DC (1980-90),
DOCUMENTARY SCREENING
SUNDAY FEBRUARY 15th: "Salad Days: A Decade of Punk in Washington, DC
(1980-90)" "SALAD DAYS: A Decade of Punk in Washington, DC" is a documentary
film that examines the early DIY punk scene in the Nation's Capital. It was a
decade when seminal bands like Bad Brains, Minor Threat, Government Issue,
Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released
their own records and booked their own shows-without major record label
constraints or mainstream media scrutiny. Contextually, it was a cultural
watershed that predated the alternative music explosion of the 1990s (and the
industry's subsequent implosion). Thirty years later, DC's original DIY punk
spirit serves as a reminder of the hopefulness of youth, the power of community
and the strength of conviction..
2/15
Los Angeles, California: Festival of (In)Appropriation
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4e81a6bba8&e=4e65756555
7:30pm, The Egyptian Theater
FESTIVAL OF (IN)APPROPRIATION #7
The Festival of (In)appropriation #7 premieres at Los Angeles Filmforum on
February 15 at 7:30pm at the Egyptian Theater in Hollywood! It then begins its
traveling tour, which starts at Northwest Film Forum in Seattle on March 5. We
are still booking venues, so if you would like to show the new program, let us
know! Here is the lineup: Astro Black: Race for Space by Soda_Jerk (Australia,
digital video, color, sound, 2010, 6:06); Demolished Every Second by John Davis
(US/Tajikistan, 16mm on digital video, color, sound, 2014, 4:25); Sara Nokomis
Weir by Brian L. Frye (US, digital video, color, sound, 2014, 20:00); Lexicon
by Celeste Fichter (US, digital video, color, silent, 2014, 2:36); The Bags,
Probably 1971 by Joshua Yates (US, hand-processed 16mm film on video, black &
white and color, sound, 5:11); No Signal Detected by Péter Lichter (Hungary,
digital video, color, sound, 2013, 2:33); TOHO by Sellotape Cinema (UK, digital
video, color, sound, 2013, 9:30); Nothing by LJ
Frezza (US, digital video, color, sound, 2014, 6:27); Array by Ben Balcom (US,
digital video, color, sound, 2013, 7:18); My clothes were dragging me back by
Maria Magnusson (Sweden, digital video, color, sound, 2012, 4:53); Falling in
Love...with Chris and Greg: Work of Art! Reality TV Special by Chris E. Vargas
and Greg Youmans (US, digital video, color, sound, 2012, 14:00); Iterations by
Gregg Biermann (US, digital video, color, sound, 2014, 5:37). For more details
about the films, check out our website at
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a6f47111cf&e=4e65756555.
We hope to see you at one of our shows! Jaimie Baron, Lauren Berliner and Greg
Cohen The Curators
2/15
Madison, Wisconsin: Filmforum
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c89d560b7b&e=4e65756555
7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.,
THE FESTIVAL OF (IN)APPROPRIATION #7
Los Angeles Premiere! Curators Jaimie Baron and Greg Cohen and filmmaker Maria
Magnusson in person! The Festival of (In)appropriation returns to Filmforum
with its seventh program of cutting-edge experimental found footage shorts.
Whether you call it collage, compilation, found footage, détournement, or
recycled cinema, the incorporation of previously shot materials into new
artworks is a practice that has generated novel juxtapositions of elements
which have produced new meanings and ideas that may not have been intended by
the original makers, that are, in other words “inappropriate.” This year’s show
is curated by Jaimie Baron, Greg Cohen, and Lauren Berliner. Including, among
others, Astro Black: Race for Space by Soda_Jerk; Demolished Every Second by
John Davis; Sara Nokomis Weir, by Brian L. Frye; Lexicon, by Celeste Fichter;
The Bags, Probably 1971 by Joshua Yates; No Signal Detected, by Péter Lichter;
My clothes were dragging me back by Maria Magnusson; Array, by Ben
Balcom ; Iterations by Gregg Biermann; and more! Tickets: $10 general, $6
students/seniors; free for Filmforum members. Available by credit card in
advance from Brown Paper Tickets at
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0cf193d6d6&e=4e65756555
or at the door.
2/15
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8a67b52c53&e=4e65756555
5:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: KENNETH ANGER PROGRAM
FIREWORKS (1947, 15 min, 35mm, b&w) RABBIT’S MOON (1950-70, 15 min, 35mm) EAUX
D’ARTIFICE (1953, 13 min, 16mm) KUSTOM KAR KOMMANDOS (1965, 3 min, 16mm)
SCORPIO RISING (1963, 30 min, 16mm) Poetry, psychodrama, and the occult meet in
these timeless works by one of the pioneers of the American avant-garde film.
Total running time: ca. 80 min.
2/15
New York, New York: Simon Preston Gallery
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=10545db2e1&e=4e65756555
6:30, 301 Broome St.
TERRY CHATKUPT, JULIE ORSER, MARCO RIOS
An evening featuring three Los Angeles based artists, whose work employs
philosophical and material language of cinema. Each artist will show work that
references a specific film bound by shared themes of fear, anxiety & obsession.
Transferase (2011) by Terry Chatkupt; Blood Work (2009), The Viewer (2011) and
Judy’s Nightmare (2014) by Julie Orser; Despair Beyond Despair (2011) and
Seconds Later (2013) by Marco Rios. With reference to Miracle Mile (1988);
Vertigo (1958); The Bird with the Crystal Plumage (1970) and Seconds (1966)
respectively.
MONDAY, FEBRUARY 16, 2015
2/16
Cambridge, Massachusetts: Harvard Film Archive
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ff16203825&e=4e65756555
7pm, 24 Quincy Street
LET YOUR LIGHT SHINE - FILMS BY JODIE MACK
Jodie Mack (b. 1983) is an experimental animator who received her MFA in film,
video and new media from The School of the Art Institute of Chicago in 2007 and
currently teaches animation at Dartmouth College. Combining the formal
techniques and structures of abstract/absolute animation with those of
cinematic genres, her handmade films use collage to explore the relationship
between graphic cinema and storytelling, the tension between form and meaning.
Musical documentary or stroboscopic archive: her films study domestic and
recycled materials to illuminate the elements shared between fine-art
abstraction and mass-produced graphic design. Questioning the role of
decoration in daily life, the works unleash the kinetic energy of overlooked
and wasted objects. $12 Special Event Tickets - Jodie Mack in person New Fancy
Foils Paper sample books discarded and dumpstered by long-gone businesses
undergo a series of sequential experiments in pattern, rhythm, color, and
text(ure). A
call and response of flickering and lingering, this catalog of catalogs
remembers a tactile economy. US 2013, 16mm, color, silent, 12.5 min Undertone
Overture A study of tie dye swims out to the cosmos and back again. US 2013,
16mm, color, 10.5 min Dusty Stacks of Mom: the Poster Project Interweaving the
forms of personal filmmaking, abstract animation and the rock opera, this
animated musical documentary examines the rise and fall of a nearly-defunct
poster and postcard wholesale business; the changing role of physical objects
and virtual data in commerce; and the division (or lack of) between abstraction
in fine art and psychedelic kitsch. Using alternate lyrics as voice over
narration, the piece adopts the form of a popular rock album reinterpreted as a
cine-performance. US 2013, live performance with 16mm, color, 41 min Glistening
Thrills A shiny otherworld of holographic reverie pairs dollar store gift bags
and haunting resound, unfolding an effervescent melancholy in
three parts. Featuring compositions for bowed vibraphone by Elliot Cole. US
2013, 16mm, color, 8 min Let Your Light Shine The ultimate photo-kinetic
stroboscopic spectacle for spectacles. Requires prismatic glasses which will be
provided. US 2013, 16mm, color & b/w, 3 min
2/16
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=88b5c28b4a&e=4e65756555
7:30 pm, 32 2nd Ave.
COSTA DA MORTE
See notes for Feb. 13, 7:30 pm.
2/16
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7ba5b01e06&e=4e65756555
7:30 pm, 32 2nd Ave.
COSTA DA MORTE
See notes for Feb. 13, 7:30 pm.
WEDNESDAY, FEBRUARY 18, 2015
2/18
Brooklyn, New York: Baby's All Right
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=59a75b81d3&e=4e65756555
8pm, 146 Broadway, Brooklyn, NY 11211
JEFRE CANTU-LEDESMA W/ PAUL CLIPSON / GABI / GDFX / AUSTIN CAESAR.
Jefre Cantu-Ledesma celebrates the release of his album, A Year With 13 Moons,
at Baby’s All Right, alongside performances by GABI, GDFX, and Austin Caesar.
16mm film by Paul Clipson with Jefre's sound performance.
2/18
Los Angeles, California: Filmforum
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7e17337819&e=4e65756555
7:30 pm, Goethe-Institut Los Angeles, 5750 Wilshire Blvd. Suite 100
WIE MAN SIEHT (AS YOU SEE) -- IN MEMORY OF FILMMAKER HARUN FAROCKI SCREENING 6:
BILDER DER WELT UND INSCHRIFT DES KRIEGES (IMAGES OF THE WORLD AND THE
INSCRIPTION WAR)
Harun Farocki – the director whose perspicacious cinematic essays analyzed the
new media world – died in July 2014. With his radical way of looking at things
Farocki strove to endow images with their own form of self-will, to expose
their political and cultural coding. Farocki lived and worked in Berlin as a
filmmaker, artist and writer. His essay and observational films question the
production and perception of images, decoding film as a medium and examining
how audiovisual culture is related to history, politics, technology and war.
Tonight: Bilder der Welt und Inschrift des Krieges (Images of the world and the
Inscription War) (1988, 75 min., color and b/w, German with English subtitles.
Digital.) All films in this series are in German with English Subtitles, unless
otherwise noted. For more event information: i...@losangeles.goethe.org, or +1
323 5253388
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d9ed95c031&e=4e65756555
Tickets: Free, but please RSVP due to limited seating, by email to
r...@losangeles.goethe.org or the 323.525.3388
2/18
New York, New York 10002: Miguel Abreu Gallery
7:00pm, 36 Orchard St
THREE FILMS BY PETER HUTTON
A screening in conjunction with the exhibition James Benning & Peter Hutton:
Nature is a Discipline at Miguel Abreu Gallery. Three Films by Peter Hutton
Artist in attendance. Free admission. New York Portrait, Chapter 1. Peter
Hutton, 1979, 16 minutes, 16mm, b&w, silent. "Hutton's sketchbook of mid-1970s
New York, edited in three parts over twelve years, is a chronicle of indelible
impressions and an act of urban archeology. The artist evokes the city's
delicate rhythms, tonal contrasts, and shifts of scale." - Joshua Siegel,
Museum of Modern Art Study of a River Peter Hutton, 1997, 16 minutes, 16mm,
b&w, silent Views of the Hudson River at winter, shot over a period of two
years, depicting the unhurried passage of ships up and down the waterway.
Skagafjordur Peter Hutton, 2004, 33 minutes, 16mm, b&w, silent A masterfully
photographed document of Skagafjördur, a bay in northern Iceland situated in a
deep glacial valley, paired with images taken in upstate New York. Followed
by a conversation with exhibition curator Ed Halter. Nature is a Discipline is
on view through March 8. For more information: http://
www.miguelabreugallery.com/
2/18
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=63b1b81c14&e=4e65756555
7:30 pm, 32 2nd Ave.
COSTA DA MORTE
See notes for Feb. 13, 7:30 pm.
THURSDAY, FEBRUARY 19, 2015
2/19
Chicago, Illinois: Conversations at the Edge
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b3f92a7446&e=4e65756555
18:00, Gene Siskel Film Center, 164 N. State
ROBIN DEACON: WHITE BALANCE
Acclaimed artist and filmmaker Robin Deacon presents a stirring performance on
the history and aesthetics of video. The title White Balance refers to the
process by which a video camera is adjusted to account for differences in
light. For Deacon, this process also suggests video’s capability to convey “a
truer sense of what is being seen.” Using a series of outmoded video cameras
and discarded tape formats, Deacon weaves together autobiography, fiction, and
old recordings—home movies, artists’ tapes, archival TV footage—to explore the
ways seeing and remembering may be transformed by the medium used to capture
the event. 2013–15, US, live performance with analog and digital video, ca 60
min + discussion. Robin Deacon (1973, Eastbourne, UK) is an artist, writer,
filmmaker, and educator currently based in Chicago. His interdisciplinary
practice spans a variety of themes, including explorations of performer
presence and absence, the role of the artist as biographer, and
journalistic approaches to art’s practice. Since the early 1990s, his work has
been presented at conferences and festivals internationally in Europe, US, and
Asia, most recently at the Tate Britain, London (2014) and the Whitney Museum
of American Art, New York (2013). He is an Associate Professor in Performance
at SAIC.
2/19
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d572f29987&e=4e65756555
7:30 pm, 32 2nd Ave.
COSTA DA MORTE
See notes for Feb. 13, 7:30 pm.
FRIDAY, FEBRUARY 20, 2015
2/20
Barcelona, SPAIN: Visionary Film
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f24edabe1b&e=4e65756555
20:30h, Cinema Anèmic. ESPAI ST3. c/ Santa Teresa, 3 Barcelona (Spain)
BLANCA VIÑAS & ALBERT ALCOZ PRESENTAN... "LA NOCHE INVENTADA"
Screening of some individual and collective films done by photographer Blanca
Viñas and filmmaker Albert Alcoz. Documenting natural perspectives through
hypnotic optical treatments and unusual chemical processes both artists use
analogue tools –slides, photographs, super 8 and 16 mm films- as a canvas for
material experimentation. Blanca Viñas:
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6df22ee5a3&e=4e65756555
Albert Alcoz:
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f1855ace2d&e=4e65756555
Cinema Anèmic:
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c9107ef3e3&e=4e65756555
2/20
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=06a60d0a70&e=4e65756555
7:30 pm, 32 2nd Ave.
QUICK BILLY
by Bruce Baillie 1971, 56 min, 16mm Bruce Baillie’s journey through “the dark
wood encountered in the middle of life’s journey” (Dante), with references to
Bardo Thodol. A major work from one of the great poets of cinema. Plus: QUICK
BILLY: SIX ROLLS; 14/41/43/46/47/52 1968-69, 16 min, 16mm Six uncut camera
rolls to be shown with QUICK BILLY. The ‘rolls’ took the form of a
correspondence, or theater, between their author and Stan Brakhage, in the
winter of 1968-69.
2/20
San Francisco, California: San Francisco Cinematheque
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b3dec9769c&e=4e65756555
7:30pm, Artists' Television Access 992 Valencia Street (at 21st Street), San
Francisco, CA 94110
INEVITABILITY OF FORGETTING: FILMS OF LEWIS KLAHR— WE LIVE IN CITIES AND PASS
THROUGH VARIED AMBIANCES…
Working for over three decades, filmmaker Lewis Klahr is known for an extensive
body of films based in collage, associational montage and cut-out animation
grounded in elements of 20th Century popular culture, including advertising
imagery, comic books, catalogs and ephemeral artifacts. In his tales of lost
souls and dreaming drifters, The City looms large as a site of mystery, chance
occurrence, loves lost and found. For this second of two in-person
presentations Klahr presents a unique program of works selected especially for
this screening as prequel and herald to an important new artistic direction.
Featuring Klahr’s newest work, THE OCCIDENTAL HOTEL (2014)—a mash-up of
European street photography and Mexican comic books and an oblique evocation of
urban transience, espionage and the surrealist drift—this program will present
a career-spanning selection of earlier films (1992–2001) derived from the urban
dérive. Notable in this program are a number of early, lesser known
films which combine Klahr’s trademark cutout animation with first-person live
action camera work. Program to include: CITY FILM, a Lower East Side
light-and-color study filmed 1988–92 (and screened as original Kodachome
Super-8); THE APERTURE of GHOSTINGS, a three-part suite (ELSA KIRK, CATHERINE
STREET and CREASED ROBE SMILE) of “hieroglyphic montage,” drawn from
lost-and-found photos, circa 1963; WHIRLIGIGS IN THE LATE AFTERNOON, a personal
love story of the artist’s life in New York City; and GREEN ’62, a portal to an
older New York, conjured from a curved glass restaurant window on the Bowery.
This special once-in-a-lifetime screening—never before presented in this
configuration—will also include additional films by Klahr not in distribution
as well as camera rolls, rushes and other film fragments, anonymous home movies
from the artist’s personal collection and more, all presented with generous
introductions and context. [$10 general/ $5 Cinematheque members]
SATURDAY, FEBRUARY 21, 2015
2/21
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b623b7e5fb&e=4e65756555
5:00 pm, 32 2nd Ave.
ESSENTIAL CINEMA: BAILLIE/CROCKWELL PROGRAM
Bruce Baillie MASS FOR THE DAKOTA SIOUX (1963-64, 20 min, 16mm, b&w) QUIXOTE
(1964-65, 45 min, 16mm) CASTRO STREET (1966, 10 min, 16mm) ALL MY LIFE (1966, 3
min, 16mm) VALENTIN DE LAS SIERRAS (1968, 10 min, 16mm) Meditations on America
by a filmmaker whom Willard van Dyke once called the most American of all
contemporary filmmakers. Annette Michelson has referred to Bruce Baillie as one
of the few American political filmmakers. Douglass Crockwell GLENS FALLS
SEQUENCE (1964, 8 min, 16mm) “The basic idea was to paint continuing pictures
on various layers with plastic paint, adding at times and removing at times,
and to a certain extent these early attempts were successful.” –D.C. Total
running time: ca. 100 min.
2/21
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8820435ccb&e=4e65756555
7:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: STAN BRAKHAGE PROGRAM
Unless otherwise noted, all films are silent. DESISTFILM (1954, 7 min, 16mm,
b&w, sound) REFLECTIONS ON BLACK (1955, 12 min, 16mm, b&w, sound. Preserved by
Anthology Film Archives.) THE WONDER RING (1955, 4 min, 16mm) FLESH OF MORNING
(1956, 25 min, 16mm, b&w) DAYBREAK AND WHITEYE (1957, 8 min, 16mm) WINDOW WATER
BABY MOVING (1959, 12 min, 16mm. Preserved by Anthology Film Archives.) Films
made during the early, “psychodramatic” period of one of modern cinema’s
greatest innovators, including two of his early experiments with sound. Total
running time: ca. 75 minutes.
2/21
San Francisco, California: Other Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=64c6afa4bd&e=4e65756555
8:30, 992 Valencia Street
JOE GIBBONS BENEFIT
The film-art world is in shock to learn of our dear friend Joe’s imprisonment
in Riker’s Island after his two bank robberies/performance pieces. A loose
network of supporters across the country has initiated fund-raising efforts to
assist his legal defense. For the benefit here, we feature his
oh-so-appropriate Confessions of a Sociopath, a 40-min. tell-all that
crystallizes Joe’s kleptomaniacal proclivities. Opening the program are A Time
to Die, Room 1040: San Francisco, and the hilarious first chapter of Emily
Breer’s The Tutor. PLUS updates from a source close to Joe, with rushes from
thee bank film!! $7-100.
2/21
San Francisco: Other Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=88a554edab&e=4e65756555
8:30, 992 Valencia
SAT. 2/21: JOE GIBBONS BENEFIT SCREENING
S.O.S! Other Cinema is opening its Spring 2015 season with a fundraiser for our
old buddy Joe Gibbons, currently rotting away in a New York jail after two bank
robberies. Featured is his legendary tell-all "Confessions of a Sociopath."
Also, "Room 1040 San Francisco", "A Time to Die", et al. Plus updates on Joe's
case from close sources.
2/21
Washington, DC: 1962
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f5c2201a6f&e=4e65756555
2:30 pm, West Building Lecture Hall
AMERICAN ORIGINALS NOW: CATHY LEE CRANE
Short Film Selection, 1994 – 2010 February 21 at 2:30 West Building Lecture
Hall Cathy Lee Crane in person A selection of Crane’s provocative and lyrical
16 mm short films spanning the last twenty years includes White City (1994),
Not for Nothin’ (1996), Sketches after Halle (1997), The Girl from Marseilles
(2000), Adrift (2009), and On the Line (2010). (Total running time
approximately 86 minutes) --------------- Pasolini’s Last Words followed by
excerpts from The Manhattan Front (work in progress) February 22 at 4:00 West
Building Lecture Hall Cathy Lee Crane in person Combining staged and archival
material, Pasolini’s Last Words considers the controversial Italian
filmmaker/writer’s brutal murder in 1975 alongside the texts he published or
left unfinished during his last year. The film enjoyed its world premier as a
“gem of world cinema” at the Festival du Nouveau Cinema in Montreal and went on
to be part of major Pasolini retrospectives at the British Film Institute in
London and the Cinémathèque Française in Paris last year. (2012, 60 minutes)
Crane’s current project, The Manhattan Front, explores United States
involvement in World War I during the period of its neutrality. In an attempt
to reveal the untold stories of how this war was waged in and through the New
York harbor, the film looks at several issues, particularly the intrigue
surrounding the production and export of American munitions. (Approximately 20
minutes)
2/21
Washington, DC: National Gallery of Art
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=be5823944d&e=4e65756555
2:30, West Building Lecture Hall
AMERICAN ORIGINALS NOW: CATHY LEE CRANE
Cathy Lee Crane in person A selection of Crane’s provocative and lyrical 16 mm
short films spanning the last twenty years includes White City (1994), Not for
Nothin’ (1996), Sketches after Halle (1997), The Girl from Marseilles (2000),
Adrift (2009), and On the Line (2010). (Total running time approximately 86
minutes)
SUNDAY, FEBRUARY 22, 2015
2/22
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=dffc057cf4&e=4e65756555
5:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: STAN BRAKHAGE PROGRAM 2
Unless otherwise noted, all films are silent. ANTICIPATION OF THE NIGHT (1958,
40 min, 16mm. Preserved by Anthology Film Archives.) CAT’S CRADLE (1959, 6 min,
16mm) SIRIUS REMEMBERED (1959, 12 min, 16mm) THE DEAD (1960, 11 min, 16mm)
MOTHLIGHT (1963, 4 min, 16mm. Preserved by Anthology Film Archives.) BLUE MOSES
(1963, 11 min, 16mm, b&w, sound) With ANTICIPATION OF THE NIGHT, Brakhage
leaves psychodrama and enters the “closed-eye vision” period. This program also
contains a unique example of a film made without a camera, MOTHLIGHT, and one
of Brakhage’s few sound (and ‘acted’) films, BLUE MOSES. Total running time:
ca. 90 min.
2/22
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fe565ecb2c&e=4e65756555
7:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: STAN BRAKHAGE'S DOG STAR MAN
by Stan Brakhage 1961-64, 74 min, 16mm, silent Share + Film Notes A masterwork
in which all of Brakhage’s techniques achieve a complex synthesis to produce
one of cinema’s supreme epic poems. "The film breathes and is an organic and
surging thing" it is a colossal lyrical adventure-dance of image in every
variation of color.” –Michael McClure, ARTFORUM
2/22
San Francisco, California: San Francisco Cinematheque
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4acfb5a45d&e=4e65756555
7:30pm, 992 Valencia Street
SPACE MATERIAL/IMMATERIAL PLACE: FILMS BY JEREMY MOSS
Working in a number of intersecting and overlapping genres—including dance
film, speculative essay and rich alchemical, film emulsion-based
abstraction—the film/video work of Pennsylvania-based filmmaker Jeremy Moss
explores and interrogates bodies, identities and places shaped by rigid
boundaries and porous peripheries. His films incorporate intricate and direct
camera work that often emulates (only to subvert and deconstruct) such strict
structures. A featured artist in Cinematheque’s CROSSROADS festival in 2013 and
’14, Moss appears in person to present a complete program (including local
premieres) of his innovative body of work. THE BLUE RECORD—made with Erik
Anderson—is a harrowing meditation on ruin-gazing, panoptic oppression and the
experience of destruction as an aesthetic pleasure. THE SIGHT and CICATRIX
(both created at Ontario’s famed Independent Imaging Retreat—aka “Film Farm”)
ooze, bubble and rip with emulsive creationist impulses, while THOSE INESCAPABLE
SILVERS OF CELLULOID, an earlier contemplation of ideology and place, brings a
prophet’s omniscient and culpable gaze to a desolate desert landscape of
detritus and destruction. This program also includes a trio of Moss’ incredible
dance films—CHROMA, *(un)tethered* and THAT DIZZYING CREST, each made in
collaboration with choreographer Pamela Vail. Colliding movement and place,
fused with masterful filmic form, these works create immersive new realms for
the moving figure and offer tantalizing contributions to this rich, if
neglected, film genre. Jeremy Moss in person. Admission: $10 general/ $5
Cinematheque members.
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