Re: [h-cost] bodice fit question

2005-07-29 Thread michaela
> I have made several fitted bodices over the years of this type and
> always have the same problem. Unless I use a shaped center back seam,
> the bodice gaps at the center back neckline and sometimes at the center
> back waist. I have very pronounced shoulder blades and a sway back.
> If I want to have a center back seam, then I can eliminate the gapping.
> But if I do not (for some reason) want a c/b seam, is there some fitting
> technique I am missing?

The only way I can get a flat back panel is when I'm using a raglan sleeve
construction and my neckline is quite low:
http://costumes.glittersweet.com/sca/kampfrau.htm
http://costumes.glittersweet.com/sca/beham.htm
http://costumes.glittersweet.com/sca/annameyer.htm
http://costumes.glittersweet.com/sca/1560.htm this one does have a centre
back seam because of contraints in cutting (one blanket for the dress.) The
lining and inteerlining however are one piece each.

(I do have drafted patterns of each of these, they just aren't online yet.)

My curve occurs above the shoulder blades (yay for genetics and
prednisone;) )

Luckily the raglan sleeve construction works for this place and time as I
have not seen a centre back seam on German dress of this era. If anyone has
seen one please forward the address to me as it would ease my mind as I do
have a centre back seam on two of them;)

I drafted my original pattern by pinning the fabric to my dress form in a
straight line down the centre back. I used my hand to smooth the fabric
around to the sides and pinned where the side seam would be (pins folloing
the direction of the seam.)

In shaping the piece it does depend on where you start with the smoothing
and where you direct the fabric to, especially with a pronounced curve.

You can also lower the back neckline a bit to account for individual shapes.
It might make the drafting a bit easier too.

You could also make the side back seams curved or make the angles different
for each. So you'd pin the fabric at centre back and possibly pin the side
panels in place then take fabric from the side edges of the centre back
panel.


Thing is, if you are achieving a  good comfortable fit with what you are
doing, just treat other ideas as experimentation.

michaela de bruce
http://glittersweet.com



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Re: [h-cost] French hood gold

2005-07-29 Thread Judy Mitchell

Elizabeth Young wrote:
or you might try wooden skewers (like for kebabs). They are longer than 
matchsticks or toothpicks and might be easier to hang on to. 


	true, but depending on how much fabric you have to take up, the 
diameter is not big enough. That's why (after tons of calculations) I 
went with the 1/4" dowels. I had to involve a certain amount in the 
ruffle depth (think pleating depth). The gather thread allowed me to 
pull it in to fit the edge it was being attached to.


-Judy
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Re: [h-cost] French hood gold

2005-07-29 Thread Judy Mitchell

Chris wrote:

What a great idea!!!  Thank you so much for sharing Judy.


	no problem. Luckily there was a diagram in one of my Danish costuming 
books! Only trick is: make sure the dowels are longer than the width of 
the frame, that way when you wind the fabric over and under them you can 
pull them taut against the frame. Just don't leave it out to dry 
somewhere where a cat can investigate! 


-Judy Mitchell
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RE: [h-cost] Re: everything - newbie delurking

2005-07-29 Thread Betsy Marshal


-Original Message-

 
Two books I have been resourcing from (in addition to the multitude of web
pages out there!) are "Medieval Costume in England and France: the 13th,
14th, and 15th Centuries" by Mary Houston, and "Medieval Costume and How to
Recreate It" by Dorothy Hartley. Any opinions on these two books? 
[Betsy Marshal] 
Sorry to be late getting back on this! I recently acquired the Hartley book,
and most of her reconstructed examples appear to be from theater/stage
designs, so be aware that the appearance may be close to some of the
manuscript illos, but the pattern/detail drawings are aimed at getting the
"Look" as simply as possible. 
The original was published in 1931, so does not include the last 70 years of
improved research and recent finds.
That being said, if you want a decent appearance of medieval garb, you could
do worse than to follow some of her examples- (N*rris leaps to mind.) most
of the construction is rectangular, rather than fitted, and so will suit
many body types over a wider range of size fluctuations than the closely
fitted styles of later years.
I hope this has been some help, Betsy
(Planning at least one of Hartley's clerk's (over)robes for Pennsic- some of
us Ansteorrans get a mite chilled that far north!)


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RE: [h-cost] bodice fit question

2005-07-29 Thread otsisto
Your welcome. I love her work as well.
 I am not Deredere, I go by De because people have problems pronouncing and
spelling my birth name. And since it isn't Debbie, Deloris,..(the norm) etc
I choose using De instead of Dee. :)

De
aka: D'Lisa

-Original Message-
Hi Deredere,
This is fabulous work she has done on her costumes, gosh i drolled of  her
renaissance dresses.
Thanks for sharing the link

Bjarne


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Re: [h-cost] Bran

2005-07-29 Thread Carolyn Kayta Barrows



Is bran a generic term used to refer grain of various types or is it a
specific grain type?


Bran is grain husks, not whole grain.  Health food stores and Organic 
groceries will carry it.



The context is that the dolls' cloth or leather bodies were filled with
bran or sawdust.  While I can get the sawdust, right at the moment I
don't have the quanity I need for the several dolls I'm putting
together in the next two weeks.


Coarse sawdust can usually be gotten in the pet department, as cage-bottom 
stuff for birds or small animals.  Also there's a brand of kitty litter 
that's compressed sawdust pellets, and crumbles down into very fine 
sawdust.  The rest of the bag will be very good for kitty litter (it's what 
our cats use).



and to add costume content, I making making several historical outfits
for these dolls, from an 1503 Spanish gown, 1530's German, 1550 English
and 1570's Italian for just a few of them.


I'm all inspired now.  I'd been trying to use wool for stuffing, and it 
wasn't working well.


   CarolynKayta Barrows
dollmaker, fibre artist, textillian
 www.FunStuft.com

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Re: [h-cost] French hood gold

2005-07-29 Thread Carolyn Kayta Barrows


or you might try wooden skewers (like for kebabs). They are longer than 
matchsticks or toothpicks and might be easier to hang on to. I think the 
ones I have in a drawer are actually bamboo and were sold in the chinese 
section of some grocery store.


These are bamboo and make nasty splinters, so be careful.


   CarolynKayta Barrows
dollmaker, fibre artist, textillian
 www.FunStuft.com

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Re: [h-cost] bodice fit question

2005-07-29 Thread Bjarne og Leif Drews


You probably have seen this but just in case not,
http://members.fortunecity.com/cadieuxx/florentine.html
she has a contact link.
Hope this helps,
De


Hi Deredere,
This is fabulous work she has done on her costumes, gosh i drolled of  her 
renaissance dresses.

Thanks for sharing the link

Bjarne 



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Re: [h-cost] Bran

2005-07-29 Thread Wendy Colbert
Bran is fed to horse in the form of a mash for a light feeding. You can get 
bran  at a feed store.
Wendy

-Original Message-
From: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
Sent: Jul 29, 2005 1:16 PM
To: [EMAIL PROTECTED]
Subject: Re: [h-cost] Bran


Technically speaking, the bran would have been a waste product left over from 
processing grain. It would be what was left after cleaning and winnowing. It 
wouldn't have been the whole grain (wheat, barley, whatever). I suppose you 
could pop out to the store and buy a box of bran (not bran cereal, just the 
bran) but it would be easier (and less expensive) to go to your local Lowes, 
Home Depot, etc and just ask them if you can have the leavings of their wood 
sawing area. They might look at you a little funny, but I'm sure they'd be 
happy to get rid of it.


Just a thought,

Karen
Seamstrix

-- Alex Doyle <[EMAIL PROTECTED]> wrote:
Hi all, I have a question that is only sort of costume related, but
more of a language question.

Background I'm making a series of dolls as close to 16th century
art/artifacts and records as I can.  My base sources include the basic
doll history books that I am not sure if the authors are British or
American, and therefore I ask this question.

Is bran a generic term used to refer grain of various types or is it a
specific grain type?

The context is that the dolls' cloth or leather bodies were filled with
bran or sawdust.  While I can get the sawdust, right at the moment I
don't have the quanity I need for the several dolls I'm putting
together in the next two weeks.

and to add costume content, I making making several historical outfits
for these dolls, from an 1503 Spanish gown, 1530's German, 1550 English
and 1570's Italian for just a few of them.  

alex



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Re: [h-cost] Bran

2005-07-29 Thread [EMAIL PROTECTED]

Technically speaking, the bran would have been a waste product left over from 
processing grain. It would be what was left after cleaning and winnowing. It 
wouldn't have been the whole grain (wheat, barley, whatever). I suppose you 
could pop out to the store and buy a box of bran (not bran cereal, just the 
bran) but it would be easier (and less expensive) to go to your local Lowes, 
Home Depot, etc and just ask them if you can have the leavings of their wood 
sawing area. They might look at you a little funny, but I'm sure they'd be 
happy to get rid of it.


Just a thought,

Karen
Seamstrix

-- Alex Doyle <[EMAIL PROTECTED]> wrote:
Hi all, I have a question that is only sort of costume related, but
more of a language question.

Background I'm making a series of dolls as close to 16th century
art/artifacts and records as I can.  My base sources include the basic
doll history books that I am not sure if the authors are British or
American, and therefore I ask this question.

Is bran a generic term used to refer grain of various types or is it a
specific grain type?

The context is that the dolls' cloth or leather bodies were filled with
bran or sawdust.  While I can get the sawdust, right at the moment I
don't have the quanity I need for the several dolls I'm putting
together in the next two weeks.

and to add costume content, I making making several historical outfits
for these dolls, from an 1503 Spanish gown, 1530's German, 1550 English
and 1570's Italian for just a few of them.  

alex



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RE: [h-cost] bodice fit question

2005-07-29 Thread otsisto
Have you tried asking on one of these three sites?
[EMAIL PROTECTED]
[EMAIL PROTECTED]
[EMAIL PROTECTED]
There are 4 locations wear the bodice can be seam. Back, side back, front
and side.

You probably have seen this but just in case not,
http://members.fortunecity.com/cadieuxx/florentine.html
she has a contact link.
Hope this helps,
De


-Original Message-

I am making a late 15th century Italian dress, of the fitted bodice,
gathered or pleated skirt, and contrasting sleeves variety (like the
ones described on this website and seen in this painting).
http://www.geocities.com/kamillavh/01.html
http://tinyurl.com/aoyzd (birth of St. John the Baptist by Domenico
Ghirlandaio (particularly the woman reaching out for the baby or the
servant in the red dress and green sleeves)).

I have made several fitted bodices over the years of this type and
always have the same problem. Unless I use a shaped center back seam,
the bodice gaps at the center back neckline and sometimes at the center
back waist. I have very pronounced shoulder blades and a sway back.
If I want to have a center back seam, then I can eliminate the gapping.
But if I do not (for some reason) want a c/b seam, is there some fitting
technique I am missing?

This time, I added a c/b seam to my original draft. I took 2 inches
total from the neckline, tapering to nothing at the level of the bottom
of the armscye, and then an inch from the waist, again tapering to
nothing at the armscye.
This bodice ends just above my natural waist and has a center front
opening. It has slanted side back seams. It is very similar to the
bodice draft seen on Drea's site:
http://costume.dm.net/kirtlepat/kirtlepat.jpg

Thanks
liz young


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[h-cost] Bran

2005-07-29 Thread Alex Doyle
Hi all, I have a question that is only sort of costume related, but
more of a language question.

Background I'm making a series of dolls as close to 16th century
art/artifacts and records as I can.  My base sources include the basic
doll history books that I am not sure if the authors are British or
American, and therefore I ask this question.

Is bran a generic term used to refer grain of various types or is it a
specific grain type?

The context is that the dolls' cloth or leather bodies were filled with
bran or sawdust.  While I can get the sawdust, right at the moment I
don't have the quanity I need for the several dolls I'm putting
together in the next two weeks.

and to add costume content, I making making several historical outfits
for these dolls, from an 1503 Spanish gown, 1530's German, 1550 English
and 1570's Italian for just a few of them.  

alex



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Re: [h-cost] bodice fit question

2005-07-29 Thread Dawn

Elizabeth Young wrote:

 
I have very pronounced shoulder blades and a sway back.
If I want to have a center back seam, then I can eliminate the gapping. 
But if I do not (for some reason) want a c/b seam, is there some fitting 
technique I am missing?


You could try taking darts along the top of the neckline in order to 
produce a curve that fits you, like wise along the waist. Personally, I 
think using the CB seam is going to be the best way to get you a good 
looking fit, even if the style doesn't normally have one, because of 
your unique fitting issues.




Dawn



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Re: [h-cost] bodice fit question

2005-07-29 Thread Sarafina Sinclair
Liz,

I have a sway back as well. I think the answer is using side front seams. All 
of my garb has the back on the straight, both with and without CB seams, and I 
don't have that problem at all. You can use the side front seams to shape the 
bodice to you and eliminate the gapping.

Hope that helps.

Sarafina
--
The Honourable Lady Sarafina Sinclair, CE 
http://ladysarafina.home.att.net 



-- Original message from Elizabeth Young <[EMAIL PROTECTED]>: 
-- 


> I am making a late 15th century Italian dress, of the fitted bodice, 
> gathered or pleated skirt, and contrasting sleeves variety (like the 
> ones described on this website and seen in this painting). 
> http://www.geocities.com/kamillavh/01.html 
> http://tinyurl.com/aoyzd (birth of St. John the Baptist by Domenico 
> Ghirlandaio (particularly the woman reaching out for the baby or the 
> servant in the red dress and green sleeves)). 
> 
> I have made several fitted bodices over the years of this type and 
> always have the same problem. Unless I use a shaped center back seam, 
> the bodice gaps at the center back neckline and sometimes at the center 
> back waist. I have very pronounced shoulder blades and a sway back. 
> If I want to have a center back seam, then I can eliminate the gapping. 
> But if I do not (for some reason) want a c/b seam, is there some fitting 
> technique I am missing? 
> 
> This time, I added a c/b seam to my original draft. I took 2 inches 
> total from the neckline, tapering to nothing at the level of the bottom 
> of the armscye, and then an inch from the waist, again tapering to 
> nothing at the armscye. 
> This bodice ends just above my natural waist and has a center front 
> opening. It has slanted side back seams. It is very similar to the 
> bodice draft seen on Drea's site: 
> http://costume.dm.net/kirtlepat/kirtlepat.jpg 
> 
> Thanks 
> liz young 
> 
> 
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[h-cost] bodice fit question

2005-07-29 Thread Elizabeth Young
I am making a late 15th century Italian dress, of the fitted bodice, 
gathered or pleated skirt, and contrasting sleeves variety (like the 
ones described on this website and seen in this painting).

http://www.geocities.com/kamillavh/01.html
http://tinyurl.com/aoyzd (birth of St. John the Baptist by Domenico 
Ghirlandaio (particularly the woman reaching out for the baby or the 
servant in the red dress and green sleeves)).


I have made several fitted bodices over the years of this type and 
always have the same problem. Unless I use a shaped center back seam, 
the bodice gaps at the center back neckline and sometimes at the center 
back waist. I have very pronounced shoulder blades and a sway back.
If I want to have a center back seam, then I can eliminate the gapping. 
But if I do not (for some reason) want a c/b seam, is there some fitting 
technique I am missing?


This time, I added a c/b seam to my original draft. I took 2 inches 
total from the neckline, tapering to nothing at the level of the bottom 
of the armscye, and then an inch from the waist, again tapering to 
nothing at the armscye.
This bodice ends just above my natural waist and has a center front 
opening. It has slanted side back seams. It is very similar to the 
bodice draft seen on Drea's site:

http://costume.dm.net/kirtlepat/kirtlepat.jpg

Thanks
liz young


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Re: [h-cost] French hood gold

2005-07-29 Thread Elizabeth Young

Kimiko Small wrote:

At 09:23 PM 7/28/2005, you wrote:

Wooden toothpicks would work as well as matchsticks, and are available 
in every supermarket.

  -Helen/Aidan




The only toothpicks I seem to find are the round ones with plasticy 
things on the ends. I will have to see if I can find more square ones. 
Thanks for the suggestion.


Kimiko


or you might try wooden skewers (like for kebabs). They are longer than 
matchsticks or toothpicks and might be easier to hang on to. I think the 
ones I have in a drawer are actually bamboo and were sold in the chinese 
section of some grocery store.


liz young

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Re: [h-cost] Re: Byzantine women's clothing

2005-07-29 Thread eirenetz
Yeah, Levanita is good, but earlier than the 14th century. I'm on the road this 
week, but I'll take a look at my resources and see what I can find early next 
week. 
--
Eirene Tzimiskina Kontostephanina


> I apologize if someone else has already posted this -- I'm a little behind  
> on my e-mails -- but I liked the Levantia website: _www.levantia.com/au_ 
> (http://www.levantia.com/au) . I think they're a  little bit earlier than 
> 14th 
> Century, but it's somewhere to  start. I acquired a bunch of references for 
> Byzantium recently by  pestering this list, but as I was researching an 
> earlier 
> period, most of them  probably won't apply. I'll look through my list of 
> references 
> again and see if I  have anything you'd want.
>  
> Tea Rose
> 
> From: Lynda  Boots <[EMAIL PROTECTED]>
> Subject: [h-cost] Byzantium women's  clothing
> 
> Hi,
> 
> I'm helping a friend research women's apparel in  14th
> C. Byzantium.  Anything not ecclesiastical or for a
> coronation  would be appreciated.
> 
> Thanks.
> 
> Lynda
> 
> 
> 
> 
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Re: [h-cost] French hood gold

2005-07-29 Thread Chris
What a great idea!!!  Thank you so much for sharing Judy.
 
Chris G.

Judy Mitchell <[EMAIL PROTECTED]> wrote:
Kimiko Small wrote:
> That's an interesting low-tech way to pleat things. Thanks for sharing 
> that. I will see if I can find appropriate matches (I don't think 
> matchbook types would work.)
> 

Matches might be too small. When I made my Danish day dress (which has 
a tulle cap with a ruffle pleated this way), I made a long frame sorta 
like a picture frame and cut a bunch of 1/4" wood dowels. I wanted to 
use straws, but they weren't sturdy enough. then with the tulle wet I 
anchored one end to the frame and wound it over a stick on top of the 
frame, then under a stick beneath the frame, then over a stick on top of 
the frame... until the length of the ruffle was all wound in and then I 
let it dry. After it's dry and you take it off the dowels, you can 
gather it in a little tighter (assuming you ran a gather thread before 
you started pleating) to fit along the edge you need. Apparently this 
was the method used at least in the 1860s for ruffling.



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Re: [h-cost] French hood gold

2005-07-29 Thread Judy Mitchell

Kimiko Small wrote:
That's an interesting low-tech way to pleat things. Thanks for sharing 
that. I will see if I can find appropriate matches (I don't think 
matchbook types would work.)




	Matches might be too small. When I made my Danish day dress (which has 
a tulle cap with a ruffle pleated this way), I made a long frame sorta 
like a picture frame and cut a bunch of 1/4" wood dowels. I wanted to 
use straws, but they weren't sturdy enough. then with the tulle wet I 
anchored one end to the frame and wound it over a stick on top of the 
frame, then under a stick beneath the frame, then over a stick on top of 
the frame... until the length of the ruffle was all wound in and then I 
let it dry. After it's dry and you take it off the dowels, you can 
gather it in a little tighter (assuming you ran a gather thread before 
you started pleating) to fit along the edge you need. Apparently this 
was the method used at least in the 1860s for ruffling.


 -Judy Mitchell
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Re: [h-cost] No Subject

2005-07-29 Thread Kate M Bunting
I think the fashion for piling stuff on your hat came later than the 
Renaissance. For straw hats, just a simple hatband would be appropriate.
 
Kate Bunting
Librarian and 17th century reenactor

>>> [EMAIL PROTECTED] 29/07/2005 00:19 >>>

I'm interested too...but for Renaissance.  We see beautifully decorated hats at 
Ren Faires, but I don't think I've ever seen big decorated straw hats in 
pictures - just plain ones.
Julie

> 
> I made my own hat!
> I took an old hat made out of straw bands and took it appart to make a 
> hat to go with my bustle gown.
> But I was wondering if the purple ribbon would be to colour coordinated.
> Schould I put more stuf on it?
> Like ribbons or flowers?
> The dress is very simple...

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