Re: [h-cost] hair taping

2006-11-16 Thread Melanie Schuessler

Julie wrote:


I wonder if using cotton twill tape instead of satin ribbon would work better.


I agree.  I use grosgrain ribbon--I think the less slippery, the better!

Melanie

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RE: [h-cost] hair taping

2006-11-16 Thread ruthanneb
I'm intrigued by the reference to Elizabeth's second link--I can't find the 
message this clearly refers to, and maybe hair taping would be helpful to me.

In my annual Queen of Yore gig at a Medieval Banquet church fund-raiser, I 
fight with my hair (and lose) every year. The King and I (haha) don't wear 
headdresses--in fact, he won't even consent to a crown but last year acquiesced 
to my proffered filet, another of which I also wore last year to complement 
him. A proper headdress would be nice, but the logistics of the event, from 
dressing space on through chair-to-table distance (our thrones have arms) 
militate against it, as does the King's preference. (The king is a professional 
and known actor, a wonderful personality, and a very overweight man--I think 
his objection to crowns, rings, and other encircling things is a result of this 
last feature, but any of these would encourage me to defer to his strongly 
expressed sentiments.)

I have hip-length hair, basic beige but dramatically going white in streaks. 
What I'd like to do is braid it and coil it over my ears (very yore)--but I 
can't find a reliable way of anchoring the coils. One year in frustration I 
gave up and piled it on top of my head and looped pearls around it; one year I 
just made numerous loops and tied them together above my ears--this looked very 
Heidi, and they flopped like Beagle's ears when I turned my head...Last year I 
had a notion of sewing the nested coils together with gold cord and then 
tieing the cord to the filet, but that was an unmitigated disaster that I 
ripped out with only ten minutes to spare before our grand processional 
entrance, settling for a bun at the nape of the neck plus those trusty pearls.

Can someone direct me to a website or other directions for appropriate and 
manageable Yore Hair? The Burgundy-style gown has a standing collar.

Ever grateful--
Ruth Anne Baumgartner
scholar gypsy and amateur costumer


-Original Message-
From: Elisabeth Doornink [EMAIL PROTECTED]
Sent: Nov 15, 2006 9:00 PM
To: 'Historical Costume' [EMAIL PROTECTED]
Subject: RE: [h-cost] hair taping

I do hair taping just as a modern type hair do, and have found that I either
need to do it when it's wet, or when I've got a bunch of small-ish claw
clips to anchor the hair as I tape it. It's gotten easier and easier as my
hair has grown - a twist of hair reaches from behind one ear over to the
next, and the gravity of the strand helps keep it in place. 

Quia Christus perpetuo regnat, 
Elisabeth

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Julie
Sent: Wednesday, November 15, 2006 4:35 PM
To: [EMAIL PROTECTED]
Subject: [h-cost] hair taping

Sorry getting in the middle of the topic. Have you tried braiding your hair
when wet or with a little gel or mousse? Usually it isn't thick hair that is
the problem but how smooth/slick the strands are.
De
-Original Message-
Hi Elizabeth,

  Yes, I've tried the hair taping (as seen in the second link you gave), and
it will only stay on my head if I then wrap the hair in a kertch. It won't
stay up on its own, and it wouldn't stay stable for a base for the French
hood. Also, it falls apart in the kertch that I wore, and only the wrapping
of the fabric around my head kept it from coming down.

  Maybe it is because I am doing my own hair, it is very thick, and I really
don't do much practice in hair braiding in general. I am not sure what else
to try, so I gladly will accept suggestions.

  Kimiko
-
Maybe it has to do with what you're using for the hair taping.  Usually we
use single faced satin ribbon.  Comes out in a day.  At one fair we were out
of ribbon and so used the lucet braid I had on hand made out of cotton rug
warp.  That hair taping stayed in for 3 days!  I slept with a silk scarf
over it.  It would have stayed UP longer, but there were too many fuzzies
escaping.

I wonder if using cotton twill tape instead of satin ribbon would work
better.

Julie

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Re: [h-cost] hair taping

2006-11-16 Thread Elizabeth Walpole


- Original Message - 
From: [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, November 17, 2006 2:19 AM
Subject: RE: [h-cost] hair taping


I'm intrigued by the reference to Elizabeth's second link--I can't find 
the message this clearly refers to, and maybe hair taping would be 
helpful to me.



snip Ever grateful--

Ruth Anne Baumgartner
scholar gypsy and amateur costumer

These are the two links I posted before 
http://www.mfgraffix.com/hird/faoilt/hairtape.html and 
http://katerina.purplefiles.net/garb/hair/Hair%20taping.htm they are both 
different methods of hair taping as seen in 16th century Italian images, but 
it's also a plausible way of anchoring headwear such as French Hoods (which 
is how the discussion came up) You probably couldn't find it because it was 
under the header 'Tudor Tailor - another review' as part of a discussion of 
their method of recreating the French Hood. If you've got a particular time 
period in mind other than 16th century Italy you probably need a hat, but if 
it's just generic 'medjeeval' then this technique using something non-slip 
to hold your hair in place and some decorative ribbon or trim over the top 
could give you a pretty 'olde worlde' look.

Elizabeth

Elizabeth Walpole
Canberra Australia
ewalpole[at]tpg.com.au
http://au.geocities.com/amiperiodornot/

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Re: [h-cost] Questionable color

2006-11-16 Thread Penny Ladnier
Thank you to everyone who answered my question about porpoise skin.  I 
really appreciate your input.


Penny Ladnier,
Owner, The Costume Gallery Websites
www.costumegallery.com
www.costumelibrary.com
www.costumeclassroom.com
www.costumeencyclopedia.com

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Re: [h-cost] Tudor Tailor -- another review

2006-11-16 Thread Kimiko Small
Thanks Melanie for the suggestions. I did part the hair and brush to the sides, 
but that didn't help my hair much. I did not roll the hair, as I was trying for 
the earlier smooth hair style. The idea of sewing the tape to the rest of the 
hair may work, so I will try that and see what happens, along with hair 
products.
   
  Kimiko
  

Melanie Schuessler [EMAIL PROTECTED] wrote:
snip
  This is the method I use. Thanks for the good website ref! Before I do 
the braids, though, I part in the center and roll the front of each side 
like this
http://www.marileecody.com/isabel.jpg
That keeps the front under control, and makes those little rolls along 
the hairline.

My hair does not stay with pins, as it's too slippery (or maybe it's the 
shape of my head!). I have to sew the braids to the hair underneath 
(not just to each other) with ribbon to make it stay.

Kimiko, adding gel or mousse and braiding tightly while wet will help. 
The product will make your hair stick to itself better, and the water 
will keep it all together while you're braiding. Parting it in the 
center and brushing to either side before braiding in two braids will 
also help--that way the hair you're sewing the braids to is going in the 
ear-to-ear direction instead of the forehead-to-nape direction, and the 
braids can't slide down the back of your head once sewn to the rest of 
the hair.

Good luck! If I can do it with my hair (which doesn't like to stay 
_anywhere_), you can too.

Melanie


 
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Re: [h-cost] Re: French Hood (was Tudor Tailor review)

2006-11-16 Thread Kimiko Small
I have plans to do a gathering of images for gabled hoods, which I think 
developed from earlier hoods of the late 1400s. I've been collecting images 
as I can, and when I get time this winter (I hope) I want to get them online. 
My next hood will be the gable, as my group does 1520s events, so the gable is 
a better choice for us.
   
  Kimiko
   
  
Melanie Schuessler [EMAIL PROTECTED] wrote:
   I've always thought that if someone made a timeline of images showing
 how the gable and French hood
 headdresses evolved from earlier fashions, it would help us figure
 out what's under there. But then,
 maybe you would need to know what was under there before you could
 make such a timeline.

A timeline can definitely help. I've developed one for the French hood, 
and from it I can formulate hypotheses about the layers. I haven't done 
the same for the gable, however.

Melanie

 
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Re: [h-cost] Re: French Hood cute portrait repros

2006-11-16 Thread Kimiko Small
Hi E House,
   
  Project Gutenberg is being a pain in showing the image, which it won't allow 
a direct link like that. So, would you mind telling us what it is you are 
referring to,and how we can locate that image, please?
   
  Thanks,
   
  Kimiko

[EMAIL PROTECTED] wrote:
  Or perhaps it would work as the back curve on this:
http://www.gutenberg.org/files/14264/14264-h/images/30ppi/plate53.jpg


 
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