Re: [h-cost] Costume College

2008-07-24 Thread Kathleen Hanrahan

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Maggie wrote:
| It's next weekend! I know I'm going, also LynnD, Regina, and Kimiko. 
Anyone

| else? Maybe we should mark our badges with a big red H, or something.

I'll be there.


Kathleen
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Re: [h-cost] Costume College

2008-07-24 Thread Lynn Downward
Sounds like a plan. We've done that before. I'm also going to wear my GBACG
pin and my CGW ribbon. You'll barely be able to see my name on the nametag.

I know of several people from Northern California and the GBACG who will
attend.

See ya thereQ
LynnD

On Thu, Jul 24, 2008 at 7:20 PM, Maggie <[EMAIL PROTECTED]> wrote:

> It's next weekend! I know I'm going, also LynnD, Regina, and Kimiko. Anyone
> else? Maybe we should mark our badges with a big red H, or something.
>
> MaggiRos
>
> ___
> Maggie Secara
> ~A Compendium of Common Knowledge 1558-1603
> ISBN 978-0-9818401-0-9
> http://elizabethan.org/compendium/paperback.html
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[h-cost] Costume College

2008-07-24 Thread Maggie
It's next weekend! I know I'm going, also LynnD, Regina, and Kimiko. Anyone
else? Maybe we should mark our badges with a big red H, or something.

MaggiRos

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[h-cost] Costume Institute Appointments Update

2008-07-24 Thread Chiara Francesca
Did anyone else get this?

Chiara Francesca


> -Original Message-
> From: Koda, Harold [mailto:[EMAIL PROTECTED]
> Sent: Thursday, July 24, 2008 9:07 AM
> Subject: Costume Institute Appointments Update
> 
> July 24, 2008
> 
> 
> Dear Colleague:
> 
> Since its founding in 1937, The Costume Institute at The Metropolitan
> Museum of Art
> has become an invaluable resource of knowledge to a world-wide
> audience.  In pursuing
> our responsibility to ensure its integrity and preservation for future
> generations, the
> Museum is commencing a detailed survey of the Collection to address
> conservation
> and storage issues.
> 
> Over the next several years until this project is completed,
> appointments in our
> Collection, Conservation, and Library will be limited. In addition,
> while all current
> loan commitments will be fulfilled, a temporary moratorium on loans
> will begin as
> of July 2008.
> 
> We regret any inconvenience this may cause.  Qualified researchers are
> encouraged
> to explore the resources of New York City's other costume institutions
> and libraries including the Metropolitan Museum's Thomas J. Watson
> Library.
> 
> If you have any questions we will be pleased to advise you.  Please
> contact us at
> 212-570-3908. We appreciate your support of what we know will result in
> our ability
> to better serve you and the public at large in the future.
> 
> Sincerely,
> 
> Harold Koda
> Curator in Charge
> The Costume Institute
> 


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Re: [h-cost] Odd outfit

2008-07-24 Thread Frank A Thallas Jr
  In Byz iconography, she is usually shown in a very ornate Byzantine robe
and crowned, much bejeweled, holding a cross (the Orthodox symbol of
martyrdom).  The wheel/sword is not often shown in classic icons.  Her hair
is usually "properly"  covered (you'll see very very little hair on Byz
female saints), though she often wears it in a crispine-type net instead of
under a veil.

Liadain


THL Liadain ni Mhordha OFO
 "You get a wonderful view from the point of no return..."
wildernesse, the Outlands 
http://practical-blackwork.blogspot.com
http://www.flickr.com/photos/liadains_fancies

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Robin Netherton
Sent: Thursday, July 24, 2008 2:35 PM
To: Historical Costume
Subject: Re: [h-cost] Odd outfit

Joan Mielke wrote:
> Robin wrote "...visually to evoke the recognizable and distinctive lines
of
> the sideless surcote, which was tightly associated with Catherine's
> iconographic representation at that time. ...the image has the visual cues
> that signal "Catherine."
>   
> What are the associated images/icons for Catherine for this time period?
I
> was thinking Byzantine Catherine.  Is this the same St. Catherine, or is
> this a different saint?

Catherine of Alexandria, probably the third most popular female saint of the

Middle Ages (after the Virgin and Mary Magdalene). I do not know about 
Byzantine iconography, which tends to differ from Western Christian, but in 
Western art she is typically shown with a crown and/or a wheel and/or a
sword. 
The wheel was the instrument with which she was tortured, and the sword her 
means of martyrdom. As a martyr, she might carry a palm frond. As a virgin 
martyr and princess, she typically has her hair down and is dressed richly,
as 
a queen. She might also be trampling a certain pagan king underfoot.

Some later artists conflated her image with that of Catherine of Siena, and 
thus show Catherine of Alexandria in the "mystic marriage" that is part of 
Catherine of Siena's legend.

--Robin
collector of Catherines

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Re: [h-cost] Odd outfit

2008-07-24 Thread Robin Netherton

Joan Mielke wrote:

Robin wrote "...visually to evoke the recognizable and distinctive lines of
the sideless surcote, which was tightly associated with Catherine's
iconographic representation at that time. ...the image has the visual cues
that signal "Catherine."
  
What are the associated images/icons for Catherine for this time period?  I

was thinking Byzantine Catherine.  Is this the same St. Catherine, or is
this a different saint?


Catherine of Alexandria, probably the third most popular female saint of the 
Middle Ages (after the Virgin and Mary Magdalene). I do not know about 
Byzantine iconography, which tends to differ from Western Christian, but in 
Western art she is typically shown with a crown and/or a wheel and/or a sword. 
The wheel was the instrument with which she was tortured, and the sword her 
means of martyrdom. As a martyr, she might carry a palm frond. As a virgin 
martyr and princess, she typically has her hair down and is dressed richly, as 
a queen. She might also be trampling a certain pagan king underfoot.


Some later artists conflated her image with that of Catherine of Siena, and 
thus show Catherine of Alexandria in the "mystic marriage" that is part of 
Catherine of Siena's legend.


--Robin
collector of Catherines

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Re: [h-cost] Odd outfit

2008-07-24 Thread Joan Mielke

Robin wrote "...visually to evoke the recognizable and distinctive lines of
the sideless surcote, which was tightly associated with Catherine's
iconographic representation at that time. ...the image has the visual cues
that signal "Catherine."
  
What are the associated images/icons for Catherine for this time period?  I
was thinking Byzantine Catherine.  Is this the same St. Catherine, or is
this a different saint?

Joan

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Re: [h-cost] odd outfit

2008-07-24 Thread Frank A Thallas Jr
  Just as an aside, you can't count on no nekkidness for saints - there are
a number of images of the Virgin in the western tradition in which one
breast is bared, a couple of Mary Magdalene in which she wears little more
than hair (and she's always red-headed!) and a couple of the early virgin
saints offering their severed breasts on a platter.
   As a contrast, in classic eastern iconography, the only female saint I
can think of whose hair even SHOWS is Mary of Egypt,  who repented her sins
and ran away into the desert, where she lived naked for 20? 50? years.

Liadain

THL Liadain ni Mhordha OFO
 "You get a wonderful view from the point of no return..."
wildernesse, the Outlands 
http://practical-blackwork.blogspot.com
http://www.flickr.com/photos/liadains_fancies

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Becky Rautine
Sent: Thursday, July 24, 2008 5:20 AM
To: Historical Costume
Subject: Re: [h-cost] odd outfit

>
paint the same color. Also I don't think a saint would be allowed to be
painted without modesty and respect. Cleavage was fine but not uncovered
breasts on a saint.
She is wearing the long sleeves of a shiny material. I'd guess that the side
is made of that same material. The side is plain and not as ornate as the
front.
On this same image, can anyone tell me the meaning of the stones used during
the Byzantine period? I know it has something to do with the Early
Christian/Byzantine church being centered in Constantinople/Istanbul. Most
everything was steeped in meaning or relation to the area. I did research on
this era while in school, but can't remember the specifics of their meaning.
Later times copied the Byzantine styles for elegance and luxury in the use
of jewels.Sincerely, Rebecca Rautine> From: [EMAIL PROTECTED]> To:
[EMAIL PROTECTED]> Date: Wed, 23 Jul 2008 18:50:10 -

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Re: [h-cost] odd outfit

2008-07-24 Thread Robin Netherton

Becky Rautine wrote:

I don't think it is a sideless due to the conformaty of the front. It wouldn't 
lie so snug if not held against her breast. I think the light area is the 
fabric reflecting the light, or just a bad spot in the painting. Paint was 
mixed one area at a time then and it was easy to have inconsistant color 
values. They didn't have Sherman Williams to get a gallon of paint the same 
color. Also I don't think a saint would be allowed to be painted without 
modesty and respect. Cleavage was fine but not uncovered breasts on a saint.


De wasn't suggesting there was no fabric on the sides, or that any skin was 
showing. By "sideless," she was using a shorthand term for "sideless surcote," 
which was a style of overdress rather like an (American) jumper dress, with 
large armholes that reveal a separate dress, typically close-fitted, worn 
beneath it. If this were a real sideless surcote, that would have been the 
underdress showing at the sides. It's clear that the sleeves and the sides are 
of the same fabric.


In this case, as De recognized, this was not a normal sideless surcote. The 
artist used the contemporary style of a front-opening gown and tweaked it 
visually to evoke the recognizable and distinctive lines of the sideless 
surcote, which was tightly associated with Catherine's iconographic 
representation at that time. The resulting (nonexistent) garment makes no 
sense from a construction standpoint (the layering gets all fouled up, and 
it's not clear what parts would be underdress, overdress, or all the same 
layer), but the image has the visual cues that signal "Catherine."


(Can't help you on the Byzantine jewels, sorry, but you might want to post 
that question separately under a new subject line.)


--Robin


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Re: [h-cost] modest

2008-07-24 Thread lauren . walker
The neck-handkerchief of 18th-century women's fashion at some point in the 19th 
began to be called a "modesty piece". The term still gets applied occasionally 
to a triangle of fabric inserted in a low V neckline to conceal the cleavage. 

Lauren

-- Original message -- 
From: "Claire Clarke" <[EMAIL PROTECTED]> 

> Message: 1 
> Date: Sun, 20 Jul 2008 20:30:49 +0200 
> From: "Leif og Bjarne Drews" 
> Subject: [h-cost] modest 
> To: "Historical Costume" 
> Message-ID: <[EMAIL PROTECTED]> 
> Content-Type: text/plain; charset="iso-8859-1" 
> 
> Is there an english term of a piece of clothing called a modest? 
> In a danish inventory there is the term of modester in plural, have never 
> heard that word before. Its inventories from 1720 and 1730. 
> 
> Bjarne 
> 
> You know I'm sure I've heard the term 'modester' in an English costume 
> context, but I really can't think where. It just rings bells. 
> 
> Is it possible the term uses 'mode' in the sense of fashion eg wasn't 
> 'modiste' 
> an 18th term for a women's tailor or seamstress? 
> 
> Claire/Angharad 
> 
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Re: [h-cost] fabric use brainstorming

2008-07-24 Thread Rickard, Patty
You could make little juggling balls, too.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Mary
Sent: Wednesday, July 23, 2008 9:57 PM
To: [EMAIL PROTECTED]
Subject: [h-cost] fabric use brainstorming

> I've been cleaning/reorganizing my sewing area, and
> have found myself
> wondering just how small a piece of fabric is useful

This is why I have a kid. If it's not clothes for her then toys. A friend gave 
us a bunch of bean bags made from many different small bits of odd fabric.

Mary
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Re: [h-cost] odd outfit

2008-07-24 Thread Becky Rautine

I don't think it is a sideless due to the conformaty of the front. It wouldn't 
lie so snug if not held against her breast. I think the light area is the 
fabric reflecting the light, or just a bad spot in the painting. Paint was 
mixed one area at a time then and it was easy to have inconsistant color 
values. They didn't have Sherman Williams to get a gallon of paint the same 
color. Also I don't think a saint would be allowed to be painted without 
modesty and respect. Cleavage was fine but not uncovered breasts on a saint.
She is wearing the long sleeves of a shiny material. I'd guess that the side is 
made of that same material. The side is plain and not as ornate as the front.
On this same image, can anyone tell me the meaning of the stones used during 
the Byzantine period? I know it has something to do with the Early 
Christian/Byzantine church being centered in Constantinople/Istanbul. Most 
everything was steeped in meaning or relation to the area. I did research on 
this era while in school, but can't remember the specifics of their meaning. 
Later times copied the Byzantine styles for elegance and luxury in the use of 
jewels.Sincerely, Rebecca Rautine> From: [EMAIL PROTECTED]> To: [EMAIL 
PROTECTED]> Date: Wed, 23 Jul 2008 18:50:10 -0500> Subject: [h-cost] odd 
outfit> > http://www.artsmia.org/viewer/detail.php?v=12&id=547> At a first 
glance it looks as if St. Catherine is wearing a sideless.> Click on the 
picture to get to the zoom.> Can someone tell me what she is actually wearing?> 
> De> ___> h-costume mailing list> 
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Re: [h-cost] [ h-cost] Renaissance coif or hood

2008-07-24 Thread Becky Rautine

I looked back at the photos. She is wearing a necklace that lies on her chest, 
one that hangs from her shoulders and the girdle. The middle one is the one 
that looks like an office insignia. That's the one I meant. The smaller 
necklace and the insignia one have S on them.Sincerely, Rebecca Rautine> From: 
[EMAIL PROTECTED]> To: [EMAIL PROTECTED]> Date: Wed, 23 Jul 2008 01:44:54 
-0700> Subject: Re: [h-cost] [ h-cost] Renaissance coif or hood> > Belt 
part---> Do you mean girdle? Long necklace-like belt that goes around waist and 
hangs> down center front? > > -Original Message-> From: [EMAIL 
PROTECTED] [mailto:[EMAIL PROTECTED] On> Behalf Of Kate M Bunting> Sent: 
Wednesday, July 23, 2008 1:19 AM> To: [EMAIL PROTECTED]> Subject: Re: [h-cost] 
[ h-cost] Renaissance coif or hood> > > > Becky Rautine wrote:> > > >Sorry, the 
second S is on her large necklace like a baron would wear or an> >official 
ensignia. Are there many portraits where the perso!
 n wears 2> >necklaces? I thought they wore a necklace and the belt-like part 
(I can't> >think of what it's called right now.> > Isn't this the IHS monogram 
which we discussed a couple of months ago? It> was stated that this symbol 
(representing the name of Jesus) was worn in> Protestant countries at this time 
because a crucifix was considered too> Catholic.> > Kate Bunting> Cataloguing & 
Data Quality Librarian,> University of Derby> 
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Re: [h-cost] renaissance headwear

2008-07-24 Thread Becky Rautine

What are the gold parts on your design? It looks ornate so far. Form your past 
work, it will be magnificant. Keep us posted as to it's completion.Sincerely, 
Rebecca Rautine> From: [EMAIL PROTECTED]> To: [EMAIL PROTECTED]> Date: Wed, 23 
Jul 2008 21:14:20 +0200> Subject: [h-cost] renaissance headwear> > I was 
allowed to show my headdress after all, not the pattern til later, but you can 
get an idea how it looks like in shape!> http://www.my-drewscostumes.dk/br.htm> 
I have started the pearl decoration, and it gets quite heavy, so i have 
interlined with a heavy linnen. Its freshwater pearls and gold pearl purl, gold 
spangels for decoration...> > Bjarne> 
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Re: [h-cost] [ h-cost] Renaissance coif or hood

2008-07-24 Thread Becky Rautine

Yes, it's been a while since I did work in the Renaissance era. I know it's not 
a belt but couldn't remember exactly what it was called. It was late and I was 
tired.
I'm starting back into the era. I'm starting a new garb set for an upcoming Ren 
Faire event. I'll have to pull out my books and read up on the ins and outs of 
the period.Sincerely, Rebecca Rautine> From: [EMAIL PROTECTED]> To: [EMAIL 
PROTECTED]> Date: Wed, 23 Jul 2008 01:44:54 -0700> Subject: Re: [h-cost] [ 
h-cost] Renaissance coif or hood> > Belt part---> Do you mean girdle? Long 
necklace-like belt that goes around waist and hangs> down center front? > > 
-Original Message-> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
On> Behalf Of Kate M Bunting> Sent: Wednesday, July 23, 2008 1:19 AM> To: 
[EMAIL PROTECTED]> Subject: Re: [h-cost] [ h-cost] Renaissance coif or hood> > 
> > Becky Rautine wrote:> > > >Sorry, the second S is on her large necklace 
like a baron would wear or an> >official ensignia. Are there many portraits 
where the person wears 2> >necklaces? I thought they wore a necklace and the 
belt-like part (I can't> >think of what !
 it's called right now.> > Isn't this the IHS monogram which we discussed a 
couple of months ago? It> was stated that this symbol (representing the name of 
Jesus) was worn in> Protestant countries at this time because a crucifix was 
considered too> Catholic.> > Kate Bunting> Cataloguing & Data Quality 
Librarian,> University of Derby> 
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Re: [h-cost] modest

2008-07-24 Thread Claire Clarke

Message: 1
Date: Sun, 20 Jul 2008 20:30:49 +0200
From: "Leif og Bjarne Drews" <[EMAIL PROTECTED]>
Subject: [h-cost] modest
To: "Historical Costume" <[EMAIL PROTECTED]>
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset="iso-8859-1"

Is there an english term of a piece of clothing called a modest?
In a danish inventory there is the term of modester in plural, have never 
heard that word before. Its inventories from 1720 and 1730.


Bjarne

You know I'm sure I've heard the term 'modester' in an English costume
context, but I really can't think where. It just rings bells.

Is it possible the term uses 'mode' in the sense of fashion eg wasn't 
'modiste'

an 18th term for a women's tailor or seamstress?

Claire/Angharad 


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