RE: [Hornlist] wraps

2004-07-05 Thread william bamberg
The primary function of this particular orchestra is to support an 
exceptionally talented choral/vocal group.  Independence day usually 
features set pieces that build to a definite climax.  Since we are 
balancing a standard rhythm section of electric guitar, bass drums, and 
keyboards, there are section microphones so a remote sound engineer can 
balance the sound as needed.  Under these conditions, I usually opt to 
have the horn section play smaller horns.  I think smaller horns have 
more tonal flexibility, and harmony work, especially at lower dynamic 
level, can be made to 'sparkle.'

The soprano soloist who did four of the six shows, has a strong local 
following for her operatic virtuosity. Since she is a major attracting 
force, it has become tradition for the orchestra to challenge her to 
reach new highs.  In the US, we actually have two national anthems: 
'America the Beautiful', for the audience to sing, and 'Star Spangled 
Banner', which is traditionally a showpiece for virtuoso performance, 
often reflecting the best of the myriad of cultures that is the United 
States.  For this occasion, we use a set of Chambers model horns that 
epitomize the concept of the 'big' American sound.  There aren't a lot 
of times when playing at this power is acceptable, but this is one, and 
  it warrants a change of equipment to do it.  With all the favorable 
comments we get after the performance, there is a temptation to use the 
big horns all the time, but then it wouldn't be a special treat any more.

Hans wrote on 7/3/2004, 2:18 PM:

  Why you like to play the roof off the place  ? Why are many of you so
  much interested in playing louder than loud ?
 
  Play the anthems  whatever NOBLE, POWERFUL , but never ordinary loud,
  which is disgusting  anti musical, - even in band music.
 
  You are absolutely right complaining against these horrible if not
  idiotic tiny mouth pieces, coming with many band horns ..
 
  -Original Message-
  From: [EMAIL PROTECTED]
  [mailto:[EMAIL PROTECTED] On Behalf
  Of william bamberg
  Sent: Saturday, July 03, 2004 10:11 PM
  To: The Horn List
  Subject: RE: [Hornlist] wraps
 
  It is very common in the US to find young students playing very large
  horns with very small mouthpieces
 
 
The hall will be full with 4000
  people, and we plan to take the roof off the place.
 
  Hans wrote on 7/3/2004, 11:23 AM:
 
   Can you tell me, what you mean playing big ? I thought playing
   beautifully be the target.
  
   ==
  
 
 
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Re: [Hornlist] wraps

2004-07-03 Thread Greg Campbell
Ky Hayes wrote:
I do know that the geyer is a smaller wrap,
The wrap of most Geyer-wrap horns is actually physically larger in 
diameter than Kruspe-wrap horns. This measurement makes essentially no 
difference to the person holding the horn, short or tall.

The bell throat of a Geyer horn is generally smaller. A person with 
small hands may find hand-stopping easier in a smaller bell, but I know 
many small-handed persons who have adapted perfectly well to 
hand-stopping in a larger bell throat.

The only difference in size that might make a big difference to a 
small-handed person is the positioning of the valve levers. While this 
might be worth considering in your purchase, remember that a competent 
repair person can probably *make* any horn easier to hold. There was an 
article in the Horn Call a few years back detailing how Prof. Michelle 
Stebleton at Florida State University was able to have her horn modified 
to play comfortably with her small hands. Bottom line: play the horn 
that make you *sound* the best.


but the kruspe will give a big sound,
If you are inferring that the Yamaha 667 (or any other Geyer-wrap horn) 
won't give a big sound, I have one word: hogwash. Any horn will give you 
as big a sound as you want it to make.

Greg

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Re: [Hornlist] wraps

2004-07-03 Thread william bamberg
If you're a smaller player, and you'll only have one horn for 
everything, you'll probably be best served with a medium bell horn.  The 
smaller size should allow you to choose a horn with good range and 
agility, in exchange for a little overall power.  Try lots of horns, 
even if they're a friend's, until you can clearly sense the trade off 
between bigger horn power, and smaller horn agility.

If you're not already playing on a mouthpiece with a large diameter rim, 
you might consider switching to one.  A large mouthpiece allows using 
more muscle, and will allow a medium throat horn to play big, and with 
better control but, it will take a month to get back, and then exceed, 
your old high register.

Ky Hayes wrote on 7/2/2004, 7:17 PM:

  Hello! I'm new so I thought I'd ask a question. Well, very soon I'll
  be buying a yamaha and I'm caught between the 667 and the 668. The
  question is what are the advantages/disadvantages/differences in the
  geyer and kruspe wrap. I'm a rather short individual w/ small hands so
  I don't want anything that I wouldn't be able to control easy. I do
  know that the geyer is a smaller wrap, but the kruspe will give a big
  sound, so I'll let you guys help me out from there.
 
 
  -Kyle
 
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RE: [Hornlist] wraps

2004-07-03 Thread Hans
Can you tell me, what you mean playing big ? I thought playing
beautifully be the target.

==

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of william bamberg
Sent: Saturday, July 03, 2004 6:04 PM
To: The Horn List
Subject: Re: [Hornlist] wraps


If you're not already playing on a mouthpiece with a large diameter rim,
you might consider switching to one.  A large mouthpiece allows using
more muscle, and will allow a medium throat horn to play big, and with
better control but, it will take a month to get back, and then exceed,
your old high register.



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[Hornlist] wraps

2004-07-03 Thread Ray Sonja Crenshaw
 but the kruspe will give a big sound,

 If you are inferring that the Yamaha 667


Greg,
It would be you who inferred; he would have implied. He implies and, in
guessing his meaning, you infer.

This message brought to you by someone who failed 12th grade English twice.

jrc

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RE: [Hornlist] wraps

2004-07-03 Thread william bamberg
It is very common in the US to find young students playing very large 
horns with very small mouthpieces, often with a rim smaller than 16 mm. 
  At a music festival I helped at recently, here in California, almost 
all the horn players were playing school owned 8Ds.  In this group of 
Orange County middle and high school students, I could find no one with 
a mouthpiece even as big as the Bach 7 that comes with the horn.

I'm probably over reacting, but many of these students had capabilities 
that were seriously frustrated by small mouthpieces that tribal myth had 
convinced them they need to achieve the high register.  I have two of 
them switched to larger mouthpieces from about a month ago, and they 
can't believe how much easier playing has become as they develop 
strength.  A Conn 8D played with a tiny mouthpiece sounds amazingly like 
a flute.

As far as comparing big to beautiful, I'm just leaving to play the first 
two of six 4th of July shows.  This is where I love to play my heavy 
bell Chambers.  We're doing Battle Hymn with full chorus, and Lynette, 
who sings lead for the Pacific Opera, will be doing our special 
arrangement of the National Anthem.  The hall will be full with 4000 
people, and we plan to take the roof off the place.

Hans wrote on 7/3/2004, 11:23 AM:

  Can you tell me, what you mean playing big ? I thought playing
  beautifully be the target.
 
  ==
 
  -Original Message-
  From: [EMAIL PROTECTED]
  [mailto:[EMAIL PROTECTED] On Behalf
  Of william bamberg
  Sent: Saturday, July 03, 2004 6:04 PM
  To: The Horn List
  Subject: Re: [Hornlist] wraps
 
 
  If you're not already playing on a mouthpiece with a large diameter rim,
  you might consider switching to one.  A large mouthpiece allows using
  more muscle, and will allow a medium throat horn to play big, and with
  better control but, it will take a month to get back, and then exceed,
  your old high register.
 
 
 
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RE: [Hornlist] wraps

2004-07-03 Thread Hans
Why you like to play the roof off the place  ? Why are many of you so
much interested in playing louder than loud ? 

Play the anthems  whatever NOBLE, POWERFUL , but never ordinary loud,
which is disgusting  anti musical, - even in band music.

You are absolutely right complaining against these horrible if not
idiotic tiny mouth pieces, coming with many band horns ..

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of william bamberg
Sent: Saturday, July 03, 2004 10:11 PM
To: The Horn List
Subject: RE: [Hornlist] wraps

It is very common in the US to find young students playing very large 
horns with very small mouthpieces


  The hall will be full with 4000 
people, and we plan to take the roof off the place.

Hans wrote on 7/3/2004, 11:23 AM:

  Can you tell me, what you mean playing big ? I thought playing
  beautifully be the target.
 
  ==
 


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[Hornlist] wraps

2004-07-02 Thread Ky Hayes
Hello! I'm new so I thought I'd ask a question. Well, very soon I'll be buying a 
yamaha and I'm caught between the 667 and the 668. The question is what are the 
advantages/disadvantages/differences in the geyer and kruspe wrap. I'm a rather short 
individual w/ small hands so I don't want anything that I wouldn't be able to control 
easy. I do know that the geyer is a smaller wrap, but the kruspe will give a big 
sound, so I'll let you guys help me out from there.


-Kyle

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