Re: [hugin-ptx] How to best shoot and stitch this?

2014-03-04 Thread Terry Duell

Hello Marius,


On Tue, 04 Mar 2014 17:57:03 +1100, Marius Loots mlo...@medic.up.ac.za  
wrote:



My biggest problem was control points. The granite is highly
reflective, which meant that I showed up in each photograph and
control points were added automatically linking up myself in all the
images. The same with all the images engraved in the granite. I have
now retrieved the photos and will gave it another attemp today. Let
you know how it went.



I don't have the same problems with reflections. The really big issue, I  
think, is the size and shape.

The size precludes a normal pano, and the shape precludes a linear pano.

This might be a silly idea, but is there any post processing you can do on  
the images to counter the reflections that will leave detail that CPFind  
can use to get control points? If so, then save your .pto and substitute  
your original filenames and restitch.

Please let us know how you get on with your new attempt.

Cheers,
--
Regards,
Terry Duell

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Re: [hugin-ptx] How to best shoot and stitch this?

2014-03-04 Thread paul womack

Terry Duell wrote:

Hello All,
The attachment shows the Vietnam Veterans Commemorative Walk, in Seymour, 
Victoria.
It is approx. 80-ish metres long, with about 52 glass panels on each side, each 
panel approx 2m high, 1.5m wide.

.
.

Does anyone have any comments on whether a pano might be possible, and any 
ideas on how to tackle it?


It's clearly possible - if nothing else it would be possible, if tedious,
to simply take 52 shots, each centred on a single panel,
pick a single panel as a reference, and correct this panel
to be perfectly proportioned and rectilinear.

http://hugin.sourceforge.net/tutorials/perspective/en.shtml

Then create 52 2-frame panos, each with the reference
panel as one picture, and a fresh picture as the other,
and correct the shot to the reference panel.

Stitch each panorama with the reference panel invisible, and the
panel precisely cropped.

The resulting images will tessalate perfectly.

 BugBear

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Re: [hugin-ptx] How to best shoot and stitch this?

2014-03-04 Thread Marius Loots
Hallo Terry,

Tuesday, March 4, 2014, 10:50:49 AM, you wrote:
 My biggest problem was control points. The granite is highly
 reflective, which meant that I showed up in each photograph and
 control points were added automatically linking up myself in all the
 images. The same with all the images engraved in the granite. I have
 now retrieved the photos and will gave it another attemp today. Let
 you know how it went.


Terry I don't have the same problems with reflections. The really big issue, I
Terry think, is the size and shape.
Terry The size precludes a normal pano, and the shape precludes a linear pano.

Terry This might be a silly idea, but is there any post processing you can do 
on
Terry the images to counter the reflections that will leave detail that CPFind
Terry can use to get control points? If so, then save your .pto and substitute
Terry your original filenames and restitch.
Terry Please let us know how you get on with your new attempt.

I have uploaded my next attempt at:
http://www.flickr.com/photos/marius_loots/12927837453/

One correction, it wasn't my reflection giving so much problems, but
the reflections of trees that are repeated across the whole section.
But, the 2012 version of hugin CPfind deals a lot better with this
than whatever I used with the version current in 2006.

The result is still relatively uneven, even with horisontal and
vertical control points added and correcting for barrel distortion.
The barrel distortion being quite visible in the original images. I
think if one has a tripod and keep the distance from the wall constant
using a tape measure, the results would be a lot better. In the case
of the curved wall one would maybe also keep the angle towards the
panel the same.

I will give it another go, using the various suggestions that has been
made. In summary, I think it would be possible, given a little more
time on the photographs than I took (five minutes for 66 photos of a
50 meter stretch).

Will update on the revised attempts.

Groetnis
 Marius  
 mailto:mlo...@medic.up.ac.za
-- 
add some chaos to your life and put the world in order
http://www.mapungubwe.co.za/
http://www.chaos.co.za/
skype: marius_loots

Hierdie boodskap en aanhangsels is aan 'n vrywaringsklousule 
onderhewig. Volledige besonderhede is by 
www.it.up.ac.za/documentation/governance/disclaimer/ 
beskikbaar.

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Re: [hugin-ptx] How to best shoot and stitch this?

2014-03-04 Thread dgjohnston
My best suggestion would be to make sure that you are always at 90 degree to 
the tangent of the centre point of the section of the wall you're 
photographing. And have lots of overlap so you only use the vertical centr of 
each image. 

Sent from my BlackBerry® wireless handheld

-Original Message-
From: Terry Duell tdu...@iinet.net.au
Sender: hugin-ptx@googlegroups.com
Date: Tue, 04 Mar 2014 16:18:10 
To: hugin-ptx@googlegroups.com
Reply-To: hugin-ptx@googlegroups.com
Subject: Re: [hugin-ptx] How to best shoot and stitch this?

On Tue, 04 Mar 2014 13:25:35 +1100, Terry Duell tdu...@iinet.net.au  
wrote:

[snip]

 Because of the considerable curve of the walk I don't think it is  
 possible to shoot it as a linear pano...i.e. many different camera  
 positions. There is a continual change in Trz value, which is small from  
 one panel to the next and may allow a linear pano stitch of 2 images,  
 each with 2 panels, overlapping one panel for a 3 panel linear stitch,  
 but would I then be able to stitch all these linear panos together?
 One other approach I have pondered on, is to shoot a couple of panels to  
 my right and and a couple to my left and stitch as normal, and make  
 about 12 or 13 of these sub-panos, each with one panel overlap on the  
 ends with the next sub-pano. Then try to stitch these normal sub-panos  
 together using the one panel overlap and do these as linear panos, but  
 I'm not sure that the overlap will be enough.
 So, not really sure if any of the above has any hope of success.

The more I think about this, the more I am convincing myself that none of  
the above can produce a reasonable result.


Cheers,
-- 
Regards,
Terry Duell

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Re: [hugin-ptx] How to best shoot and stitch this?

2014-03-04 Thread Terry Duell

Hello Paul,

On Tue, 04 Mar 2014 20:43:24 +1100, paul womack pwom...@papermule.co.uk  
wrote:





It's clearly possible - if nothing else it would be possible, if tedious,
to simply take 52 shots, each centred on a single panel,
pick a single panel as a reference, and correct this panel
to be perfectly proportioned and rectilinear.

http://hugin.sourceforge.net/tutorials/perspective/en.shtml

Then create 52 2-frame panos, each with the reference
panel as one picture, and a fresh picture as the other,
and correct the shot to the reference panel.

Stitch each panorama with the reference panel invisible, and the
panel precisely cropped.

The resulting images will tessalate perfectly.



Thanks for your thoughts on this.
As you say, possible, but tedious.


Cheers,
--
Regards,
Terry Duell

--
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Re: [hugin-ptx] How to best shoot and stitch this?

2014-03-03 Thread Roger Goodman

Terry,
Have you considered using a flash (or two) to lighten the south 
side panels?  With a bright flash about 2 meters from the camera, you 
should get some good lighting.  Just a thought.

Roger


On 3/3/2014 8:21 PM, Terry Duell wrote:

Hello All,
The attachment shows the Vietnam Veterans Commemorative Walk, in 
Seymour, Victoria.
It is approx. 80-ish metres long, with about 52 glass panels on each 
side, each panel approx 2m high, 1.5m wide.
The panels are etched with images from the war, and the names of all 
the Australian veterans.

Shooting and stitching a pano of each side looks like a tricky project.
The right side of the attached image is roughly north, so shooting the 
south side is always going to present a bit of a problem with the 
light, i.e. the sun is always to the north.
On the north side the panels have much better light, but there is 
vegetation about 4 to 5m from the panels.
Standing on the edge of the vegetation, a 24mm lens (36mm equiv) 
shooting approx normal to the panels gives about 2.5 panel wide coverage.
Does anyone have any comments on whether a pano might be possible, and 
any ideas on how to tackle it?


Cheers,


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Re: [hugin-ptx] How to best shoot and stitch this?

2014-03-03 Thread Terry Duell

Hello Roger,

On Tue, 04 Mar 2014 12:59:08 +1100, Roger Goodman rlgood...@cox.net  
wrote:



Terry,
 Have you considered using a flash (or two) to lighten the south  
side panels?  With a bright flash about 2 meters from the camera, you  
should get some good lighting.  Just a thought.


That's not really the main issue. Perhaps I didn't explain my concerns  
well enough.
For a normal single camera position pano, it isn't possible to find one  
location that will capture the whole length, and provide a good view of  
each the panels on one side of the walk.
Because of the considerable curve of the walk I don't think it is possible  
to shoot it as a linear pano...i.e. many different camera positions. There  
is a continual change in Trz value, which is small from one panel to the  
next and may allow a linear pano stitch of 2 images, each with 2 panels,  
overlapping one panel for a 3 panel linear stitch, but would I then be  
able to stitch all these linear panos together?
One other approach I have pondered on, is to shoot a couple of panels to  
my right and and a couple to my left and stitch as normal, and make about  
12 or 13 of these sub-panos, each with one panel overlap on the ends with  
the next sub-pano. Then try to stitch these normal sub-panos together  
using the one panel overlap and do these as linear panos, but I'm not sure  
that the overlap will be enough.

So, not really sure if any of the above has any hope of success.

Anyone attempted anything similar?

Cheers,
--
Regards,
Terry Duell

--
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http://wiki.panotools.org/Hugin_FAQ
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Re: [hugin-ptx] How to best shoot and stitch this?

2014-03-03 Thread Terry Duell
On Tue, 04 Mar 2014 13:25:35 +1100, Terry Duell tdu...@iinet.net.au  
wrote:


[snip]

Because of the considerable curve of the walk I don't think it is  
possible to shoot it as a linear pano...i.e. many different camera  
positions. There is a continual change in Trz value, which is small from  
one panel to the next and may allow a linear pano stitch of 2 images,  
each with 2 panels, overlapping one panel for a 3 panel linear stitch,  
but would I then be able to stitch all these linear panos together?
One other approach I have pondered on, is to shoot a couple of panels to  
my right and and a couple to my left and stitch as normal, and make  
about 12 or 13 of these sub-panos, each with one panel overlap on the  
ends with the next sub-pano. Then try to stitch these normal sub-panos  
together using the one panel overlap and do these as linear panos, but  
I'm not sure that the overlap will be enough.

So, not really sure if any of the above has any hope of success.


The more I think about this, the more I am convincing myself that none of  
the above can produce a reasonable result.



Cheers,
--
Regards,
Terry Duell

--
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