In an earlier post Robert Krawitz was sharing some nice panoramas he
did:
http://www.google.com/url?sa=D&q=http://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT/1488875261_xzm&usg=AFQjCNEGlfZgOM7TUL0A2Cykj4HW1NPBnw
and
http://www.google.com/url?sa=D&q=http://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT/1079379016_sm6Jy&usg=AFQjCNHnbrlDK8xjM-rtD7prpZGrLPX2pA

and mentioned that he needed to do some "hand adjustments" in Gimp to
correct some stitching problems
It occurred to me, so how do folks do their "hand adjustments?" . . .

I have some images I recently took handheld on a small yacht sailing
in San Francisco Bay. I had to put all the control points on
stationary parts of the boat since anything else was in constant
motion. It has made me want to do more hand blending and masking to
make the (very mismatched) horizon less jarring and to fix a few
things on the boat that moved. I was considering how best to do it.

I have yet to try it, but I was thinking I should output the pano in
two parts to, one with the even images and one with the odd (alternate
source images so there is no image overlap between any of the source
images within each one of the two panos.) My thought is that I can
then combine the two panos as two base layers in a new file to make
the complete combined pano. This will make registering the layers
easier and then I can copy any more desirable part of either of these
two layers to a higher layer for any possibly destructive editing and
adjustment. After that I can just use alpha channels to finalize
blending of the seams. Is this how most people do it? Is there a
better way? Anybody have any helpful thoughts?

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