[lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Jane Partridge
In message 7B98BF86F87D47718178D9A56B2808B8@HomePC, Brian Lemin 
brid...@bigpond.com writes

I want to write an article in favour of restoring antique lace bobbins, but I
am afraid that I might lose too many lovely friends on Arachne if I put it in
writing!


I think bobbins are tools to be used, and there is nothing sadder than 
seeing a display frame of bobbins that will never be used again... so 
restoring them to use is OK - but a record, both in pictures and 
writing, should be kept of what they were like before restoration and 
how they were restored. It goes without saying that any restoration 
should, as far as possible, replace what was there before like for 
like.


A lot may depend on the value of the individual bobbin - to a worker, 
one that's head has broken may be worthless, but to a collector a rare 
bobbin even with a broken head may be priceless, and at the end of the 
day only the owner can decide whether being able to use a tool is more 
important than its sale value.

--
Jane Partridge

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RE: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Karen Zammit Manduca
This is an interesting thread and for once I thought to read all messages
before replying.

I agree with 'restoration' if it is done sensitively, but about use I think
I will have to say that it depends on the individual.
My experience so far has been that I only use my antique wooden bobbins, but
some of the spangles on these have broken through use, meaning they will now
need 'restoration'. Unfortunately I have no way of using the same type of
old wire to redo these spangles. Thankfully they are just old and antique
but not special bobbins. If old wood is used in restoration, as in furniture
restoration, I'm sure it is acceptable. Alternatively, one can 'conserve'
meaning to halt any further deterioration.

As for putting bobbins in a frame. Can I ask if anyone out there has any
ideas on how to do this effectively.
I have quite a collection of antique bone bobbins, and some new ones as
well, but am afraid to use them because here in Malta we have mainly hard
tile floors and only put down carpets and rugs for the 'winter' months (our
winter, not cold winter!). This means that a bone bobbin that falls off the
pillow would most likely break.so that's a definite no-no for me and the
only way of enjoying these bobbins is putting them in a display frame -
better than keeping them in a box in the cupboard.

Karen in Mlata

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[lace] Framing bobbins

2011-01-20 Thread Margot Walker

On 20 Jan 2011, at 07:31, Karen Zammit Manduca wrote:

As for putting bobbins in a frame. Can I ask if anyone out there  
has any

ideas on how to do this effectively.


I have a collection of bobbins that I wanted to display, but I also  
wanted to use them too.  Eventually I bought a spoon collector's  
cabinet at Bombay.  See  http://tinyurl.com/4byj7qs


The slots for the spoons are too wide for my East Midlands bobbins,  
but I've wound them in pairs, using a very short length of thread.   
Then I hang them by having the upside down U made by the thread hang  
over the divider between two slots.  (I hope this is understandable.   
It's easier to do than to write!)  I hung the cabinet on the wall and  
I can open the door and remove any bobbins that I want to use.


Margot Walker in Halifax on the east coast of Canada
Visit the Seaspray Guild of Lacemakers web site:
http://www3.ns.sympatico.ca/quinbot/seaspray/SeasprayLaceGuild.html

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[lace] Restored bobbins

2011-01-20 Thread Dmt11home
Personally, I put my bobbin collection lying flat in a showcase. I also  
have a display table that holds a pillow with an eccentric collection of 
bobbins  displayed on it.
The question of restoration applies not only to bobbins, but to lace as  
well. Modern conservation practice dictates that the restoration be clearly  
distinguishable from the original material, so as to avoid confusion about 
what  is original and what is added. Thus if you take your lace to a 
conservator the  repair will be extremely noticeable, intentionally so. 
However, many 
people,  especially those planning to use lace, would prefer if the repair 
was invisible.  To some extent, I think the issue is whether the item is an 
important historical  piece worthy of putting in a museum, and thus you may 
not want to subject it to  wear and tear, or whether it is just old but 
something you want to use, like a  piece of antique furniture.
Devon

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Re: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Clay Blackwell

Thank you for bringing up this thread, Brian!

Many years ago, I was fortunate to hear a lecture about old bobbins.  
The speaker was Holly VanSciver, and I consider her a knowledgeable and 
sensible resource!  Her advice about restoring bobbins (in response to a 
question from the audience) was that it was fine to do anything to a 
bobbin to make it possible for you to use it, *as long as what you do 
can be undone*!  Therefore, you may re-wire an old bobbin, put new beads 
in the spangle, even replace missing wire and tinsel...  because all of 
this things can be undone.


So that is the approach I have taken with the antiques I have.  I think 
it is important that this be done  for your own use, however.  It would 
be completely wrong to restore a bobbin in this manner and try to pass 
it off (on ebay, for example) as a pristine example, unless you stated 
in the description what had been done to restore it.


Clay

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Re: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread David C COLLYER

Dera Clay and other interested Readers,


 it was fine to do anything to a bobbin to make it possible for you 
to use it, *as long as what you do can be undone*!  Therefore, you 
may re-wire an old bobbin, put new beads in the spangle, even 
replace missing wire and tinsel...  because all of this things can be undone.


That's my philosophy as well. I just adore using my many antique 
bobbins - both bone and wood. You see - and don't tell anyone this - 
but I talk to them all the time. I ask them questions and tell them 
stories. Sometimes I even find myself congratulating them when pairs 
come back together after not having sen each other for some weeks.


Inevitably I find it is the beads that will come adrift. I have no 
qualms at all about re-spangling the bobbin and try to put the beads 
in the same order they were, with a new piece of wire, beading thread 
or fishing line etc. Then it's straight back to work - I'll even 
ensure that particular bobbin becomes a worker because of its misdemeanor - LOL


David in Ballarat

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[lace] Mark's Sweatshirt

2011-01-20 Thread David C COLLYER

Dear friends,
just had to tell you this. Because we're having a relatively mild 
summer - floods and all that - I found myself today wearing the 
sweatshirt which I bought from our own Mark. The slogan across the 
front says Tatting is not a lost art.


Well, a woman who knows me spotted this and said: How could you 
possibly say that? I dutifully explained that Tatting is far from 
lost. Suddenly she burst into fits of laughter. She'd misread the 
slogan and thought it said:


Tatting is not a loss Tart!!!

Thanks Mark

David in Ballarat

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Re: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Malvary J Cole
I have rewired several bobbins where the wire has long since gone to 
wire-heaven.


I'm sure (as Jacquie has also mentioned on several occasions) that the 
spangles we see on old bobbins we buy today are probably not the spangles 
that were on the bobbin when it was new.  Some of those old spangles are 
s big that I and probably others would not find them comfortable to use. 
So, I take off the old beads and use them to respangle the bobbin and save 
the excess to spangle old bobbins which have no beads.


A couple of years ago I bought several old bobbins which had originally had 
pewter inserts, bands, plugs etc.  I took them to a local pewter worker that 
I know and after a very long discussion decided that there was no way that 
new pewter could be added at an even remotely economical method.  Now I have 
to decide what to do - whatever it is will not be even remotely like it was 
originally.  I'd just like to do something with them so that they can be 
used again.


Malvary in Ottawa where the sun is a-shining to welcome the day and it is 
only -14c today. 


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Re: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Clay Blackwell

Well, Malvary...  here's an idea that just popped into my head!

How about you get some colorful FIMO, and work that into the ridges of 
the bands/plugs, and then let it dry.  I think that once it's dry, it's 
fairly durable.  But, if you ever wanted it off, it could be chipped 
out.  If you got two or three nice colors, you could blend them snake- 
wise, so that when you put them in the grooves, you'd have the distinct 
colors.  It could be rather festive!


Let me know if this works!

There's also the silver modeling paste used to make jewelry, but it's 
far more expensive and I've never worked with it.  Don't know if heat is 
required or not.


Clay

On 1/20/2011 9:34 AM, Malvary J Cole wrote:


A couple of years ago I bought several old bobbins which had 
originally had pewter inserts, bands, plugs etc.  I took them to a 
local pewter worker that I know and after a very long discussion 
decided that there was no way that new pewter could be added at an 
even remotely economical method.  Now I have to decide what to do - 
whatever it is will not be even remotely like it was originally.  I'd 
just like to do something with them so that they can be used again.


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Re: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Sue Babbs
A LOT of heat is required to use the silver clay. I went to a workshop in it 
once, and then discovered you would need a min-kiln at least to cook it.



Sue 


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Re: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Clay Blackwell
Well, scratch *that* idea!  But the FIMO drys at room temperature, so 
that could work.


Clay

On 1/20/2011 10:12 AM, Sue Babbs wrote:
A LOT of heat is required to use the silver clay. I went to a workshop 
in it once, and then discovered you would need a min-kiln at least to 
cook it.


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[lace] Re: Mark's Sweatshirt

2011-01-20 Thread Tatman
LOL!!!  Nice to see my logo getting a reaction from the public(misread or
not).  That is too funny.  Thanks :)

-- 
Mark, aka Tatman
website: http://www.tat-man.net
blog: http://tat-man.net/blog
Magic Thread Shop: http://www.tat-man.net/tatterville/tatshop/tatshop.html
email: tat...@tat-man.net
Facebook:  http://www.facebook.com/tatmantats



On 1/20/11 8:05 AM, David C COLLYER dccoll...@ncable.net.au wrote:

 Dear friends,
 just had to tell you this. Because we're having a relatively mild
 summer - floods and all that - I found myself today wearing the
 sweatshirt which I bought from our own Mark. The slogan across the
 front says Tatting is not a lost art.
 
 Well, a woman who knows me spotted this and said: How could you
 possibly say that? I dutifully explained that Tatting is far from
 lost. Suddenly she burst into fits of laughter. She'd misread the
 slogan and thought it said:
 
 Tatting is not a loss Tart!!!
 
 Thanks Mark
 
 David in Ballarat

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Re: [lace] Re: Mark's Sweatshirt

2011-01-20 Thread Barbara Engle
;-
I am not sure who got the bigger kick out of thisDavid, Mark or those of
us on the sidelines.  Falls into the  small world catergory.
 I just love this group!
 Keep it going guys!
Smiles around.
BarbE
Texas







On Thu, Jan 20, 2011 at 11:05 AM, Tatman tat...@tat-man.net wrote:

 LOL!!!  Nice to see my logo getting a reaction from the public(misread or
 not).  That is too funny.  Thanks :)

 --
 Mark, aka Tatman
 website: http://www.tat-man.net
 blog: http://tat-man.net/blog
 Magic Thread Shop: http://www.tat-man.net/tatterville/tatshop/tatshop.html
 email: tat...@tat-man.net
 Facebook:  http://www.facebook.com/tatmantats



 On 1/20/11 8:05 AM, David C COLLYER dccoll...@ncable.net.au wrote:

  Dear friends,
  just had to tell you this. Because we're having a relatively mild
  summer - floods and all that - I found myself today wearing the
  sweatshirt which I bought from our own Mark. The slogan across the
  front says Tatting is not a lost art.
 
  Well, a woman who knows me spotted this and said: How could you
  possibly say that? I dutifully explained that Tatting is far from
  lost. Suddenly she burst into fits of laughter. She'd misread the
  slogan and thought it said:
 
  Tatting is not a loss Tart!!!
 
  Thanks Mark
 
  David in Ballarat

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[lace] Bobbins for Brian?

2011-01-20 Thread Jo
Perhaps someone to contact
http://travelfibreandthread.blogspot.com/2011/01/lacey-update.html

Jo

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RE: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Lorri Ferguson
FIMO, SCULPY and other 'art clays' do need heat to cure or they will stay
'soft'.
However, it is not very much, about 325-350*F I think (the package or booklet
will tell you).
This may or may not damage the bobbin as the time is not very great.
There are some clay products (aimed at children's use) that do dry/cure by
just air in a room.
The problem with these products would be 'shrinkage' of the piece inserted,
which would leave it loose.

I would use the bobbins 'as is' unless they are just to rough and catch on
threads.

Just my humble opinion.  Lorri F



 Well, Malvary... here's an idea that just popped into my head!

 How about you get some colorful FIMO, and work that into the ridges of
 the bands/plugs, and then let it dry. I think that once it's dry, it's
 fairly durable. But, if you ever wanted it off, it could be chipped
 out. If you got two or three nice colors, you could blend them snake-
 wise, so that when you put them in the grooves, you'd have the distinct
 colors. It could be rather festive!

 Let me know if this works!

 There's also the silver modeling paste used to make jewelry, but it's
 far more expensive and I've never worked with it. Don't know if heat is
 required or not.

 Clay

 On 1/20/2011 9:34 AM, Malvary J Cole wrote:
 
  A couple of years ago I bought several old bobbins which had
  originally had pewter inserts, bands, plugs etc. I took them to a
  local pewter worker that I know and after a very long discussion
  decided that there was no way that new pewter could be added at an
  even remotely economical method. Now I have to decide what to do -
  whatever it is will not be even remotely like it was originally. I'd
  just like to do something with them so that they can be used again.

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Re: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Malvary J Cole
I might try one of the products.  For the rings it doesn't matter is they are
a little loose - weren't some of pewter rings were loose weren't they called
'jingles' or similar.  Some of the bobbins have a spiral and general are too
rough to use as they are at the moment.

I've been pondering this for quite a while, so I can ponder a bit longer -
must finish my curtain before I do anything else!

Malvary in Ottawa

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Re: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Malvary J Cole
Boy - I should have proof this message before I sent it. I'll try again so 
it makes sense!


I might try one of the products.  For the rings, it doesn't matter if they 
are
a little loose - weren't some of pewter rings loose and called 'jingles' or 
similar.  Some of the bobbins have a spiral and generally are too rough to 
use as they are at the moment.


I've been pondering this for quite a while, so I can ponder a bit longer - 
must finish my curtain before I do anything else!


Malvary in Ottawa

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RE: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Margery Allcock
There's an interesting new substance called Sugru: http://sugru.com/ and
http://en.wikipedia.org/wiki/Sugru .

Might do the trick ...

Margery.

margerybu...@o2.co.uk in North Hertfordshire, UK



 

 -Original Message-
 From: owner-l...@arachne.com [mailto:owner-l...@arachne.com] 
 On Behalf Of Clay Blackwell
 Sent: Thursday 20 January 2011 14:59
 To: Malvary J Cole; ARACHNE
 Subject: Re: [lace] How do you feel about Restored Bobbins?
 
 Well, Malvary...  here's an idea that just popped into my head!
 
 How about you get some colorful FIMO, and work that into the 
 ridges of 
 the bands/plugs, and then let it dry.  I think that once it's 
 dry, it's 
 fairly durable.  But, if you ever wanted it off, it could be chipped 
 out.  If you got two or three nice colors, you could blend 
 them snake- 
 wise, so that when you put them in the grooves, you'd have 
 the distinct 
 colors.  It could be rather festive!
 
 Let me know if this works!
 
 There's also the silver modeling paste used to make jewelry, but it's 
 far more expensive and I've never worked with it.  Don't know 
 if heat is 
 required or not.
 
 Clay

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[lace] Restoring Bobbins

2011-01-20 Thread Trish Fisher
Hi Fellow Spiders,
 
I am enjoying this thread about the bobbins.I am very much in favor of fixing
bobbins of any age so that they might be used to make lace again! Yes, if they
are antiques they should be restored properly and it should always be noted
when and who did the work.
I've repaired several bobbins that had fairly minor problems. Mostly they were
ones I broke while trying to turn them myself!
 
I also have several broken bobbins that I would love to have restored to
working condition but are beyond my expertise in woodworking. They aren't
antique ones but their original maker, Peter McLeavey of New Zealand no longer
makes bobbins. Reality is that it probably isn't affordable to have it done
unless they ARE antique bobbins.
 
The alternative to not fixing bobbins is that the bobbins are thrown away by
those who follow us. This would be a sad loss  to lace collectors (except
perhaps for the sorry looking  but useful to me bobbins that I've made!)
 
Trish in gloomy West Virginia USA

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RE: [lace] Restored bobbins

2011-01-20 Thread Karen Zammit Manduca
Personally, I put my bobbin collection lying flat in a showcase


That was my original idea Devon...to have display tables. But I don't have
much floor space.
Karen in Malta

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RE: [lace] How do you feel about Restored Bobbins?

2011-01-20 Thread Jenny Brandis
For the pewter spots/plugs - totally different but perhaps costume gems
could be inserted instead?

Bands could be replicated by fine coloured wire winding around to fill the
space.

Inserts - do you know a turner who would turn fine lengths of contrast
coloured wood/bone to insert? 

I am in two minds about sanding the bobbin and re-vanishing - think it would
depend on the individual bobbin.

Jenny Brandis
Kununurra, Western Australia

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[lace] Bobbins for Brian

2011-01-20 Thread Brian Lemin
That is a good find.  I will subscribe and try put some influence on her for
detailed photos of a couple of them.

Of course they are East Devon (Honiton if you must) bobbins.  Two of them are
of special interest.

You may know that I am currently looking closely at East Devon Bobbins and
another researcher is looking even more close than I am at them.  I am doing
the broad sweep sort of thing but she is doing such fine detail and bringing
really different insights into these very prettily decorated bobbins (as
opposed to the beautifully turned bobbins of East Midlands)

So, OK I am off to see what I can scrounge.  What's new!

Thank you Jo.

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[lace] online resource of vintage publications

2011-01-20 Thread hottleco
Hello All!  Am I the last person on earth to find this site?  
picasaweb.google.com/collectionofmotifs  I was looking around for some spot 
motifs  ended up scrolling all the way to the end of the list.  About 6 rows 
from the bottom, there are booklets on filet guipure  needlelace/reticella.  
At least one has pattern pages.  Perhaps these are also posted on 
digitalarchives--I don't know  don't have time to cross reference.  The large 
number of Russian (?) titles adds to the mystery because each one must be 
opened to find a prize.  Of course there are the usual Sajou suspects for fans 
of counted work.  It looks like it will be worth investing in a new flash drive 
 the hours it will take to download all the goodies.  Have fun, sorry if this 
is a rerun.  Sincerely, Susan Hottle, Palm Beach Gardens, Florida 81*  sunny 
today   

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[lace] Restoration... My personal cunudrum.

2011-01-20 Thread Brian Lemin
Of course I have done some restoration in the past, in fact the only bobbins I
used to buy were those I could restore.  I will get down and write the
proposed article but few comments before I write it.  This is only brief
communication.


1. Any restoration must be able to be undone.

I agree in principal.  That is why I steer as clear of changing patina as far
as humanly possible.

Here is a conundrum I wrestle with...One of the easiest things is to file
down protruding degraded pewter spots.  But it looks terrible!  Shiny spots
on a deeply patinated surface.  I have not tried to learn how to dull them
down. Of course time will do the job.

So I change the patina of the bobbin to make it like new and it all fits
together.  But whilst I have restored the bobbin, I do not like what I have
done!

In 150 years time I suppose I will like it again!

May I say I have never restored anyone's bobbins commercially, only for my own
learning... I also doubt I will ever undertake commercial restoration

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[lace] Lace from a painting

2011-01-20 Thread Sister Claire
I have decided to embark on a new adventure in lacemaking! This will
actually represent two departures for me, since I don't work in color (I do
mostly altar linen and traditional patterns) and I've never tried to design
my own pattern beyond the simplest.

A friend of mine in the US sent me the catalog from an exhibition of
Australian Aboriginal women's paintings called The Painted Song. Many of
these paintings have a very textile feel to them and some of them depict
the witiji (hair strings) that are given by men to women to mark significant
life events. So, from fiber to two dimensions, back to fiber.

I want to take a detail from a painting by Pansy Napangardi, which can be
seen online at http://tinyurl.com/6j8pcnj. The part I want to interpret in
lace is the central feature. The sinuous line in the filling is just crying
out to be made in punto mimosa and the dried berry clusters in the carrying
baskets (the oval shapes at six and two o'clock) can be done the way flowers
are made in Cantu lace. The U shapes (representing the two traveling women)
and their digging sticks (the adjacent straight lines) I see as little round
tallies between plaits.

I still have no idea about the filling through which the mimosa will snake.
I'm thinking about something using two or three colors in the passives, and
maybe a very loose and airy cloth stitch. Or maybe I'll do some sort of
complicated weaving of plaits.

Since this is just for my own pleasure and the joy of challenge I don't
think there are any copyright issues, are there?

Does anyone have any comments, suggestions, caveats?

Thanks!
Sr. Claire

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[lace] Lace from a painting

2011-01-20 Thread Lorelei Halley
Claire
Those paintings are all so interesting.  Thanks for telling us about them.
Lorelei

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[lace-chat] Re: Mexican TV

2011-01-20 Thread Tatman
I remember watching these programs on the Crystal Caves months ago.  Just
recently there was a follow-up documentary on a new cave just off this one
that was featured.
Nice to know that one of the scientists is a well known(in IOLI/Arachne
circles) lacemaker!  Thanks, Janice, for sending the link and introducing
Penny to those of us who have not yet met her.

-- 
Mark, aka Tatman
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 On 1/19/2011 5:04 PM, Janice Blair wrote:
 I was just on vacation in Mexico and turned on the tv in the hopes of finding
 an
 English speaking channel.  I came across an old Discovery program and heard
 the
 name Penny Boston.  Penny is a lacemaker and is an Arachne.  I have met her
 many times at IOLI conventions.  She was working in the Crystal Caves in
 Mexico,
 so I did a search just now and came across this web site where it seems her
 activities have made her into a film star.
 http://www.saudicaves.com/mx/naica/index.html
 
 Sounds a trifle more dangerous than cross and twist but is interesting to
 read
 and to view the amazing photographs.
 Janice
 
 
   Janice Blair
 Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
 www.jblace.com
 http://www.lacemakersofillinois.org

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