[lace] William Hall Yarns

2013-11-14 Thread Janis Savage
Hello all. I have been very quiet for a while as I have been very busy 
with a lace project, but now it is coming to an end and I have a query 
that I hope someone can answer.

What has happened to William Hall Yarns?
I have been buying Bockens linen thread from him for about 20 years and 
now both email addresses do not work. Is he still in business.
I have also emailed to Holma in Sweden, home of Bockens linen, and had 
no reply from them either.
It is difficult to keep up with happenings being so far away from the 
centres of lace civilisation, but I am hoping that a helpful spider will 
come up with the answer.

I need to replenish my stock for the lacemakers of South Africa

--
Janis Savage t/a The Lace Place
Honeydew, South Africa, where summer has arrived with temperatures of over 30 
degrees and thunder storms to go with it.

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[lace] Correction: White-Embroidered Costume Accessories by Heather Toomer

2013-11-14 Thread Jeriames
Nov. 14 Correction - for improved readability of Nov. 13  book review.

White-embroidered costume accessories - the 1790s to 1840s.
By Heather Toomer, drawings and patterns by Elspeth Reed.
Published by Heather Toomer Antique Lace, 2013, paper cover.
198 pages, cover price £ 19.75, ISBN 978-0-9542730-3-3.
Ordering info in separate memo.  Book has limited distribution.

To put this book in context, Jane Austen (author) lived from  1775-1817.
Princess Victoria was born in 1819 and became Queen in  1837.  Both had
associations with lace.

This is a sequel to Embroidered with white - the 18th century fashion for
Dresden lace and other whiteworked accessories, 2008 (Arachne review Aug.
27,  2009).  As before, this is original research resulting in detailed
text.  Drawings and patterns by Elspeth Reed are admirable.  Heather's
photographs are presented for each item discussed.  Color fashion prints  are
lovely, and they prove depicting fashions on very slender mannequins is not  a
new phenomenon!

Collectors will find identification of unusually-shaped accessories
invaluable.  Costumers receive guidance for making accurate  recreations.
Historians acquire expanded knowledge.  Then, there are  the lovers of all
things
LACE.  They may require more detailed information  about lace made during
this period for this purpose, and may need to see exactly  how the laces were
attached to accessories.

Both right and wrong sides of white embroidery are sometimes shown, which
helps determine how a stitch was made.  Embroidery and lace travel together
through the pages.

Austen could identify a buffon, pelerine, canezou, schall, or  pelisse.
Can you?  Have you seen a shirt handkerchief?  These  handkerchiefs had
quite a different purpose and shape than pocket  handkerchiefs; dress
kerchiefs
had a different purpose and shape than today's  head coverings.  The
distinctions are interesting.

Have you ever seen a muslin accessory with a button-holed edge to which a
bobbin-made picot edging has been attached?  Effective.   Delicate.  Several
are shown in photographs.

Much is to be said for design inspiration.  The little fancy apron  pockets
on page 60 reminded this reviewer of patterns of cuffs, and some  collars,
illustrated by Elspeth Reed.  Then came the thought that this  would be an
interesting subject for a Lace Guild contest - pockets inspired by  historic
cuff and collar shapes!

Many designs are suitable for lace or muslin embroidery (or both) on
today's special occasion accessories.

For more information about muslin, see reviewer's Jan. 19, 2013 review of
Muslin at
http://www.mail-archive.com/lace@arachne.com/index.html

Purchasing information for Heather Toomer's self-published
limited-distribution book is in a separate memo mailed Nov. 13, 2013.

Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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[lace] suppliers

2013-11-14 Thread Lorelei Halley
If you look about 3/4 down this page, she has a board with South African
suppliers. Don't know if they will help.
Lorelei
http://www.pinterest.com/LaceNews/

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