[lace] The Arizona site

2014-03-24 Thread Tess Parrish
Thanks to a note received this morning asking about a web site which sells the
full line of CDs of Ralph Griswold's lace reference collection and which
contains all the original downloadable  files, I have contacted Kris Bruland,
and here is his most encouraging reply:
--
 On Mar 24, 2014, at 9:13 AM, Kris Bruland wrote:

 Hi Tess,

 Ralph's digital archive has been part of Handweaving.net for quite a while
and we do not charge for people to use any of the website.

 Shortly before he passed away, Ralph provided a complete copy of the archive
for Handweaving.net to include.  He did this because he was concerned that the
university where he had worked would discontinue the archive's site and wanted
to make sure that it remained available.

 Ever since then, we have made the archive available on Handweaving.net to
everyone at no charge.  We try to cover the cost of this by selling CDs of the
material that Ralph provided for this purpose.  During many months it costs us
more to host the website than we receive through CD sales.

 Thanks,

 Kris Bruland
 kbrul...@handweaving.net
--

I hope that this will comfort all those who have been worried about the
original site.  I also know that while the University of Arizona has every
intention of keeping it active, you will find that Kris, whom I have known for
a long time, is easy to contact and quick to respond. He took over the sale of
the CDs early in the game and has the complete original collection on his
site, as always free of charge to all, as Ralph Griswold intended it should
be.

This means that while the original address
http://www.cs.arizona.edu/patterns/weaving/lace.html
Is still functioning perfectly, you might find it easier to go onto Kris'
site
Handweaving.net or even write him directly at kbrul...@handweaving.net

I hope this helps.

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Re: [lace] The Arizona site (Longish)

2014-03-24 Thread Brian Lemin

Thankyou Tess for this news.

Most of you probably know that I use this site for pretty well all of my web 
publishing.  I have a scad of things up there for those interested in lace 
bobbins and their history etc.  (Some of you helped me write them in a 
collaborative manner... do remember that?)  I have a couple of articles on 
the stocks but other interests are taking me away from them at the moment. 
However, though i have a wide range of interests, lace bobbins seem to be an 
abiding passion.  I like that site because it does not demand of me the 
discipline of academia.  I hate academic writing and when i left my 
profession I swore I would never write another academic article... just 
chatty stuff that might interest other people to write an academic 
article. ( I feel the need to tell you that i have done a lot of academic 
writing.. some 40 odd articles, half of which are peer reviewed the other 
half written before we knew what Peer Review meant!  I have also written a 
book on Nursing Management (long long out of print) and i did my Masters in 
Nursing Ethics by research and thesis. I am just thinking how 
terrible it is that when you get old you are not embarrassed about 
boasting and telling the same stories over and over again... ask my 
kids!))


I seem to have noticed something of a drop off of interest in general 
regarding collecting bobbins since the Springetts did their publishing and 
have now distanced themselves from this craft somewhat.  There are some 
amongst you who are keen collectors and many of you have been kind enough to 
give me at least photographic access to your collections, for which I am 
very grateful... thank you. I am sure that in Australia there are quite few 
collectors but i notice that bobbins are left off the upcoming OIDFA (have i 
got that right?) conference in Australia.  The last time something like this 
was held in Australia I think David and Christine were guest speakers at it.


I notice that bobbins with a social history attached to them are still 
making huge prices (namely hanging bobbins)  Of course they are extremely 
important pieces of of our social history,  while very poor examples of the 
bobbin makers art.  The only real reason for collecting East Midland bobbins 
is because of the amazing art of the wood turners of that time. It surprises 
me too that it is the East Midland bobbins that get the  attention.  If one 
is looking for social history then a collection of ancient ships as engraved 
on East Devon (Honiton) bobbins could be equally rewarding. (possibly 
cheaper?)  The East Midland bobbins have a rich array of graphics, naive and 
accurate drawings on them covering the coast (fish, boats etc) to 
agriculture flowers, birds (Chough).  Weddings and all sorts of stuff.  I am 
always sorry we seem to have split the English bobbins into geographical 
areas.  Of course the wood turning for East Devons is very plain indeed.


I have never written a book about bobbins (though i have often been 
encouraged to this) as I belong to the group of people who think that 
knowledge should be free however... I have just learnt from Tess that 
you can buy CDs from the Arizona site. ( Oh yes, I do have MS of a East 
Devon bobbin Booklet.  Maybe one day I will put it up on Arizona.) Maybe a 
CD of my articles might help keep them going (how big headed can i be?)  I 
just love bobbins and like writing about them and sharing with all those 
kind people who, from time to time, drop me a note of a nice photo that I 
can use of some special bobbin that they have..  I need to warn anyone that 
thinks they might do such a thing, that few of my articles on Arizona were 
rescued from a trash heap of a computer and i have lost the illustrations 
that went with them.


Just one general point i need to make about my collection so that you all 
understand.  Yes i did start a collection, but i only came to lace bobbins 
when i retired and found that I really could not afford the sort of 
collection that i would like to have.  Always being interested in 
photography I decided to start a photographic collection instead.  I did a 
personal study tour when i visited some half a dozen collectors i was aware 
of and a number of museums, and that started my collection, but more 
importantly a personal relationship (bobbin wise!) with a number of 
collectors.  I am currently  creating postcards of bobbins with a potted 
history of each bobbin on it... I think I am up to about 400 with about the 
same amount to go!


I know she will be embarrassed and will send me a sharp email, but you know 
that Diana Smith is an amazing bobbin person and far more knowledgeable 
about bobbins than I will ever be... Yes Trevor knows about our bobbin 
relationship as does my wife Jean! She has been a huge support to me, but 
shy about publishing, so she stirs me into writing about things.  For those 
who may have a OT knowledge, there was Moses... the brains of the operation,