[lace] Elena

2019-10-10 Thread Susan
If anyone has Elena’s email addy, please contact me off list. I need to send 
her a message ASAP. Thx. Susan Hottle, FL USA 

Sent from my iPad

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Re: [lace] Official catalogue 1851 Great Exhibition catalogue for free download

2019-10-10 Thread Angel
Thank you Brian!

Cearbhael 



Sent from my iPhone

> On Oct 10, 2019, at 12:30 AM,   
> wrote:
> 
> https://archive.org/details/officialcatalog06unkngoog/page/n11
> 
> 
> 
> and other sites
> 
> 
> 
> Brian
> 

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[lace] Re:Mrs. Treadwin

2019-10-10 Thread jviking @sover.net
Hi, Mrs. Treadwin wrote a book titled Antique Point and Honiton Lace.  The
Antique Point is the Battenberg I make today, the Honiton is bobbin lace. It
appears there was an exhibit in August 2019 at Exeter Cathedral of some of her
lace. There were a number of mentions of her when I googled her name. I need
to go back and read more. She was born in 1820 as Charlotte Dobbs. She won a
prize medal in 1851 for some pieces of Honiton lace including a flounce!

 I can't find my copy of her book at the moment so I can't give you the
details on that. Very good for braid lace.

 Jane in Vermont, USA where it's not too cold yet
 jvik...@sover.net





 From: "Adele Shaak" 
Sent: Thursday, October 10, 2019 11:44 AM
To: "Arachne list" 
Subject: Re: [lace] 1851 Great Exhibition catalogue
I found a short reference to Mrs. Treadwin's display (#55, on about p. 103).
Mrs. Treadwin is ringing a bell in my mind but I don't know why. Was she the
one who designed Victoria's wedding lace? Or?

Adele

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Re: [lace] 1851 Great Exhibition catalogue

2019-10-10 Thread Adele Shaak
I found a short reference to Mrs. Treadwin’s display (#55, on about p. 103). 
Mrs. Treadwin is ringing a bell in my mind but I don’t know why. Was she the 
one who designed Victoria’s wedding lace? Or?

Adele


> On Oct 10, 2019, at 4:02 AM, Diana Smith  
> wrote:
> 
> Thank you for the link Brian. After scrolling up, down and inside out I’ve 
> learnt there are five catalogues of the exhibition. After considerable time 
> studying what turned out to be only other countries of the world I managed to 
> find a short reference to Lacemaking in the East Midlands.

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Re: [lace] 1851 Great Exhibition catalogue

2019-10-10 Thread Sue
Precious materials were used to make all sorts of items to trade, other than 
ornaments.  Snuff boxes often had ivory inlay cigar boxes, etc I expect.  As 
mentioned handles for parasols or fans, I also wonder what decorations have 
adorned castles/palaces around the world, Spain, France, Russia, Britain as 
well as others in Eastern Europe which have been used by top folk in all of 
those countries along with all the silver and gold items in these places and 
during the last 150 years others have come and gone.

Sue T

I remember Barbara Underwood saying that Thomas Lester used family and 
friends for his complicated patterns as they would not be cost effective for 
the average lacemaker. Maybe they used ivory bobbins.  I always thought it 
would be impossible for antique bobbins to be ivory but maybe there are some 
about.  I do have one ivory Bobbin which was made by Richard Gravestock, 
possibly early to mid 1980s just before it became illegal to sell ivory. 
And I have an Antique ivory parasol but I have no idea how old it is.  Even 
if it was legal I wouldn’t buy ivory now.


Regards
Maureen

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Re: [lace] 1851 Great Exhibition catalogue

2019-10-10 Thread Diana Smith
Thank you for the link Brian. After scrolling up, down and inside out I’ve 
learnt there are five catalogues of the exhibition. After considerable time 
studying what turned out to be only other countries of the world I managed to 
find a short reference to Lacemaking in the East Midlands.

Page 112 (can’t remember which catalogue - sorry)
“Mr B Hill of Olney exhibited several specimens of Buckinghamshire pillow lace 
of very pleasing patterns, and all admirably executed. In the production of the 
specimen engraved comprising oak branch with pendant acorns there are upwards 
of 700 bobbins employed.” 

I must add that I have an old sample of this lace.

“A good notion of the process of Lacemaking was afforded by a lace pillow 
exhibited by Messrs Groucock & Co, which was placed on one of the bridges in 
Class X1X and which deservedly attracted much observation, on account of its 
singular appearance and the exceeding fineness of the lace in process of making 
upon it.”

I’ve not heard of Groucock & co, pity their location wasn’t included - more 
research maybe!
Diana 

> On 10 Oct 2019, at 08:14, Maureen  wrote:
> 
> I remember Barbara Underwood saying that Thomas Lester used family and 
> friends for his complicated patterns as they would not be cost effective for 
> the average lacemaker. Maybe they used ivory bobbins.  I always thought it 
> would be impossible for antique bobbins to be ivory but maybe there are some 
> about.  I do have one ivory Bobbin which was made by Richard Gravestock, 
> possibly early to mid 1980s just before it became illegal to sell ivory.  And 
> I have an Antique ivory parasol but I have no idea how old it is.  Even if it 
> was legal I wouldn’t buy ivory now.
> 
> Regards
> Maureen
> 
> -
> To unsubscribe send email to majord...@arachne.com containing the line:
> unsubscribe lace y...@address.here. For help, write to
> arachne.modera...@gmail.com. Photo site:
> http://www.flickr.com/photos/lacemaker/sets/

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Re: [lace] 1851 Great Exhibition catalogue

2019-10-10 Thread Maureen
I remember Barbara Underwood saying that Thomas Lester used family and friends 
for his complicated patterns as they would not be cost effective for the 
average lacemaker. Maybe they used ivory bobbins.  I always thought it would be 
impossible for antique bobbins to be ivory but maybe there are some about.  I 
do have one ivory Bobbin which was made by Richard Gravestock, possibly early 
to mid 1980s just before it became illegal to sell ivory.  And I have an 
Antique ivory parasol but I have no idea how old it is.  Even if it was legal I 
wouldn’t buy ivory now.

Regards
Maureen

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