[lace] Clippykit Bag Patterns by Jane Atkinson

2020-03-28 Thread LacySuzette
Hello All! Hope everyone is virus free & using their personal quarantine 
period to make some lace! I am revisiting the colored Torchon samples on Jane’s 
site & have run into a snag. It’s the first sample—red & yellow diagonal 
stripes over butterscotch passives. I am clueless on how to change colors when 
starting stripes on the righthand side! In the upper right corner, I’m inclined 
to just start with a red weaver rather than switch at the first pin, but that 
theory doesn’t work further down in the sample. Should I just tie on a new 
thread to be used as the weaver as the work progresses? I would be more eager 
to try this if I was replacing a passive! Will the experts please offer 
suggestions? Many thanks. Sincerely, Susan Hottle, still virus free in Florida 

Sent from my iPad

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[lace] Redano lace from Spain

2020-03-28 Thread Devon Thein
I have encountered four pieces called Redano lace from Spain. They were
originally from a collection of a man with some expertise in Spanish lace.
I am trying to get a handle on what Redano is. It seems it is considered
the same as caul lace, and caul lace is netting. Rather than being the name
of a place of origin, it would appear that Redano means interior tissue as
of a human or animal, the way caul does.

 It seems to have a square mesh, although the mesh is not always made the
same way. It seems to have a design of a lotus tree, sometimes with birds
on each side. In some cases it looks like Antwerp laces with what I believe
are chrysanthemum. Arguably the designs in the larger, coarser pieces are
derived from the earlier more defined floral designs.

The pieces that I have encountered form the design elements with a large
tape. The tape runs along one side before traveling into the motives. There
is a lot of square plaited mesh between the motives which must make it
difficult to make, logistically. Do they pin the large tape to a pillow or
pricking and then fill in with the plaited mesh? Maybe it is easier on a
Spanish style pillow? It seems to me that it must be made in large
rectangles and joined through the center of a motif that goes the entire
width of the edging actually meeting the zig-zag edging on the other side.

There are a number of examples of Redano in the Catalog of the Hispanic
Society in America. They all claim to be from Huelva province, although
different towns.

I have only found mention of Redano lace in the books of the Hispanic
Society of America and a book by Bernhard and Ellen Whishaw, the
Illustrated Dictionary of the Museum of Andalucian Pottery and Lace which
seems to have been located in Seville when the book was published in 1913.

Does anyone have any familiarity with this lace? Is there any reason to
think the pieces that I have encountered are not Redano lace?  I have
posted some photos of the pieces in question on Laceioli.ning along with
some of the references. You can find them here
https://laceioli.ning.com/group/identification-history  You have to scroll
down to get to the two comments I posted. Thoughts please?

Devon

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