[lace] Re: UK Lace

2004-02-17 Thread apcdlally
Hi Ruth

Lace hasn't reached all of Melbourne yet. I'm still waiting as well.

Annette in Melbourne
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- Original Message - 
From: Ruth Budge [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 17, 2004 3:00 PM
Subject: Re: [lace] Thread choice, again


Can't help you with the thread question, Tamara, but be assured, I still
haven't got my copy of Lace either!!   I know they've reached Melbourne and
Adelaideso they're in this country..but where's mine??!!

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[lace] Honiton lace manufacturers

2004-02-16 Thread apcdlally
Hi all

I've just resubscribed after a couple of months off the list and it's nice to
be back.

This is one for all you history buffs

I have recently met a lady who is researching and writing a book on her family
history.

She is a direct descendant of one Eliza Darvall, who was granted royal
appointment as lace manufacturer of Honiton lace from Queen Victoria in1842.
Eliza is mentioned briefly in Dr Yallop's book (but he spells her name
Darwall)
My friend has inherited many letters and some original designs and prickings
from Charles Darvall, Eliza's son, who designed lace for his mothers
business.

I was wondering if any of you who have access to museums, old prickings etc.(
prickings may be signed C.G.D. ) have ever come across either of these two
names. Any information could help fill in some of the gaps.

Thanks
Annette in Melbourne Australia
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[lace] CTCTCT.....

2003-11-07 Thread apcdlally
Hi Debbie and Spiders

 Think in fours...starting with the second
from the left every time...take one over ...then picking up #2 and
#4...take
two back.  So whole stitch, or cross and twist (for me) was always one
over, two back.  The extra twists were called just that...an extra twist.
I was wondering if anyone else learned with this terminology?

Yes I've heard this one before, I've also heard  One to the right, Two to
the left etc

The CT system is all very well but the some of the charm and mystery of
lacemaking becomes lost.
I have always believed that lacemaking has it's own language, and we all
speak our own dialect of that same language. So I'm afraid for me it will
always be a Devonshire dialect - whole stitch, half stitch and leadworks
rather than tallies.

Some one a few days ago said that CT was easy - like binary !!  I find a
string of CTCTTT just as difficult to uderstand at a glance as 1010 I have
to work hard to figure out that it means a whole stitch and three twists or
simply the number 10

Yours old fashionedly
Annette in Melbourne
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[lace] Research sources - threads for Honiton

2003-09-21 Thread apcdlally
Hi spiders

In his book 'The history of the Honiton lace industry' Dr Yallop has quite a bit to 
say about the threads used for Honiton lace.

It seems that in the early days linen thread was produced locally and used for 
Honiton. By the mid 17C imported linen thread was being used. 
In the early nineteenth century Messrs. Houldsworth of Manchester became spinners of 
fine high quality cotton yarns and offered various thicknesses in the range from No. 
200 to No. 300 in 1805 adding Nos. 320, 340 and 352 in 1812.  
He goes on to say that in view of the large range of threads offered and their 
relatively low prices, these cotton threads 'virtually entirely superceded the hand 
spun linen thread in the Honiton lace industry'

He also mentions that not much silk Honiton was produced as working in silk is 
difficult 
due to the low coefficient of friction between the fibers and Mrs Treadwin observed 
that 'It also requires greater care when working, to see that every bobbin is firmly 
tied off, otherwise the silk is apt to untie thus rendering the sprig almost useless' 

In view of these dates, and the information in the Staniland/Levey booklet on Queen 
Victoria's wedding dress and lace (1840)  that the applied Honiton bobbin lace is 
worked with fine cotton thread and is of a high standard technically  


Jean said  . . .   I have been reading a 
book by Kay Staniland 'In Royal Fashion' looking for info. on 
Victoria's Coronation Dress. In the course of it I came across the 
note,  Much of the lace, like Queen Victoria's wedding lace was made 
using fine white linen thread . . .  

My guess would be that the reference to linen thread is a mistake.

Annette in Melbourne
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[lace] Lace precursers

2003-08-03 Thread apcdlally
On Sunday, August 3, 2003  Bridget wrote:

 However I must persevere, as I have booked for a Binche course in
 February, and everybody says you need to grasp Flanders first.

OK, Now you've really got me going!

Surely, in the past all these different laces, being regional variations on
a theme, were taught without the lace student having ANY knowledge of lace
at all. Laceworkers in one village/lace school or whatever would not have
been exposed to other laces first.

It is quite possible for anyone to learn any lace without learning other
laces first.

I make and teach Honiton and I am getting SO frustrated that other
lacemakers here will tell prospective students, both at demonstrations and
at guild meetings, (and often in front of me) that before they can learn
Honiton they must first do Torchon, Beds and Bucks.

Not so.

If you live in Devon - do you learn Torchon  before you learn Honiton? of
course you don't.
I thought that this was a problem peculiar to Australia and to Honiton but
apparently it happens in other parts of the world and with other laces too.

So Bridget, go for it, do what you want to do and not what everybody says
Just enjoy your lace.

PS. Are there any of the Devon lace teachers on this list? I could do with
some advice. Please respond off list. Thanks.

Annette in Melbourne
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