[lace] Re: Coats Silk thread

2015-03-25 Thread janefr...@gmail.com

I was in JoAnne Fabrics yesterday and came across some small spools of Coats
silk thread. ¬ÝThe label reads Coats 100% Seta Reale and 80m-nr100 made in
Hungary.
I did not see it in the Threads for Lace Edition 5 book but maybe it will be
in the new Edition. ¬ÝHow does it compare in wraps?Janice¬Ý¬ÝJanice Blair



I have used Coats Seta Reale and I really liked 
the way it worked up. I prefer it to Guterman 
silk.


I would describe it as very slightly coarser than 
Madeira Tanne 80 (Cotona 80). The supplier 
thought the wraps brought it nearer to Tanne 50, 
but in using it, I felt it was finer than that. 
It is finer and crisper than Guterman silk, 
coarser than Piper's silk.


The colour palate for the nr 100 is limited (the 
colour chart is on line somewhere) and I think 
there are more colours in a coarser version, but 
the colours available were what I wanted.


Here in the UK, Coats Seta Reale is carried by 
Claire's Lace. (No affiliation, just a happy 
customer).


Happy lace making to all,
Jane
in a spring-like New Forest where the skylarks 
are tuning up and the lapwings are starting their 
seasonal aerobatics


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Re: [lace] Eye of the Needle - Feller, Goodhart, Witney

2014-08-19 Thread janefr...@gmail.com

Dear Jeri,

When I wrote my email, I felt sure that you would know of the Fellers 
- and must surely have the books, but it was late and I was tired and 
not up to searching the archives. Thank you for the URL. This time 
I've bookmarked the search page.


Nor did I have time to look around the Ashmolean's own collection. I 
was actually there to see the Discovering Tutankhamun exhibition with 
family. They were then sent off to explore Oxford while I looked 
round the Eye of the Needle exhibition. However, I picked up a 
leaflet guide to the Ashmolean embroidery trail and I'm keeping 
that for my next visit. But anyone else visiting the museum, do look 
out for it as its not at the main entrance, but was available in the 
mini shop at the door to the gallery housing the Feller collection. 
Presumably a special to capitalise on the exhibition.


Oh and thank you Jeri for the info about all the other places to see 
embroidery. Please don't ever stop posting! I may only skim some 
messages but that doesn't mean I don't appreciate them and the work 
that's gone in to writing them.


Indeed, thank you to everyone who replied to my post. I'm relieved to 
say not a bad word was written - unlike the anonymous peer review 
I've just received for a paper submitted to a professional journal 
 I too have had my rejections Brian!


Please lets keep this list a friendly place where everyone feels they 
can contribute without fear of censure or criticism.


Best wishes to all,
Jane
New Forest


Date: Sun, 17 Aug 2014 19:56:26 -0400 (EDT)
From: jeria...@aol.com
Subject: Re: [lace] Eye of the Needle - Feller, Goodhart, Witney

For the few who study early embroidery,

It was delightful to read Jane's August 13th memo  about the Feller Sampler
exhibition at the Ashmolean Museum.  I  have visited this museum 2 times,
and found much thread work in the regular  collection to be of interest.
Both times it was arranged that a staff  member open storage drawers to show
pieces at rest.
http://www.ashmolean.org/exhibitions/eyeoftheneedle/

In case you think I neglected to ever tell you about the Feller
Collection, see my 2012 memo by going to our Arachne archives and 
putting Feller

Collection in the Search box:
http://www.mail-archive.com/lace@arachne.com/index.html


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[lace] Eye of the Needle

2014-08-13 Thread janefr...@gmail.com

Hi All,

I'm just back from the Eye of the Needle exhibition at the Ashmolean 
Museum, Oxford (UK).


Perhaps its because I'm a lace maker not an embroiderer but - Wow!

The exhibition is of embroidery from the Feller collection. I've no 
idea who Elizabeth and Micheal Feller are, but they have a fantastic 
collection.


Everything was from the 17th century, roughly the Stuart period, (a 
bit of very late Elizabethan, then James I and Charles I) and 
included a selection of samplers, biblical pictures (and it was 
amusing to see Solomon looking very much like Charles I and biblical 
characters dressed in Stuart costume), allegorical themes, a little 
clothing (coifs, hats, gloves) and household goods (stools, 
chatelaine, boxes) and so on. There were about 60 pieces in all.


I was struck by the quality of the designs, the exquisite 
workmanship, and how fine the work was. Tent stitch was worked on 
linen fabric over 1 thread, then in the more elaborate pieces was 
combined with decorative stitches, stumpwork, raised needlepoint and 
bead work.


There wasn't any lace, except for one unusual, slightly scruffy 
edging on a beautiful box. I guess the period was a bit early for 
bobbin lace. However, the needlepoint and whitework were so fine you 
might think they were lace.


If anyone is in the Oxford area, this is well worth a visit. Details 
are on the Ashmolean website 
http://www.ashmolean.org/exhibitions/eyeoftheneedle/


There is no exhibition catalogue as such, but there are two books 
describing the collection. I bought the first book  - but theres a 
pile of ironing to do and visitors coming before I can put my feet 
up.


Best wishes,
Jane
New Forest, UK

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[lace] Milanese Books (Read Kincaid)

2014-04-17 Thread janefr...@gmail.com

Hi All,

For anyone interested in Milanese lace, I have some insider information.

I have, in my hand, a letter from Anova Books, the company that owns 
the Batsford imprint.


They are about to add the Read  Kincaid books to their Print on 
Demand service and also make them available as ebooks. The planned 
schedule is


Milanese Lace: An Introduction - July

New Braids and Designs in Milanese Lace - August

50 New Milanese Patterns - December

I don't have any more information about how print on demand will work 
or where ebooks will be available but the publisher, Tina Persaud, 
has offered to answer queries and can be contacted at

tpers...@pavilionbooks.com

Exciting news and lets hope this will put an end to the ridiculous 
prices that we've seen! And maybe other Batsford lace books will be 
transferred to POD  ebook as well.


There are plans for a fourth Milanese book, but that is still a work 
in progress.


If I hear any more, I'll let you know.

A Happy Easter to all.
Jane
in sunny Hampshire, UK

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[lace] Re: Stunned

2014-02-13 Thread janefr...@gmail.com

Hi All,

Thank you for all the comments.

Devon, you're quite right. I gave the pattern to the Lace Magazine so 
that others could enjoy seeing the lace and making it for themselves. 
I have no problem with that and its very nice to think that someone 
enjoyed making and having it.
I suppose its a new experience for me, to see lace being passed on 
from someone who made it, and presumably enjoyed having it, but who 
is no longer with us and their creations no longer have any value or 
meaning.
I hadn't thought of it like that, that now is a time to invest in 
modern lace because its cheap. I suppose that is true of many arts 
and crafts and the skill is in judging what might become more 
valuable with time.


Jean, thank you for telling me about Bill Blake. I'm so glad he 
enjoyed this pattern. It's difficult to tell from the photo but the 
lace looks beautifully made. I wondered if it was someone clearing 
his estate and it seems very sad to think the work hasn't gone to 
members of the family to be treasured, but as Sue said, better that 
the lace should go to someone who wants it rather than it be thrown 
away.


Lyn, I'm not sure I follow your story about the quilt although it 
sounds like moral infringement. As far as I know I still have 
copyright of the tern design. I don't believe this breaches that 
copyright anymore than selling books secondhand. Remember that when a 
book is sold secondhand, not a penny of that money goes to the author 
even though the copyright is still held by them. Anyway, no need to 
worry about copyright here - clearly no-one is going to make a profit 
out of the design!


Oh Sue, 1105 euros for a milanese book! Thats incredible! (Ridiculous?!)

Robin, interesting thoughts on selling hand made crafts, especially 
as I thought that with lace appearing at the high end of fashion 
(couturier, royal wedding, etc) that might filter down. Evidently not.


Beth, yes sorry, 25 years. Too many for me to count :-).

Thank you for all the conversation, its been interesting and helpful. 
Its great to have a community like arachne to 'chat' with.


Best wishes,
Jane
Sunshine! A break from all the storms and rain in Southern England

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[lace] Stunned

2014-02-12 Thread janefr...@gmail.com
How do I feel about this? How *should* I feel
about this? I don't know - apart from feeling
completely stunned!

http://www.ebay.co.uk/itm/STUNNING-VINTAGE-HONITON-LACE-PICTURE-HAND-MADE-IN-
SCOTLAND-TERN-SEA-BIRD-NICE-/400605011027


This is a beautiful vintage HONITON LACE of
a bird in flight I think its a TERN which has
been hand made and put into a  frame it is on
a deep blue type material.The reverse of the
picture has a label which says HONITON LACE BY
BILL BLAKE SCOTLAND. Overall the picture mesures
APPROX. 7 1/2 inches wide by 9 3/4  inches high.
The frame surround is a nice gold coloured
wash on wood.  The honiton lace is absolutely
lovely with terrific detail. The  bird which
looks as though its about to dive measures
approx. 7 1/2 inches tall at the longest .   It
is an off white thread which has been used and
very unusual. There is no damage or fading, and
is very nice.


This piece of lace was made from my design,
published in Lace vol 51 (July 1988) and I can
confirm that it is definitely a tern.

Obviously the lace that's been sold was not
worked by me, but who was Bill Blake and why is
his work being sold on ebay? Who is the seller,
whinbush123?

It took me 3 months to make the original, maybe
Bill was a fast worker, but this has sold for
only £10.50!!!  Whoever bought it got a real
bargain, and I feel it hugely undervalues hand
made lace. (I wouldn't part with mine for ten
times that!).

And I have to say that, much as I appreciate
postings about looking after our lace, it
demonstrates that there is very little value to
it . Still, I treasure my original even if
its in worse condition than Bill's.

Vintage! - Eek!! Does that make me feel old or
what?!!! How old must an item be to be described
as vintage? This piece can be no more than 15
years old (counts rapidly on fingers since
obviously too senile to do anything else ;-) ).

The same seller has another lovely honiton
picture by the same lacemaker. I recognise the
design but can't think whose it is. It currently
has 12 hours to go and has no bids. I suppose I
should be pleased that my design was attractive
enough to receive 2 bids What will the seller
do with the lace if it is not sold?

More seriously, what are your thoughts on seeing
lace made from *your* designs sold on ebay?

Apologies for all the exclamation marks, but I'm speechless!!!
Best wishes from
Jane
in soggy Hampshire

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[lace] floral bucks point patterns

2014-01-06 Thread janefr...@gmail.com

Hi All,

If you want Bucks Point patterns with the 'wow' factor, why not look 
through your back copies of 'Lace'?


What do you mean - you're not a member?! This is why we're members ;-) !

Lace 16/27 included a pretty edging from C.C.Channers 'Lacemaking 
Point Ground' along with an edging from the late Mrs Bullock.


There is a super leafy circular mat, somewhat in the Channer style in 
Lace 18/31


There were a couple of motifs in Lace 19/31 that are described as for 
a hairbrush back or paperweight. Is it one of these that was 
mentioned earlier? They are both lovely and the lozenge shaped one is 
quite unusual.


Anne Collier had articles on and patterns of Lace Collars in Lace 23  24

There were edgings, insertions and motifs in Lace 8 pp18-19 and the 
Waterlily edging was published in Lace 19/25.
Some of these were re-drawn from Luton Museum patterns. I have 
photocopies of patterns from the Luton Museum and I believe many have 
been trued up by others but not all of them. I see one deep flounce 
is labelled 'Miss Pope, somewhere, Headington Hill, Oxford'. A wide 
insertion is labelled 'Miss Pope, The Grove, Torquay'. I wonder if 
they have been published anywhere, they would certainly make 
beautiful and challenging patterns.


Lace regularly publishes a challenge, an old pattern that needs a 
modern interpretation. Given the popularity of the Channer mat, 
perhaps something Channeresque from the Lace Guild's archive could be 
found? (Jacquie?)


There are probably many more Bucks Point patterns in Lace, these just 
happen to be the papers copied in the workbook I'm looking at.


Too many patterns, not enough time.

Best wishes,
Jane
In soggy Hampshire

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