Vis a vis the catalog for Lace, not Lace. I am including Veronika Irvine in the show, and her interesting mathematically derived 21st century grounds. However, as I was scrutinizing Pierre Foucheâs work, Judgment of Paris II, which is also in the show, I realized, with his help, that the ground in the background of the piece is one that was invented by Ulrike Voelcker. Apparently, Ulrike taught a class in the 1990s where people designed new grounds. Simultaneously, Uta Ulrich was designing new grounds that later were published in Grunde mit System. This falls into the category of something I never thought about before. For some reason, I have always thought that most grounds had been developed in historical laces and were just being collected by later ground books. Was ground designing a late 20th century practice that was being done mostly in Germany? Were other people in other countries making up grounds? Did Cook and Stott make up grounds for their book? Do these ground differ in some way from historical grounds? Devon
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