Re: [lace] Bayeux Tapestry in needlelace

2012-09-25 Thread Catherine Barley
- Original Message - 
From: jeria...@aol.com


Subject: Re: [lace] Bayeux Tapestry in needlelace






Catherine, The fact that lace was rarely signed and dated has been a
problem for scholars and museum personnel ever since large museums were
established in the 19th and 20th centuries.   Lace traveled,  either 
legally or
smuggled.  Lace was often made as part laces -  elements by different 
lacemakers

(deliberately, so that they knew very  little about the entire design and
techniques).  The concept of  documentation would not have entered the 
minds

of uneducated poor lacemakers or  the agents who brought their laces to
market.  By the 19th C., lace  made to be sold in department stores did 
bear
labels.  The owners usually  removed them, never thinking that there would 
be

provenance interest by  subsequent owners.

Jeri Ames in  Maine USA
Lace and Embroidery Resource Center


Dear Jeri

Thank you for yet another very informative email.  We are so fortunate to 
have such a knowlegeable lady who is also willing to share her findngs, 
which must take many hours of research to unearth!


I was aware of the above information and the making of Kate Middleton's 
wedding dress is a 21st C example of the need sometimes, to keep items made 
for a special occasion, a secret until the special ceremony of 'unveiling' 
to the nation.  Each individual who worked on the dress (including ex 
students from the Royal School of Needlework at Hampton Court Palace) were 
sworn to secrecy.  I read that even the manufacturers of the lace had no 
idea that the order was for Kate's dress but recognised their lace on the TV 
coverage of her wedding to William!  However, all this is well documented 
for future generations.


I have worked my initials and date into several more recent pieces of my 
work but think it might be a good idea to perhaps include some details as to 
inspiration, reason for making i.e. competition theme (the Californian 
Poppies exhibition is a prime example), threads used etc. and put this in an 
envelope to perhaps tape to the back of a framed piece.  There's no 
guarantee that this information would not become detached from the frame 
over a period of years but it would at least be a start.


Catherine Barley
UK



  Catherine Barley catherinebar...@btinternet.com wrote:

I was  fortunate enough to see the photograph in Caen this summer and
 hopefully someone may be able to throw some light on the questions 'who,



when' where and why'?  If only these antiques laces could speak  and tell

us

who they belonged to, designer and maker and if made for  a special

occasion.

This just shows how important it is to include  these details with our

lace,

for the benefit of future  generations.
Subject: [lace] Bayeux Tapestry in  needlelace
-  


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Re: [lace] Bayeux Tapestry in needlelace

2012-09-24 Thread Jeriames
The jury is out on who made the Bayeux Tapestry.  The French claim it,  and 
so do the English.  I have 5 books written by various scholars on this  
subject (on the embroidery side of my library).  There are many more, but  this 
is enough for me to collect.  There is also a just-published 2012  
fictional account that takes place in England.  Too spicy to lend or  review.  
Why 
do today's authors think it is necessary to add these scenes  to a story that 
is so fascinating it does not need this additional embroidered  fiction?
 
 
Referencing the Jan Messent book:  She designed and stitched her  imagined 
version of the missing 8 foot panel, which is published in The Bayeux  
Tapestry Embroiderers' Story.  I believe it is on display at Bayeux.   Jan, 
too, has imagined where it was made and by whom - in the text of her  book.  
(The male scholars do not seem to have much knowledge of  embroidery.)  
 
I, too, saw the Smithsonian photograph of the needlelace version while  in 
Caen.  It is incredible.

 
Patsy, I think this may have been made in a atelier by many lacemakers  
trained in the same school, in where?  Italy?  France?   America? I have 
some large (but not this large)  needlelaces that seem to have been from 
ateliers.  They were not signed,  making it very difficult to trace.  However, 
I 
do research on the  story being illustrated, and other locations/mediums 
illustrating the same  mythology (or whatever).
 
Catherine, The fact that lace was rarely signed and dated has been a  
problem for scholars and museum personnel ever since large museums were  
established in the 19th and 20th centuries.   Lace traveled,  either legally or 
smuggled.  Lace was often made as part laces -  elements by different 
lacemakers 
(deliberately, so that they knew very  little about the entire design and 
techniques).  The concept of  documentation would not have entered the minds 
of uneducated poor lacemakers or  the agents who brought their laces to 
market.  By the 19th C., lace  made to be sold in department stores did bear 
labels.  The owners usually  removed them, never thinking that there would be 
provenance interest by  subsequent owners.
 
Jeri Ames in  Maine USA
Lace and Embroidery Resource Center
 
--
 
In a message dated 9/23/2012 5:33:11 P.M. Eastern Daylight Time,  
kar...@cox.net writes:

Years ago I visited the Bayeux Tapestry in France.  I   believe the 
Tapestry was made by many different people.  I wonder if the  same can be said 
for 
the needlelace piece?

Patsy A. Goodman, Chula  Vista, CA, USA

--
  Catherine Barley catherinebar...@btinternet.com wrote: 
 I was  fortunate enough to see the photograph in Caen this summer and 
  hopefully someone may be able to throw some light on the questions 'who, 
 
 when' where and why'?  If only these antiques laces could speak  and tell 
us 
 who they belonged to, designer and maker and if made for  a special 
occasion. 
 This just shows how important it is to include  these details with our 
lace, 
 for the benefit of future  generations.
 Subject: [lace] Bayeux Tapestry in  needlelace
-  
 I am still looking for answers to the who, when, where and why  about
  the Bayeux Tapestry in needle lace. Now my blog is posted  on the
  Smithsonian website:
 
   http://blog.americanhistory.si.edu/
 
  -Karen  

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Re: [lace] Bayeux Tapestry in needlelace

2012-09-24 Thread Donna Fousek
The Spicy book is the Needle in the Blood by Sarah Bower. I have just
started reading it. Page 30. She is a local writer from the town 5 miles from
me.

Donna near Chicago



 From:
jeria...@aol.com jeria...@aol.com
To: lace@arachne.com 
Sent: Monday,
September 24, 2012 10:22 AM
Subject: Re: [lace] Bayeux Tapestry in needlelace
The jury is out on who made the Bayeux Tapestry.  The French claim it,  and
so do the English.  I have 5 books written by various scholars on this 
subject (on the embroidery side of my library).  There are many more, but 
this 
is enough for me to collect.  There is also a just-published 2012 
fictional account that takes place in England.  Too spicy to lend or  review. 
Why 
do today's authors think it is necessary to add these scenes  to a story
that 
is so fascinating it does not need this additional embroidered 
fiction?


Referencing the Jan Messent book:  She designed and stitched her 
imagined 
version of the missing 8 foot panel, which is published in The
Bayeux  
Tapestry Embroiderers' Story.  I believe it is on display at
Bayeux.   Jan, 
too, has imagined where it was made and by whom - in the text
of her  book.  
(The male scholars do not seem to have much knowledge of 
embroidery.)  

I, too, saw the Smithsonian photograph of the needlelace
version while  in 
Caen.  It is incredible.


Patsy, I think this may have
been made in a atelier by many lacemakers  
trained in the same school, in
where?  Italy?  France?   America?     I have 
some large (but not this
large)  needlelaces that seem to have been from 
ateliers.  They were not
signed,  making it very difficult to trace.  However, I 
do research on the 
story being illustrated, and other locations/mediums 
illustrating the same 
mythology (or whatever).

Catherine, The fact that lace was rarely signed and
dated has been a  
problem for scholars and museum personnel ever since large
museums were  
established in the 19th and 20th centuries.   Lace traveled, 
either legally or 
smuggled.  Lace was often made as part laces -  elements by
different lacemakers 
(deliberately, so that they knew very  little about the
entire design and 
techniques).  The concept of  documentation would not have
entered the minds 
of uneducated poor lacemakers or  the agents who brought
their laces to 
market.  By the 19th C., lace  made to be sold in department
stores did bear 
labels.  The owners usually  removed them, never thinking
that there would be 
provenance interest by  subsequent owners.

Jeri Ames in 
Maine USA
Lace and Embroidery Resource Center
--

In a message dated 9/23/2012 5:33:11
P.M. Eastern Daylight Time,  
kar...@cox.net writes:

Years ago I visited the
Bayeux Tapestry in France.  I   believe the 
Tapestry was made by many
different people.  I wonder if the  same can be said for 
the needlelace
piece?

Patsy A. Goodman, Chula  Vista, CA, USA
--
  Catherine Barley
catherinebar...@btinternet.com wrote: 
 I was  fortunate enough to see the
photograph in Caen this summer and 
  hopefully someone may be able to throw
some light on the questions 'who, 

 when' where and why'?  If only these
antiques laces could speak  and tell 
us 
 who they belonged to, designer and
maker and if made for  a special 
occasion. 
 This just shows how important
it is to include  these details with our 
lace, 
 for the benefit of future 
generations.
 Subject: [lace] Bayeux Tapestry in  needlelace
-  
 I am still
looking for answers to the who, when, where and why  about
  the Bayeux
Tapestry in needle lace. Now my blog is posted  on the
  Smithsonian
website:
 
   http://blog.americanhistory.si.edu/
 
  -Karen  

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Re: [lace] Bayeux Tapestry in needlelace

2012-09-23 Thread Catherine Barley
I was fortunate enough to see the photograph in Caen this summer and 
hopefully someone may be able to throw some light on the questions 'who, 
when' where and why'?  If only these antiques laces could speak and tell us 
who they belonged to, designer and maker and if made for a special occasion. 
This just shows how important it is to include these details with our lace, 
for the benefit of future generations.


Catherine Barley
UK



Subject: [lace] Bayeux Tapestry in needlelace



I am still looking for answers to the who, when, where and why about
the Bayeux Tapestry in needle lace. Now my blog is posted on the
Smithsonian website:

http://blog.americanhistory.si.edu/

-Karen on the sunny warm coast of the Atlantic in Delaware this week end



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To unsubscribe send email to majord...@arachne.com containing the line:
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Re: [lace] Bayeux Tapestry in needlelace

2012-09-23 Thread Carolina de la Guardia

Oh yes! Surely we should get big surprises

El 23/09/2012 17:17, Ilske Thomsen escribió:

Our ancestors should have given a sort of passport to their laces than  
everything would be easier ;-

Ilske


--
Carolina de la Guardia
http://www.carolgallego.com
https://www.facebook.com/carolinadelaguardia

Witch Stitch Lace

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Re: [lace] Bayeux Tapestry in needlelace

2012-09-23 Thread karpap
Years ago I visited the Bayeux Tapestry in France.  I  believe the Tapestry was 
made by many different people.  I wonder if the same can be said for the 
needlelace piece?

Patsy A. Goodman
Chula Vista, CA, USA


 Catherine Barley catherinebar...@btinternet.com wrote: 
 I was fortunate enough to see the photograph in Caen this summer and 
 hopefully someone may be able to throw some light on the questions 'who, 
 when' where and why'?  If only these antiques laces could speak and tell us 
 who they belonged to, designer and maker and if made for a special occasion. 
 This just shows how important it is to include these details with our lace, 
 for the benefit of future generations.
 
 Catherine Barley
 UK
 
 
 
 Subject: [lace] Bayeux Tapestry in needlelace
 
 
 I am still looking for answers to the who, when, where and why about
  the Bayeux Tapestry in needle lace. Now my blog is posted on the
  Smithsonian website:
 
  http://blog.americanhistory.si.edu/
 
  -Karen on the sunny warm coast of the Atlantic in Delaware this week end
  
 
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 To unsubscribe send email to majord...@arachne.com containing the line:
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 arachne.modera...@gmail.com. Photo site:
 http://community.webshots.com/user/arachne2003/albums/most-recent

--

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Re: [lace] Bayeux Tapestry in needlelace

2012-09-23 Thread Cynce Williams
Are you aware of Jan Messent's *Bayeux Tapestry Embroiderers' Story?*

Cynthia


On Sep 23, 2012, at 4:32 PM, kar...@cox.net wrote:

 Years ago I visited the Bayeux Tapestry in France.  I  believe the Tapestry
was made by many different people.  I wonder if the same can be said for the
needlelace piece?

 Patsy A. Goodman
 Chula Vista, CA, USA


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[lace] Bayeux Tapestry in needlelace

2012-09-23 Thread Elizabeth Ligeti
We were lucky enough to see part of this enormous piece of lace when we had
the American History tour on the Wednesday of the IOLI convention week.
After doing our own thing during the morning, we gathered after lunch and
were taken down into the bowels of the building, and let loose in 3 rooms
filled with lace
Wonderful!  They had laid out laces that related to the classes being taught
at Convention - so a lot of thought had been put into the display.
There was everything from some gold  silver Elizabethan lace to the World
War lace of Belgium.

The tour was actually my 2nd choice of tours, - but now I am SO glad I did
that one, as I am sure it was the best of all of the tours offered!!

Funnily enough, I mentioned this piece to someone the other day at Lace Day.
- Strange how a thought one side of the world can filter to the other side -
without the Internet, too!!! :)

Regards from Liz in Melbourne, Oz
lizl...@bigpond.com

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[lace] Bayeux Tapestry in needlelace

2012-09-22 Thread Karen Thompson
I am still looking for answers to the who, when, where and why about
the Bayeux Tapestry in needle lace. Now my blog is posted on the
Smithsonian website:

http://blog.americanhistory.si.edu/

-Karen on the sunny warm coast of the Atlantic in Delaware this week end

-
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