Guys,
 
Thank you all for your kind words about my Mum's two doll's houses. 
We are spending time with my parents late Feb for Mum's 80th so I will drag
out all the lace she has, including the miniatures, and photograph them all.
 
If you are looking for some inspiration for miniatures then alot of the
furniture that Dad made was from X-Acto kits - everything precut, you assemble
with PVA glue, sand, stain, wax and add the fixings that are included in the
kit.  If you can find them they are very easy to follow.
 
For the lace work I
used both Roz Snowden's books (very inspirational) but also, I found that some
of the minature sample pieces in Pam Nottingham's buck point technique book
that were intended for use as piece in a broach - they were very easy to make
by using Bridget Cook's Practical Skills in Bobbin Lace as a reference point
for starting and finishing the pieces.  And look at one of them over Xmas I
was amazed that I had to look twice to see where I'd started.  
 
What I have
found with minature lace is that using good quality silk makes a big
difference.  I had first toyed with using silk when I bought a piece of
antique lace for Mum in Amersham.  It was Edwardian Beds and was made in silk
so that seemed period enough for me to start off researching.
 
 
Cottons when
working on fine pieces seemed too thick and I was concerned that the closeness
of the work might cause rubbing of the thread and potentially breakages.  Once
I had bought a selection of threads from Piper Silks (who else!!) I was hooked
and the final pieces looked as though they had been made contemporarily to the
Doll's house's period.
 
Dad stopped making pieces for the Doll's House in
2001 when he lost the sight in one eye due to macular degeneration.  Six
months later, he lost the sight in the other eye to the same cause. 
 
As you
can imagine, for someone who had painted models to the standard that you saw
on the page (the mounted Drummer is now in the Einsikillen Regimental Museum
as a gift from my father) it was extremely difficult for him to adjust.  We
took the opportunity to do things that he had put off for years - Eurostar to
Paris to see Napoleon's tomb, the lake district, Eden Project - we travel to
big things that he can see (this year Waterloo and the TinTin museum).  But
with my mother's help, he built Winsor Castle to show off his Britains'
models.  Mum and Dad now sit together and Mum reads to Dad things that he is
interested in ... and my mother is now a great expert on German Fighter Aces
of WWII, the British Postal System, Greek Battles of WWII .... it is rather
strange as she buys my husband and my father the same books.  Then she sits in
my house discussing the number of kills of different German Fighter Aces.  She
was also rather good at Duxford
 where she was starting to recognise planes and impressed a couple of American
Vets with her knowledge.  Maybe we could get her on Mastermind next.
 
Macular
degeneration has robbed my father of his sight and because during my childhood
my father was increasing ill with managable health only really in the past 15
years there were many things we never got to do together.  But his ill health
gave my father the time to paint and make things.  His lost of sight has
allowed us to do things together that we never had the chance to.  Strange how
things go.
 
I have realised that there is no such thing as a disability - in
the words of one of the UK charities - I don't see disabilty, what I see is
abilty.  My challenge now that I have decided to accept is to see just how
accessible I can make lacemaking in the UK.
 
L

Kind Regards

Liz Baker
thelace...@btinternet.com

My chronicle of my bobbins can be found at my
website: http://thelacebee.weebly.com/

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