Dear Jeri
I am sending this to Arachne as well as personally as it has quite a bit of
lace content. (I hope it will be OK Avital, to keep the previous posts in).
My friend Luise has worked the samples in the magazine but  it has only
whetted her appetite to know more. She is like that!
Feel free to send the museum info to Devon Thien. She may be able to apply
some pressure through the connection of museums to at least preserve correctly
all the ‘colonial’ artefacts.
We do have some very good new museums like the Apartheid museum and many
apartheid era sites like the Mandela House and Lilliesleaf farm are being
turned into museums. It is the older history that is at risk.
The War Museum in Bloemfontein commemorates the Anglo/Boer War and the
concentration camps. It has been closed this year for a major refurbishment
and is due to re-open next March, for the centenary of the Women’s monument
which is in the grounds of the museum. We can only wait and see if it has been
changed at all when it reopens.
I must tell you though that 2013 has been designated ‘The year of Lace’ by
the museum in honour of the Koppies Lace School and Emily Hobhouse. Thanks to
the tremendous amount of work in organising it by our chairman Louis
Oosthuizen, our guild, The Witwatersrand Lace Guild, is now making a large
lace banner to be presented next March at the centenary celebrations. As
nobody else volunteered, I have been delegated to make the monument itself in
lace. It is a tall obelisk with 2 women and a dead child at the base and lower
levels at each side depicting war scenes. It is quite a challenge. I have done
the obelisk and plinth and am now taking a few deep breaths before tackling
the female figures in Withof techniques. Other members are making individual
flowers of the veld to surround it.
I will send more information as it unfolds nearer to the time.
Greetings from Janis
Subject: Re: Margaretenspitzen is in South Africa! - 2

Dear Janis,

Marji is a close friend of Tess Parrish here in Maine.  Therefore, we have had
information about Margaretenspitzen for quite some time.  One member of the
Lacemakers of Maine has been experimenting with it since early this year.  She
is not very experienced in the needlearts, but has had success.  So, your
friend should be able to work from the magazine.  Yes, a book is in the works,
but I do not want to add pressure to the matter of Marji's publishing that, so
did not mention it.

It seems that you are going through what Eastern Europe experienced in the
20th C.  It is most unfortunate.  I hope that your lace organization can
request special access to the lace collection, or maybe even have some say in
where it is housed in the future so that it can be accessed and studied.  I am
familiar with the history of South Africa.  Mary Gostelow of England wrote a
very informative book, published in 1976, "Embroidery South Africa" which
included the history of the Boers.  My library also has 2 books on whitework
embroidery by Hetsie vanWyk of South Africa, from the 1970's.  Very difficult
to obtain at the time, but even back then I was a persistent book collector.

Would you mind if I sent the museum information to Devon Thein?  She works as
a volunteer at the Metropolitan Museum of Art in New York.  I think they would
be interested in what is happening in South African museums.

Jeri Ames in Maine USA
Lace and Embroidery Resource Center

In a message dated 8/22/2012 4:28:44 P.M. Eastern Daylight Time,
thelacepl...@hotmail.co.za writes:
  Hello Jeri
  Thank you for taking the trouble to write to me about the Piecework
magazine.
  Actually, my friend Luise who is wanting to learn more about
Margaretenspetzen was sent a copy of the article by a friend of hers and gave
a copy to me. She has emailed to Maji Suhm and I believe that there will
shortly be a book about it. I then remembered that Dora was trying to promote
it some years back and sent me a knotted Fox in our bookmark exchange. I had
it for quite a time but then gave it to my grandson as he took a fancy to it.
  I stick mainly to bobbin lace but Luise is crazy about all the more obscure
types of lace and other crafts. Wish I could have gone to Caen too but I am
saving hard to go to the next congress in Adelaide as I can visit my son and
grandchildren in Melbourne on the same trip.
  In South Africa, we lacemakers are quite a close knit ‘family’ as we
have a government that is not interested in anything that is
‘Eurocentric’. Our president even gave a speech very recently, saying that
we should ‘decolonialise our museums’! I was at the Johannesburg Art
Gallery recently and all the Dutch old masters have disappeared (hopefully in
correct storage) as well as the lace collection. All have been replaced by
African art.
  We are having a lace convention in Bloemfontein in October though, in honour
of Emily Hobhouse. She started the first lace school in South Africa and did a
lot of good works to help the destitute Boer women after the Anglo/boer war.
Next year is the centenary of the Women’s monument in Bloemfontein, where
Emily’s ashes are buried.
  Greetings from South Africa
  and from Janis

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