RE: [lace] The Laughing Cavalier' Lace

2012-05-30 Thread Bridget Marrow
It's happened again! My message has appeared in the digest without its text. I 
don't understand it, but will try again.  I've switched to plain text, which 
may work better.
 

From: bridgetmar...@msn.com
To: lace@arachne.com
Subject: RE: [lace] The Laughing Cavalier' Lace
Date: Mon, 8 May 012 1::5::4 +100<


I was able to visit the Wallace Collection last week to see their Fencing and 
Fashion exhibition. The emphasis is very much on fencing - lots of fancy 
swords, but no lace. However, the main galleries made up for it, with lots of 
wonderful portraits. I paid my respects to the Laughing Cavalier, and had a 
good look at his cuffs. Definitely needlelace, a wide band of reticella edged 
with punto in aria. There's more of the same on his collar, but is is so 
densely pleated you can hardly see the lace, and it doesn't show up in the 
photograph:
 
http://wallacelive.wallacecollection.org:080//eMuseumPlus?service=ExternalInterface&module=collection&objectId=4959<
 
Somehow I missed the Little Lacemaker with her blackwork cap, though I know 
she's there somewhere.
 
http://wallacelive.wallacecollection.org:080//eMuseumPlus?service=ExternalInterface&module=artist&objectId=410&&viewType=detailView
 
Altogether a very pleasant visit, and nice and cool on the hottest day of the 
year so far!
 
Bridget Marrow, in Pinner, UK 

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RE: [lace] The Laughing Cavalier' Lace

2012-05-28 Thread Bridget Marrow
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RE: [lace] The Laughing Cavalier' Lace

2012-05-16 Thread Sue
I have always loved that painting since I was 11 years old and it hung on
the wall of my classroom, I loved the lace even then although I did not know
what it was at the time, just knew I loved his clothes. Funny that I should
become a lacemaker later in life 

Sue M Harvey
Norfolk UK


Sue M Harvey
Norfolk UK

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[lace] The Laughing Cavalier' Lace

2012-05-16 Thread Linda Walton

I've just come across a website showing the famous portrait,
"The Laughing Cavalier":

http://wallacelive.wallacecollection.org:8080/eMuseumPlus?service=ExternalInterface&module=collection&objectId=64959

If you click on the photo a separate window opens, showing an 
enlargement in which you can see in detail the lace he is wearing on his 
cuff.  It is so beautiful, and must be quite early, since the date of 
the picture is 1624.  This means that, although it looks to me like 19th 
century Bedfordshire lace, it must be something else.  Perhaps some sort 
of needlelace?  Can anyone suggest what it might really have been?  I'd 
love to know.


The description of this artwork suggests that his costume is decorated 
with symbols of love; is it possible that the lace he is so carefully 
displaying to the artist also contained some similar meaning?


By the way, I heard of the website because the painting forms part of an 
exhibition about fencing and fashion in the Renaissance, so there may be 
more pictures of interest to lacemakers.  If anyone happens to be in 
London and visits the  Wallace Collection, perhaps they'd tell us more 
about it?


Linda Walton,
(in High Wycombe, Buckinghamshire, U.K., where we are having a little 
sunshine this morning, but the forecast is for even more rain.  It seems 
that we have just survived the wettest April on record, and May is 
bidding fair to be similar, yet we are still officially in drought, so I 
suppose I shouldn't complain . . . ).


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Re: [lace] The Laughing Cavalier' Lace

2012-05-16 Thread Laceandbits
I guess that Linda doesn't belong to either The Lace Guild or IOLI as the  
magazines produced by both these organisations have regular items about the  
early English laces and how to make them, and very interesting reading they 
are  too.
 
She is quite right that there is a similarity between many  of these laces 
and Bedfordshire 9-pin edge as they are worked with  plaits, but I suspect 
at a quick look that the Laughing Cavalier's lace is  Reticella.  If possible 
read Gil Dye's article on page 25 in  the January copy of Lace which is 
about two very similar portraits of  William Shakespeare (1610 and 1610-20).  
The main difference between the  portraits is in the collars, one being 
bobbin lace and one needlemade  Reticella, but to a non-lacemaker they are very 
alike, and in much the same  style as the Cavalier's collar.
 
Jacquie in Lincolnshire

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