Re: [lace] re: Rosalibre comments

2012-06-27 Thread Laceandbits
Robin says
but because the techniques are her invention, that's getting into
infringeing on Cathy's intellectual property (morally, if not legally).  I am
not
comfortable with that.

No matter how much a few of us enjoy it, I'm afraid Cathy's revolution
may be a quirky lace that fewer and fewer people bother with.



However, Cathy quite clearly says in the front of the book in answer to the
question
Can I teach others this lace?
Yes, if you do so without distributing any patterns, descriptions or
diagrams from this document.  I hold the copyright on this material, but will
not
trademark the specifics of the technique.

If another teacher has worked enough with Cathy or from the book to feel
confident to teach the lace, then they will almost certainly have also done
some of their own designs and made their own working notes and diagrams, and
that is all that she is asking.

After all the hard work she put in developing the techniques and writing
the book, she would probably be pleased and interested to see it becoming a
well known lace instead of fading into obscurity.

Jacquie in Lincolnshire

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[lace] re: Rosalibre comments

2012-06-27 Thread lynrbailey

Robin P. wrote:
I have taught RL to each of the 3 lace groups to which I belong, because 
that's teaching friends.  I was asked once to teach at a more formal workshop 
(the Winter Lace Conference), but because the techniques are her invention, 
that's getting into infringeing on Cathy's intellectual property (morally, if 
not legally).  I am not comfortable with that. No matter how much a few of us 
enjoy it, I'm afraid Cathy's revolution may be a quirky lace that fewer and 
fewer people bother with.

Dear Robin et al,
I am very glad I bought the book when I did.  Haven't used it, but if you see 
something you might like, you buy it NOW, so you can have the book in case it 
is popular and it goes out of print.  This book was published in something 
like 2005, and 7 years later it's not easily found, out of print. 
Here are the issues as I see them:
The only book on the subject is out of print.
Cathy wrote a whole page on using, teaching and copying her book, so clearly 
at the time, she wanted to profit from her endeavor, and rightly so.  Instead 
of copying the pages, she suggested buying the book twice on that page.  An 
excellent idea, and really the only option while that is possible.  That is no 
longer possible, yet clearly there are people who want to learn this unique 
lace. 
On the other hand, she does suggest contacting her in the event someone wants 
to sell more than 5 pieces of lace designed by her, She also mentions that if 
you want to copy just a page or 2, or just one design and not buy the book, 
contact her. 
From comments on Arachne, it appears that Cathy has moved on.  From the 
website quoted in her book, it is very clear that this is a woman of 
remarkable talent and capability, so it is sad for us that she has done so.  
Cathy deserves the profit from her ideas and design.  But with a book out of 
print, that is not happening.  
If Cathy is truly out of the ring, then she may not be aware of this 
situation.  

It seems to me that the best solution to the whole problem is for someone to 
contact Cathy, and find out about her intentions and desires concerning this 
lace at this time.  She may still be of the same mind.  She may be planning to 
reprint the book.  She may not care, as she has moved on.  Until her wishes 
and desires are known, not much can be done.  

This also brings up the issue of a teacher not wanting to use the patterns 
from a book which is not her own.  Sometimes someone rethinks things, writes a 
book which has designs that may work better than the traditional ones in that 
particular kind of lace.  Yet there are copyright problems.  How difficult is 
it to contact the author to copy a design in her book for a class, especially 
a beginner class, where people may not want to invest a large sum in a book if 
they find out they don't like making the lace, whereas some may find they do 
after the class and then buy the book. Has anyone tried contacting an author 
in order to use patterns to teach from?  How difficult is it? What success did 
you have?  

Lyn in Lancaster, Pennsylvania, USA, where the weather is a bit cool for this 
time of year, high of 83F 25.5C, but it will be hotter by tomorrow.  


My email sends out an automatic  message. Arachne members,
please ignore it. I read your emails.

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[lace] re: Rosalibre comments

2012-06-27 Thread Jane Partridge
In message 
11582901.1340810184709.javamail.r...@elwamui-darkeyed.atl.sa.earthlink.n

et, lynrbai...@desupernet.net writes
Has anyone tried contacting an author in order to use patterns to 
teach from?  How difficult is it? What success did you have?


I have always used my own patterns for teaching. However, some twenty 
years ago, I was making lace bookmarks to sell at a fair to raise money 
for our local hospice, and contacted Christine Springett to ask 
permission to use her snake pattern for this purpose (I wonder how many 
teachers/demonstrators have asked her before using said pattern on 
beginner pillows?) - she wrote me a lovely letter in reply, giving 
permission.


On the other side of the coin, some years ago I was contacted by an 
author who is a well known lace teacher, saying that she had been using 
one of my patterns, published in 'Lace' some years before, for teaching 
purposes, and had used that pattern as the basis of a chapter of her 
book which she was just about to start selling (ie it was already 
printed by then). This put me in a difficult situation because had I 
refused permission for its use, it would have cost her a considerable 
amount. It was the first feedback I had had that anyone had used the 
pattern in any way, and to some extent flattering, but not all designers 
see things that way. However, her methods of working my technique are 
not the simplest, and I have since had published, in 'Lace' and the 
'Canadian Lacemaker Gazette', my way of working overlapping loopy gimp 
rings.


--
Jane Partridge

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[lace] re: Rosalibre comments

2012-06-26 Thread robinlace
First off, Jeanette is much too modest.  I've seen pictures of her designs and 
they're beautiful and very creative.  

As for publishing designs, there's a problem:  imagine being given a pricking 
of a complex Milanese picture such as Pat Read or Louise Colgan have created, 
with no knowledge whatsoever of the techniques of Milanese.  Or a lovely Beds 
pattern with no guipure experience.  Now what?  Cathy invented RL with a number 
of unique techniques, and if you haven't learned RL already you won't know what 
to do with the design.  When I have taught original patterns I have referred 
people to Cathy's book.  This is done just like the  in pattern yyy (or 
it's just like that with the following differences).  Since it is/was Cathy's 
lace revolution and she taught for just a few years, only a modest number of 
people are privy to those secrets at this time.  Publishing a simple daffodil 
flower would require publishing a whole lot of accompanying information on how 
to do it, which could easily infringe Cathy's copyright and/or take up far too 
much space in a magazine.  Tamara was asked to !
 publish some of her RL but refused for this reason.  So the only people who 
could use the published design are the ones who already know RL, and that won't 
widen the knowledge base.

I have taught RL to each of the 3 lace groups to which I belong, because that's 
teaching friends.  I was asked once to teach at a more formal workshop (the 
Winter Lace Conference), but because the techniques are her invention, that's 
getting into infringeing on Cathy's intellectual property (morally, if not 
legally).  I am not comfortable with that.

No matter how much a few of us enjoy it, I'm afraid Cathy's revolution may be 
a quirky lace that fewer and fewer people bother with.

Robin P.
Los Angeles, California, USA
robinl...@socal.rr.com

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Re: [lace] re: Rosalibre comments

2012-06-26 Thread Dmt11home
No matter how much a few of us enjoy it, I'm afraid  Cathy's revolution 
may be a quirky lace that fewer and fewer people bother  with.


It is too bad that there doesn't seem to be some way that  Cathy could make 
her book available as an internet download, or self-publish via  the one at 
a time publishing facilities that have been discussed so that she  could 
earn some money for her intellectual property. Has anybody talked to her  
about this? If she doesn't want to bother with it, perhaps she wouldn't mind if 
 
someone like Robin photocopied the book for classes and sent her some  
small per copy fee.
 
The purpose of the copy right law, in the US, at  least, is to encourage 
the development of intellectual property to benefit  everyone by giving the 
creator a short time monopoly on it so that there is a  financial incentive to 
create intellectual property. It is a shame when the  impact is the 
creation of intellectual property that is then withheld from all  those who 
would 
like to have access to it. 
 
This is the exact opposite of the purpose of the US copyright  law. 
 
Devon
 
PS. I know a folk singer who actually puts on his music that  he knows that 
people are going to play his music, sing it and share the  recordings at 
folk gatherings, and if someone records the song he doesn't mind,  but 
suggests that they send him $2 and gives his address. I think it is a nice  
solution to the situation where everyone wants to do the right  thing.

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