Re: just me being missing

2010-09-15 Thread MACSWAG
Thank you chaps for your kindness,and your prayers CAG.we need them
right now, Tim,I was thinking along the lines of small Rosette circles
round the outside circumference and conected by deepening radial cuts
from the centre
to be inlaid with a dark wood like Ebony,small bits of that can be
acquired quite reasonably priced,as like pen bits,and shaved to
fit,what do you think, MAC.

On Sep 15, 2:26 am, curt george curtgeo...@wowway.com wrote:
 MAC. you and your wife are in my prayers.
 I will keep in touch.

 Have a good night.

 C.A.G.

 - Original Message -
 From: MACSWAG davidcraig.dil...@virgin.net
 To: Legacy Ornamental Mills legacy-ornamental-mills@googlegroups.com
 Sent: Tuesday, September 14, 2010 5:33 PM
 Subject: just me being missing

  Hello chaps just come back to read what's happening on the Legacy's, I
  haven't being doing anything much at all,well nothing exactly,you see
  my wife had a stroke about a month ago now and I have been in and out
  of the hosp. visiting,she is now home but needs a lot of care so my
  time will be taken up for a while,so I will just be reading the posts
  while I sit with her,I have answered the survey and hope all others do
  the same,the input in our group is so very important and no-one is on
  their own for long with a prob,it's nice to know that some new people,
  and the old lurkers, are now taken an active role,I would really like
  to see more on the rotary table,anything will get my attention,keep up
  the very welcome work TIM,and hi Bill,

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Re: just me being missing - rotary table inlays

2010-09-15 Thread MACSWAG
Very informative Tim,I'm sure a lot of people are reading this and
thinking Hmmm,I also have a lathe and do a lot of small finials,mainly
tapering four start hollow ones in mahogany or some other hard wood,it
needs to be hard or the bines just crack,very tricky but achievable
with patience and practice,and they do enhance a job very much,I'm
going to buy some Mother of pearl inlay from South Korea,I want to
make a couple of mementos boxes for some freinds who have been most
kind,keep posting always read you,MAC.

On Sep 15, 10:40 pm, Tim Krause artmarb...@comcast.net wrote:
 Creating bullseye type patterns with inlays is one of the types of details 
 I've been thinking about.  Inlaying contrasting pieces of wood on the rotary 
 table and carving shapes into the surfaces of the pieces. Basically like this 
 sectional view of a box top.

 I know it can be done, but I have not seen any of us do this yet.  I have a 
 couple clever ideas on how to make the pocket of an inlay the right size.  
 I've been holding back since I don't have any photos. Just words, ideas and 
 partial experience.  

 I'm also surprised to see no one has made small finials that can be applied 
 to boxes.  The biggest challenge I see in working small is work holding.  
 Carpet tape and turners tape has it's limits.  We need to get much more 
 creative and use less force.  This might include using glues and extra waste 
 material and more creative ways to part excess waste off if we are only going 
 to use the legacy as a turning tool.

 One of the question I left out of questionnaire was how many people own a 
 lathe and a Legacy.  I suspect the level of ownership is high.  Especially in 
 the group of people that consider themselves intermediate and advanced Legacy 
 owners.  I think that group is always looking at the resources traditional 
 turners have and applying them to the Legacy.  Those that have never turned 
 would never even consider a jam chuck to hold work.  In our case, a jam chuck 
 could be handy in rotary table mounting.  It's something I've been meaning to 
 try.  I can think of several other obscure home made chucks that could come 
 in handy as well.  

 Unfortunately, one of the basic cuts used on a lathe to make thin inlay parts 
 is a real challenge on a Legacy, the parting cut.  On a lathe we can slice 
 off thin 1/8 slices using end grain orientation.  On the legacy we would 
 have to resort to using a 3/8 bit and that wastes a lot of wood.  If you use 
 a thinner router bit you risk breaking the bit and also limiting the diameter 
 you can part off.  This is where a chop saw has come in handy for me.  I've 
 also used a bandsaw but that comes with lots of safety warnings when the 
 piece has been rounded.  

 The other alternative to thin inlay stock is to plane a thin piece of wood 
 cross grain style and then cut circles out to inlay.  That is really easy to 
 do.  I take square slices and use a small piece of carpet tape between them 
 and hold the stack between centers and turn them round with a 2704 bit.  It 
 almost does not matter how you stack them but it's best to match them and cut 
 off the corners to make an octagon. You can make a whole cylinder of cross 
 grained circles really fast!  Then it's easy to make bullseye type patters 
 using inlays on the rotary table.

 I do know we can make these types of designs by offsetting the work piece on 
 a rotary table and then indexing the work piece separately.  It's one of the 
 things I've been trying to get around to showing and have hinted to.  A 
 simple V cutting bit would be used to engrave fine lines, or you could make 
 really bold cuts using few indexes.  It's completely scalable.

 I'm sure some light bulbs are turning on now!  After writing a chapter of a 
 book in response to your simple comment, I think I'm really off base.   
 Please help straighten me out!

 -Tim

 - Original Message -
 From: MACSWAG davidcraig.dil...@virgin.net
 To: Legacy Ornamental Mills legacy-ornamental-mills@googlegroups.com
 Sent: Wednesday, September 15, 2010 1:13 PM
 Subject: Re: just me being missing

 Thank you chaps for your kindness,and your prayers CAG.we need them
 right now, Tim,I was thinking along the lines of small Rosette circles
 round the outside circumference and conected by deepening radial cuts
 from the centre
 to be inlaid with a dark wood like Ebony,small bits of that can be
 acquired quite reasonably priced,as like pen bits,and shaved to
 fit,what do you think, MAC.



  inlay_box_top.jpg
 6KViewDownload

  eccentric_rotary_table.jpg
 61KViewDownload

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Re: just me being missing - rotary table inlays

2010-09-15 Thread Tim Krause
Here's my original thought, something like Art's column saw.   
http://ornamentalmills.com/turningaround/ColumnSaw.htm

I was thinking of turning the circular saw 90 degrees to the spindle and use it 
as a chop saw like Bill was suggesting.  I would advise the saw clamped down 
and hinged. The gears should be engaged on the spindle so the spindle has no 
chance of taking off by the power of the saw.  Still a little on the scary side 
for me.

This also reminds me of how one man makes  thin slices for building pool cues.  
http://www.dzcues.com/images/videos/slitting%20saw.wmv
That's a trim router mounted on a cross slide on a metal lathe using a custom 
mandrel to hold a cut off blade. He's cutting .030 rings cross grain with very 
little waste.  A very enlightening site. http://www.dzcues.com/videos.htm

-Tim

- Original Message - 
From: Bill Bulkeley 
To: legacy-ornamental-mills@googlegroups.com 
Sent: Wednesday, September 15, 2010 3:23 PM
Subject: Re: just me being missing - rotary table inlays


perhaps its time to mount a small drop saw onto the legacy a nice small saw 
with a really thin blade should get those thin parting cuts your not able to 
get with router bits and of coarse you can turn with a saw too 
Bill

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Re: need gear for used legacy 1200

2010-09-15 Thread John Smith
Curt,
   I hope I'm not confusing everybody. My Email account is under John Smith,
an alias. I dont' know why at the time It just came to me. Probably a panic
attack of big brother. That's why emails say John Smith. I just joined the
group recently my real name is Fred. That's how I've been signing off. Sorry
about the confusion. Glad you liked the pics, I was hooked the first time I
saw one of these in action.  Fred (real name)

On Wed, Sep 15, 2010 at 2:38 AM, curt george curtgeo...@wowway.com wrote:

  Nice stuff John!
 Tim expressed my feeling very nicely.(perhaps better than I could my self.)
 I realy like OT stuff. and have been watching some of the web sites on the
 net for years. If you have other works I personally would like to see them.
 I've been playing around with rosettes and a number of moving and not,
 templates with my Legacy.in hope to achieve some more OT like looks in my
 own works. I see the MDF Rose as a distance cousin to the Legacy. So I say
 keep on sending us info.and pictures of your work,John. Perhaps your skills
 will inspire us to new and higher heights in our Own OT ways. ;-)
 Thanks Again for sharing John.

 C.A.G.











 - Original Message -

  *From:* Tim Krause artmarb...@comcast.net
 *To:* legacy-ornamental-mills@googlegroups.com
   *Sent:* Wednesday, September 15, 2010 12:09 AM
 *Subject:* Re: need gear for used legacy 1200

 Hi,

 Thanks for showing the box and your MDF Rose Engine.  For those that are
 not familiar with this type of machine, there is a cutter on a cross slide.
 Think of it as a router (although a router is closer to another tool called
 a drill frame).  Patterns or Rosettes are mounted on the back side of the
 spindle.  A Rubber follows the patterns and the spindle rocks back and
 forth as it rotates.  This creates the pattern such as Fred's box.  There
 are lot's of variations to what can be done by changing cutters,  rosettes
 and orientation of the cutter to the work.

 Before I bought my Legacy I had visions of owning antique OT equipment and
 it was really hard to find any information at the time.  I had seen a
 Lawler Lathe in Fine Woodworking magazine and knew it was way out of my
 range but it sparked something deep inside me.  There was just something
 about seeking a whole new level of perfection.  Add to that the geometric
 patterns that could be achieved where extremely intriguing to me.  I decided
 to buy a Legacy thinking it was expensive but affordable.  After seeing some
 interesting work that was being done and being inspired by works of Dr.
 Courtland Smith and James Neff I figured it would work for me.  Then several
 years later Jon published his MDF Rose Engine plans in the AAW Newsletter
 and I thought this was really going to open up the OT world.  I saw a couple
 of items by Jon Sauer that had reciprocated work and I figured I could do
 that on my legacy.  So I decided to building my own version of a
 reciprocator for the Legacy.  That's part of the fun of being a Legacy
 owner, seeing what other machines can do and figuring out how it can be done
 on the Legacy with what I got. So yes, you could definitely say I'm familiar
 with OT.

 I'm also casually happy to say not everyone is jumping on the bandwagon.  I
 like people to wonder how some of my trinkets are made. Unfortunately it's
 still hard to explain what ornamental turning really is to the public and
 even to many woodturners.  It's great to see the modern work of Lindow and
 White and then to behold the glory of a Fred Armbruster machine.
 It's beyond words!  Today there is so much inspiration all over the web.
 There are a lot of guys on the OTI board that are doing some amazing work
 using all levels of tools.  There is a lot of inspiration there for guys
 like me who like to think and tinker! The longer I'm in the field the more a
 realize my end goal is to blend traits of all wood disciplines into my
 current work.  That's the definition of no limitations!

 Enough of my babbling,

 -Tim


 - Original Message -
 *From:* John Smith jsbulletexpr...@gmail.com
 *To:* legacy-ornamental-mills@googlegroups.com
 *Sent:* Tuesday, September 14, 2010 7:56 PM
 *Subject:* Re: need gear for used legacy 1200

 I haven't made anything with the legacy yet. I got the impression you were
 familiar with ornamental turning. A pic of one of my OT boxes and my
 homemade mdf rose engine. Fred

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 To post to this 

Re: need gear for used legacy 1200

2010-09-15 Thread Tim Krause
Hello Fred, 

You did, but it's no surprise people wanting to keep a level of privacy in a 
semi public forum.  We are a tight knit group and pretty much all of us are on 
first name basis which is what we like and I would like to foster.  There are a 
few guys that have been around since the beginning of the group that even I as 
an owner of the list have no idea what there real name is.  It's all the same.  
I'm still going to help out Bozo the Clone as much as anyone else.  I'm glad 
you feel comfortable sharing your real name with us. 

-Tim



- Original Message - 
  From: John Smith 
  To: legacy-ornamental-mills@googlegroups.com 
  Sent: Wednesday, September 15, 2010 8:06 PM
  Subject: Re: need gear for used legacy 1200


  Curt,
 I hope I'm not confusing everybody. My Email account is under John Smith, 
an alias. I dont' know why at the time It just came to me. Probably a panic 
attack of big brother. That's why emails say John Smith. I just joined the 
group recently my real name is Fred. That's how I've been signing off. Sorry 
about the confusion. Glad you liked the pics, I was hooked the first time I saw 
one of these in action.  Fred (real name)


  On Wed, Sep 15, 2010 at 2:38 AM, curt george curtgeo...@wowway.com wrote:

Nice stuff John!
Tim expressed my feeling very nicely.(perhaps better than I could my self.)
I realy like OT stuff. and have been watching some of the web sites on the 
net for years. If you have other works I personally would like to see them. 
I've been playing around with rosettes and a number of moving and not, 
templates with my Legacy.in hope to achieve some more OT like looks in my own 
works. I see the MDF Rose as a distance cousin to the Legacy. So I say keep on 
sending us info.and pictures of your work,John. Perhaps your skills will 
inspire us to new and higher heights in our Own OT ways. ;-)
Thanks Again for sharing John.

C.A.G.











- Original Message - 
  From: Tim Krause 
  To: legacy-ornamental-mills@googlegroups.com 
  Sent: Wednesday, September 15, 2010 12:09 AM
  Subject: Re: need gear for used legacy 1200


  Hi,

  Thanks for showing the box and your MDF Rose Engine.  For those that are 
not familiar with this type of machine, there is a cutter on a cross slide. 
Think of it as a router (although a router is closer to another tool called  a 
drill frame).  Patterns or Rosettes are mounted on the back side of the 
spindle.  A Rubber follows the patterns and the spindle rocks back and forth 
as it rotates.  This creates the pattern such as Fred's box.  There are lot's 
of variations to what can be done by changing cutters,  rosettes and 
orientation of the cutter to the work. 

  Before I bought my Legacy I had visions of owning antique OT equipment 
and it was really hard to find any information at the time.  I had seen a 
Lawler Lathe in Fine Woodworking magazine and knew it was way out of my range 
but it sparked something deep inside me.  There was just something about 
seeking a whole new level of perfection.  Add to that the geometric patterns 
that could be achieved where extremely intriguing to me.  I decided to buy a 
Legacy thinking it was expensive but affordable.  After seeing some interesting 
work that was being done and being inspired by works of Dr. Courtland Smith and 
James Neff I figured it would work for me.  Then several years later Jon 
published his MDF Rose Engine plans in the AAW Newsletter and I thought this 
was really going to open up the OT world.  I saw a couple of items by Jon Sauer 
that had reciprocated work and I figured I could do that on my legacy.  So I 
decided to building my own version of a reciprocator for the Legacy.  That's 
part of the fun of being a Legacy owner, seeing what other machines can do and 
figuring out how it can be done on the Legacy with what I got. So yes, you 
could definitely say I'm familiar with OT. 

  I'm also casually happy to say not everyone is jumping on the bandwagon.  
I like people to wonder how some of my trinkets are made. Unfortunately it's 
still hard to explain what ornamental turning really is to the public and even 
to many woodturners.  It's great to see the modern work of Lindow and White and 
then to behold the glory of a Fred Armbruster machine.  It's beyond words!  
Today there is so much inspiration all over the web. There are a lot of guys on 
the OTI board that are doing some amazing work using all levels of tools.  
There is a lot of inspiration there for guys like me who like to think and 
tinker! The longer I'm in the field the more a realize my end goal is to blend 
traits of all wood disciplines into my current work.  That's the definition of 
no limitations!

  Enough of my babbling, 

  -Tim

- Original Message - 
From: John Smith 
To: legacy-ornamental-mills@googlegroups.com 
Sent: Tuesday, September 14, 2010 7:56 PM