Re: printed page does not match the .pdf file
Am 07.02.2009 um 01:55 schrieb Anthony W. Youngman: In message 5c547d22-490a-4ec7-a6d5-e5d8e8ec4...@gmail.com, Simon Bailey bina...@gmail.com writes chip, On Feb 6, 2009, at 12:08 AM, Chip wrote: When I view my file as .pdf it shows the very small margins all the way around the page. When I print the .pdf using jpedal I get what appears to be 1 margins left and right and bottom, and about 2 from the top of the page to the top of the title. What do I have to do to get the page to print just like the .pdf? I am using jedit/ jpedal on XP. Below is my code for this particular page. most pdf viewers or printer dialogues have an option scale page to fit printer margins or something similar. i've run into this issue before when i've forgotten to ensure that the printer doesn't scale the printout. technical reasoning behind this option is that a lot of pdfs have content all the way to the edge of the page and this content would otherwise be cut off in the printout, so by default, the printer driver will scale a pdf down to fit the printer margins. So how do you get it to print properly if you DON'T want it to shrink to fit? (ime, it then prints the page, full size, but offset down and left by the printer margin!) I've found it IMPOSSIBLE to get the pdf to print cleanly on a sheet of paper, full size, properly centred. Cheers, Wol In Adobe Acrobat, I use no printer scaling, and automatically center. That gets it how it's supposed to be. At least for me. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tremolo / tuplet
Solved by upgrade to lily 2.13.2
Thanks all
Zbyněk Burget napsal(a):
Hi,
I've small problem
I've following bar:
c4-. \times 2/3 { \repeat tremolo 3 c8 } c4-. \times 2/3 { \repeat
tremolo 3 c8 }
so-called tremolo is in tuplet. But tuplet numbers are not printed.
Is any way to visible tuplet numbers?
My idea was some as { c8-3 }, but tuplet numbers are italic and
fingerings are bold :-(
Thanks, Zbynek
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Re: two rehearsal mark on one barline
Mats Bengtsson napsal(a): James E. Bailey wrote: Also, you can have a separate context for each mark, since only one mark can be in a voice at a time. If you try your suggestion, I'm afraid you'll get disappointed. Since rehearsal marks are created at the score level, it doesn't matter if the \mark commands are on the same Voice or not. Hmmm... Is some way to create following?: on one barline fermata and default rehearsal mark in case that this barline is at the end of line, fermata is printed at the end of line and default rehearsal mark is printed at begining of new line. I impose piece for orchestra, and I generate parts and partiture from common music definitions. And on part is aforementioned barline at the end of line and on partiture in the middle :-( Zbynek ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: two rehearsal mark on one barline
Hi Zbyněk, Hmmm... Is some way to create following?: on one barline fermata and default rehearsal mark in case that this barline is at the end of line, fermata is printed at the end of line and default rehearsal mark is printed at begining of new line. I impose piece for orchestra, and I generate parts and partiture from common music definitions. And on part is aforementioned barline at the end of line and on partiture in the middle :-( You can use \tag mechanism: http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Different- editions-from-one-source#Different-editions-from-one-source Hope this helps! Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tremolo / tuplet
Zbyněk Burget wrote: Solved by upgrade to lily 2.*13*.2 Thanks all We'll expect some great bugfixes and cool new features from you then! ;) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: strange error message with tuplet
Stefan Thomas wrote:
Dear lilypond-users,
when compiling one of my scores I get the following error message,
which I don't understand:
musik/musik_ab115.ly:63:16: warning: No tuplet to end
s8\fp\ s\f\
\times 4/6 { s32*5\p\ s 32\!} \pedtrem s4...\ff
\startTextSpan s32 \stopTextSpan }%lautleise 115-118
Why there is no no tuplet to end?
Not sure what that's about -- with 2.12.2, running your line as a
minimal example produces warnings that the crescendi are too short, but
that's all.
Using visible notes, not spacer notes, produces error-free output here:
c4\fp\ c\f\ \times 4/6 { c32*5\p\ c32\!} c4...\ff
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Re: My solution to rhythmic slashes and midi playback
Brian wrote: Hope this helps somebody, I've been trying to get a system going for my slashes and finally found something that works! Good candidate for the LSR. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: two rehearsal mark on one barline
Kieren MacMillan napsal(a): Hi Zbyněk, Hmmm... Is some way to create following?: on one barline fermata and default rehearsal mark in case that this barline is at the end of line, fermata is printed at the end of line and default rehearsal mark is printed at begining of new line. I impose piece for orchestra, and I generate parts and partiture from common music definitions. And on part is aforementioned barline at the end of line and on partiture in the middle :-( You can use \tag mechanism: http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Different-editions-from-one-source#Different-editions-from-one-source Tags seems a feasible solution... ...but how make fermata on barline at the end of line and default rehearsal mark on some barline at beginning of new line? Zbynek ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
compiling error at the installation stage
Hi all, Trying to compile lilypond 2.12 from source but getting an error nearly at the end of compiling, any idea/suggestion pls? Here is the output: http://pastebin.com/m3e8e359c ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
auto cross stave piano notes
hello, i have a string of notes for piano (one voice) spanning 5octaves that needs dividing between the two staves is there a way to set a threshold pitch and say any pitch below that threshold will go to the bottom piano stave and anything above it will go to the top piano stave? i can see how to do it manually on a note by note basis here: http://lsr.dsi.unimi.it/LSR/Snippet?id=127 but i am imagining that this is something that can be automated, defined as \autocrossstave and turned on and off in a score as needed? thanks rob ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
How to tie a note in a chord to a note outside a chord
Dear subscribers,
I am inputting some very complicated polyphonic music for keyboard. Maybe
this is a newbie idiotic question, but I cannot understand how to input
these two bars: the problem is printing the tied A across the measures while
keeping the second one in the same chord with the upper C. This does not
seem to work:
{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_~ a}
nor this:
{\stemUp c2~}\\{\stemDown g4 a_~} c a4
http://www.nabble.com/file/p21889121/esempioee8.png
Thanks for your suggestions,
Andrea
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Re: How to tie a note in a chord to a note outside a chord
Am 07.02.2009 um 15:50 schrieb Jayaratna:
Dear subscribers,
I am inputting some very complicated polyphonic music for keyboard.
Maybe
this is a newbie idiotic question, but I cannot understand how to
input
these two bars: the problem is printing the tied A across the
measures while
keeping the second one in the same chord with the upper C. This
does not
seem to work:
{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_~ a}
nor this:
{\stemUp c2~}\\{\stemDown g4 a_~} c a4
You'll want the section in the documentation on Explicitly
instantiating voices. I don't remember if it's in the Learning Manual
or Notation Reference, but exactly this issue is covered.
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Re: auto cross stave piano notes
Rob Have a look at Changing staff automatically in section 2.2.1 of the Notation Reference. It describes the \autochange command. This has limitations (like the staff names are fixed and the switch point is always middle C), but it might help. Trevor - Original Message - From: Rob Canning robcann...@eircom.net To: lilypond-user lilypond-user@gnu.org Sent: Saturday, February 07, 2009 2:51 PM Subject: auto cross stave piano notes hello, i have a string of notes for piano (one voice) spanning 5octaves that needs dividing between the two staves is there a way to set a threshold pitch and say any pitch below that threshold will go to the bottom piano stave and anything above it will go to the top piano stave? i can see how to do it manually on a note by note basis here: http://lsr.dsi.unimi.it/LSR/Snippet?id=127 but i am imagining that this is something that can be automated, defined as \autocrossstave and turned on and off in a score as needed? thanks rob ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to tie a note in a chord to a note outside a chord
Thank you, I think it's exactly what I needed!
A
James E. Bailey-3 wrote:
Am 07.02.2009 um 15:50 schrieb Jayaratna:
Dear subscribers,
I am inputting some very complicated polyphonic music for keyboard.
Maybe
this is a newbie idiotic question, but I cannot understand how to
input
these two bars: the problem is printing the tied A across the
measures while
keeping the second one in the same chord with the upper C. This
does not
seem to work:
{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_~ a}
nor this:
{\stemUp c2~}\\{\stemDown g4 a_~} c a4
You'll want the section in the documentation on Explicitly
instantiating voices. I don't remember if it's in the Learning Manual
or Notation Reference, but exactly this issue is covered.
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Re: How to tie a note in a chord to a note outside a chord
Jayaratna wrote:
This does not seem to work:
{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_~ a}
Well, this looks like (part of) what you want!
Or is it that you then don't see how to cope with the d2.?
The manual mentions connecting ties across voices
( Snippets / Rhythms / Making an object invisible with the transparent property)
but only deals with a simple case.
Using that approach here probably involves a _third_ voice,
which then needs some more tweaking to get things aligned.
But do you know about tieWaitForNote?
Try this:
%%
twfon = { \set tieWaitForNote = ##t }
twfoff = { \set tieWaitForNote = ##f }
\relative c''
{c4 g4 \twfon c4^~ a4_~ a c4 \twfoff g bes8 fis a8 g bes4 a c4}
\\
{g8 f8 e8 f8 g4 s4 d2. e4 }
%%
This is quite readable.
But if you insist on an exact match,
replace the c4^~ with c2*1/2^~
Cheers,
Robin
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Re: How to tie a note in a chord to a note outside a chord
Hi Robin,
in fact I just came back to the list because I still didn't know how to tie
that a: I'm trying your tieWaitForNote, which sounds like should work...
Thanks!!!
A
Robin Bannister wrote:
Jayaratna wrote:
This does not seem to work:
{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_~ a}
Well, this looks like (part of) what you want!
Or is it that you then don't see how to cope with the d2.?
The manual mentions connecting ties across voices
( Snippets / Rhythms / Making an object invisible with the transparent
property)
but only deals with a simple case.
Using that approach here probably involves a _third_ voice,
which then needs some more tweaking to get things aligned.
But do you know about tieWaitForNote?
Try this:
%%
twfon = { \set tieWaitForNote = ##t }
twfoff = { \set tieWaitForNote = ##f }
\relative c''
{c4 g4 \twfon c4^~ a4_~ 4 \twfoff g bes8 fis a8 g bes4 4}
\\
{g8 f8 e8 f8 g4 s4 d2. e4 }
%%
This is quite readable.
But if you insist on an exact match,
replace the c4^~ with c2*1/2^~
Cheers,
Robin
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Re: Good luck, Valentin
2009/2/5 Francisco Vila paconet@gmail.com: In another concession to windows users like my students, I'd like to have a windows built-in version of main.ly (say winmain.ly) with the foo/ path style in the includes, and which they could process directly on their systems. Johannes: thank you very much, FOSS world is just wonderful! Paco: I'll correct main.ly by default (that being said, I remember having been able to compile my score on Windows systems without encountering the problem you're referring to). (hint hint: look out for the upcoming Opera Actual issue, it will contain a review of the opera :-) Regards, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to tie a note in a chord to a note outside a chord
Aside from the tie/stem collision, is this not what you wanted?
\version 2.12.2
\new Staff \relative c'' { { \voiceOne c2~ c4 } \new Voice
{ \voiceTwo g4 \voiceOne a_~ a } }
inline: stems.png
Am 07.02.2009 um 17:21 schrieb Jayaratna:
Hi Robin,
in fact I just came back to the list because I still didn't know
how to tie
that a: I'm trying your tieWaitForNote, which sounds like should
work...
Thanks!!!
A
Robin Bannister wrote:
Jayaratna wrote:
This does not seem to work:
{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_~ a}
Well, this looks like (part of) what you want!
Or is it that you then don't see how to cope with the d2.?
The manual mentions connecting ties across voices
( Snippets / Rhythms / Making an object invisible with the
transparent
property)
but only deals with a simple case.
Using that approach here probably involves a _third_ voice,
which then needs some more tweaking to get things aligned.
But do you know about tieWaitForNote?
Try this:
%%
twfon = { \set tieWaitForNote = ##t }
twfoff = { \set tieWaitForNote = ##f }
\relative c''
{c4 g4 \twfon c4^~ a4_~ 4 \twfoff g bes8 fis a8 g bes4 4}
\\
{g8 f8 e8 f8 g4 s4 d2. e4 }
%%
This is quite readable.
But if you insist on an exact match,
replace the c4^~ with c2*1/2^~
Cheers,
Robin
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Re: Problem with lyrics
in mm 123 of what I'm assuming is the second voice, there's a tie.
That's probably preventing the lyric from appearing.
a 8 d' _~ d' 2 _~ r4
Am 07.02.2009 um 17:39 schrieb Lorenzo Bicci:
Hi everybody!
Here's the problem: when compiling the file below, no syllable gets
assigned to the first note of the 5th bar of the second voice (see
the PDF here: http://www.ntontopupu.com/prova.pdf). I tried with
both versions 2.10 (on Linux) and 2.12 (on
Windows). Did i make any error in the .ly file or is this a bug? In
case this is a bug, anyone can suggest me a workaround?
Thanks,
Lorenzo
% This LilyPond file was generated by Rosegarden 1.7.2
\version 2.10.0
% point and click debugging is disabled
#(ly:set-option 'point-and-click #f)
\header {
composer = Paolo Capoferri, Lorenzo Bicci
title = Casa mia
tagline =
}
#(set-global-staff-size 16)
#(set-default-paper-size a4)
chExceptionMusic = { c e-\markup { \super 3} }
chExceptions = #(append (sequential-music-to-chord-exceptions
chExceptionMusic #t) ignatzekExceptions)
global = {
\time 4/4
}
globalTempo = {
\tempo 4 = 128
}
\score {
% common
\context Staff = track 1
\set Staff.instrumentName = \markup { \column { kapo } }
\set Score.skipBars = ##t
\set Staff.printKeyCancellation = ##f
\new Voice \global
\new Voice \globalTempo
\context Voice = voice 1 {
\override Voice.TextScript #'padding = #2.0
\override MultiMeasureRest #'expand-limit = 1
\clef treble_8
%% 120
e' 4 e' d' 8 c' _~ c' 4 |
f' 4 f' e' 8 d' _~ d' 4 |
e' 4 _~ e' 8 e' e' e' d' c' |
d' 8 g' _~ g' 2 r4 |
e' 4 e' d' 8 c' _~ c' 4 |
%% 125
f' 4 f' e' 8 d' _~ d' 4 |
e' 8 e' d' c' d' d' c' b |
c' 8 c' _~ c' 2 r4 |
\bar |.
} % Voice
\lyricsto voice 1 \new Lyrics \lyricmode {
\override LyricText #'self-alignment-X = #CENTER
Ca -- sa mi -- a ca -- sa mi -- a per pic -- ci -- na che tu si --
a ca
-- sa mi -- a ca -- sa mi -- a tu mi sem -- bri~il Vil -- lag --
gio Ba
-- di -- a.
} % Lyrics 1
% Staff ends
\context Staff = track 3
\set Staff.instrumentName = \markup { \column { Giuliaok
} }
\set Score.skipBars = ##t
\set Staff.printKeyCancellation = ##f
\new Voice \global
\new Voice \globalTempo
\context Voice = voice 3 {
\override Voice.TextScript #'padding = #2.0
\override MultiMeasureRest #'expand-limit = 1
\clef treble
%% 120
\clef treble_8
c' 4 c' a 8 g _~ g 4 |
c' 4 c' a 8 g _~ g 4 |
c' 4 _~ c' 8 c' c' c' a g |
a 8 d' _~ d' 2 _~ r4 |
c' 4 c' a 8 g _~ g 4 |
%% 125
c' 4 c' a 8 g _~ g 4 |
c' 8 c' c' c' g g g g |
c 8 c _~ c 2 r4 |
\bar |.
} % Voice
\lyricsto voice 3 \new Lyrics \lyricmode {
\override LyricText #'self-alignment-X = #CENTER
Ca -- sa mi -- a ca -- sa mi -- a per pic -- ci -- na che tu si --
a ca
-- sa mi -- a ca -- sa mi -- a tu mi sem -- bri~il Vil -- lag --
gio Ba
-- di -- a.
} % Lyrics 3
% Staff ends
% Staff (final) ends
\layout {
\context { \GrandStaff \accepts ChordNames }
}
} % score
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Re: How to tie a note in a chord to a note outside a chord
Hi James,
what you suggests works very well, but if you add the d2. at the bottom
Lilypond says:
warning: ignoring too many clashing note columns
{ { \voiceOne c'2~
c4 } \new Voice { \voiceTwo g4 \voiceOne a_~ a } \\{s2
d,2.} }
%%
James E. Bailey-3 wrote:
Aside from the tie/stem collision, is this not what you wanted?
\version 2.12.2
\new Staff \relative c'' { { \voiceOne c2~ c4 } \new Voice
{ \voiceTwo g4 \voiceOne a_~ a } }
Am 07.02.2009 um 17:21 schrieb Jayaratna:
Hi Robin,
in fact I just came back to the list because I still didn't know
how to tie
that a: I'm trying your tieWaitForNote, which sounds like should
work...
Thanks!!!
A
Robin Bannister wrote:
Jayaratna wrote:
This does not seem to work:
{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_~ a}
Well, this looks like (part of) what you want!
Or is it that you then don't see how to cope with the d2.?
The manual mentions connecting ties across voices
( Snippets / Rhythms / Making an object invisible with the
transparent
property)
but only deals with a simple case.
Using that approach here probably involves a _third_ voice,
which then needs some more tweaking to get things aligned.
But do you know about tieWaitForNote?
Try this:
%%
twfon = { \set tieWaitForNote = ##t }
twfoff = { \set tieWaitForNote = ##f }
\relative c''
{c4 g4 \twfon c4^~ a4_~ 4 \twfoff g bes8 fis a8 g bes4 4}
\\
{g8 f8 e8 f8 g4 s4 d2. e4 }
%%
This is quite readable.
But if you insist on an exact match,
replace the c4^~ with c2*1/2^~
Cheers,
Robin
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Re: songbook from Lily scores
For a songbook project I just completed, I've been using Scribus and Gimp to manage my songbook layout and import the individual song pages as 300 dpi png files. This worked reasonably well, although Scribus takes a bit of playing around with to figure out how to configure a table of contents and other things. Jack --- On Fri, 2/6/09, Francisco Vila paconet@gmail.com wrote: From: Francisco Vila paconet@gmail.com Subject: Re: songbook from Lily scores To: Zoltan Kota zolt...@gmail.com Cc: lilypond-user@gnu.org Received: Friday, February 6, 2009, 4:02 PM 2009/2/6 Zoltan Kota zolt...@gmail.com: I have been using Lily for a year now, and I have several music scores as separate lily files. I would like to make a songbook including them, with cover page, table of contents, correct page numbering, etc. How should I start? What sectiones should I learn in documentation? Lilypond-book? Any useful info and tips are welcome! If your preferred system to produce documents is LaTex, go learn lilypond.-book. You'll have a TOC and page numbering. If all the scores span a single page maximum, inserting them as images could be an option for word processors. A third approach is to make multiple PDFs and pack them together with Adobe Acrobat or a free tool. A coherent numbering and an automatic TOC would be much more difficult in this case. -- Francisco Vila. Badajoz (Spain) http://www.paconet.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with lyrics
Thanks a lot! It was just a little stupid error, but after hours working
on a lilypond file it can get hard to see it. :)
As always, the community shows a great support (and patience :P ).
Thanks a lot!
L.
Il giorno sab, 07/02/2009 alle 17.50 +0100, James E. Bailey ha scritto:
in mm 123 of what I'm assuming is the second voice, there's a tie.
That's probably preventing the lyric from appearing.
a 8 d' _~ d' 2 _~ r4
Am 07.02.2009 um 17:39 schrieb Lorenzo Bicci:
Hi everybody!
Here's the problem: when compiling the file below, no syllable gets
assigned to the first note of the 5th bar of the second voice (see
the PDF here: http://www.ntontopupu.com/prova.pdf). I tried with
both versions 2.10 (on Linux) and 2.12 (on
Windows). Did i make any error in the .ly file or is this a bug? In
case this is a bug, anyone can suggest me a workaround?
Thanks,
Lorenzo
% This LilyPond file was generated by Rosegarden 1.7.2
\version 2.10.0
% point and click debugging is disabled
#(ly:set-option 'point-and-click #f)
\header {
composer = Paolo Capoferri, Lorenzo Bicci
title = Casa mia
tagline =
}
#(set-global-staff-size 16)
#(set-default-paper-size a4)
chExceptionMusic = { c e-\markup { \super 3} }
chExceptions = #(append (sequential-music-to-chord-exceptions
chExceptionMusic #t) ignatzekExceptions)
global = {
\time 4/4
}
globalTempo = {
\tempo 4 = 128
}
\score {
% common
\context Staff = track 1
\set Staff.instrumentName = \markup { \column { kapo } }
\set Score.skipBars = ##t
\set Staff.printKeyCancellation = ##f
\new Voice \global
\new Voice \globalTempo
\context Voice = voice 1 {
\override Voice.TextScript #'padding = #2.0
\override MultiMeasureRest #'expand-limit = 1
\clef treble_8
%% 120
e' 4 e' d' 8 c' _~ c' 4 |
f' 4 f' e' 8 d' _~ d' 4 |
e' 4 _~ e' 8 e' e' e' d' c' |
d' 8 g' _~ g' 2 r4 |
e' 4 e' d' 8 c' _~ c' 4 |
%% 125
f' 4 f' e' 8 d' _~ d' 4 |
e' 8 e' d' c' d' d' c' b |
c' 8 c' _~ c' 2 r4 |
\bar |.
} % Voice
\lyricsto voice 1 \new Lyrics \lyricmode {
\override LyricText #'self-alignment-X = #CENTER
Ca -- sa mi -- a ca -- sa mi -- a per pic -- ci -- na che tu si --
a ca
-- sa mi -- a ca -- sa mi -- a tu mi sem -- bri~il Vil -- lag --
gio Ba
-- di -- a.
} % Lyrics 1
% Staff ends
\context Staff = track 3
\set Staff.instrumentName = \markup { \column { Giuliaok
} }
\set Score.skipBars = ##t
\set Staff.printKeyCancellation = ##f
\new Voice \global
\new Voice \globalTempo
\context Voice = voice 3 {
\override Voice.TextScript #'padding = #2.0
\override MultiMeasureRest #'expand-limit = 1
\clef treble
%% 120
\clef treble_8
c' 4 c' a 8 g _~ g 4 |
c' 4 c' a 8 g _~ g 4 |
c' 4 _~ c' 8 c' c' c' a g |
a 8 d' _~ d' 2 _~ r4 |
c' 4 c' a 8 g _~ g 4 |
%% 125
c' 4 c' a 8 g _~ g 4 |
c' 8 c' c' c' g g g g |
c 8 c _~ c 2 r4 |
\bar |.
} % Voice
\lyricsto voice 3 \new Lyrics \lyricmode {
\override LyricText #'self-alignment-X = #CENTER
Ca -- sa mi -- a ca -- sa mi -- a per pic -- ci -- na che tu si --
a ca
-- sa mi -- a ca -- sa mi -- a tu mi sem -- bri~il Vil -- lag --
gio Ba
-- di -- a.
} % Lyrics 3
% Staff ends
% Staff (final) ends
\layout {
\context { \GrandStaff \accepts ChordNames }
}
} % score
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Re: How to tie a note in a chord to a note outside a chord
That's true, it's because you're notating notes of different values
at the same time. It happens without the third voice. You can turn
the warning off.
Am 07.02.2009 um 17:53 schrieb Jayaratna:
Hi James,
what you suggests works very well, but if you add the d2. at the
bottom
Lilypond says:
warning: ignoring too many clashing note columns
{ { \voiceOne c'2~
c4 } \new Voice { \voiceTwo g4 \voiceOne a_~
a } \\{s2
d,2.} }
%%
James E. Bailey-3 wrote:
Aside from the tie/stem collision, is this not what you wanted?
\version 2.12.2
\new Staff \relative c'' { { \voiceOne c2~ c4 } \new Voice
{ \voiceTwo g4 \voiceOne a_~ a } }
Am 07.02.2009 um 17:21 schrieb Jayaratna:
Hi Robin,
in fact I just came back to the list because I still didn't know
how to tie
that a: I'm trying your tieWaitForNote, which sounds like should
work...
Thanks!!!
A
Robin Bannister wrote:
Jayaratna wrote:
This does not seem to work:
{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_~ a}
Well, this looks like (part of) what you want!
Or is it that you then don't see how to cope with the d2.?
The manual mentions connecting ties across voices
( Snippets / Rhythms / Making an object invisible with the
transparent
property)
but only deals with a simple case.
Using that approach here probably involves a _third_ voice,
which then needs some more tweaking to get things aligned.
But do you know about tieWaitForNote?
Try this:
%%
twfon = { \set tieWaitForNote = ##t }
twfoff = { \set tieWaitForNote = ##f }
\relative c''
{c4 g4 \twfon c4^~ a4_~ 4 \twfoff g bes8 fis a8 g bes4 4}
\\
{g8 f8 e8 f8 g4 s4 d2. e4 }
%%
This is quite readable.
But if you insist on an exact match,
replace the c4^~ with c2*1/2^~
Cheers,
Robin
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Re: printed page does not match the .pdf file
In message cc3c7963-fb6c-4aa5-a7e2-5f6f63c86...@googlemail.com, James E. Bailey derhindem...@googlemail.com writes So how do you get it to print properly if you DON'T want it to shrink to fit? (ime, it then prints the page, full size, but offset down and left by the printer margin!) I've found it IMPOSSIBLE to get the pdf to print cleanly on a sheet of paper, full size, properly centred. Cheers, Wol In Adobe Acrobat, I use no printer scaling, and automatically center. That gets it how it's supposed to be. At least for me. I'll have to try. But iirc this is exactly where I get the behaviour this page is to big to fit in the printable area. Place the top left corner of the pdf in the top left corner of the printable area and don't scale. So everything is off by the printer margin. It's probably not helped by the fact that I have an A4 document, printing on an A4 printer, and Acrobat (the ONLY application to do it) insists the printer has American Letter paper. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to tie a note in a chord to a note outside a chord
In fact, looking at the picture, I would probably notate that thus:
\version 2.12.2
RH = \relative c'' {
{
\voiceOne
c4 g c2~ |
c a4 g b8 fis a g b4 a c
}\new Voice {
\voiceTwo
g8 f e f g4 s4 |
d2. e4
}\new Voice {
\voiceOne
s2. a4_~ |
\hideNotes a4
}
}
\score {
\new Staff \RH
}
Am 07.02.2009 um 17:53 schrieb Jayaratna:
Hi James,
what you suggests works very well, but if you add the d2. at the
bottom
Lilypond says:
warning: ignoring too many clashing note columns
{ { \voiceOne c'2~
c4 } \new Voice { \voiceTwo g4 \voiceOne a_~
a } \\{s2
d,2.} }
%%
James E. Bailey-3 wrote:
Aside from the tie/stem collision, is this not what you wanted?
\version 2.12.2
\new Staff \relative c'' { { \voiceOne c2~ c4 } \new Voice
{ \voiceTwo g4 \voiceOne a_~ a } }
Am 07.02.2009 um 17:21 schrieb Jayaratna:
Hi Robin,
in fact I just came back to the list because I still didn't know
how to tie
that a: I'm trying your tieWaitForNote, which sounds like should
work...
Thanks!!!
A
Robin Bannister wrote:
Jayaratna wrote:
This does not seem to work:
{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_~ a}
Well, this looks like (part of) what you want!
Or is it that you then don't see how to cope with the d2.?
The manual mentions connecting ties across voices
( Snippets / Rhythms / Making an object invisible with the
transparent
property)
but only deals with a simple case.
Using that approach here probably involves a _third_ voice,
which then needs some more tweaking to get things aligned.
But do you know about tieWaitForNote?
Try this:
%%
twfon = { \set tieWaitForNote = ##t }
twfoff = { \set tieWaitForNote = ##f }
\relative c''
{c4 g4 \twfon c4^~ a4_~ 4 \twfoff g bes8 fis a8 g bes4 4}
\\
{g8 f8 e8 f8 g4 s4 d2. e4 }
%%
This is quite readable.
But if you insist on an exact match,
replace the c4^~ with c2*1/2^~
Cheers,
Robin
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Re: printed page does not match the .pdf file
Am 07.02.2009 um 18:53 schrieb Anthony W. Youngman: It's probably not helped by the fact that I have an A4 document, printing on an A4 printer, and Acrobat (the ONLY application to do it) insists the printer has American Letter paper. Ah, that's the problem. You need to make sure that acrobat understands that you're printing on A4 paper. There should be a print options, or perhaps in the printer settings from the print dialogue. But that bit of information is vital to getting proper output. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: compiling error at the installation stage
On Saturday 07 February 2009 15:35:35 Mehmet Nur Olcay wrote: Hi all, Trying to compile lilypond 2.12 from source but getting an error nearly at the end of compiling, any idea/suggestion pls? Here is the output: http://pastebin.com/m3e8e359c Ping ? Any idea about this error or any information needed ? -- Mehmet Nur Olcay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: printed page does not match the .pdf file
James E. Bailey wrote: Am 07.02.2009 um 18:53 schrieb Anthony W. Youngman: It's probably not helped by the fact that I have an A4 document, printing on an A4 printer, and Acrobat (the ONLY application to do it) insists the printer has American Letter paper. Ah, that's the problem. You need to make sure that acrobat understands that you're printing on A4 paper. There should be a print options, or perhaps in the printer settings from the print dialogue. But that bit of information is vital to getting proper output. On Linux this is in the print dialog box under Properties. I believe it's different on a Mac and I have no idea about Windows. Jon -- Jonathan Kulp http://www.jonathankulp.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: printed page does not match the .pdf file
In message 50b55f67-a1ed-4f05-96bd-82b00b260...@googlemail.com, James E. Bailey derhindem...@googlemail.com writes Am 07.02.2009 um 18:53 schrieb Anthony W. Youngman: It's probably not helped by the fact that I have an A4 document, printing on an A4 printer, and Acrobat (the ONLY application to do it) insists the printer has American Letter paper. Ah, that's the problem. You need to make sure that acrobat understands that you're printing on A4 paper. There should be a print options, or perhaps in the printer settings from the print dialogue. But that bit of information is vital to getting proper output. And there's the problem. The only place I know of to tell Acrobat what size paper is in the printer, is in the printer settings. And the printer is set to A4. As I said, so is the document. But Acrobat says American Letter. I just don't know where or why Acrobat is finding this American Letter stuff (oh - I've got a Hickey Pouse WinPrinter - a laserjet 1000 series. Maybe that's why :-( Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: controlling the alignment of FretBoards
On 2/6/09 4:31 PM, -Eluze elu...@gmail.com wrote: Robin Bannister wrote: The current (2.12.2) online NR 2.4.1 at line 782 has neither the first fret nor the fingering aligned. It looks prrety much like your align_chordmode.png. If I run the 782 snippet with my 2.12.1, it is aligned. so it looks like a little change between both versions - i checked the pdf (2.12.1) again, where it is aligned! The F chord has no open/mute indications, so maybe it is less constrained vertically. that's what i supposed, too. \override FretBoard #'stencil = #(lambda (grob) (box-stencil (fret-board::calc-stencil grob ) 0 0)) thanks for this nice little function! -Eluze This is not expected behavior. I'm not sure yet why it's working that way. I suspect it's because the fretboards are being vertically centered, and now (unlike in previous versions) the extent of the fretboards is strictly correct. It's a case where doing things right caused an unintended side effect. Please file a bug report on bug-lilypond, as I won't be able to get to this for a while; perhaps two or three weeks. Thanks, Carl ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
long text in composer / invisible TimeSignature
Hi,
I've two new problems.
1. How I can write long text to composer to header?
2. Why don't hide TimeSignature?
Zbynek
\version 2.12.2
\header{
composer = Some long text. Long, long, long, long, long, long, long,
long, long.
}
\score {
\new Staff {
\clef treble
\key c \major
\override Staff.TimeSignature #'break-visibility = #all-invisible
\relative g'{ \cadenzaOn g4 g g g g g g g g g \bar |. }
}
}
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Re: controlling the alignment of FretBoards
Carl D. Sorensen wrote: Please file a bug report Already started, now done. http://lists.gnu.org/archive/html/bug-lilypond/2009-02/msg00014.html ? Cheers, Robin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: printed page does not match the .pdf file
On Sat, Feb 07, 2009 at 06:34:35PM +, Anthony W. Youngman wrote: I just don't know where or why Acrobat is finding this American Letter stuff (oh - I've got a Hickey Pouse WinPrinter - a laserjet 1000 series. Maybe that's why :-( Maybe, but I've heard of other people having the same problem with Acrobat 8. If you're still on 8, perhaps upgrading to 9 will fix it. I don't know of any workarounds. -- “Papa Hegel he say that all we learn from history is that we learn noth- hing from history. I know people who can't even learn from what happened this morning. Hegel must have been taking the long view.” -- John Brunner, ‘Stand on Zanzibar’ signature.asc Description: Digital signature ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
chord naming question
I'm going to be engraving some more music with chords, and thanks to last time, I have appropriate templates that will work. But, one problem that is inconsistent is the placement of the flat symbol. I have to use a modified semi-german chord naming method because the person I'm engraving for likes Bb (with the flat symbol), and H for B natural. I notice that in my modified chord init template, with \set chordRootNamer = #(chord-name-german-markup #f) I get that, but the flat symbol is engraved as a superscript, and the default has Bb with the flat symbol inline with the B. I would gladly modify it myself, but I don't really know where to look for how that's configured. Can someone point me in the right direction? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: printed page does not match the .pdf file
In message 20090207193803.ga2...@istic.org, Daniel Hulme s...@istic.org writes On Sat, Feb 07, 2009 at 06:34:35PM +, Anthony W. Youngman wrote: I just don't know where or why Acrobat is finding this American Letter stuff (oh - I've got a Hickey Pouse WinPrinter - a laserjet 1000 series. Maybe that's why :-( Maybe, but I've heard of other people having the same problem with Acrobat 8. If you're still on 8, perhaps upgrading to 9 will fix it. I don't know of any workarounds. Actually, I'm on Acrobat 5 (and no, upgrading to 9 is not an option). I could try 9 Reader, but I find its incessant desire to talk to the internet a real pain (and at work its habit of trying to upgrade itself regularly breaks other programs that use pdf controls :-( Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
piano notation element
Hello, in piano scores when a particular note (chord) in the upper staff should be played with the left hand, a bracket of inverted L shape is placed before that note. I believe it is either in LP documentation or in Snippets, but unfortunately I can't find it. Could you point me please... Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: long text in composer / invisible TimeSignature
Hi,
Concerning time signatur I have found two possibilities:
%%
\version 2.12.1
\score {
\new Staff {
\clef treble
\key c \major
\override Staff.TimeSignature #'break-visibility = #all-invisible
\relative g'{ \cadenzaOn g4 g g g g g g g g g \bar |. }
}
}
\score {
\new Staff {
\clef treble
\key c \major
\override Staff.TimeSignature #'stencil = ##f
\relative g'{ \cadenzaOn g4 g g g g g g g g g \bar |. }
}
}
\score {
\new Staff {
\clef treble
\key c \major
\relative g'{ \cadenzaOn g4 g g g g g g g g g \bar |. }
}
\layout {
\context {
\Staff
\remove Time_signature_engraver
}
}
}
See also:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page#Transcribing-Gregorian-chant
--
Marek Klein
http://gregoriana.sk
2009/2/7 Zbyněk Burget zbur...@burgnet.cz
Hi,
I've two new problems.
1. How I can write long text to composer to header?
2. Why don't hide TimeSignature?
Zbynek
\version 2.12.2
\header{
composer = Some long text. Long, long, long, long, long, long, long,
long, long.
}
\score {
\new Staff {
\clef treble
\key c \major
\override Staff.TimeSignature #'break-visibility = #all-invisible
\relative g'{ \cadenzaOn g4 g g g g g g g g g \bar |. }
}
}
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Re: ignoring between-system-padding
On Fri, Feb 6, 2009 at 11:11 PM, M Watts zwy648...@gmail.com wrote: Tom Hall wrote: Hello List I have a generous between-system-padding = #6 for my score, but this gets overriden when the pdf is created, with the following message: warning: Can't fit systems on page -- ignoring between-system-padding Is there a way to maintain the system padding I want, at the expense of how many pages are required? 6 what? I think you have to specify the measurment, like between-system-padding = #6\in This results in a compile error. You can either set these variables by using a scaling factor (between-system-padding = #6) or units (between-system-padding = 6\in). With Tom's setting, `between-system-padding = #6', the #6 is equivalent to 6\mm, which is 2 millimeters more than the default setting. Tom, with regard to your question, I would suggest looking through Notation Reference 4.1.2. This section provides a comprehensive list of variables that can be set. -Patrick ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: printed page does not match the .pdf file
Anthony W. Youngman wrote: In message 20090207193803.ga2...@istic.org, Daniel Hulme s...@istic.org writes On Sat, Feb 07, 2009 at 06:34:35PM +, Anthony W. Youngman wrote: I just don't know where or why Acrobat is finding this American Letter stuff (oh - I've got a Hickey Pouse WinPrinter - a laserjet 1000 series. Maybe that's why :-( Maybe, but I've heard of other people having the same problem with Acrobat 8. If you're still on 8, perhaps upgrading to 9 will fix it. I don't know of any workarounds. Actually, I'm on Acrobat 5 (and no, upgrading to 9 is not an option). I could try 9 Reader, but I find its incessant desire to talk to the internet a real pain (and at work its habit of trying to upgrade itself regularly breaks other programs that use pdf controls :-( Cheers, Wol Have you considered trying Foxit Reader? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: compiling error at the installation stage
On Sat, Feb 7, 2009 at 10:04 AM, mehmet nur olcay mnurol...@gmail.com wrote: On Saturday 07 February 2009 15:35:35 Mehmet Nur Olcay wrote: Hi all, Trying to compile lilypond 2.12 from source but getting an error nearly at the end of compiling, any idea/suggestion pls? Here is the output: http://pastebin.com/m3e8e359c Ping ? Any idea about this error or any information needed ? I've never seen this error message before. I'm guessing this might be a Guile problem. Could you post your ./configure output? -Patrick ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: chord naming question
On 2/7/09 1:27 PM, James E. Bailey derhindem...@googlemail.com wrote: I'm going to be engraving some more music with chords, and thanks to last time, I have appropriate templates that will work. But, one problem that is inconsistent is the placement of the flat symbol. I have to use a modified semi-german chord naming method because the person I'm engraving for likes Bb (with the flat symbol), and H for B natural. I notice that in my modified chord init template, with \set chordRootNamer = #(chord-name-german-markup #f) I get that, but the flat symbol is engraved as a superscript, and the default has Bb with the flat symbol inline with the B. I would gladly modify it myself, but I don't really know where to look for how that's configured. Can someone point me in the right direction? You modify the flat symbol in the file scm/chord-name.scm. There is a function alteration-text-accidental-markup that sets the amount the flat is raised. You could redefine this command in your .ly file, and you'd eliminate the raising, without having to modify the distribution file. HTH, Carl ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: controlling the alignment of FretBoards
On 2/7/09 12:34 PM, Robin Bannister r...@dataway.ch wrote: Carl D. Sorensen wrote: Please file a bug report Already started, now done. http://lists.gnu.org/archive/html/bug-lilypond/2009-02/msg00014.html ? Cheers, Robin Oops, after asking you to file a bug report I decided to take a quick look, and it was an extremely quick fix. The problem is now fixed in git. You can fix it your 2.12.2 distribution by downloading the file scm/fret-diagrams.scm from the git repository. The git repository version of fret-diagrams.scm can be found at http://git.savannah.gnu.org/gitweb/?p=lilypond.git;a=blob;f=scm/fret-diagram s.scm; Right click on the link fret-diagrams.scm at the top of the page, and you will be able to download the file. Save a copy of your current version of scm/fret-diagrams.scm, then replace the original with the file you downloaded. Then retry your example, and I think you'll find that the fretboards all line up. HTH, Carl ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: printed page does not match the .pdf file
Anthony W. Youngman wrote: In message cc3c7963-fb6c-4aa5-a7e2-5f6f63c86...@googlemail.com, James E. Bailey derhindem...@googlemail.com writes So how do you get it to print properly if you DON'T want it to shrink to fit? (ime, it then prints the page, full size, but offset down and left by the printer margin!) I've found it IMPOSSIBLE to get the pdf to print cleanly on a sheet of paper, full size, properly centred. Cheers, Wol In Adobe Acrobat, I use no printer scaling, and automatically center. That gets it how it's supposed to be. At least for me. That works for me as well. I did have to install Acrobat since I only used jpedal previously. Oh well, at least it prints correctly now. -- Chip I'll have to try. But iirc this is exactly where I get the behaviour this page is to big to fit in the printable area. Place the top left corner of the pdf in the top left corner of the printable area and don't scale. So everything is off by the printer margin. It's probably not helped by the fact that I have an A4 document, printing on an A4 printer, and Acrobat (the ONLY application to do it) insists the printer has American Letter paper. Cheers, Wol ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: multimeasure rest with no number of measures?
Robin Bannister wrote: Chipwrote: I want a multi-measure rest with no number on it. This gets rid of the number: mmrNoNum = \once \override MultiMeasureRestNumber #'stencil = ##f as in: \mmrNoNum R1*16 Cheers, Robin Thanks, that's one I haven't seen in the NR or LM or Snippets. I placed this in my global overrides so it effects the entire page, which contains horn parts for 10 raggae songs (they're short parts). Regards, Chip __ Information from ESET NOD32 Antivirus, version of virus signature database 3835 (20090206) __ The message was checked by ESET NOD32 Antivirus. http://www.eset.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: chord naming question
Am 07.02.2009 um 23:34 schrieb Carl D. Sorensen: On 2/7/09 1:27 PM, James E. Bailey derhindem...@googlemail.com wrote: I'm going to be engraving some more music with chords, and thanks to last time, I have appropriate templates that will work. But, one problem that is inconsistent is the placement of the flat symbol. I have to use a modified semi-german chord naming method because the person I'm engraving for likes Bb (with the flat symbol), and H for B natural. I notice that in my modified chord init template, with \set chordRootNamer = #(chord-name-german-markup #f) I get that, but the flat symbol is engraved as a superscript, and the default has Bb with the flat symbol inline with the B. I would gladly modify it myself, but I don't really know where to look for how that's configured. Can someone point me in the right direction? You modify the flat symbol in the file scm/chord-name.scm. There is a function alteration-text-accidental-markup that sets the amount the flat is raised. You could redefine this command in your .ly file, and you'd eliminate the raising, without having to modify the distribution file. HTH, Carl Thanks, hopefully I'll figure it out from this! ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: piano notation element
2009/2/7 Antanas Budriūnas antan...@gmail.com:
Hello,
in piano scores when a particular note (chord) in the upper staff
should be played with the left hand, a bracket of inverted L shape
is placed before that note.
I believe it is either in LP documentation or in Snippets, but
unfortunately I can't find it.
Could you point me please...
Possibly something like
LH = \markup { \postscript #0.2 setlinewidth 0 0 moveto -1 0 lineto 0
-5 rlineto stroke }
{ e''^\LH }
A good design would have taken into account the pitch instead of
having a fixed height, but I could be a starting point anyway.
--
Francisco Vila. Badajoz (Spain)
http://www.paconet.org
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Starting lyrics on measure 4
I am engraving a song which starts with three measures of instrumental before going into the first verse. How do I start the lyrics on measure 4? Jon___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: compiling error at the installation stage
On Sunday 08 February 2009 00:04:07 you wrote: I've never seen this error message before. I'm guessing this might be a Guile problem. Could you post your ./configure output? Hi, thanks for the reply. Here is the .configure output: http://dpaste.com/117974/ -- Mehmet Nur Olcay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Starting lyrics on measure 4
Jonathan Klein wrote: I am engraving a song which starts with three measures of instrumental before going into the first verse. How do I start the lyrics on measure 4? Many ways to skin a cat -- if the vocal part is in a separate voice from the accompaniment, a simple \new Lyrics \lyricsto vocal or similar will just work. Plenty of docs on lyrics: http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Songs#Songs http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Vocal-music#Vocal-music ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: songbook from Lily scores
Zoltan Kota wrote: I have been using Lily for a year now, and I have several music scores as separate lily files. I would like to make a songbook including them, with cover page, table of contents, correct page numbering, etc. How should I start? What sectiones should I learn in documentation? Lilypond-book? Any useful info and tips are welcome! I've written one thing with Lilypond-book and I'm very happy with it. It just works. It is, for now and for me, the killer application for LilyPond over ABC. You put your LilyPond code in there with your LaTeX markup and there's the LilyPond in the output. I don't have any amazing anecdotes to report because all it does is exactly what you expect. The main bug is that it doesn't recompile the music if an external dependency changes, so you need to delete the working files. Of course, LaTeX has its own learning curve but the stuff you're talking about isn't that difficult. Lilypond-book itself is very simple. If you want my example, here it is: http://x31eq.com/magic/tripod.pdf And the source code, if you want that: http://x31eq.com/magic/tripod-code.zip Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
