Re: Newbie problems
Original-Nachricht Thomas Scharkowski t-online.de> writes: ">>" (without quotes) is missing at the end of your code. It's more likely that your mail reader interpreted ">>" as a quoted line and didn't show it to you. The final ">>" came through just fine for me. Hi James, you are right, I looked at the source of the mail - Thunderbird converts the >>. Silly! Thomas ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: svg output
> On March 18, 2013 at 1:38 PM Eluze wrote: > > > Bric wrote > > > > lilypond -o outfile.svg -fsvg infile.ly > > please note that lilypond adds the extension automatically so probably you > want to write > > lilypond -o outfile -dbackend=svg infile.ly > > Eluze > How hard would it be to enhance the svg export with robust svg element id's that retain (at least SOME of) the original lilypond's note characteristics ?? instead of assigning anonymous generic inkscape object names (e.g., id="rect7306" ), have id's such as: ... etc. Maybe there's a category of elements that comprises both sounding notes and rests? I.e., "duration elements" ... in which case, perhaps, that should be used instead of "note" above? Also: etc... --- I thought about the svg grouping option, but that would be a more radical revision than creating "smart" id's like above. Such id's would IMPLY grouping, semantically. The parsers could sort out and group elements much more easily, it seams, actually adding the svg grouping, post factum, if need be. > > > -- > View this message in context: > http://lilypond.1069038.n5.nabble.com/svg-output-tp137775p142987.html > Sent from the User mailing list archive at Nabble.com. > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Newbie problems
Thomas Scharkowski t-online.de> writes: > ">>" (without quotes) is missing at the end of your code. It's more likely that your mail reader interpreted ">>" as a quoted line and didn't show it to you. The final ">>" came through just fine for me. > Also, I recommend using R1 instead of r1. Yes -- for Peter's benefit: R1 will display the rest symbol centered between the barlines. "r1" aligns the rest symbol with the first "note column" in the measure. Peter: FWIW, I could not reproduce the problem with lilypond exiting early based on that input file. On my Linux machine, it does produce the PDF (though I did have to change the \version statement to match my installed version): ~~ Starting lilypond 2.16.1 [Untitled]... Processing `/tmp/frescobaldi-4E1iGF/tmpDMpz69/document.ly' Parsing... Interpreting music...[8] Preprocessing graphical objects... Finding the ideal number of pages... Fitting music on 1 page... Drawing systems... Layout output to `document.ps'... Converting to `./document.pdf'... Success: compilation successfully completed Completed successfully in 1.2". ~~ Unfortunately, I have no idea what the problem *is* but at least my result seems to confirm that there is nothing wrong with the input file. hjh ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Newbie problems
Phil Holmes schrieb: >Re: Newbie problemsDon't believe this is a good idea. I have double >clicking .ly files associated with running my own helper application - >if it reverted to opening lilypad every time I installed a new version >of lilypond, I'd be very annoyed. Ok, but then it should be clearly documented. Urs > >-- >Phil Holmes > > > - Original Message - > From: Urs Liska > To: lilypond-user@gnu.org > Sent: Sunday, April 14, 2013 7:34 PM > Subject: Re: Newbie problems > > > Am 14.04.2013 19:27, schrieb Peter Toye: > >- > >> Federico Bruni schrieb: > > > >>I think that you have to associate the .ly extension with Lilypad. > >That would seem to be the case. It's the sort of thing I'd expect the >installation routine to do automatically. > > Yes, indeed. >Could someone else on Windows check this and send a bug-report if >appropriate? > > Best > Urs > > > >-- > > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > > > > >___ >lilypond-user mailing list >lilypond-user@gnu.org >https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Newbie problems
2013/4/14 Urs Liska : >>>I think that you have to associate the .ly extension with Lilypad. > > That would seem to be the case. It's the sort of thing I'd expect the > installation routine to do automatically. > > Yes, indeed. > Could someone else on Windows check this and send a bug-report if > appropriate? Last time I looked at it, on install under Windows, the .ly extension was associated with the lilypond compiler executable and double-clicking a document icon made the PDF to appear. It was a very long time ago and I remember a .log file appeared, also (say, 2.11.x; Archaeolilypondlogy.). Whatever. I think this has some logic if you have nothing else but lilypond installed. New programs you install could associate with themselves, which has also some logic. -- Francisco Vila. Badajoz (Spain) www.paconet.org , www.csmbadajoz.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Frescobaldi fails on lilydev and RHEL Server 6.2 64 bits
Op Sun, 14 Apr 2013 18:11:20 +0200 Jacques Menu schreef: > Having read that Frescobaldi is great, I tried it out, but here is > what I observed. What did I miss? I think PyQt4 is too old. -- Wilbert Berendsen (http://www.wilbertberendsen.nl) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Newbie problems
Re: Newbie problemsDon't believe this is a good idea. I have double clicking .ly files associated with running my own helper application - if it reverted to opening lilypad every time I installed a new version of lilypond, I'd be very annoyed. -- Phil Holmes - Original Message - From: Urs Liska To: lilypond-user@gnu.org Sent: Sunday, April 14, 2013 7:34 PM Subject: Re: Newbie problems Am 14.04.2013 19:27, schrieb Peter Toye: - > Federico Bruni schrieb: >>I think that you have to associate the .ly extension with Lilypad. That would seem to be the case. It's the sort of thing I'd expect the installation routine to do automatically. Yes, indeed. Could someone else on Windows check this and send a bug-report if appropriate? Best Urs -- ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: RemoveEmptyStaves and the ambitus_engraver
Janek Warchoł gmail.com> writes:
>
> On Mon, Apr 1, 2013 at 3:41 PM, Roman Stawski stawski.fr> wrote:
>
> Interesting. If i were you, i'd place the skips inside MainSequence
> and have the ambitus appear at the very beginning, and keep that first
> system alive (which makes
> some sense in my opinion):
>
> \new Staff \relative c' {
> \clef treble
> \new MainSequence {
> \skip 1*8
> \repeat unfold 2 { e1 e'1 }
> }
> }
Unfortunately, in the real piece that doesn't work so well. Ah well, I'll
try and find a work around...
Cześć
Roman
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Re: Rests in TabVoice
Peter Crighton googlemail.com> writes:
> > Peter Crighton googlemail.com> writes:
> >
> > > Hello there,
> > >
> > > would it be possible to attach rests in a TabVoice to a different
> > > line? At least whole and half rests look terribly vertically
> > > off-centered, especially in four-line staffs, and they would benefit
> > > from being attached one line lower.
> > > Other rests might appear too low then, but I would like to know if I
> > > at least can try this out to see what’s best.
> >
Peter,
Maybe nobody answered your actual question.
You can try shifting the position of all the rests with
\new TabStaff \with {
\override MultiMeasureRest #'staff-position = #1
\override Rest #'staff-position = #-1
}
The bug report that Phil started is generating activity, including the
proposal to let the shorter rests center on a space, rather than on a
line. This would be the output you get using version 2.16 with
\override Rest #'staff-position = 0
but for the quarter and shorter rests only. With the larger line-spacing
in the TabStaff, the lines barely clear the dots on a 16-rest.
The bug report is hungry for information about what high-quality engravers
of tablature do (because rests in tabalture are so rare).
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Re: Newbie problems
Peter Toye writes: >>>BTW, I recommend using Frescobaldi instead of Lilypad: >>>http://frescobaldi.org/download > > Is this the right place to be recommending a rival product? I'll have > a look. Thanks. It's not a rival product. Lilypad is just an add-on packaged with LilyPond on some operating systems to get people started. Frescobaldi is a quite fuller IDE for editing and compiling LilyPond files, a bit too large to throw it into our prepackaged stuff (and it has some problems under MacOSX I think). "Our" core product is LilyPond, not Lilypad. Whether it is Lilypad or Frescobaldi or Emacs or whatever else what makes you enjoy working with LilyPond, nobody minds. If you leave programs in control of writing LilyPond files (like Denemo), people consider it so-so. "So-so" is good, very good, very excellent good. And yet it is not: it is but so-so. If you use a program other than LilyPond for the actual typesetting, people bring out the torches. But Frescobaldi? That's good, very good. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: sustain pedals way below staff
You are probably entirely correct on my mac I run 2.16 but on Linux it runs 2.14 and that is where I encountered the issue. Thanks for the heads up! -- View this message in context: http://lilypond.1069038.n5.nabble.com/sustain-pedals-way-below-staff-tp144406p144464.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Newbie problems
Am 14.04.2013 19:27, schrieb Peter Toye: Re: Newbie problems - > Federico Bruni schrieb: >>I think that you have to associate the .ly extension with Lilypad. That would seem to be the case. It's the sort of thing I'd expect the installation routine to do automatically. Yes, indeed. Could someone else on Windows check this and send a bug-report if appropriate? Best Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Newbie problems
Am 14.04.2013 19:27, schrieb Peter Toye: Re: Newbie problems - >>BTW, I recommend using Frescobaldi instead of Lilypad: >>http://frescobaldi.org/download Is this the right place to be recommending a rival product? I'll have a look. Thanks. It's not a rival product. LilyPond is only a program for engraving music. LilyPad is an editor as a frontend that is very basic and which is provided for your convenience. I think everybody working seriously with LilyPond will use a more dedicated editor as a front end. Frescobaldi is one of them. See http://www.lilypond.org/easier-editing.html Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Newbie problems
Hi Peter,
">>" (without quotes) is missing at the end of your code.
Also, I recommend using R1 instead of r1.
Thomas
Original-Nachricht
-
Sunday, April 14, 2013, 1:44:33 PM, you wrote:
Federico Bruni schrieb:
2013/4/14 Peter Toye
Just starting to try out Lilypond, and finding a few problems in
getting
to work at all.
The OS is Windows 7, if that makes any difference.
which version of lilypond?
The latest download. 2.16.2 I think.
1) Double-clicking on a .ly file gets into Wordpad, and doesn't
compile
the file. To compile it I have to drag-and-drop the file onto the
Lilypond
icon on the desktop. This doesn't seem to conform to the
documentation.
I think that you have to associate the .ly extension with Lilypad.
That would seem to be the case. It's the sort of thing I'd expect the
installation routine to do automatically.
BTW, I recommend using Frescobaldi instead of Lilypad:
http://frescobaldi.org/download
Is this the right place to be recommending a rival product? I'll have a look.
Thanks.
2) Once it's compiled there's no output, just a log file without
errors
(see below).
# -*-compilation-*-
Processing `D:/Peter/Music/Lilypond/Warlock1.ly'
Parsing...
Interpreting music...[8]
Preprocessing graphical objects...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...
can you see a pdf file here?
D:/Peter/Music/Lilypond/Warlock1.pdf
If "Drawing systems" really is the end of the output there's something wrong.
No, there's no PDF file. If there were, I wouldn't have commented!
Could you post your file?
Urs
see below. Nothing (I hope) too complex, until I get over the learning curve.
\version "2.16.2" % necessary for upgrading to future LilyPond versions.
\header{
title = "Lullaby"
composer= "Peter Warlock"
arranger="Peter Toye"
}
\language "english"
<<
\new Staff { \clef "treble" \key f \minor \time 4/4 \relative c''
{ r1 | af4 bf c f | ef8 df8 c4 df8 cf bf4 | c2 r |
r1 | af4 bf c f | c8 bf af4 g8 f d4 | f2 r2 |
}
}
\new Staff { \clef "treble_8" \key f \minor \relative c'
{ r1 | f4 g4 af4 c4 | bf4 af2 g4 | af2 r2 |
r1 | f4 g af bf | g f d d | c2 r2 |
}
}
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Re: Newbie problems
-
Sunday, April 14, 2013, 1:44:33 PM, you wrote:
> Federico Bruni schrieb:
>>2013/4/14 Peter Toye
>>
>>> Just starting to try out Lilypond, and finding a few problems in
>>getting
>>> to work at all.
>>>
>>> The OS is Windows 7, if that makes any difference.
>>>
>>>
>>which version of lilypond?
The latest download. 2.16.2 I think.
>>
>>
>>> 1) Double-clicking on a .ly file gets into Wordpad, and doesn't
>>compile
>>> the file. To compile it I have to drag-and-drop the file onto the
>>Lilypond
>>> icon on the desktop. This doesn't seem to conform to the
>>documentation.
>>>
>>>
>>I think that you have to associate the .ly extension with Lilypad.
That would seem to be the case. It's the sort of thing I'd expect the
installation routine to do automatically.
>>BTW, I recommend using Frescobaldi instead of Lilypad:
>>http://frescobaldi.org/download
Is this the right place to be recommending a rival product? I'll have a look.
Thanks.
>>
>>
>>> 2) Once it's compiled there's no output, just a log file without
>>errors
>>> (see below).
>>>
>>> # -*-compilation-*-
>>> Processing `D:/Peter/Music/Lilypond/Warlock1.ly'
>>> Parsing...
>>> Interpreting music...[8]
>>> Preprocessing graphical objects...
>>> Finding the ideal number of pages...
>>> Fitting music on 1 page...
>>> Drawing systems...
>>>
>>>
>>
>>can you see a pdf file here?
>>D:/Peter/Music/Lilypond/Warlock1.pdf
>>
> If "Drawing systems" really is the end of the output there's something wrong.
No, there's no PDF file. If there were, I wouldn't have commented!
> Could you post your file?
> Urs
see below. Nothing (I hope) too complex, until I get over the learning curve.
>>
>>
\version "2.16.2" % necessary for upgrading to future LilyPond versions.
\header{
title = "Lullaby"
composer= "Peter Warlock"
arranger="Peter Toye"
}
\language "english"
<<
\new Staff { \clef "treble" \key f \minor \time 4/4 \relative c''
{ r1 | af4 bf c f | ef8 df8 c4 df8 cf bf4 | c2 r |
r1 | af4 bf c f | c8 bf af4 g8 f d4 | f2 r2 |
}
}
\new Staff { \clef "treble_8" \key f \minor \relative c'
{ r1 | f4 g4 af4 c4 | bf4 af2 g4 | af2 r2 |
r1 | f4 g af bf | g f d d | c2 r2 |
}
}
>>
>>
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Re: Lyrics both above and below the staff with splits?
I'm sorry; I was banging my head against this for so long that I just
emailed out of frustration.
So that's how you re-use a Lyrics. That works, but is a bit ugly in that
you have to create new voices over and over. So I tried re-using a voice
using that \context trick:
\version "2.16.1"
altonotes = \relative c' {
fis2\p e | d cis | d cis | b
<< \new Voice = "altoone" { \voiceOne fis'8( a) b4~ | b a( fis d) | fis1 }
{ \voiceTwo fis2~ | fis4 e( cis8 b a4) | a1 } >> \oneVoice
r4 d\f d4. fis8 | fis1 | r1 |
<< \context Voice = "altoone" { \voiceOne d8[^\markup { \italic "cresc.
poco a poco" } e] fis2.~( | fis2 e4.) }
{ \voiceTwo r1 | r2 cis8 d e } >> \oneVoice
e8~ | e4
}
altowords = \lyricmode {
cooled my head and warmed my heart
doo __ doo __ on
this road to -- night.
Nev -- er run,
}
altoonewords = \lyricmode {
doo __ doo __ doo __ on
Car -- ry on, __
}
\score {
\new ChoirStaff <<
\new Staff = "alto" <<
\new Voice = "alto" <<
\altonotes
>>
\lyricsto "alto" \new Lyrics \altowords
\lyricsto "altoone" \new Lyrics \with { alignAboveContext = alto }
\altoonewords
\set Staff.instrumentName = A
>>
>>
\layout {}
}
But the words don't show up the second time. Must I create a new voice each
time and put in a new new \lyricsto for each split?
Thanks,
Avi
On Sun, Apr 14, 2013 at 6:11 AM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> 2013/4/14 Avi Drissman :
> > I'm trying to type up a vocal piece. At several places, the part splits
> > (with completely different notes, rhythms, and lyrics), and returns to
> > unison. During the splits, I'd like the lyrics to go above the staff for
> the
> > high part, and below the staff for the low part.
> >
> > At first, I split using:
> >
> > << { ..notes.. } \\ { ..notes.. } >>
> >
> > When you do that, though, you get no lyrics. Bummer. So I started
> explicitly
> > specifying the second voice:
> >
> > ..notes.. << { \voiceOne ..high notes.. }
> > \new Voice { \voiceTwo ..low notes.. } >> \oneVoice ..notes..
> >
> > Better, as you get your lyrics, but not ideal: the lyrics are attached to
> > high notes and are printed below the staff.
> >
> > Next attempt: explicitly name the voice. I went a little unorthodox here,
> > making the upper voice the new voice and making the lower voice continue
> the
> > original:
> >
> > << \new Voice = "altoone" { \voiceOne ..notes.. }
> > { \voiceTwo ..notes.. } >> \oneVoice
> >
> > and added on the lyrics to that part:
> >
> > \new Staff = "alto" <<
> > \new Voice = "alto" <<
> > \global
> > \altonotes
> > >>
> > \lyricsto "alto" \new Lyrics \altowords
> > \lyricsto "altoone" \new Lyrics \with { alignAboveContext = alto }
> > \altoonewords
> > \set Staff.instrumentName = A
> > >>
> >
> > which worked well. Awesome! But doing it a second time didn't get me
> lyrics
> > on the second split:
> >
> > ..notes..
> > << \new Voice = "altoone" { \voiceOne ..notes.. }
> > { \voiceTwo ..notes.. } >> \oneVoice
> > ..notes..
> > << \new Voice = "altoone" { \voiceOne ..notes.. }
> > { \voiceTwo ..notes.. } >> \oneVoice
> > ..notes..
> >
> > The first instance of "altoone" was decorated with lyrics, but the second
> > instance didn't get any. So I thought that perhaps I needed to name the
> > voices differently:
> >
> > ..notes..
> > << \new Voice = "altoonei" { \voiceOne ..notes.. }
> > { \voiceTwo ..notes.. } >> \oneVoice
> > ..notes..
> > << \new Voice = "altooneii" { \voiceOne ..notes.. }
> > { \voiceTwo ..notes.. } >> \oneVoice
> > ..notes..
> >
> > \new Staff = "alto" <<
> > \new Voice = "alto" <<
> > \global
> > \altonotes
> > >>
> > \lyricsto "alto" \new Lyrics \altowords
> > \lyricsto "altoonei" \new Lyrics \with { alignAboveContext = alto }
> > \altooneiwords
> > \lyricsto "altooneii" \new Lyrics \with { alignAboveContext = alto
> }
> > \altooneiiwords
> > \set Staff.instrumentName = A
> > >>
> >
> > But that doesn't work, as "altoonei" and "altooneii" are positioned at
> > different heights. I want one consistent position for all of the lyrics
> > above the staff.
> >
> > I'm stuck at this point, and am out of ideas. Any suggestions?
> >
> > Thanks,
> >
> > Avi
>
> Hi Avi,
>
> _please_ post a _compilable_ example!!
> I tend to ignore posts without compilable code. Or I have to make a guess:
>
>
> \version "2.16.2"
> mI = \relative c' { \repeat unfold 8 c'4 }
> mII = \relative c' { \repeat unfold 4 d2 }
>
> altowords = \lyricmode { \repeat unfold 10 foo }
> altoonewords = \lyricmode { \repeat unfold 8 bar }
>
> altonotes = \relative c' {
> <<
> \context Voice = "altoonex" { \voiceOne \mI }
> { \voiceTwo \mII }
> >>
> \oneVoice
> e1
>
> <<
> \context Voice = "altoone" { \voiceOne \mI }
> { \voiceTwo \mII }
>
Re: sustain pedals way below staff
Derek shmerek.com> writes: > Nevermind i think I sorted it wiht \override VerticalAxisGroup etc etc > In case anybody else has the same problem, His output looked like version 2.14, so let's guess this was the bug http://code.google.com/p/lilypond/issues/detail?id=2102, fixed for 2.16, and that the workaround for version 2.14 was \override VerticalAxisGroup #'staff-affinity = #UP in the Dynamics line that held his pedal markings. (We can also put pedal markings in the left-had staff.) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Frescobaldi fails on lilydev and RHEL Server 6.2 64 bits
Hello,
Having read that Frescobaldi is great, I tried it out, but here is what I
observed. What did I miss?
Regards,
--
lilidev:
menu@lilydev:~/menumac/Downloads/frescobaldi-2.0.9 > python
Python 2.6.5 (r265:79063, Apr 16 2010, 13:09:56)
[GCC 4.4.3] on linux2
Type "help", "copyright", "credits" or "license" for more information.
>>>
menu@lilydev:~/menumac/Downloads/frescobaldi-2.0.9 >
menu@lilydev:~/menumac/Downloads/frescobaldi-2.0.9 > ./frescobaldi
Traceback (most recent call last):
File "./frescobaldi", line 3, in
import frescobaldi_app.main
File "/mnt/hgfs/menu/Downloads/frescobaldi-2.0.9/frescobaldi_app/main.py",
line 40, in
import guistyle # Setup GUI style
File
"/mnt/hgfs/menu/Downloads/frescobaldi-2.0.9/frescobaldi_app/guistyle.py", line
48, in
setStyle()
File
"/mnt/hgfs/menu/Downloads/frescobaldi-2.0.9/frescobaldi_app/guistyle.py", line
40, in setStyle
style = QSettings().value("guistyle", "", type("")).lower()
TypeError: QSettings.value(QString, QVariant defaultValue=QVariant()): too many
arguments
--
Some RHEL server:
jmenu@bellatrix:~/frescobaldi-2.0.9 > python
Python 2.6.6 (r266:84292, Oct 12 2012, 14:23:48)
[GCC 4.4.6 20120305 (Red Hat 4.4.6-4)] on linux2
Type "help", "copyright", "credits" or "license" for more information.
>>>
jmenu@bellatrix:~/frescobaldi-2.0.9 >
jmenu@bellatrix:~/frescobaldi-2.0.9 > ./frescobaldi
Traceback (most recent call last):
File "./frescobaldi", line 3, in
import frescobaldi_app.main
File "/home/jmenu/frescobaldi-2.0.9/frescobaldi_app/main.py", line 40, in
import guistyle # Setup GUI style
File "/home/jmenu/frescobaldi-2.0.9/frescobaldi_app/guistyle.py", line 48, in
setStyle()
File "/home/jmenu/frescobaldi-2.0.9/frescobaldi_app/guistyle.py", line 40, in
setStyle
style = QSettings().value("guistyle", "", type("")).lower()
TypeError: too many arguments to QSettings.value(), 2 at most expected
--
Jacques Menu
Ch. de la Pierre 12
1023 Crissier
mailto:jacques.m...@tvtmail.ch
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Re: Newbie problems
Federico Bruni schrieb: >2013/4/14 Peter Toye > >> Just starting to try out Lilypond, and finding a few problems in >getting >> to work at all. >> >> The OS is Windows 7, if that makes any difference. >> >> >which version of lilypond? > > >> 1) Double-clicking on a .ly file gets into Wordpad, and doesn't >compile >> the file. To compile it I have to drag-and-drop the file onto the >Lilypond >> icon on the desktop. This doesn't seem to conform to the >documentation. >> >> >I think that you have to associate the .ly extension with Lilypad. While that's quite easy to fix on the user's pc I think especially the first start with LilyPond should exactly match the documentation. So someone on a windows machine should check this and write a bug report if it turns out to be one. Urs >BTW, I recommend using Frescobaldi instead of Lilypad: >http://frescobaldi.org/download > > >> 2) Once it's compiled there's no output, just a log file without >errors >> (see below). >> >> # -*-compilation-*- >> Processing `D:/Peter/Music/Lilypond/Warlock1.ly' >> Parsing... >> Interpreting music...[8] >> Preprocessing graphical objects... >> Finding the ideal number of pages... >> Fitting music on 1 page... >> Drawing systems... >> >> > >can you see a pdf file here? >D:/Peter/Music/Lilypond/Warlock1.pdf > > > > >___ >lilypond-user mailing list >lilypond-user@gnu.org >https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Newbie problems
Federico Bruni schrieb: >2013/4/14 Peter Toye > >> Just starting to try out Lilypond, and finding a few problems in >getting >> to work at all. >> >> The OS is Windows 7, if that makes any difference. >> >> >which version of lilypond? > > >> 1) Double-clicking on a .ly file gets into Wordpad, and doesn't >compile >> the file. To compile it I have to drag-and-drop the file onto the >Lilypond >> icon on the desktop. This doesn't seem to conform to the >documentation. >> >> >I think that you have to associate the .ly extension with Lilypad. >BTW, I recommend using Frescobaldi instead of Lilypad: >http://frescobaldi.org/download > > >> 2) Once it's compiled there's no output, just a log file without >errors >> (see below). >> >> # -*-compilation-*- >> Processing `D:/Peter/Music/Lilypond/Warlock1.ly' >> Parsing... >> Interpreting music...[8] >> Preprocessing graphical objects... >> Finding the ideal number of pages... >> Fitting music on 1 page... >> Drawing systems... >> >> > >can you see a pdf file here? >D:/Peter/Music/Lilypond/Warlock1.pdf > If "Drawing systems" really is the end of the output there's something wrong. Could you post your file? Urs > > > >___ >lilypond-user mailing list >lilypond-user@gnu.org >https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Newbie problems
2013/4/14 Peter Toye > Just starting to try out Lilypond, and finding a few problems in getting > to work at all. > > The OS is Windows 7, if that makes any difference. > > which version of lilypond? > 1) Double-clicking on a .ly file gets into Wordpad, and doesn't compile > the file. To compile it I have to drag-and-drop the file onto the Lilypond > icon on the desktop. This doesn't seem to conform to the documentation. > > I think that you have to associate the .ly extension with Lilypad. BTW, I recommend using Frescobaldi instead of Lilypad: http://frescobaldi.org/download > 2) Once it's compiled there's no output, just a log file without errors > (see below). > > # -*-compilation-*- > Processing `D:/Peter/Music/Lilypond/Warlock1.ly' > Parsing... > Interpreting music...[8] > Preprocessing graphical objects... > Finding the ideal number of pages... > Fitting music on 1 page... > Drawing systems... > > can you see a pdf file here? D:/Peter/Music/Lilypond/Warlock1.pdf ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Newbie problems
Just starting to try out Lilypond, and finding a few problems in getting to work at all. The OS is Windows 7, if that makes any difference. 1) Double-clicking on a .ly file gets into Wordpad, and doesn't compile the file. To compile it I have to drag-and-drop the file onto the Lilypond icon on the desktop. This doesn't seem to conform to the documentation. 2) Once it's compiled there's no output, just a log file without errors (see below). # -*-compilation-*- Processing `D:/Peter/Music/Lilypond/Warlock1.ly' Parsing... Interpreting music...[8] Preprocessing graphical objects... Finding the ideal number of pages... Fitting music on 1 page... Drawing systems... Regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: warning in midi
Phil Holmes schrieb: >- Original Message - >From: "Eluze" >To: >Sent: Sunday, April 14, 2013 9:58 AM >Subject: Re: warning in midi > > >> MING TSANG wrote >>> >>> >>> Here is the full code. The error log is copy below. >> >> hi Ming >> >> that's too much - and also some part missing! >> >> please try to reduce your code to the absolutely minimal size, voices >and >> instruments necessary to reproduce the error/warning (often this will >be >> only one measure of one voice)! >> >> does this warning come up when you compile the bass only? >> >> Eluze > > >The meaning of the warning is normally exactly what it says. The code >contains a cresc or dim, but no dynamic from which to start. All >that's >necessary is to put a dynamic marking before the cresc. A performer >would >have the same problem - "OK - you want me to get louder, but starting >at >what volume?". In theory, yes. But practically a performer wouldn't even notice that but just start at some "giusto" dynamics and realize the crescendo as an expression. So I think it shouldn't issue a warning ... > >IIRC the latest development version sets a default volume, so the >warning >isn't issued. ... but behave like this :-) Urs > >-- >Phil Holmes > > >___ >lilypond-user mailing list >lilypond-user@gnu.org >https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: enlarging default stem length
2013/4/14 Helge Kruse : > I am looking for a way to get a larger minimum but keep the length of the > stem in general. Unfortunately I found nothing to overwrite at > http://lilypond.org/doc/v2.16/Documentation/internals/stem as well as I > didn't find magstep there. For beamed Stems try to play with the values of \override Stem #'details #'beamed-minimum-free-lengths = #'(1.83 1.5 1.25) The first value affects beamed 8th, the second 16th the last 32th and shorter. magstep is a procedure defined in /scm/font.scm: (define-public (magstep s) (exp (* (/ s 6) (log 2))) affecting the argument `s´ with some calculations. Cheers. Harm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [Spam??] Re: enlarging default stem length
Helge Kruse wrote Sunday, April 14, 2013 10:05 AM > I am looking for a way to get a larger minimum but keep the length of > the stem in general. Unfortunately I found nothing to overwrite at > http://lilypond.org/doc/v2.16/Documentation/internals/stem as well as I > didn't find magstep there. Have a look at http://lilypond.org/doc/v2.16/Documentation/internals/beam It looks like overriding 'beamed-stem-shorten might help, assuming it's only beamed stems that you'd like to lengthen. Trevor ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Suppress the header on first bookpart page
2013/4/14 Eluze :
> Helge Kruse-4 wrote
>> For each instrument I have a header. How I can I suppress the head line
>> for the pages with header. That's the first page of a bookpart?
>
> see /part-first-page/ in
> http://lilypond.org/doc/v2.16/Documentation/notation-big-page#custom-titles-headers-and-footers
IIUC, Helge wants no page-header (apart from the page-number?) on a
bookparts first page.
The link above is not sufficient, because `not-part-first-page´
doesn't work out of the box with "2.16.2" (it does with "2.17.15")
The needed definitions have to be written in the file:
\version "2.16.0"
#(define (part-first-page? layout props)
(= (chain-assoc-get 'page:page-number props -1)
(ly:output-def-lookup layout 'first-page-number)))
#(define (not-part-first-page layout props arg)
(if (not (part-first-page? layout props))
(interpret-markup layout props arg)
empty-stencil))
\paper {
oddHeaderMarkup = \markup \fill-line {
\on-the-fly #not-first-page
\on-the-fly #not-part-first-page
\fromproperty #'header:composer
\on-the-fly #not-first-page
\on-the-fly #not-part-first-page
\fromproperty #'header:title
\on-the-fly #not-first-page
\on-the-fly #not-part-first-page
\fromproperty #'header:instrument
\on-the-fly #print-page-number-check-first
\fromproperty #'page:page-number-string
}
evenHeaderMarkup = \oddHeaderMarkup
}
\header {
title = "Melancholia"
composer = "The one who must not be named"
}
music = \relative c' { \repeat unfold 200 { c2 r4 r } }
\book {
\bookpart {
\header { instrument = "Violino 1" }
\score { \music }
}
\bookpart {
\header { instrument = "Violino 2" }
\score { \music }
}
}
HTH,
Harm
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Re: Lyrics both above and below the staff with splits?
How about something like:
\version "2.16.0"
{
<<
\new Staff = "Song"
<<
\new Voice = "Soprano" { s1 | \voiceOne a'4 b'4 c''4 d''4 | \oneVoice
s1 }
\new Lyrics \with { alignAboveContext = Song } \lyricsto "Soprano" { A
-- bove the stave }
\new Voice = "Alto" { a'4 b'4 c''4 d''4 | \voiceTwo c'4 d'4 e'4 f'4 |
\oneVoice a'4 b'4 c''4 d''4 }
\new Lyrics \lyricsto "Alto" { U -- ni -- son words Be -- low the stave U
-- ni -- son words }
>> % Staff end
>> % Group end
}
--
Phil Holmes
- Original Message -
From: Avi Drissman
To: lilypond-user@gnu.org
Sent: Sunday, April 14, 2013 9:46 AM
Subject: Lyrics both above and below the staff with splits?
I'm trying to type up a vocal piece. At several places, the part splits (with
completely different notes, rhythms, and lyrics), and returns to unison. During
the splits, I'd like the lyrics to go above the staff for the high part, and
below the staff for the low part.
At first, I split using:
<< { ..notes.. } \\ { ..notes.. } >>
When you do that, though, you get no lyrics. Bummer. So I started explicitly
specifying the second voice:
..notes.. << { \voiceOne ..high notes.. }
\new Voice { \voiceTwo ..low notes.. } >> \oneVoice ..notes..
Better, as you get your lyrics, but not ideal: the lyrics are attached to
high notes and are printed below the staff.
Next attempt: explicitly name the voice. I went a little unorthodox here,
making the upper voice the new voice and making the lower voice continue the
original:
<< \new Voice = "altoone" { \voiceOne ..notes.. }
{ \voiceTwo ..notes.. } >> \oneVoice
and added on the lyrics to that part:
\new Staff = "alto" <<
\new Voice = "alto" <<
\global
\altonotes
>>
\lyricsto "alto" \new Lyrics \altowords
\lyricsto "altoone" \new Lyrics \with { alignAboveContext = alto }
\altoonewords
\set Staff.instrumentName = A
>>
which worked well. Awesome! But doing it a second time didn't get me lyrics
on the second split:
..notes..
<< \new Voice = "altoone" { \voiceOne ..notes.. }
{ \voiceTwo ..notes.. } >> \oneVoice
..notes..
<< \new Voice = "altoone" { \voiceOne ..notes.. }
{ \voiceTwo ..notes.. } >> \oneVoice
..notes..
The first instance of "altoone" was decorated with lyrics, but the second
instance didn't get any. So I thought that perhaps I needed to name the voices
differently:
..notes..
<< \new Voice = "altoonei" { \voiceOne ..notes.. }
{ \voiceTwo ..notes.. } >> \oneVoice
..notes..
<< \new Voice = "altooneii" { \voiceOne ..notes.. }
{ \voiceTwo ..notes.. } >> \oneVoice
..notes..
\new Staff = "alto" <<
\new Voice = "alto" <<
\global
\altonotes
>>
\lyricsto "alto" \new Lyrics \altowords
\lyricsto "altoonei" \new Lyrics \with { alignAboveContext = alto }
\altooneiwords
\lyricsto "altooneii" \new Lyrics \with { alignAboveContext = alto }
\altooneiiwords
\set Staff.instrumentName = A
>>
But that doesn't work, as "altoonei" and "altooneii" are positioned at
different heights. I want one consistent position for all of the lyrics above
the staff.
I'm stuck at this point, and am out of ideas. Any suggestions?
Thanks,
Avi
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Re: warning in midi
- Original Message - From: "Eluze" To: Sent: Sunday, April 14, 2013 9:58 AM Subject: Re: warning in midi MING TSANG wrote Here is the full code. The error log is copy below. hi Ming that's too much - and also some part missing! please try to reduce your code to the absolutely minimal size, voices and instruments necessary to reproduce the error/warning (often this will be only one measure of one voice)! does this warning come up when you compile the bass only? Eluze The meaning of the warning is normally exactly what it says. The code contains a cresc or dim, but no dynamic from which to start. All that's necessary is to put a dynamic marking before the cresc. A performer would have the same problem - "OK - you want me to get louder, but starting at what volume?". IIRC the latest development version sets a default volume, so the warning isn't issued. -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lyrics both above and below the staff with splits?
2013/4/14 Avi Drissman :
> I'm trying to type up a vocal piece. At several places, the part splits
> (with completely different notes, rhythms, and lyrics), and returns to
> unison. During the splits, I'd like the lyrics to go above the staff for the
> high part, and below the staff for the low part.
>
> At first, I split using:
>
> << { ..notes.. } \\ { ..notes.. } >>
>
> When you do that, though, you get no lyrics. Bummer. So I started explicitly
> specifying the second voice:
>
> ..notes.. << { \voiceOne ..high notes.. }
> \new Voice { \voiceTwo ..low notes.. } >> \oneVoice ..notes..
>
> Better, as you get your lyrics, but not ideal: the lyrics are attached to
> high notes and are printed below the staff.
>
> Next attempt: explicitly name the voice. I went a little unorthodox here,
> making the upper voice the new voice and making the lower voice continue the
> original:
>
> << \new Voice = "altoone" { \voiceOne ..notes.. }
> { \voiceTwo ..notes.. } >> \oneVoice
>
> and added on the lyrics to that part:
>
> \new Staff = "alto" <<
> \new Voice = "alto" <<
> \global
> \altonotes
> >>
> \lyricsto "alto" \new Lyrics \altowords
> \lyricsto "altoone" \new Lyrics \with { alignAboveContext = alto }
> \altoonewords
> \set Staff.instrumentName = A
> >>
>
> which worked well. Awesome! But doing it a second time didn't get me lyrics
> on the second split:
>
> ..notes..
> << \new Voice = "altoone" { \voiceOne ..notes.. }
> { \voiceTwo ..notes.. } >> \oneVoice
> ..notes..
> << \new Voice = "altoone" { \voiceOne ..notes.. }
> { \voiceTwo ..notes.. } >> \oneVoice
> ..notes..
>
> The first instance of "altoone" was decorated with lyrics, but the second
> instance didn't get any. So I thought that perhaps I needed to name the
> voices differently:
>
> ..notes..
> << \new Voice = "altoonei" { \voiceOne ..notes.. }
> { \voiceTwo ..notes.. } >> \oneVoice
> ..notes..
> << \new Voice = "altooneii" { \voiceOne ..notes.. }
> { \voiceTwo ..notes.. } >> \oneVoice
> ..notes..
>
> \new Staff = "alto" <<
> \new Voice = "alto" <<
> \global
> \altonotes
> >>
> \lyricsto "alto" \new Lyrics \altowords
> \lyricsto "altoonei" \new Lyrics \with { alignAboveContext = alto }
> \altooneiwords
> \lyricsto "altooneii" \new Lyrics \with { alignAboveContext = alto }
> \altooneiiwords
> \set Staff.instrumentName = A
> >>
>
> But that doesn't work, as "altoonei" and "altooneii" are positioned at
> different heights. I want one consistent position for all of the lyrics
> above the staff.
>
> I'm stuck at this point, and am out of ideas. Any suggestions?
>
> Thanks,
>
> Avi
Hi Avi,
_please_ post a _compilable_ example!!
I tend to ignore posts without compilable code. Or I have to make a guess:
\version "2.16.2"
mI = \relative c' { \repeat unfold 8 c'4 }
mII = \relative c' { \repeat unfold 4 d2 }
altowords = \lyricmode { \repeat unfold 10 foo }
altoonewords = \lyricmode { \repeat unfold 8 bar }
altonotes = \relative c' {
<<
\context Voice = "altoonex" { \voiceOne \mI }
{ \voiceTwo \mII }
>>
\oneVoice
e1
<<
\context Voice = "altoone" { \voiceOne \mI }
{ \voiceTwo \mII }
>>
\oneVoice
e1
}
\new Staff = "alto" <<
\new Voice = "alto" <<
%\global
\altonotes
>>
\lyricsto "alto" \new Lyrics \altowords
\new Lyrics = "lyr" \with { alignAboveContext = alto } \lyricsto
"altoonex" \altoonewords
\context Lyrics = "lyr" \with { alignAboveContext = alto }
\lyricsto "altoone" \altoonewords
\set Staff.instrumentName = A
>>
-Harm
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Re: Suppress the header on first bookpart page
Helge Kruse-4 wrote > For each instrument I have a header. How I can I suppress the head line > for the pages with header. That's the first page of a bookpart? see /part-first-page/ in http://lilypond.org/doc/v2.16/Documentation/notation-big-page#custom-titles-headers-and-footers hth Eluze -- View this message in context: http://lilypond.1069038.n5.nabble.com/Suppress-the-header-on-first-bookpart-page-tp144419p144420.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Suppress the header on first bookpart page
I want to write all instrument's part in one book. I use a bookpart for
each instrument. The headline should identify the piece, instrument and
page to reduce the time for sort pages when all sheets dropped to the
floor. ;-)
For each instrument I have a header. How I can I suppress the head line
for the pages with header. That's the first page of a bookpart?
Regards
Helge
Example:
\version "2.16.0"
\paper {
oddHeaderMarkup = \markup \fill-line {
\on-the-fly #not-first-page \fromproperty #'header:composer
\on-the-fly #not-first-page \fromproperty #'header:title
\on-the-fly #not-first-page \fromproperty #'header:instrument
\on-the-fly #print-page-number-check-first \fromproperty
#'page:page-number-string
}
evenHeaderMarkup = \markup \fill-line {
\on-the-fly #not-first-page \fromproperty #'header:composer
\on-the-fly #not-first-page \fromproperty #'header:title
\on-the-fly #not-first-page \fromproperty #'header:instrument
\on-the-fly #print-page-number-check-first \fromproperty
#'page:page-number-string
}
}
\header {
title = "Melancholia"
composer = "The one who must not be named"
}
music = \relative c' { \repeat unfold 200 { c2 r4 r } }
\book {
\bookpart {
\header { instrument = "Violino 1" }
\score { \music }
}
\bookpart {
\header { instrument = "Violino 2" }
\score { \music }
}
}
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Re: enlarging default stem length
Am 14.04.2013 10:05, schrieb Nick Payne:
On 14/04/13 17:49, Helge Kruse wrote:
I find that sometimes the notes looks clumsy. I think the length of
the stem is too short as in this example:
\version "2.16"
\score { \relative c { \clef bass
\times 4/6 { f,16 c f g a c }
\times 4/6 { a g f c f, c' } r2 |
}
}
I would like the stem length as in this example:
\score { \relative c { \clef bass
\once \override Beam #'positions = #'(2 . 3)
\times 4/6 { f,16 c f g a c }
\once \override Beam #'positions = #'(2.5 . 1.5)
\times 4/6 { a g f c f, c' } r2 |
}
}
I am reluctant to splatter this overrides all over the score. Can I
set this somehow with a general?
This does approximately what you want:
\score { \relative c { \clef bass
\override Stem.length-fraction = #(magstep 3)
\times 4/6 { f,16 c f g a c }
\times 4/6 { a g f c f, c' } r2 |
}
}
Ok, so I don't have to try the position values for the individual beams.
That's an improvement. But when I set this globally it gives a bad look
at other notes. It looks like that the reason for this behavior is that
Lilypond tries to set the center of all beam lines at a specific point.
Only when the distance between the note head a the closest line is less
a minimum the beam is move a bit away.
You can see this in this example (measures 2 and 4). Without the changed
length-fraction the middle of the beam has always the same Y-position.
\score {
\relative c {
\clef bass
c8 e c e
c16 e c e c e c e |
c8 e c e
c32 e c e c e c e c e c e c e c e
\override Stem #'length-fraction = #(magstep 3)
c8 e c e
c16 e c e c e c e |
c8 e c e
c32 e c e c e c e c e c e c e c e
}
}
I am looking for a way to get a larger minimum but keep the length of
the stem in general. Unfortunately I found nothing to overwrite at
http://lilypond.org/doc/v2.16/Documentation/internals/stem as well as I
didn't find magstep there.
Regards
Helge
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Re: warning in midi
MING TSANG wrote > > > Here is the full code. The error log is copy below. hi Ming that's too much - and also some part missing! please try to reduce your code to the absolutely minimal size, voices and instruments necessary to reproduce the error/warning (often this will be only one measure of one voice)! does this warning come up when you compile the bass only? Eluze -- View this message in context: http://lilypond.1069038.n5.nabble.com/warning-in-midi-tp144400p144417.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Lyrics both above and below the staff with splits?
I'm trying to type up a vocal piece. At several places, the part splits
(with completely different notes, rhythms, and lyrics), and returns to
unison. During the splits, I'd like the lyrics to go above the staff for
the high part, and below the staff for the low part.
At first, I split using:
<< { ..notes.. } \\ { ..notes.. } >>
When you do that, though, you get no lyrics. Bummer. So I started
explicitly specifying the second voice:
..notes.. << { \voiceOne ..high notes.. }
\new Voice { \voiceTwo ..low notes.. } >> \oneVoice ..notes..
Better, as you get your lyrics, but not ideal: the lyrics are attached to
high notes and are printed below the staff.
Next attempt: explicitly name the voice. I went a little unorthodox here,
making the upper voice the new voice and making the lower voice continue
the original:
<< \new Voice = "altoone" { \voiceOne ..notes.. }
{ \voiceTwo ..notes.. } >> \oneVoice
and added on the lyrics to that part:
\new Staff = "alto" <<
\new Voice = "alto" <<
\global
\altonotes
>>
\lyricsto "alto" \new Lyrics \altowords
\lyricsto "altoone" \new Lyrics \with { alignAboveContext = alto }
\altoonewords
\set Staff.instrumentName = A
>>
which worked well. Awesome! But doing it a second time didn't get me lyrics
on the second split:
..notes..
<< \new Voice = "altoone" { \voiceOne ..notes.. }
{ \voiceTwo ..notes.. } >> \oneVoice
..notes..
<< \new Voice = "altoone" { \voiceOne ..notes.. }
{ \voiceTwo ..notes.. } >> \oneVoice
..notes..
The first instance of "altoone" was decorated with lyrics, but the second
instance didn't get any. So I thought that perhaps I needed to name the
voices differently:
..notes..
<< \new Voice = "altoonei" { \voiceOne ..notes.. }
{ \voiceTwo ..notes.. } >> \oneVoice
..notes..
<< \new Voice = "altooneii" { \voiceOne ..notes.. }
{ \voiceTwo ..notes.. } >> \oneVoice
..notes..
\new Staff = "alto" <<
\new Voice = "alto" <<
\global
\altonotes
>>
\lyricsto "alto" \new Lyrics \altowords
\lyricsto "altoonei" \new Lyrics \with { alignAboveContext = alto }
\altooneiwords
\lyricsto "altooneii" \new Lyrics \with { alignAboveContext = alto }
\altooneiiwords
\set Staff.instrumentName = A
>>
But that doesn't work, as "altoonei" and "altooneii" are positioned at
different heights. I want one consistent position for all of the lyrics
above the staff.
I'm stuck at this point, and am out of ideas. Any suggestions?
Thanks,
Avi
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Re: enlarging default stem length
On 14/04/13 17:49, Helge Kruse wrote:
I find that sometimes the notes looks clumsy. I think the length of
the stem is too short as in this example:
\version "2.16"
\score { \relative c { \clef bass
\times 4/6 { f,16 c f g a c }
\times 4/6 { a g f c f, c' } r2 |
}
}
I would like the stem length as in this example:
\score { \relative c { \clef bass
\once \override Beam #'positions = #'(2 . 3)
\times 4/6 { f,16 c f g a c }
\once \override Beam #'positions = #'(2.5 . 1.5)
\times 4/6 { a g f c f, c' } r2 |
}
}
I am reluctant to splatter this overrides all over the score. Can I
set this somehow with a general?
This does approximately what you want:
\score { \relative c { \clef bass
\override Stem.length-fraction = #(magstep 3)
\times 4/6 { f,16 c f g a c }
\times 4/6 { a g f c f, c' } r2 |
}
}
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enlarging default stem length
I find that sometimes the notes looks clumsy. I think the length of the
stem is too short as in this example:
\version "2.16"
\score { \relative c { \clef bass
\times 4/6 { f,16 c f g a c }
\times 4/6 { a g f c f, c' } r2 |
}
}
I would like the stem length as in this example:
\score { \relative c { \clef bass
\once \override Beam #'positions = #'(2 . 3)
\times 4/6 { f,16 c f g a c }
\once \override Beam #'positions = #'(2.5 . 1.5)
\times 4/6 { a g f c f, c' } r2 |
}
}
I am reluctant to splatter this overrides all over the score. Can I set
this somehow with a general?
Regards
Helge
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enlarging default stem length
I find that sometimes the notes looks clumsy. I think the length of the
stem is too short as in this example:
\version "2.16"
\score { \relative c { \clef bass
\times 4/6 { f,16 c f g a c }
\times 4/6 { a g f c f, c' } r2 |
}
}
I would like the stem length as in this example:
\score { \relative c { \clef bass
\once \override Beam #'positions = #'(2 . 3)
\times 4/6 { f,16 c f g a c }
\once \override Beam #'positions = #'(2.5 . 1.5)
\times 4/6 { a g f c f, c' } r2 |
}
}
I am reluctant to splatter this overrides all over the score. Can I set
this somehow with a general?
Regards
Helge
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