Re: Multiple Endings Problem
2015-01-02 2:36 GMT+01:00 William Marchant wmarch...@eastlink.ca:
I am using the code below to set up two different endings for a song. The
code shown automatically puts
a Repeat Start bar line at the beginning of of Bar 29. I would like to
suppress it but can only do so with a Tick Bar Line. This looks a bit odd.
No other Bar Line seems to work. Is there a method for what I want to do?
Bill
\repeat volta 2 {bf'8~ bf a a g4( f)| } %Bar 29
\alternative{ { c2 e4( g4) |f1 | r2 r4 g8( f) \bar :|.} %Bar 30 31 32
{c2 e4( d' | c1) |c4( c bf) a( |
c4. bf8 a4 bf)} %Bar 33 34 35 36
}
After inserteing statements for version, language and relative c' i've
got the attached output.
Can't see a problem
Cheers,
Harm
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Re: Suppress metronome marks but not tempo marks
Hi Davide,
If you have a single tempo for the whole \layout block, you could leave the
\tempo Allegro in the printed score and write
\midi{ \tempo 4= 120}
That should work as well.
Best, Robert
__
In religion, faith is a virtue. In science, faith is a vice.
-- Jerry Coyne
On 1 Jan 2015, at 11:46, Davide Liessi davide.lie...@gmail.com wrote:
Hi all.
I have some tempo+metronome marks in a file
(e.g. \tempo Allegro 4 = 120)
I need to print only the tempo marks (Allegro) in PDF but I cannot delete
the metronome parts of the commands, since I still need them in MIDI.
Is there a way to suppress the metronome marks but not the tempo marks
without changing the \tempo commands?
Happy new year to all!
Davide
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Re: Rallentando and accelerando in MIDI
David == David Sumbler da...@aeolia.co.uk writes: David Which brings me back now to my other question: how do I get David midi (specifically, the articulate.ly script) to recognize my David rits and ralls? I have tried entering them with \tempo, with David \mark and just as markup, but nothing seems to work. This used to work, but it's possible that changes in Lily have made it stop working. Last time it worked, \tempo rit wasn't available, so the syntax was: a^rit. or similar. -- Dr Peter Chubb peter.chubb AT nicta.com.au http://www.ssrg.nicta.com.au Software Systems Research Group/NICTA ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Suppress metronome marks but not tempo marks
Hi Davide and best wishes for 2015,
Try :
\version 2.18.2
\relative c' {
\tempo Allegro
\set Score.tempoWholesPerMinute = #(ly:make-moment 120/4)
c d e f g a b c
}
Cheers,
Pierre
2015-01-01 11:46 GMT+01:00 Davide Liessi davide.lie...@gmail.com:
Hi all.
I have some tempo+metronome marks in a file
(e.g. \tempo Allegro 4 = 120)
I need to print only the tempo marks (Allegro) in PDF but I cannot
delete the metronome parts of the commands, since I still need them in MIDI.
Is there a way to suppress the metronome marks but not the tempo marks
without changing the \tempo commands?
Happy new year to all!
Davide
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Re: Suppress metronome marks but not tempo marks
- Original Message - From: Davide Liessi davide.lie...@gmail.com To: lilypond-user@gnu.org Sent: Thursday, January 01, 2015 10:46 AM Subject: Suppress metronome marks but not tempo marks Hi all. I have some tempo+metronome marks in a file (e.g. \tempo Allegro 4 = 120) I need to print only the tempo marks (Allegro) in PDF but I cannot delete the metronome parts of the commands, since I still need them in MIDI. Is there a way to suppress the metronome marks but not the tempo marks without changing the \tempo commands? As well as the other suggestions, \set Score.tempoHideNote = ##t should do what you want. -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Multiple Endings Problem
I am using the code below to set up two different endings for a song.
The code shown automatically puts
a Repeat Start bar line at the beginning of of Bar 29. I would like to
suppress it but can only do so with a Tick Bar Line. This looks a bit
odd. No other Bar Line seems to work. Is there a method for what I want
to do?
Bill
\repeat volta 2 {bf'8~ bf a a g4( f)| } %Bar 29
\alternative{ { c2 e4( g4) |f1 | r2 r4 g8( f) \bar :|.} %Bar 30 31 32
{c2 e4( d' | c1) |c4( c bf) a( |
c4. bf8 a4 bf)} %Bar 33 34 35 36
}
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Crescendo too small
Hi all, I'll investigate into this some more but I'd like to ask one question up front: Sometimes I get the warning: crescendo too small. It often happens when there is a rather wide DynamicText in front of the hairpin, and the hairpins can be extremely short - up to a vertical line as shown in the attached image (in case of doubt: it's the line between the \p and the \f ;-) ) I wonder why LilyPond can warn me about this but doesn't simply make the crescendo longer instead. Any comments? Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ego autem non intellego gregorian.ly (translatum googlum)
Hi François and Pierre, So I'd suggest to use \tweak instead of\once\overrride to be more efficient. I missed the - (as in -\tweak) that’s why I switched to \override. Your solution is better. Reading the docs a bit more, I would suggest to use \melisma … \melismaEnd inside \[ and \]. This saves you from using _ in the lyrics all the time. I don’t know why \[ and \] are not producing melismas automatically – I thought that’s the idea behind such a combined neume. Joram ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Issue Including fingering indications on fret-diagram-terse string
This should be as simple as adding a hyphen with the finger number, but they
are not showing up. For example, when I try to place a f chord fret diagram
above a melody note:
c,^markup { \fret-diagram-terse #2-2;o;1-1;o; }
It prints a f chord chart but with no fingerings :( help!
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Suppress metronome marks but not tempo marks
Hi all. I have some tempo+metronome marks in a file (e.g. \tempo Allegro 4 = 120) I need to print only the tempo marks (Allegro) in PDF but I cannot delete the metronome parts of the commands, since I still need them in MIDI. Is there a way to suppress the metronome marks but not the tempo marks without changing the \tempo commands? Happy new year to all! Davide ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ego autem non intellego gregorian.ly (translatum googlum)
Hi François, Hi Joram
As Joram already says, LilyPond has some limitation here and you'll
probably have to tweak numerous objects.
So I'd suggest to use \tweak instead of \once\overrride to be more
efficient.
I've also add 2 options for the star:
\version 2.18.2
\include gregorian.ly
\score {
\new VaticanaVoice = cantus {
\clef vaticana-do3
f
\[ g \pes a \] a
% star option 1:
-\tweak extra-offset #'(1 . -1) _*
-\tweak Y-offset #-.1 \ictus
d' c'
\[ c' \flexa
\tweak Accidental.X-offset #-3.3 bes
\] a
\[ a
-\tweak Y-offset #1.2 \episemInitium
\flexa g \episemFinis \]
\divisioMaior
s a bes a
\[ g \flexa f \] e
\[ f \flexa e \] \augmentum d
\finalis
}
\new Lyrics
\with {
%\override LyricHyphen.minimum-X-extent = #'(2 . 2) %% Joram settings
\override LyricHyphen.minimum-distance = #.7
}
\lyricsto cantus {
% star option 2:
%Ro -- ra -- _ te * coe -- li de -- _ su -- per _
Ro -- ra -- _ te coe -- li de -- _ su -- per _
et nu -- bes plu -- _ ant Jus -- _ tum.
}
}
Meilleurs vœux pour 2015,
Pierre
2015-01-01 2:22 GMT+01:00 Alicuota618 alicuota...@gmail.com:
Dear Joram,
thanks first, this look much better this way.
About your question about hyphening, I just took it from the example
given in the manual and tried and failed...
Best thanks and happy new year!
F
2014-12-31 20:11 GMT-05:00, Noeck noeck.marb...@gmx.de:
Hi again François,
there two limiting factors to my answer: 1) I did not write many
gregorian chants and 2) Lilypond has some limitations in this area.
But there are a few things I know how to improve and I have a few
questions for you:
Is it a convention in gregorian chants to have the hyphens left aligned
to the previous syllable (output: Ro- ra- te) and not centered like it
is usually done in LilyPond (output: Ro - ra - te)? Or is it just a
shortcoming of many programs that they can not handle lyric hyphens in
such a way? In the example below, I used the LilyPond default way to
separate syllables: Ro -- ra -- te (output: Ro - ra - te).
I am not happy with the first b-flat (too close to the flexus),
I don’t know any systematic help. The override fixes it in this case.
the episema (too close to the flexa, maybe the ictus, too far from note.
Again, an override can move it.
And about usage:
in the sanctus example mentionned above, the hyphens are simple and
lily interprets them as: jump to the next neuma
In my example it seems to be a wait to the next note but the hyphens
I had to insert are colliding with the text.
The hyphens you used are just text as any other text so you could also
space the notes with A’s or .’s – what you want is to skip a note using
a _ in your file (see the example below).
\version 2.18.2
\paper {
ragged-right = ##t
}
\include gregorian.ly
\score {
\new VaticanaVoice = cantus {
\override Lyrics.LyricHyphen #'minimum-X-extent = #'( 2 . 2)
\clef vaticana-do3
f
\[ g \pes a \]
\once\override Script.extra-offset = #'(0 . 0.9)
a\ictus
d' c'
\[ c'
\once\override Accidental.extra-offset = #'(-0.3 . 0)
\flexa bes \]
a
\once \override Episema.extra-offset = #'(0 . 0.2)
\[ a \episemInitium \flexa g \episemFinis \]
\divisioMaior
s a bes a
\[ g \flexa f \] e
\[ f \flexa e \] \augmentum d
\finalis
}
\new Lyrics \lyricsto cantus {
%% Use the next line to force hyphens:
\override Lyrics.LyricHyphen #'minimum-distance = 0.7
Ro -- ra -- _ te coe -- li de -- _ su -- per _
et nu -- bes plu -- _ ant Jus -- _ tum.
}
}
Cheers,
Joram
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Re: vertical justification of fret-diagram
Hi Jinsong!
Is this what you want?
I've separated the chord diagrams into an other staff.
Anton Curl
On 31/12/2014 00:00, Jinsong Zhao wrote:
Hi there,
In the following snippet, I want to vertical justification of the
three fret-diagram.
\version 2.19.15
fret-ees = \markup {
\fret-diagram #s:0.5;6-x;5-x;4-5;3-3;2-4;1-3;c:2-1-2;
}
\relative c'' {
\key ees \major
bes8 ^\fret-ees ees bes ees, g4 ^\fret-ees f ^\fret-ees
}
I can do that by \tweak extra-offset #'(x . y). However, it's not easy
to determine the exact values of x and y. Is there a convenient way to
keep them with same base-line?
By the way, how to make the mute symbol x at the same line of the
curve?
I appreciate you for any suggestions.
Best regards,
Jinsong
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\include predefined-guitar-fretboards.ly
\storePredefinedDiagram #default-fret-table \chordmode { ees }
#guitar-tuning
#x;x;5;3;4;3;
myChord = \chordmode {
ees2 ees4 ees
}
myNotes = \relative c'' {
\key ees \major
bes8 ees bes ees, g4 f
}
\new FretBoards { \myChord }
\new Staff { \myNotes }
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Re: Multiple Endings Problem
2015-01-02 3:30 GMT+01:00 Thomas Morley thomasmorle...@gmail.com:
2015-01-02 2:36 GMT+01:00 William Marchant wmarch...@eastlink.ca:
I am using the code below to set up two different endings for a song. The
code shown automatically puts
a Repeat Start bar line at the beginning of of Bar 29. I would like to
suppress it but can only do so with a Tick Bar Line. This looks a bit odd.
No other Bar Line seems to work. Is there a method for what I want to do?
Bill
\repeat volta 2 {bf'8~ bf a a g4( f)| } %Bar 29
\alternative{ { c2 e4( g4) |f1 | r2 r4 g8( f) \bar :|.} %Bar 30 31 32
{c2 e4( d' | c1) |c4( c bf) a( |
c4. bf8 a4 bf)} %Bar 33 34 35 36
}
After inserteing statements for version, language and relative c' i've
got the attached output.
Can't see a problem
Cheers,
Harm
forgot the attachment
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Re: Rallentando and accelerando in MIDI
On Thu, 2015-01-01 at 20:57 +1100, Peter Chubb wrote: David == David Sumbler da...@aeolia.co.uk writes: David Which brings me back now to my other question: how do I get David midi (specifically, the articulate.ly script) to recognize my David rits and ralls? I have tried entering them with \tempo, with David \mark and just as markup, but nothing seems to work. This used to work, but it's possible that changes in Lily have made it stop working. Last time it worked, \tempo rit wasn't available, so the syntax was: a^rit. or similar. -- Dr Peter Chubbpeter.chubb AT nicta.com.au Yes, thank you, this worked. Or rather, it didn't work! What it revealed is that articulate.ly does not do ralls and accels at all: what it does instead is sudden reductions/increases in tempo. However, having realised that, I have now found an alternative. I have effectively disabled the rall and accel recognition in articulate.ly, and have added an extra stave to my file. This contains nothing but rests and tempo markings, and is only referenced in the 'midi' block. I have found that I can produce very effective ralls, accels, pauses etc. in this way (using repeated adjustments to the tempo). Meanwhile the visible markings in the score do not affect the midi output. Thanks to all for your help. David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
