Re: Peer review
On 02/18/2015 03:30 AM, Craig Dabelstein wrote: Hi Lilyponders, I'm not sure if this is an appropriate request for the group, but I was wondering if anybody had the time to look at a sample part I have typeset and make any comments regarding the typesetting. There may be many things here that an experienced typesetter may see that need improvement, but my eyes don't pick up. Here is the link: https://dl.dropboxusercontent.com/u/614749/Berlioz-02-piccolo.pdf I do think the part looks a little bit compressed, but I have used the page turn engraver (which I think is one of the greatest inventions of the modern world!) for instrumental parts such as these. Many thanks, Craig Beautiful. Some off-the-cuff remarks. I agree with Jay Andersen about cautionary accidentals. I always use the modern-cautionary style -- it implies least confusion. I do hope you intend to add cue notes to the final product! I think the typesetting is the opposite of cramped; only 10..11 systems per page. I often have 13 or even 14 on an A4 page (2.19.15, the Lilypond version makes a difference), although with narrower margins. However, the first system of mvt II. is indeed cramped. You might consider widening the first system (e.g. by judiciously inserting a page break into (just) the part). Is your part intended to start with an external blank page? Else, the page turns are at the wrong side of the page pairs... Regarding page turns: for the player, it is *far* preferable to have easy page turns than to have few pages. I don't know about the publisher who must pay the printing costs... At letter [P] in mvt III: a top c# for the piccolo: I don't remember ever having had to play that (and I hope it will be a long time before I meet it). A matter of preference: if the movements are clearly separated by piece titles and ample vertical white space, I don't indent the first system of the movement. In Mvt III., from [C]: I think the tuplet spanners are a bit tiring to the eye. How does it look without the spanner lines? Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Peer review
On 18 Feb 2015, at 09:18, Rutger Hofman rut...@cs.vu.nl wrote: On 02/18/2015 03:30 AM, Craig Dabelstein wrote: Here is the link: https://dl.dropboxusercontent.com/u/614749/Berlioz-02-piccolo.pdf At letter [P] in mvt III: a top c# for the piccolo: I don't remember ever having had to play that (and I hope it will be a long time before I meet it). There are a couple of measures missing, and it should be one octave lower [1]. 1. http://imslp.org/wiki/Grande_symphonie_fun%C3%A8bre_et_triomphale,_H_80_%28Berlioz,_Hector%29 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Peer review
Hi Craig,
I've noticed that you've changed the color of the staff lines from black to
grey. I think this is a good way to increase readability.
However, in some lines of your score, the black bar lines are printed behind
the grey staff lines. I think this is because they are located in the same
layer, thus it's not predictable in what order they will be printed.
It could be helpful to put the staff lines in a layer below zero:
\layout {
\context {
\Staff
\override StaffSymbol.layer = #-1
}
}
Cheers,
Klaus
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Re: OooLilyPond
2015-02-12 0:40 GMT+01:00 Martin Tarenskeen m.tarensk...@zonnet.nl: Has anyone used OooLilyPond recently? Today I tried it again and was getting an error that didn't happen to me when I last used it (quite some time ago). The macro fails if I select png output in the the OooLilyPond config dialog. If I switch to eps it works again. I am using Libre Office 4.3.5.2, LilyPond 2.19.15, OooLilyPond 0.4.0 Jus tested with LibreOffice 4.3.3.2, LilyPond 2.19.16 and OooLilyPond 0.4.0 , works well with png output. -- Francisco Vila. Badajoz (Spain) www.paconet.org , www.csmbadajoz.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Peer review
Am 18.02.2015 um 03:30 schrieb Craig Dabelstein: Hi Lilyponders, I'm not sure if this is an appropriate request for the group, but I was wondering if anybody had the time to look at a sample part I have typeset and make any comments regarding the typesetting. There may be many things here that an experienced typesetter may see that need improvement, but my eyes don't pick up. Here is the link: https://dl.dropboxusercontent.com/u/614749/Berlioz-02-piccolo.pdf I do think the part looks a little bit compressed, but I have used the page turn engraver (which I think is one of the greatest inventions of the modern world!) for instrumental parts such as these. Many thanks, Craig Hi Craig, there's one (minor) issue for readability that I notice. It's not your fault but LilyPond's but you may search for a way to improve it nevertheless. When tuplet number happen to fall into a staff they are not clearly readable. Probably it doesn't matter too much because you don't actually _read_ them anyway but just notice that they are there. Especially problematic is when they fall exactly in a staff space as in m. 134ff. where the extenders of the number coincide with the staff lines. I'm not sure about the best treat, however. Some ideas: - moving the numbers - using whiteout - selecting a heavier font face I don't see a real treat for it, but you may take it as some input. HTH Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user -- Urs Liska www.openlilylib.org ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Indenting arbitrary lines
Then you probably need to use explicit X-offset adjustments — see http://lilypond.org/doc/v2.19/Documentation/notation/explicit-staff-and-system-positioning for more details. Thanks for this. I went through the example and tried my best to incorporate it into my software and resultant Lilypond files but since I wasn't really sure what it/I was doing I couldn't get the results I wanted. For now I'm just coloring the spine notes red. It's not perfect but I think it gets the job done pretty well. Thanks, Dave On Tue, Feb 17, 2015 at 12:55 PM, Kieren MacMillan kieren_macmil...@sympatico.ca wrote: Hi David, I think if I were doing this manually that would probably work. Unfortunately changing my software to generate multiple score blocks would require a lot of work that I'm not sure is justified for just this one thing. I was lucky that I was able to insert the basic acrostic idea without having to rewrite any of the infrastructure. Then you probably need to use explicit X-offset adjustments — see http://lilypond.org/doc/v2.19/Documentation/notation/explicit-staff-and-system-positioning for more details. Hope this helps! Kieren. ___ Kieren MacMillan, composer www: http://www.kierenmacmillan.info email: i...@kierenmacmillan.info ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: GoldenAge Font
Urs Liska wrote Am 18.02.2015 um 14:47 schrieb tisimst: So, I take it no one has any experience with this font? It looks very nice and clean. Just looked at the .gif, and I agree it looks nice and clean. But is that really significantly different from Improviso? Urs Urs, Well, I think they are quite different, but guess you'll have to tell me :) Here's a sample: GoldenAge https://db.tt/IjoRTeRO Improviso https://db.tt/Qi5feO6A LilyJAZZ https://db.tt/4mHExYAx - Abraham -- View this message in context: http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p172038.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: GoldenAge Font
Well, I think they are quite different, but guess you'll have to tell me :) Here's a sample: GoldenAge https://db.tt/IjoRTeRO Improviso https://db.tt/Qi5feO6A LilyJAZZ https://db.tt/4mHExYAx - Abraham I agree that they are quite different, and I am digging the GoldenAge font! A nice balance between handwritten and legible, with a good amount of contrast (although the chord symbols seem light). David Elaine Alt 415 . 341 .4954 *Confusion is highly underrated* ela...@flaminghakama.com self-immolation.info skype: flaming_hakama Producer ~ Composer ~ Instrumentalist -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: rit. in Midi - was: Re: lilypond-user Digest, Vol 137, Issue 62
On Sun, Feb 15, 2015 at 12:14:19PM +, David Sumbler wrote: From: Patrick Karl patrickk...@me.com Date: Sat, 14 Feb 2015 11:18:49 -0600 I think the most disturbiing thing is that \articulate is interpreting rit. to mean ritenuto rather than ritardando, which I think is the most common interpretation of rit.. It would be great if the tempo would ramp down gradually to 4=36 at the end. It's true that articulate.ly does not handle gradual tempo changes as one would expect. I get around this, and simultaneously give myself control over the contour of the rit. or accel. by writing another invisible stave just for the midi, and containing nothing but rests and tempo markings. [...] You can also write the tempo markings in the same place as the music but use \omit to make them invisible in the printed score. OTOH, it would be nice if we could come up with a clever Scheme function that automates ramping the tempo down/up; it's rather tedious to insert all those \tempo markings by hand. T -- Beware of bugs in the above code; I have only proved it correct, not tried it. -- Donald Knuth ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: GoldenAge Font
It is absolutely possible to make the chord text font heavier! I should be able to publish the GoldenAge font family soon. - Abraham Sent from my iPhone On Feb 18, 2015, at 9:34 PM, MarcM [via Lilypond] ml-node+s1069038n172068...@n5.nabble.com wrote: i was thinking of using the JazzLilly font for some lead sheet i am typing but now I want the Golden Age. It is such a nice and balanced font. Is it possible to make the chord font heavier? If you reply to this email, your message will be added to the discussion below: http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p172068.html To start a new topic under User, email ml-node+s1069038n...@n5.nabble.com To unsubscribe from Lilypond, click here. NAML -- View this message in context: http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p172070.html Sent from the User mailing list archive at Nabble.com.___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: GoldenAge Font
i was thinking of using the JazzLilly font for some lead sheet i am typing but now I want the Golden Age. It is such a nice and balanced font. Is it possible to make the chord font heavier? -- View this message in context: http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p172068.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE:How to increase the distance between systems?
Do mean like this ?
\version 2.18.2
\paper {
system-system-spacing #'basic-distance = #25
}
\score { \new StaffGroup
\new Staff { c'1 e'1
\break g'1 b'1 }
\new Staff { d'1 f'1 \break a'1 c''1 }
\layout {
indent = #0 ragged-right = ##t %\override Staff.VerticalAxisGroup
#'staff-staff-spacing = #'((basic-distance . 15)) } } |
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How to increase the distance between systems?
I have tried to find in the manuals180 how to increase the distance
between systems in the same score. I have found how to control the
distance between individual staves inside the system, but not between
systems. In my real task I want to fill the page. I see there is plenty
of room below the last system, but I cannot find out how to get the
score to expand. I also want to use the tagline at the bottom, but this
should not have any impact.
Here is a simple example:
|\version 2.18.2 \score { \new StaffGroup \new Staff { c'1 e'1
\break g'1 b'1 } \new Staff { d'1 f'1 \break a'1 c''1 } \layout {
indent = #0 ragged-right = ##t %\override Staff.VerticalAxisGroup
#'staff-staff-spacing = #'((basic-distance . 15)) } } |
If you remove the comment sign (%) from the \override sentence at the
end of the code, the space between the staves increases, but what to
write to make the same happen between the two systems? Reading the
manual make me think, that possibly staffgroup-staff-spacing could be
the solution, but I have had no success so far. I have tried, I think,
all combinations of contexts and grobs, but none has been successful.
By the way, I also found a discrepancy between the manual and the real
life. According to the manual (e.g. chapter 4.4.1 in the Notation
Reference) the override sentence could also be written like:
|\override Staff.VerticalAxisGroup #'staff-staff-spacing
#'basic-distance = #15 |
but this did not succeed for me. I did also test the modern way of
writing with dots between the keywords, but with no effect.
Kaj
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Re: GoldenAge Font
Am 18.02.2015 um 14:47 schrieb tisimst: So, I take it no one has any experience with this font? It looks very nice and clean. Just looked at the .gif, and I agree it looks nice and clean. But is that really significantly different from Improviso? Urs - Abraham On Sat, Feb 14, 2015 at 9:53 AM, tisimst [via Lilypond] [hidden email] /user/SendEmail.jtp?type=nodenode=172029i=0 wrote: Omer Katzir wrote found this reference but link is broken http://www.mail-archive.com/[hidden email] /user/SendEmail.jtp?type=nodenode=171887i=0/msg24838.html Here's an image: http://www.cellardweller.com/score/images/goldenage.gif -Abraham If you reply to this email, your message will be added to the discussion below: http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p171887.html To start a new topic under User, email [hidden email] /user/SendEmail.jtp?type=nodenode=172029i=1 To unsubscribe from Lilypond, click here. NAML http://lilypond.1069038.n5.nabble.com/template/NamlServlet.jtp?macro=macro_viewerid=instant_html%21nabble%3Aemail.namlbase=nabble.naml.namespaces.BasicNamespace-nabble.view.web.template.NabbleNamespace-nabble.view.web.template.NodeNamespacebreadcrumbs=notify_subscribers%21nabble%3Aemail.naml-instant_emails%21nabble%3Aemail.naml-send_instant_email%21nabble%3Aemail.naml View this message in context: Re: GoldenAge Font http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p172029.html Sent from the User mailing list archive http://lilypond.1069038.n5.nabble.com/User-f3.html at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user -- Urs Liska www.openlilylib.org ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
How to increase the distance between systems? (new try)
Sorry, the code example became totally distorted in the previous try, so
here it is again:
---
I have tried to find in the manuals180 how to increase the distance
between systems in the same score. I have found how to control the
distance between individual staves inside the system, but not between
systems. In my real task I want to fill the page. I see there is plenty
of room below the last system, but I cannot find out how to get the
score to expand. I also want to use the tagline at the bottom, but this
should not have any impact.
Here is a simple example:
\version 2.18.2
\score {
\new StaffGroup
\new Staff
{ c'1 e'1 \break g'1 b'1 }
\new Staff
{ d'1 f'1 \break a'1 c''1 }
\layout {
indent = #0
ragged-right = ##t
%\override Staff.VerticalAxisGroup #'staff-staff-spacing =
#'((basic-distance . 15))
}
}
||
If you remove the comment sign (%) from the \override sentence at the
end of the code, the space between the staves increases, but what to
write to make the same happen between the two systems? Reading the
manual make me think, that possibly staffgroup-staff-spacing could be
the solution, but I have had no success so far. I have tried, I think,
all combinations of contexts and grobs, but none has been successful.
By the way, I also found a discrepancy between the manual and the real
life. According to the manual (e.g. chapter 4.4.1 in the Notation
Reference) the override sentence could also be written like:
|\override Staff.VerticalAxisGroup #'staff-staff-spacing
#'basic-distance = #15 |
but this did not succeed for me. I did also test the modern way of
writing with dots between the keywords, but with no effect.
Kaj
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Re: GoldenAge Font
So, I take it no one has any experience with this font? It looks very nice and clean. - Abraham On Sat, Feb 14, 2015 at 9:53 AM, tisimst [via Lilypond] ml-node+s1069038n17188...@n5.nabble.com wrote: Omer Katzir wrote found this reference but link is broken http://www.mail-archive.com/[hidden email]/msg24838.html Here's an image: http://www.cellardweller.com/score/images/goldenage.gif -Abraham If you reply to this email, your message will be added to the discussion below: http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p171887.html To start a new topic under User, email ml-node+s1069038n...@n5.nabble.com To unsubscribe from Lilypond, click here. NAML -- View this message in context: http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p172029.html Sent from the User mailing list archive at Nabble.com.___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Controlling systems spacing with \vspace
Hello Folks,
I’ve been struggling with this for some time, got help from this list, and
finally came up with the following (probably partial) observation:
\vspace is taken into account only in \column* blocks, and needs to
have some space ( ) before and/or after it.
Hence this kind of things in complex situations where a mark, a name and a
tempo indications are needed at the same time, see the attached file:
\tempo \markup{
\column {
\vspace #2
\line {
\raise #-2.0 {\box\bold\fontsize #3 I}
\column {
\Death Of A Soldier\
\concat {
Adagio
\concat {
(
\smaller \general-align #Y #DOWN \note #4 #1
=
76
)
}
}
}
}
}
}
Any hint to do better or simpler is welcome!
JM
ControllingSystemsSpacingWithVspace.ly
Description: Binary data
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Re: Peer review
Hi all, Thanks so much for your feedback. As I suspected there were issues you raised that I never would have picked up on my own. I really appreciate your time and expertise. Craig On Wed Feb 18 2015 at 8:45:05 PM Urs Liska u...@openlilylib.org wrote: Am 18.02.2015 um 03:30 schrieb Craig Dabelstein: Hi Lilyponders, I'm not sure if this is an appropriate request for the group, but I was wondering if anybody had the time to look at a sample part I have typeset and make any comments regarding the typesetting. There may be many things here that an experienced typesetter may see that need improvement, but my eyes don't pick up. Here is the link: https://dl.dropboxusercontent.com/u/614749/Berlioz-02-piccolo.pdf I do think the part looks a little bit compressed, but I have used the page turn engraver (which I think is one of the greatest inventions of the modern world!) for instrumental parts such as these. Many thanks, Craig Hi Craig, there's one (minor) issue for readability that I notice. It's not your fault but LilyPond's but you may search for a way to improve it nevertheless. When tuplet number happen to fall into a staff they are not clearly readable. Probably it doesn't matter too much because you don't actually _read_ them anyway but just notice that they are there. Especially problematic is when they fall exactly in a staff space as in m. 134ff. where the extenders of the number coincide with the staff lines. I'm not sure about the best treat, however. Some ideas: - moving the numbers - using whiteout - selecting a heavier font face I don't see a real treat for it, but you may take it as some input. HTH Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user -- Urs Liska www.openlilylib.org ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to increase the distance between systems?
Hello Kaj,
you'd want to search the notation reference for Flexible vertical
spacing between systems. It's the \paper variable system-system-spacing
that needs to be adjusted.
HTH, Simon
Am 18.02.2015 15:34, schrieb Kaj:
I have tried to find in the manuals180 how to increase the distance
between systems in the same score. I have found how to control the
distance between individual staves inside the system, but not between
systems. In my real task I want to fill the page. I see there is
plenty of room below the last system, but I cannot find out how to get
the score to expand. I also want to use the tagline at the bottom, but
this should not have any impact.
Here is a simple example:
|\version 2.18.2 \score { \new StaffGroup \new Staff { c'1 e'1
\break g'1 b'1 } \new Staff { d'1 f'1 \break a'1 c''1 } \layout
{ indent = #0 ragged-right = ##t %\override Staff.VerticalAxisGroup
#'staff-staff-spacing = #'((basic-distance . 15)) } } |
If you remove the comment sign (%) from the \override sentence at
the end of the code, the space between the staves increases, but what
to write to make the same happen between the two systems? Reading the
manual make me think, that possibly staffgroup-staff-spacing could
be the solution, but I have had no success so far. I have tried, I
think, all combinations of contexts and grobs, but none has been
successful.
By the way, I also found a discrepancy between the manual and the real
life. According to the manual (e.g. chapter 4.4.1 in the Notation
Reference) the override sentence could also be written like:
|\override Staff.VerticalAxisGroup #'staff-staff-spacing
#'basic-distance = #15 |
but this did not succeed for me. I did also test the modern way of
writing with dots between the keywords, but with no effect.
Kaj
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Re: How to increase the distance between systems? (new try)
Hi Kaj,
what you need is a system-system-spacing not a staff-staff-spacing,
which is placed in a paper block as documented here:
http://www.lilypond.org/doc/v2.18/Documentation/notation/flexible-vertical-spacing-paper-variables#list-of-flexible-vertical-spacing-paper-variables
\paper {
system-system-spacing.basic-distance = #25
}
For the staff-staff distance, I think you should set the
default-staff-staff-spacing instead (if you want to adjust that):
\override
Staff.VerticalAxisGroup.default-staff-staff-spacing.basic-distance = #15
HTH,
Joram
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Re: GoldenAge Font
I agree about the chord symbols, but I can remedy that by thickening up the text font. I've almost got a method for optical music font variants under my belt, which I hope to apply to ALL the currently available music fonts. Stay tuned! - Abraham On Wed, Feb 18, 2015 at 2:15 PM, Flaming Hakama by Elaine [via Lilypond] ml-node+s1069038n17206...@n5.nabble.com wrote: Well, I think they are quite different, but guess you'll have to tell me :) Here's a sample: GoldenAge https://db.tt/IjoRTeRO Improviso https://db.tt/Qi5feO6A LilyJAZZ https://db.tt/4mHExYAx - Abraham I agree that they are quite different, and I am digging the GoldenAge font! A nice balance between handwritten and legible, with a good amount of contrast (although the chord symbols seem light). David Elaine Alt 415 . 341 .4954 *Confusion is highly underrated* [hidden email] http:///user/SendEmail.jtp?type=nodenode=172061i=0 self-immolation.info skype: flaming_hakama Producer ~ Composer ~ Instrumentalist -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ___ lilypond-user mailing list [hidden email] http:///user/SendEmail.jtp?type=nodenode=172061i=1 https://lists.gnu.org/mailman/listinfo/lilypond-user -- If you reply to this email, your message will be added to the discussion below: http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p172061.html To start a new topic under User, email ml-node+s1069038n...@n5.nabble.com To unsubscribe from Lilypond, click here http://lilypond.1069038.n5.nabble.com/template/NamlServlet.jtp?macro=unsubscribe_by_codenode=2code=dGlzaW1zdC5saWx5cG9uZEBnbWFpbC5jb218Mnw4MzU3Njg3MDU= . NAML http://lilypond.1069038.n5.nabble.com/template/NamlServlet.jtp?macro=macro_viewerid=instant_html%21nabble%3Aemail.namlbase=nabble.naml.namespaces.BasicNamespace-nabble.view.web.template.NabbleNamespace-nabble.view.web.template.NodeNamespacebreadcrumbs=notify_subscribers%21nabble%3Aemail.naml-instant_emails%21nabble%3Aemail.naml-send_instant_email%21nabble%3Aemail.naml -- View this message in context: http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p172062.html Sent from the User mailing list archive at Nabble.com.___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: GoldenAge Font
Am 18.02.2015 um 17:56 schrieb tisimst: Urs Liska wrote Am 18.02.2015 um 14:47 schrieb tisimst: So, I take it no one has any experience with this font? It looks very nice and clean. Just looked at the .gif, and I agree it looks nice and clean. But is that really significantly different from Improviso? Urs Urs, Well, I think they are quite different, but guess you'll have to tell me :) Here's a sample: GoldenAge https://db.tt/IjoRTeRO Improviso https://db.tt/Qi5feO6A LilyJAZZ https://db.tt/4mHExYAx - Abraham OK, seeing these in context it becomes clear that they are different. And I think that it _is_ a very useful and beautiful font. Urs -- View this message in context: http://lilypond.1069038.n5.nabble.com/GoldenAge-Font-tp171849p172038.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [OT] Translation request
Am 19.02.2015 um 00:57 schrieb Thomas Morley: Hi all, I've an excerpt (one sentence) of Michel Corette, Methode Pour Apprendre Aisement a Jouer de La Flute Traversiere (png attached) Can someone translate it into english (or german)? Any help would be highly appreciated, Harm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user Früher bediente man sich der zwei Silben tu, ru, um die Zungenschläge auszudrücken. Aber die gegenwärtigen Virtuosen zeigen [wörtlich, ich finde, das passt nicht] sie nicht mehr durch tu, ru und betrachten diese als eine absurde Sache, die nur dazu dient, den Schüler zu blamieren [bzw. Verb für peinlich]. HTH Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [OT] Translation request
Am 19.02.2015 um 01:51 schrieb Thomas Morley: Am 19. Februar 2015 um 01:26 schrieb Urs Liska u...@openlilylib.org: Am 19.02.2015 um 00:57 schrieb Thomas Morley: Hi all, I've an excerpt (one sentence) of Michel Corette, Methode Pour Apprendre Aisement a Jouer de La Flute Traversiere (png attached) Can someone translate it into english (or german)? Any help would be highly appreciated, Harm Früher bediente man sich der zwei Silben tu, ru, um die Zungenschläge auszudrücken. Aber die gegenwärtigen Virtuosen zeigen [wörtlich, ich finde, das passt nicht] sie nicht mehr durch tu, ru und betrachten diese als eine absurde Sache, die nur dazu dient, den Schüler zu blamieren [bzw. Verb für peinlich]. HTH Urs Hi Urs, thanks a lot! Harm It's quite literally translated, I wouldn't want to publish it like that. But I supposed that's the better approach as I don't really know what you need the translation for. Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
[OT] Translation request
Hi all, I've an excerpt (one sentence) of Michel Corette, Methode Pour Apprendre Aisement a Jouer de La Flute Traversiere (png attached) Can someone translate it into english (or german)? Any help would be highly appreciated, Harm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [OT] Translation request
Am 19. Februar 2015 um 01:26 schrieb Urs Liska u...@openlilylib.org: Am 19.02.2015 um 00:57 schrieb Thomas Morley: Hi all, I've an excerpt (one sentence) of Michel Corette, Methode Pour Apprendre Aisement a Jouer de La Flute Traversiere (png attached) Can someone translate it into english (or german)? Any help would be highly appreciated, Harm Früher bediente man sich der zwei Silben tu, ru, um die Zungenschläge auszudrücken. Aber die gegenwärtigen Virtuosen zeigen [wörtlich, ich finde, das passt nicht] sie nicht mehr durch tu, ru und betrachten diese als eine absurde Sache, die nur dazu dient, den Schüler zu blamieren [bzw. Verb für peinlich]. HTH Urs Hi Urs, thanks a lot! Harm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
