Re: Removing end of line key signature
Thanks Klaus - works perfectly. jsmcwilliam - John McWilliam -- View this message in context: http://lilypond.1069038.n5.nabble.com/Removing-end-of-line-key-signature-tp177615p177622.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: currentBarNumber has no effect on quoted music
On Mon, Jun 08, 2015 at 10:23:03AM -0500, Cynthia Karl wrote:
Suppose I have a piece of music to perform that has both simple and difficult
passages. It would be helpful if I could derive a practice piece that had
only the difficult passages. My first attempt at doing this is:
\version 2.19.20
music = \relative c'' {
c1 d
\tuplet 3/2 16 { c32 d e f e f g f e d c d }
\tuplet 3/2 4 { c8 d e f e f g f e }
d1 c
}
{ \music }
\addQuote music \music
practice = \relative c'' {
\set Timing.currentBarNumber = 3
\quoteDuring #music s1
}
{ \practice }
Apparently, however, setting the currentBarNumber has no effect on the music
quoted by \quoteDuring; the quoted music starts at measure 1, not measure 3.
Is there some other way of affecting what music gets quoted temporally?
For something like this I put the phrases you want to use in two different
places in variables.
musicA = \relative{
\tuplet 3/2 16 { c32 d e f e f g f e d c d }
\tuplet 3/2 4 { c8 d e f e f g f e
}
music = \relative{ c1 d \musicA d1 c }
practice = \relative{ \set Score.currentBarNumber = #3 \musicA }
HTH
Paul Scott
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Re: point-and-click from PDF viewer to lilypond editor
Point and click works great in KDE with okular and kate. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Formatting tempo text
On Mon, Jun 8, 2015 at 9:03 PM, Marco Bagolin bagolin.ma...@gmail.com
wrote:
Hello all.
How can I obtain what you can see in What_I_want.png file?
My best result is in myresult.png file.
The code I wrote is the following:
\tempo \markup {\column {\line { \tiny {''Do You Want to smile?''}}
\line {Moderate - rhytmic, but expressive}}}
But I want to obtain the formattation as in What_I_want.png file with the
title Do You Want to smile? not bolt and with the marks under the text.
Thank you all for the help.
Hi Marco,
Markups can be unbolded with the \normal-text markup command, and the
vertical order of rehearsal marks and tempo markings can be modified with
the outside-staff-priority grob property.
{
\override Score.RehearsalMark.outside-staff-priority = #1000
\override Score.MetronomeMark.outside-staff-priority = #1500
\mark \markup \box 42
\tempo \markup {
\column {
\line { \tiny \normal-text { ''Do You Want to smile?'' } }
\line {Moderate - rhytmic, but expressive }
}
}
c'1
}
Regards,
Nathan
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Formatting tempo text
Hello all.
How can I obtain what you can see in What_I_want.png file?
My best result is in myresult.png file.
The code I wrote is the following:
\tempo \markup {\column {\line { \tiny {''Do You Want to smile?''}} \line
{Moderate - rhytmic, but expressive}}}
But I want to obtain the formattation as in What_I_want.png file with the
title Do You Want to smile? not bolt and with the marks under the text.
Thank you all for the help.
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Bracket only some notes in a chord
Hey all, I have a situation where I would like to use a square bracket (like the square arpeggio bracket) around only two notes in a piano chord to indicate that the pianist should play both of them with their thumb. I've tried searching the manuals, list archives, and LSR for snippets relating both to the arpeggio function and the parenthesize function, and so far I haven't been able to find anyone discussing how to do this. Does anyone here have any thoughts? Many thanks, Nick -- And she forgot the stars, the moon, and sun, And she forgot the blue above the trees, And she forgot the dells where waters run, And she forgot the chilly autumn breeze... — Keats, Isabella, or the Pot of Basil ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
want to report problem of musicxml2ly
Hello, I'm using musicxml2ly to process a large orchestral piece, to see how the composer deals with percussion parts with various kinds of pitched and unpitched instruments switched in the middle of the piece. But musicxml2ly reports lots of problems, and ends up with failure. I remember Reinhold ever played main role on musicxml2ly and orchestrallily, but I don't know whether he's still active now. The xml file is large even after archiving, so I can't place it here. Could you please tell me who I can contact? Regards Haipeng ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: want to report problem of musicxml2ly
On Mon, 2015-06-08 at 17:56 +0800, Haipeng Hu wrote: Hello, I'm using musicxml2ly to process a large orchestral piece, to see how the composer deals with percussion parts with various kinds of pitched and unpitched instruments switched in the middle of the piece. But musicxml2ly reports lots of problems, and ends up with failure. I remember Reinhold ever played main role on musicxml2ly and orchestrallily, but I don't know whether he's still active now. The xml file is large even after archiving, so I can't place it here. Could you please tell me who I can contact? I believe there are two versions of the musicxml2ly program, one official and forked and pushed on with in a free-er manner. You could try the other one. You could also try importing it into Denemo and taking the LilyPond output from that - very unlikely to give you immediately a nice-looking score, but I would personally be most interested if it failed to generate something at least (indeed if you email me your archived xml file I will test it out). Richard Regards Haipeng ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: point-and-click from PDF viewer to lilypond editor
Federico == Federico Bruni f...@inventati.org writes: Federico Does anybody here use point-and-click from an external PDF viewer Federico (either Evince or Xpdf) to the lilypond editor? I've been using point-and-click between Xpdf and emacs for years. I've thought of switching to evince, especially when the xpdf in the ubuntu repository was broken, but haven't seen enough benefit to be worth the trouble. The reason I install lilypond from the lilypond site instead of the Ubuntu repository is that at one point the Ubuntu version had broken point-and-click. I believe I reported it, but never checked whether it had been fixed. So if someone's having trouble with it, it's probably worth installing lilypond directly instead of via a package manager. -- Laura (mailto:lcon...@laymusic.org) https://plus.google.com/u/0/116029698292079786511 (617) 661-8097 233 Broadway, Cambridge, MA 02139 http://www.laymusic.org/ http://www.serpentpublications.org I have only one superstition. I touch all the bases when I hit a home run. Babe Ruth ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
currentBarNumber has no effect on quoted music
Suppose I have a piece of music to perform that has both simple and difficult
passages. It would be helpful if I could derive a practice piece that had only
the difficult passages. My first attempt at doing this is:
\version 2.19.20
music = \relative c'' {
c1 d
\tuplet 3/2 16 { c32 d e f e f g f e d c d }
\tuplet 3/2 4 { c8 d e f e f g f e }
d1 c
}
{ \music }
\addQuote music \music
practice = \relative c'' {
\set Timing.currentBarNumber = 3
\quoteDuring #music s1
}
{ \practice }
Apparently, however, setting the currentBarNumber has no effect on the music
quoted by \quoteDuring; the quoted music starts at measure 1, not measure 3.
Is there some other way of affecting what music gets quoted temporally?
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Re: point-and-click from PDF viewer to lilypond editor
Laura Conrad lcon...@laymusic.org writes: Federico == Federico Bruni f...@inventati.org writes: Federico Does anybody here use point-and-click from an external PDF viewer Federico (either Evince or Xpdf) to the lilypond editor? I've been using point-and-click between Xpdf and emacs for years. I've thought of switching to evince, especially when the xpdf in the ubuntu repository was broken, but haven't seen enough benefit to be worth the trouble. The reason I install lilypond from the lilypond site instead of the Ubuntu repository is that at one point the Ubuntu version had broken point-and-click. I believe I reported it, but never checked whether it had been fixed. It remained broken for more than a year, but yes, it got fixed eventually. So if someone's having trouble with it, it's probably worth installing lilypond directly instead of via a package manager. Should never make a difference. I don't think that we ever bundled Xpdf, and on the LilyPond side, nothing was ever broken. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Removing end of line key signature
I have tried several approaches to remove an end of line key signature but without success. Is there anyone who can provide me with a solution and explanation for this problem. If you run my code given below you will note the b at the end on the piece before the Coda. Sommar_sommar-Kl1.ly http://lilypond.1069038.n5.nabble.com/file/n177615/Sommar_sommar-Kl1.ly - John McWilliam -- View this message in context: http://lilypond.1069038.n5.nabble.com/Removing-end-of-line-key-signature-tp177615.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Removing end of line key signature
Hi John, \override Staff.KeySignature.break-visibility = #end-of-line-invisible only affects the key signature that has been set at the beginning. You shouldn't set it to #end-of-line-invisible: note the b at the beginning of every bar in the coda. To affect key changes during the piece, use \set Staff.explicitKeySignatureVisibility = #begin-of-line-visible Cheers, Klaus -- View this message in context: http://lilypond.1069038.n5.nabble.com/Removing-end-of-line-key-signature-tp177615p177617.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
