FYI: OpenScore
Quote: "OpenScore wants to digitise and liberate all public domain sheet music, including the great classics of Mozart, Beethoven and Bach. Our community aims to transfer history’s most influential pieces from paper into interactive scores which you can listen to, edit and share. Together, we can make sheet music accessible to everyone. For free, for any purpose, for evermore." https://www.kickstarter.com/projects/openscore/openscore-join-the-sheet-music-revolution ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Editorial ties
Yes it does! Thank you very much! Geppo On Sun, Jun 4, 2017 at 7:07 PM, Brian Barker wrote: > At 17:42 04/06/2017 -0400, Giampaolo Orrigo wrote: > >> I would like to know if someone already found a way to engrave editorial >> ties, as used in more modern editions of early music, i.e. solid tie with a >> little vertical line in the middle. >> > > Does this help? > http://lilypond.1069038.n5.nabble.com/Editorial-ties-in-sche > me-td54223.html > > Brian Barker > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Aiken note heads: Are there thin variants with more interior white space for whole and half notes?
Hi, Karlin! On Mon, Jun 12, 2017 at 3:38 PM Karlin High wrote: > On 6/12/2017 3:57 PM, tisimst wrote: > > Try using this: > > > > aikenHeadsThin = \set shapeNoteStyles = ##(doThin reThin miThin faThin > > sol laThin tiThin) > > > > And then calling it with \aikenHeadsThin. > > > > HTH, > > Abraham > > That looks very, very promising! Thank you, Abraham. > > Is musictypefoundry.com your place? I might have to buy one of your > fonts for this. If they have Aiken heads, that is. :) Yes, it is! Unfortunately, I haven't had a chance to include shape-notes yet in any of them yet. Sorry. Best, Abraham > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Aiken note heads: Are there thin variants with more interior white space for whole and half notes?
Hi, Karlin! First off, congrats! Hope this all works out for you. On Mon, Jun 12, 2017 at 2:22 PM, Karlin High [via Lilypond] < ml+s1069038n203743...@n5.nabble.com> wrote: > A songwriter asked me to type up some of her compositions. Much of the > intended audience is in communities that have standardized on Aiken-head > notes for most of the past century, and use little else. LilyPond has > those shapes, no problem, I thought. But her benchmark is a certain > publishing house that uses Finale with a customized font, example at > this link: > > http://www.prairieviewpress.com/images/pdfs/Kneel_At_The_Cross.pdf > > I've been able to accommodate several of her requests for appearance > changes. But for her taste, the LilyPond 2.19.59 whole and half notes > have too little white space on the note head interiors. Apparently I'm > working under the expectation that unfilled shaped-note heads be drawn > with a thin, uniform line instead of horizontal lines being heavier. I > got closer to her ideal by increasing NoteHead.font-size but expect it's > possible to do more. Such as fiddling with MetaFont sources, if need be. > Before digging in at that level, I did some Googling and found that > topics like this have been discussed in the past... > > https://code.google.com/archive/p/lilypond/issues/602 > > ...and the 2.19 change log also metions something: > > "Improved visual spacing of small and regular ‘MI’ Funk and Walker > noteheads so they are now the same width as other shaped notes in their > respective sets. SOL noteheads are also now visually improved when used > with both the normal Aiken and Sacred Harp heads, as well as with the > thin variants." > http://lilypond.org/doc/v2.19/Documentation/changes/index > > "Thin variants!" I keep seeing that term. What are they, and how would I > access them? Maybe I don't need to head for the new-to-me frontiers of > MetaFont after all. > Try using this: aikenHeadsThin = \set shapeNoteStyles = ##(doThin reThin miThin faThin sol laThin tiThin) And then calling it with \aikenHeadsThin. HTH, Abraham -- View this message in context: http://lilypond.1069038.n5.nabble.com/Aiken-note-heads-Are-there-thin-variants-with-more-interior-white-space-for-whole-and-half-notes-tp203743p203744.html Sent from the User mailing list archive at Nabble.com.___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Aiken note heads: Are there thin variants with more interior white space for whole and half notes?
A songwriter asked me to type up some of her compositions. Much of the intended audience is in communities that have standardized on Aiken-head notes for most of the past century, and use little else. LilyPond has those shapes, no problem, I thought. But her benchmark is a certain publishing house that uses Finale with a customized font, example at this link: http://www.prairieviewpress.com/images/pdfs/Kneel_At_The_Cross.pdf I've been able to accommodate several of her requests for appearance changes. But for her taste, the LilyPond 2.19.59 whole and half notes have too little white space on the note head interiors. Apparently I'm working under the expectation that unfilled shaped-note heads be drawn with a thin, uniform line instead of horizontal lines being heavier. I got closer to her ideal by increasing NoteHead.font-size but expect it's possible to do more. Such as fiddling with MetaFont sources, if need be. Before digging in at that level, I did some Googling and found that topics like this have been discussed in the past... https://code.google.com/archive/p/lilypond/issues/602 ...and the 2.19 change log also metions something: "Improved visual spacing of small and regular ‘MI’ Funk and Walker noteheads so they are now the same width as other shaped notes in their respective sets. SOL noteheads are also now visually improved when used with both the normal Aiken and Sacred Harp heads, as well as with the thin variants." http://lilypond.org/doc/v2.19/Documentation/changes/index "Thin variants!" I keep seeing that term. What are they, and how would I access them? Maybe I don't need to head for the new-to-me frontiers of MetaFont after all. -- Karlin High Missouri, USA ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing vertical spacing on lyrics
Hi Adrian, > That helps in moving the single line of lyrics (which will be helpful > elsewhere - thanks!), however what I want is to increase the spacing between > stanzas, i.e. The same page/concepts applies, e.g. \override Lyrics.VerticalAxisGroup.nonstaff-nonstaff-spacing.padding = #20 Hope that helps, Kieren. Kieren MacMillan, composer ‣ website: www.kierenmacmillan.info ‣ email: i...@kierenmacmillan.info ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing vertical spacing on lyrics
Hi Thanks for that. It does help in part, but I realized my initial description of what I'm trying to do is not entirely clear. That helps in moving the single line of lyrics (which will be helpful elsewhere - thanks!), however what I want is to increase the spacing between stanzas, i.e. 1. Some lyrics 2. More lyrics 3. Will this song ever end To 1. Some lyrics 2. More lyrics 3. Will this song ever end (Or similar, eg adding an extra 4pts between the stanzas) Thanks Adrian > On 13 Jun 2017, at 4:17 AM, Knute Snortum wrote: > > Does this page help? > > http://lilypond.org/doc/v2.19/Documentation/learning/vertical-spacing > > > --- > Knute Snortum > (via Gmail) > >> On Mon, Jun 12, 2017 at 4:01 AM, spadey88 wrote: >> Hi >> >> I'm trying to work out how to changing the vertical spacing for lyrics. >> Basically what I want to be able to do is adjust the leading of the font to >> increase the spacing between the lines. >> >> I've looked through the documentation and haven't found anything that works. >> If someone can point me in the right direction I'd be grateful >> >> Thanks in advance >> >> Adrian >> ___ >> lilypond-user mailing list >> lilypond-user@gnu.org >> https://lists.gnu.org/mailman/listinfo/lilypond-user > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing vertical spacing on lyrics
Does this page help? http://lilypond.org/doc/v2.19/Documentation/learning/vertical-spacing --- Knute Snortum (via Gmail) On Mon, Jun 12, 2017 at 4:01 AM, spadey88 wrote: > Hi > > I'm trying to work out how to changing the vertical spacing for lyrics. > Basically what I want to be able to do is adjust the leading of the font to > increase the spacing between the lines. > > I've looked through the documentation and haven't found anything that > works. If someone can point me in the right direction I'd be grateful > > Thanks in advance > > Adrian > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Changing vertical spacing on lyrics
Hi I'm trying to work out how to changing the vertical spacing for lyrics. Basically what I want to be able to do is adjust the leading of the font to increase the spacing between the lines. I've looked through the documentation and haven't found anything that works. If someone can point me in the right direction I'd be grateful Thanks in advance Adrian ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Cross-staffs where a note is already displaced
2017-06-12 6:43 GMT+02:00 David Wright :
> I can't figure out how to make crossStaff work when one component
> has been displaced by the interval of a second. I came up with a
> hack (a hidden note) in example 3, but it has the side effect of
> leaving the accidental (when there is one) rather far over.
> Is there a better way?
See:
http://lists.gnu.org/archive/html/lilypond-user/2016-11/msg00230.html
For your example:
\version "2.19.59"
\header { tagline = ##f }
pushNC =
\once \override NoteColumn.X-offset =
#(lambda (grob)
(let* ((p-c (ly:grob-parent grob X))
(p-c-elts (ly:grob-object p-c 'elements))
(stems
(if (ly:grob-array? p-c-elts)
(filter
(lambda (elt)(grob::has-interface elt 'stem-interface))
(ly:grob-array->list p-c-elts))
#f))
(stems-x-exts
(if stems
(map
(lambda (stem)
(ly:grob-extent
stem
(ly:grob-common-refpoint grob stem X)
X))
stems)
'()))
(sane-ext
(filter interval-sane? stems-x-exts))
(cars (map car sane-ext)))
(if (pair? cars)
(abs (- (apply max cars) (apply min cars)))
0)))
\layout {
\context {
\PianoStaff
\consists #Span_stem_engraver
\omit TimeSignature
}
}
middle = { \time 3/4 \voiceTwo \autoBeamOff \crossStaff { f'4 e'8 d' e'4 } }
\new PianoStaff <<
\new Staff <<
\new Voice { \voiceOne 4 g'8 f' g'4 }
\new Voice { \middle }
>>
\new Staff <<
\new Voice {
\clef bass
\voiceTwo
%% the value 1.3 is not close/exact enough
%% 1.304212 would have worked
%\once \override NoteColumn.X-offset = #1.3
%% better do:
\pushNC
cis'4 cis'8 cis' cis'4
}
>>
>>
HTH,
Harm
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