cues overlapping compressed multi measure rest

[Alex Jones]

I am trying to replicate an odd structure, which places cue notes over top of 
the conclusion of a compressed multi measure rest.  

Normally when I make cues I use the << {} \\ {} >> structure such that I might 
have code like the following, but it breaks up the multi measure rest, any 
suggestions?

\version "2.18.2"

\layout {
  \context {
\Score
skipBars = ##t
autoBeaming = ##f
  }
}
PartPOneVoiceOne =  \relative g'' {
  \clef "treble" \key e \major \numericTimeSignature\time 4/4 | % 1
  
  cis4 -. r b-. r
  R1 \fermataMarkup
  << {\set fontSize=#-2 s1*2 
  s2 s4 4 ( 
  2) s2 s1 \unset fontSize } \\
 { \override MultiMeasureRest.staff-position = #0
R1*3 | % 44
r4 c2 \pp ^( \stemUp a4 ~ | % 45
a4 f2 d4 ) 
  } >>
}


% The score definition
\score {
  <<
\new Staff <<
  \context Staff <<
\context Voice = "PartPOneVoiceOne" { \PartPOneVoiceOne }
  >>
>>

  >>
  \layout {}
  \midi {}
}

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problem with accent placement

[Alex Jones]

I’m using the Script.priority-order to place an accidental above a trill 
ornament, but when combining with a note accent it creates an ordering property 
as per the documentation example.  However with the following snippet:

\version "2.18.0"

\relative c''' {
a2-> \trill

\once \override Script.script-priority = #-100
a2-> ^\trill^\markup { \sharp }
}


The first note places the accent adjacent to the note and the trill above 
(which is correct)

when adding the \sharp and getting it above the tr it swaps the accent and 
trill ornament creates this side-effect.

Is there a way to specify the order between the three expressive marks?

Thanks!!!

-akj
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Re: problem with accent placement

[Alex Jones]

This was successful, thank you!  I did not try the more involved solution.

-akj

> On Dec 27, 2015, at 1:12 PM, Thomas Morley <thomasmorle...@gmail.com> wrote:
> 
> 2015-12-27 18:18 GMT+01:00 Alex Jones <akjonesjeff...@gmail.com>:
>> I’m using the Script.priority-order to place an accidental above a trill 
>> ornament, but when combining with a note accent it creates an ordering 
>> property as per the documentation example.  However with the following 
>> snippet:
>> 
>> \version "2.18.0"
>> 
>> \relative c''' {
>> a2-> \trill
>> 
>> \once \override Script.script-priority = #-100
>> a2-> ^\trill^\markup { \sharp }
>> }
>> 
>> 
>> The first note places the accent adjacent to the note and the trill above 
>> (which is correct)
>> 
>> when adding the \sharp and getting it above the tr it swaps the accent and 
>> trill ornament creates this side-effect.
>> 
>> Is there a way to specify the order between the three expressive marks?
>> 
>> Thanks!!!
>> 
>> -akj
> 
> \relative c''' {
> a2-> \trill
> 
> a2-\tweak script-priority #99 ->
>  -\tweak script-priority #100 ^\trill
>  ^\markup { \sharp }
> }
> 
> 
> HTH,
>  Harm


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Re: questions about chord ties to null and Ped. glyph

[Alex Jones]

Thank you!!!

-akj

> On Sep 13, 2015, at 11:15 AM, David Kastrup  wrote:
> 
> \musicglyph #"pedal.Ped"

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questions about chord ties to null and Ped. glyph

[Alex Jones]

Two questions,

I’m trying to write a chord with a tie to null space (see pic below).  I tried
1 (<>) and only get one slur

then I tried
<< {e1 (<>)} \\ {g! (<>)} \\ {b (<>)} \\ {e (<>)} >>

and the notes are not vertically aligned

suggestions?

Second question: I’m trying to write a dynamic followed by a col Ped. notation. 
 Its hard to do this with the “sustain” commands, is there a way to get the Ped 
glyph in a markup?

Thanks!

-akj

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staff manipulation question

[Alex Jones]

I’m working with a score that has multiple staves that appear and disappear at 
various points.

I ran into a curious behavior:

I have two staves fro a while, the second has two notes that complete 
mid-measure so I encoded like this:

\score {
\new StaffGroup \relative c' {
\new Staff
\key f \major
\time 6/8

{
R2.*2
e2.~ \pp
}
\new Staff \relative c'' {
\once \set Staff.explicitKeySignatureVisibility = #end-of-line-invisible
\set midiInstrument = #violin
\once \omit Staff.TimeSignature
\key d \minor

g bes,2.
 {g~ g8} \\ {f2. ( _\markup{\italic dim.} e8) \pp}  r8 r r4 r8
}

\break

a8-. \p ^\markup{solo arco} [r16 g-. a8-.] c-. r r

}
}

However, when the second staff concluded, it didn’t disappear.  I worked out it 
was because the   region wasn’t aligned with a measure break.

So, I replaced with this:

 {g~ g8 b\rest b\rest b4\rest b8\rest} \\ {f2. ( _\markup{\italic dim.} e8) 
\pp s s s4 s8} 

however, this was quite clunky.  I had to create rest space in both note 
groups, and then I had to reposition the rests in the top note grouping to 
apply to both voices.  Aside from the staff not disappearing, the top solution 
works well.  

Is there a more streamlined way to do this?

Using lilypond 2.18.2

-akj


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Re: time signature magic

[Alex Jones]

Thank you, this works!

It does look a little clunky.  

I saw this, which gets the parentheses but doesn’t include the first 
non-parenthesized item.  Can these two items be combined?

http://www.lilypond.org/doc/v2.19/Documentation/snippets/staff-notation#staff-notation-time-signature-in-parentheses-_002d-method-3

-akj

On May 23, 2015, at 6:09 PM, ole m...@oleschmidt.info wrote:

 maybe this helps?
 
 http://lsr.di.unimi.it/LSR/Item?id=782
 
 ole
 
 
 
 Am 23.05.2015 um 23:44 schrieb Alex Jones akjonesjeff...@gmail.com:
 
 Does anyone have a suggestion for a good way to accomplish this in lilypond?
 
 time signature with a second time signature in parentheses?
 
 Thanks in advance!
 
 -akj
 
 Screen Shot 2015-05-23 at 5.41.47 PM.png
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time signature magic

[Alex Jones]

Does anyone have a suggestion for a good way to accomplish this in lilypond?

time signature with a second time signature in parentheses?

Thanks in advance!

-akj

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Re: time signature magic

[Alex Jones]

This worked like a charm, thanks to everyone!

-akj

On May 23, 2015, at 7:05 PM, David Nalesnik david.nales...@gmail.com wrote:

 #(define ((time-parenthesized-time up down upp downp) grob)
(ly:stencil-combine-at-edge
 (grob-interpret-markup grob
   (markup #:override '(baseline-skip . 0) #:number #:column (up down)))
 X RIGHT
 (parenthesize-stencil
  (grob-interpret-markup grob 
(markup #:override '(baseline-skip . 0) #:number #:column (upp downp)))
  0.1 0.7 0.7 0.1) ; these numbers affect the parentheses
 0.0 ; padding between columns
 ))
 

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overlapping articulations with slurs

[Alex Jones]

Apologies if others have solved this in the past, but I wasn’t able to find a 
solution on the list quickly.  Has anyone seen something like the following:

I’m trying to write both a stopped and accented note, that is slurred to an 
open note.  I’m having trouble with the stopped and accented articulation 
occurring overtop of each other. Additionally, some of the articulations are 
below and some are above the slur, which is weird, but legible.

Here is the code segment and resulting output.

\version 2.18.2

\score {
\new Staff = foo {
\time 6/8
cis''4.--+ (c''8) \open r8 r8
cis''4.--+ (c''8) \open r8 r8
}
}

Note: in the context of my larger score, both instances have the overlapping + 
and  symbols.

Thanks for any help!

-akj



Untitled.pdf
Description: Adobe PDF document
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Re: overlapping articulations with slurs

[Alex Jones]

Thank you Phil, for some reason the reply didn’t come through to me.

Thank you also to Abraham, I found his reply using babble interface and tried 
his fix, which works perfectly.

Best to you both!

-akj

On Jan 9, 2015, at 2:08 PM, Phil Holmes m...@philholmes.net wrote:

 Please see the reply to your previous request.
 
 --
 Phil Holmes
 
 
 - Original Message - From: Alex Jones akjonesjeff...@gmail.com
 To: lilypond-user@gnu.org
 Sent: Friday, January 09, 2015 7:06 PM
 Subject: overlapping articulations with slurs
 
 
 Apologies if others have solved this in the past, but I wasn’t able to find a 
 solution on the list quickly.  Has anyone seen something like the following:
 
 I’m trying to write both a stopped and accented note, that is slurred to an 
 open note.  I’m having trouble with the stopped and accented articulation 
 occurring overtop of each other. Additionally, some of the articulations are 
 below and some are above the slur, which is weird, but legible.
 
 Here is the code segment and resulting output.
 
 \version 2.18.2
 
 \score {
 \new Staff = foo {
 \time 6/8
 cis''4.--+ (c''8) \open r8 r8
 cis''4.--+ (c''8) \open r8 r8
 }
 }
 
 Note: in the context of my larger score, both instances have the overlapping 
 + and  symbols.
 
 Thanks for any help!
 
 -akj
 
 
 
 
 
 
 
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overlapping articulations with slurs

[Alex Jones]

Apologies if others have solved this in the past, but I wasn’t able to find a 
solution on the list quickly.

I’m trying to write both a stopped and accented note, that is slurred to an 
open note.  I’m having trouble with the stopped and accented articulation 
occurring overtop of each other.  Additionally, some of the articulations are 
below and some are above the slur, which is weird, but legible.

Here is the code segment and resulting output.

\version 2.18.2

\score {
\new Staff = foo {
\time 6/8
cis''4.--+ (c''8) \open r8 r8
cis''4.--+ (c''8) \open r8 r8
}
}

Note: in the context of my larger score, both instances have the overlapping + 
and  symbols.

Thanks for any help!

-akj



Untitled.pdf
Description: Adobe PDF document


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Re: help with pitchedtrill

[Alex Jones]

Thanks very much, this worked well.

Best,

Alex

On Jun 29, 2011, at 1:46 PM, Kieren MacMillan wrote:

 Hi Alex (and Mike),
 
 What I really want is the trill with a flat sign, but I didn't figure that 
 one out.
 
 This is what I do:
 
 trillWithFlat = {
  \once \override TrillSpanner #'bound-details #'left #'text
= \markup { \musicglyph #scripts.trill \smaller \raise #0.675 \flat }
 }
 trillWithNatural = {
  \once \override TrillSpanner #'bound-details #'left #'text
= \markup { \musicglyph #scripts.trill \smaller \raise #0.75 \natural }
 }
 trillWithSharp = {
  \once \override TrillSpanner #'bound-details #'left #'text
= \markup { \musicglyph #scripts.trill \smaller \raise #.875 \sharp }
 }
 
 \relative c' {
  \override TrillSpanner #'bound-details #'right #'padding = #1.75
  \trillWithFlat c1\startTrillSpan
  \trillWithNatural c1\stopTrillSpan\startTrillSpan
  \trillWithSharp c1\stopTrillSpan\startTrillSpan
  c1\stopTrillSpan
 }
 
 Hope this helps!
 Kieren.

--
Alex K. Jones
Associate Professor
Electrical and Computer Engineering
University of Pittsburgh
http://www.pitt.edu/~akjones






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help with pitchedtrill

[Alex Jones]

Couple of questions:
I'm trying to use pitchedTrill, but its creating a problem when I have a tie 
coming off the note:

score.ly:125:88: warning: unterminated tie
\pitchedTrill d4~ \startTrillSpan \! ees d16 \stopTrillSpan b (g ees 
\pitchedTrill d4~) 

\startTrillSpan ees d16 \stopTrillSpan b (g a)

The score comes out ok, but I get the above warning.

What I really want is the trill with a flat sign, but I didn't figure that one 
out.

Also, is there a workaround to get a break where you have a glissando?

Any help would be greatly appreciated!

I'm using 2.14.1 for Mac OS X.

-akj
--
Alex K. Jones - clarinet
www.jeffsys.net/~akjones/music
847-372-8999


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transposition question

[Alex Jones]

I am using lilypond for a transposition solution.  Unfortunately, when doing 
the transposition, the shift is to keys where it would make sense to write the 
notation in the enharmonic key.

E.g. the new key is c-sharp major and it would be nicer to actually write it in 
d-flat major, is there a way to tell lilypond to use the enharmonic key in this 
circumstance?

Thanks!

-akj
--
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www.jeffsys.net/~akjones/music
847-372-8999




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tuplet number

[Alex Jones]

I am using the expression to not display the tuplet number
\override TupletNumber #'stencil = ##f

but at some point later in the score I want that number to be displayed again 
and when I use what I figured was the appropriate reactivation expression
\override TupletNumber #'stencil = ##t
it works but I get the error
warning: type check for `stencil' failed; value `#t' must be of type `unknown'
Is this a problem, or should I be using a different statement?

Thanks!

-akj
--
Alex K. Jones - clarinet
www.jeffsys.net/~akjones/music
847-372-8999




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nested crescendos?

[Alex Jones]

I need to include nested crescendos and decrescendos within a document (e.g. an 
overarching crescendo with phrasing decrescendos).  Is this possible?

For example the idea would be something like the following:

fis, \ \  (ees') \! f,! \ (d') \! \!

Any suggestions?

Thanks!

-akj
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question about bar lines

[Alex Jones]

I am having a problem with bar lines, if I put the following around a staff 
break

\bar ||
\break

\bar |: 

I get the repeat sign on the start of the staff, but not the double bar on the 
end of the previous staff.

I am using partial bars before and after the break, but through 
experimentation, this doesn't seem to change much.  If I remove the open 
repeat, the double bar appears on the first staff.

Anyone have any ideas what I'm doing wrong?

Thanks very much!

-akj
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Re: question about bar lines

[Alex Jones]

Thanks a lot!!!

-akj

On Sep 19, 2010, at 10:11 AM, Alexander Kobel wrote:

 On 2010-09-19 15:38, Alex Jones wrote:
 I am having a problem with bar lines, if I put the following around a staff 
 break
 
 \bar ||
 \break
 \bar |:
 
 I get the repeat sign on the start of the staff, but not the double bar on 
 the end of the previous staff. [...]
 Anyone have any ideas what I'm doing wrong?
 
 Use \bar ||: \break.
 
 
 Cheers,
 Alexander

--
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www.jeffsys.net/~akjones/music
847-372-8999




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