Re: Help with \lyricsto and polyphony
Le Samedi 11 Décembre 2004 03:15, Joshua Kwan a écrit :
Hello fellow Lilypond users,
I'm encountering a problem giving lyrics to polyphonic voices.
The soprano line for a song I'm scoring contains:
{ d4 bf c2 d4 bf c } \\
{ bf4 f f2 bf4 f f }
r4
{ f' bf, c f, f' } \\
{ d f, bf d, d' }
When I add lyrics, using
\context Lyrics {
\lyricsto soprano \new Lyrics \sopranolyrics
}
First you should name the notes after a
variable = \context Voice = voicename \relative c' {
notes here
}
After that.. the \lyricsto use voicename as a position mapper :)
The lyrics stop where the polyphony starts. I have been told that this
is because each polyphonic voice represents a different, anonymous
voice, and therefore is not processed by \lyricsto at all.
How can I tell Lilypond that (especially because each voice has the
exact same rhythm) the polyphonic voices should be treated as one when
processing lyrics?
Would it make a lot of difference to use the chord notation
d bf4 bf f2 d bf4 bf f c f
with whatever ', octaviation required, (note that the octaviation considers
only the first note of each chord), instead of:
{ d4 bf c2 d4 bf c } \\
{ bf4 f f2 bf4 f f }
Otherwise, what is the best way to name each subvoice? It doesn't make
intuitive sense to have to name each one.
Try giving it a \context Voice = name first.. then send your comments and
results .. so that it helps others looking for similar solutions.
The full .ly file is here:
http://triplehelix.org/~joshk/servants-chorus.ly
Thanks,
You're welcome :)
Alexandre Bourget
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Re: Help with \lyricsto and polyphony
Le Samedi 11 Décembre 2004 03:15, Joshua Kwan a écrit :
Hello fellow Lilypond users,
I'm encountering a problem giving lyrics to polyphonic voices.
The soprano line for a song I'm scoring contains:
{ d4 bf c2 d4 bf c } \\
{ bf4 f f2 bf4 f f }
r4
{ f' bf, c f, f' } \\
{ d f, bf d, d' }
When I add lyrics, using
\context Lyrics {
\lyricsto soprano \new Lyrics \sopranolyrics
}
First you should name the notes after a
variable = \context Voice = voicename \relative c' {
notes here
}
After that.. the \lyricsto use voicename as a position mapper :)
The lyrics stop where the polyphony starts. I have been told that this
is because each polyphonic voice represents a different, anonymous
voice, and therefore is not processed by \lyricsto at all.
How can I tell Lilypond that (especially because each voice has the
exact same rhythm) the polyphonic voices should be treated as one when
processing lyrics?
Would it make a lot of difference to use the chord notation
d bf4 bf f2 d bf4 bf f c f
with whatever ', octaviation required, (note that the octaviation considers
only the first note of each chord), instead of:
{ d4 bf c2 d4 bf c } \\
{ bf4 f f2 bf4 f f }
Otherwise, what is the best way to name each subvoice? It doesn't make
intuitive sense to have to name each one.
Try giving it a \context Voice = name first.. then send your comments and
results .. so that it helps others looking for similar solutions.
The full .ly file is here:
http://triplehelix.org/~joshk/servants-chorus.ly
Thanks,
You're welcome :)
Alexandre Bourget
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Two staves SATB score and centered Lyrics
Hi you LilyPond folks..
I'm trying to write lyrics for some Christmas songs.. but I'm sure there is a
smarter way to do it than the way I did.
I have four music blocks (\soprano, \alto, \tenor and \basse) and I have four
lyric blocks (\texteUn, \texteDeux, \texteTrois and \texteQuatre) ..
Now the four text blocks are there just because I have 4 verses and I want
them in the middle of the two staves. Also.. I want them all to be attached
to the soprano, because the soprano determines the melody of the song.
NOw look at that ugly snippet in \score:
\context ChoirStaff \notes
\context Staff = staffUp {
\addlyrics
\addlyrics
\addlyrics
\addlyrics
\soprano
\context Lyrics = lyricQuatre \texteQuatre
\context Lyrics = lyricTrois \texteTrois
\context Lyrics = lyricDeux \texteDeux
\context Lyrics = lyricUn \texteUn
\\
\alto
}
\context Lyrics = lyricUn { }
\context Lyrics = lyricDeux { }
\context Lyrics = lyricTrois { }
\context Lyrics = lyricQuatre { }
\context Staff = staffDown { \tenor \\ \basse }
That's the only way I could align all the four text blocks with the soprano
while putting the lyrics in the middle of the two staves. There *must* be an
alternative, isn't there ?! :)
thanks for your help
Alexandre Bourget
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\forgetAccidentals and his friends, have no effect
I'm using lily v2.1.0 as compiled for mdk: lilypond-2.1.0-2thac...rpm
I'm having a problem with \forgetAccidentals (or any of those
\modernAccidentals, \pianoAccidentals, \piano and \modernCautionaries , etc..
They don't seem to affect anything.
Note that I tried with and without the:
\property Score.timing = ##f
line. So, that omitted.. this score is really nothing weird!
I'm posting an excerpt of the file for reference. I'm new to this list.. so if
sending large scores through it isn't something the users want.. please tell
me in a reply :)
thanks!
Alexandre Bourget
the file:
mainDroite = \notes \relative c''' {
\forgetAccidentals
\clef treble
\key c \major
% début
r4 bes r e,, r
#(set-octavation 1)
b''' r r d
#(set-octavation 0)
b,,
% accords mg début.
r a b c, f
\bar \break
\clef bass e, g bes \clef treble ees''' r
% ensemble deux derniers avant les accords qui montent
f, aes,
% accords
bes, c des ees aes
bes des ees ges bes
bes ees ges aes c
bes ees ges bes des
c ges' aes bes des
des ees' \bar \breakdes ees'
ees bes' des f ees f'
f bes des ges f ges'
ges des' ees aes ges aes'
% ici avec la tête
% on alterne avec la tête et un accord.
aes bes' r
aes bes' r
bes c' r
bes c' r
% grande final
des' c,, des!
% e, aes c
% puis on quitte.
}
mainGauche = \notes \relative c {
\forgetAccidentals
\clef bass
\key c \major
% début
aes4 r d r c' r gis,, a' c' f,,
% accords mg début
g e' g r f e' f e e' f
fis gis ais fis' e r cis
% ensemble deux derniers avant les accords qui montent
ees' c'
% accords
aes,, aes' aes aes'
aes aes' aes aes'
aes aes' aes aes'
des, des' des des'
des des' des des'
des des' des des'
ges ges' r
% clusters, avec la tête là.
\apply #notes-to-clusters { c c' }
%cluster
r
\apply #notes-to-clusters { c c' }
%cluster
r
\apply #notes-to-clusters { c c' }
%cluster
r
\apply #notes-to-clusters { c c' }
%cluster
r2
% on quitte
}
\score {
\context PianoStaff
\property Score.timing = ##f
\mainDroite \\
\mainGauche
\paper {
\translator {
\ScoreContext SpacingSpanner \override #'shortest-duration-space =
#2.0
}
papersize = letter
}
}
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