Fwd: Re: Re Position of rests in cue notes (Peter Gentry)
Hello Jacques Yes it would. I was quickly clipping out a tiny example
(without reading glasses).
Old fogie trouble - but you get the gist.
On 25/12/2015 15:22, Jacques Menu wrote: > Hello Peter, "Wouldn’t
{\set Score.skipBars = ##t s2*6 } be more explicit and less confusing? >
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Re: Re Position of rests in cue notes (Peter Gentry)
Hello Peter,
> Le 24 déc. 2015 à 19:13, Peter Gentry a écrit :
>
> Brian Barker has supplied the solution.
>
> That is replace say r8 by b8\rest in the set of cue notes - see a8. ( [
> g16 ] r8 ) b8\rest | % 3 - I have left on r8 to
> illustrate the problem.
>
> It's a bit of a fag to change all the rest in the cueNotes files as I have (5
> * 4) 20 files one for each part and each movement.
>
> \version "2.19.25"
>
> cueNotes= \relative c' {
> f8-. bes8-. ( d8-. bes8-. ) | % 2
> a8. ( [ g16 ] r8 ) b8\rest | % 3
> f8-. es'8-. ( c8-. a8-. ) | % 4
> bes16 ( [ c32 bes32 ] a32 [ bes32 c16 ] d8 ) f8\mp ( | % 5
> g8 ) es8 ( f8 ) d8 ( | % 6
> es8 ) c8 ( d8 ) bes8 ( | % 7
> a8\< ) a8\! r16 ( [ g16 f16 r16 ) ] | % 8
> }
> \addQuote "cueNotes" { \cueNotes }
> \relative c' {
> \set Score.midiInstrument = "flute"
> \set Score.skipBars = ##t
> \set Score.markFormatter = #format-mark-box-alphabet
> \accidentalStyle "modern-voice-cautionary"
> \clef "treble"
> \key bes\major
> \numericTimeSignature
> \time 2/4
> \tempo "Andante con moto"4=69
> \new CueVoice \with {
> instrumentCueName="clt3"
> }
> \cueDuring #"cueNotes" #UP
> {\set Score.skipBars = ##t s1*6/8*4 }
Wouldn’t:
{\set Score.skipBars = ##t s2*6 }
be more explicit and less confusing?
JM
> d8\p r8 r8 d8 | % 2
> es8 r8 r8 es8 | % 3
> c8 r8 r8 c8 | % 4
> }
>
> regards
> Peter Gentry
>
>
>
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Re Position of rests in cue notes (Peter Gentry)
Brian Barker has supplied the solution.
That is replace say r8 by b8\rest in the set of cue notes - see a8. ( [ g16
] r8 ) b8\rest | % 3 - I have left on r8 to
illustrate the problem.
It's a bit of a fag to change all the rest in the cueNotes files as I have (5 *
4) 20 files one for each part and each movement.
\version "2.19.25"
cueNotes= \relative c' {
f8-. bes8-. ( d8-. bes8-. ) | % 2
a8. ( [ g16 ] r8 ) b8\rest | % 3
f8-. es'8-. ( c8-. a8-. ) | % 4
bes16 ( [ c32 bes32 ] a32 [ bes32 c16 ] d8 ) f8\mp ( | % 5
g8 ) es8 ( f8 ) d8 ( | % 6
es8 ) c8 ( d8 ) bes8 ( | % 7
a8\< ) a8\! r16 ( [ g16 f16 r16 ) ] | % 8
}
\addQuote "cueNotes" { \cueNotes }
\relative c' {
\set Score.midiInstrument = "flute"
\set Score.skipBars = ##t
\set Score.markFormatter = #format-mark-box-alphabet
\accidentalStyle "modern-voice-cautionary"
\clef "treble"
\key bes\major
\numericTimeSignature
\time 2/4
\tempo "Andante con moto"4=69
\new CueVoice \with {
instrumentCueName="clt3"
}
\cueDuring #"cueNotes" #UP
{\set Score.skipBars = ##t s1*6/8*4 }
d8\p r8 r8 d8 | % 2
es8 r8 r8 es8 | % 3
c8 r8 r8 c8 | % 4
}
regards
Peter Gentry
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Re: Position of rests in cue notes
On 24/12/2015 12:42, Peter Gentry wrote: I am using cuenotes in parts with extensive rests to give players reassurance with counting. The only issue is that rest are placed on the top leger line ie the F of treble clef. Is there a way to move these down to the midle leger line ie the B of the treble clef? Merry Christmas to all Ponders... regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user Hi Peter, Are you using \cueDuring? If so, you can change #direction to #UP or #DOWN, which places the small cue notes either above or below the rests. See http://lilypond.org/doc/v2.18/Documentation/notation/writing-parts#formatting-cue-notes If not, perhaps you could provide a minimal example? See http://www.lilypond.org/tiny-examples.html Thanks, Greg. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Position of rests in cue notes
Hello Peter,
Not sure what you’re after without an example.
Does this suit your need?
JM
\version "2.19.22"
\relative {
\clef "alto"
\key d \major
\time 2/4
a16 ( [ cis16 a16 cis16 ) ] a8 -. r8 | % 232
R2*2
<<
\new Voice {
\voiceTwo
R2 R2 R2
\tweak staff-position #-6 R2
\cueClefUnset
}
\new CueVoice {
\set instrumentCueName = "Flöte"
\cueClef "treble"
\relative {
a'8 -. [ a8 -. a8 -. a8 -. ] | % 234
a4. r8 | % 235
a8 -. [ a8 -. a8 -. a8 -. ] | % 236
a8 -. [ b8 -. cis8 -. ] r8
}
}
>>
d,2 | % 239
8 -. [ -. [ 8 -. -. 8 -. ] -. ] r8 | % 240
}
\relative {
\clef "bass"
\key d \major
\time 2/4
\transpose d d, {
\relative {
a16 ( [ cis16 a16 cis16 ) ] a8 -. r8 | % 232
R2*2
<<
\new Voice {
\voiceTwo
R2 R2 R2
\tweak staff-position #-6 R2
\cueClefUnset
}
\new CueVoice {
\set instrumentCueName = "Flöte"
\cueClef "treble"
\relative {
a'8 -. [ a8 -. a8 -. a8 -. ] | % 234
a4. r8 | % 235
a8 -. [ a8 -. a8 -. a8 -. ] | % 236
a8 -. [ b8 -. cis8 -. ] r8
}
}
>>
d,2 | % 239
8 -. [ -. [ 8 -. -. 8 -. ] -. ] r8 | % 240
}
}
}
> Le 24 déc. 2015 à 13:42, Peter Gentry a écrit :
>
>
> I am using cuenotes in parts with extensive rests to give players reassurance
> with counting.
> The only issue is that rest are placed on the top leger line ie the F of
> treble clef.
> Is there a way to move these down to the midle leger line ie the B of the
> treble clef?
>
> Merry Christmas to all Ponders...
>
> regards
> Peter Gentry
>
>
>
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> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
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Position of rests in cue notes
I am using cuenotes in parts with extensive rests to give players reassurance with counting. The only issue is that rest are placed on the top leger line ie the F of treble clef. Is there a way to move these down to the midle leger line ie the B of the treble clef? Merry Christmas to all Ponders... regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
