Re: Noteheads exactly over bar lines

2012-03-10 Thread Siska Ádám
On 2012.03.10., at 8:51, Siska Ádám wrote:
 On 2012.03.10., at 3:00, Nick Payne wrote:
 On 10/03/12 10:24, Siska Ádám wrote:
 On 2012.03.09., at 23:44, -Eluze wrote:
 Siska Ádám-4 wrote:
 Dear list,
 
 
 I've been using Lilypond for a while, but only to create excerpts of
 classical music. Now I'd like to try whether I could switch from
 hand-engraving to Lilypond with my own music. I'm trying to engrave an
 orchestral piece that requires 'time/space notation'. I found most of the
 instructions in the manual for this, however, I can't figure out how to
 put the first noteheads of the measures exactly over their respective bar
 lines (like in some of Tristan Murail's scores, for example). Could you
 please give me an advice on how to achieve this?
 
 
 Any help is highly appreciated,
 I can't really imagine what this should look like - can you provide an
 excerpt or scan of this!?
 
 thanks
 Eluze
 
 Dear Eluze,
 
 
 thank you for your reply. Attached please find two PNGs. The 
 'current_state.png' shows an example of the settings I'm using right now 
 (with the note head coming a bit after the dashed barline) and 
 'what_i_need.png' would be the solution that I'm looking for (with the 
 barline exactly on the first note of the measure, which I solved for now 
 with some graphic apps, but of course, that's not a real solution).
 
 I don't know if it's of much use for your purposes, but you can use a 
 notehead glyph as a rehearsal mark, which positions it directly on the 
 barline:
 
 \relative c' {
   d4 d d d
   \once \override Score.RehearsalMark #'extra-offset = #'(0 . -5.9)
   \mark\markup\normalsize { \musicglyph #noteheads.s2 } d
 }
 
 Dear Nick,
 
 thanks for this! Although in terms of musical-logic it is not a solution, but 
 it looks exactly like what I need.
 
 Thanks,
 Ádám


Dear Nick,


I just realized that the solution is not as good as it seemed to be. It seems 
that if I use a markup, the distance between subsequent crotchets won't be the 
same, as the first crotchet of the measure (the one that is represented by the 
markup) will be placed a little more left than it should be. So I need a 
solution where the actual bar lines would move 'a bit to the right' in order to 
be in sync with the first notehead in the measure.


Thanks,
Ádám


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Re: Noteheads exactly over bar lines

2012-03-10 Thread David Nalesnik
Hi  Ádám,

I just realized that the solution is not as good as it seemed to be. It
 seems that if I use a markup, the distance between subsequent crotchets
 won't be the same, as the first crotchet of the measure (the one that is
 represented by the markup) will be placed a little more left than it should
 be. So I need a solution where the actual bar lines would move 'a bit to
 the right' in order to be in sync with the first notehead in the measure.


What about using proportional spacing and then moving the bar line slightly
to the right?  Something like this:

\version 2.15.30

{
  \time 2/4
  \override Stem #'stencil = #point-stencil
  d' d'
  \once \override Staff.BarLine #'extra-offset = #'(1.5 . 0)
  d' d'
}

\layout {
  \context {
\Score
\override SpacingSpanner #'strict-note-spacing = ##t
proportionalNotationDuration = #(ly:make-moment 1 8)
  }
  \context {
\Staff
\remove Time_signature_engraver
  }
}

HTH,
David
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Re: Noteheads exactly over bar lines

2012-03-10 Thread David Nalesnik
Hi Ádám,

What about using proportional spacing and then moving the bar line slightly
 to the right?


Attached is an attempt at automating this somewhat.  I haven't tested it
extensively, but I hope it will be useful.

-David


barline-through-note01.ly
Description: Binary data
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Re: Noteheads exactly over bar lines

2012-03-10 Thread David Nalesnik
Hi again,

On Sat, Mar 10, 2012 at 9:45 AM, David Nalesnik david.nales...@gmail.comwrote:

 Hi Ádám,

 What about using proportional spacing and then moving the bar line
 slightly to the right?


 Attached is an attempt at automating this somewhat.  I haven't tested it
 extensively, but I hope it will be useful.


Looking at your example some more, it occurs to me that you want to move
the SpanBar right.

The attached example provides two functions.  One centers the bar lines,
the other the span bars.   The adjustment of BarLine isn't really necessary
with the example since the bar lines are transparent.  Otherwise, both
overrides would be necessary for both to align vertically.

I've automated this further so you don't have to call the functions
repeatedly.

HTH,
David


barline-through-note02.ly
Description: Binary data
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Re: Noteheads exactly over bar lines

2012-03-10 Thread Siska Ádám
On 2012.03.10., at 18:14, David Nalesnik wrote:

 Hi again,
 
 On Sat, Mar 10, 2012 at 9:45 AM, David Nalesnik 
 david.nales...@gmail.comwrote:
 
 Hi Ádám,
 
 What about using proportional spacing and then moving the bar line
 slightly to the right?
 
 
 Attached is an attempt at automating this somewhat.  I haven't tested it
 extensively, but I hope it will be useful.
 
 
 Looking at your example some more, it occurs to me that you want to move
 the SpanBar right.
 
 The attached example provides two functions.  One centers the bar lines,
 the other the span bars.   The adjustment of BarLine isn't really necessary
 with the example since the bar lines are transparent.  Otherwise, both
 overrides would be necessary for both to align vertically.
 
 I've automated this further so you don't have to call the functions
 repeatedly.
 
 HTH,
 David
 barline-through-note02.ly

Dear David,


thank you a lot for this solution. It is much better than anything I expected 
to achieve.


Thanks again,
Ádám


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Re: Noteheads exactly over bar lines

2012-03-10 Thread David Nalesnik
Hi Ádám,

thank you a lot for this solution. It is much better than anything I
 expected to achieve.


Glad to hear it!

-David
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Re: Noteheads exactly over bar lines

2012-03-09 Thread -Eluze


Siska Ádám-4 wrote:
 
 Dear list,
 
 
 I've been using Lilypond for a while, but only to create excerpts of
 classical music. Now I'd like to try whether I could switch from
 hand-engraving to Lilypond with my own music. I'm trying to engrave an
 orchestral piece that requires 'time/space notation'. I found most of the
 instructions in the manual for this, however, I can't figure out how to
 put the first noteheads of the measures exactly over their respective bar
 lines (like in some of Tristan Murail's scores, for example). Could you
 please give me an advice on how to achieve this?
 
 
 Any help is highly appreciated,
 
 

I can't really imagine what this should look like - can you provide an
excerpt or scan of this!?

thanks
Eluze
-- 
View this message in context: 
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Re: Noteheads exactly over bar lines

2012-03-09 Thread Siska Ádám
On 2012.03.09., at 23:44, -Eluze wrote:
 Siska Ádám-4 wrote:
 Dear list,
 
 
 I've been using Lilypond for a while, but only to create excerpts of
 classical music. Now I'd like to try whether I could switch from
 hand-engraving to Lilypond with my own music. I'm trying to engrave an
 orchestral piece that requires 'time/space notation'. I found most of the
 instructions in the manual for this, however, I can't figure out how to
 put the first noteheads of the measures exactly over their respective bar
 lines (like in some of Tristan Murail's scores, for example). Could you
 please give me an advice on how to achieve this?
 
 
 Any help is highly appreciated,
 
 I can't really imagine what this should look like - can you provide an
 excerpt or scan of this!?
 
 thanks
 Eluze


Dear Eluze,


thank you for your reply. Attached please find two PNGs. The 
'current_state.png' shows an example of the settings I'm using right now (with 
the note head coming a bit after the dashed barline) and 'what_i_need.png' 
would be the solution that I'm looking for (with the barline exactly on the 
first note of the measure, which I solved for now with some graphic apps, but 
of course, that's not a real solution).


Thanks in advance,
Ádám

inline: current_state.png

inline: what_i_need.png

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Re: Noteheads exactly over bar lines

2012-03-09 Thread Nick Payne

On 10/03/12 10:24, Siska Ádám wrote:

On 2012.03.09., at 23:44, -Eluze wrote:

Siska Ádám-4 wrote:

Dear list,


I've been using Lilypond for a while, but only to create excerpts of
classical music. Now I'd like to try whether I could switch from
hand-engraving to Lilypond with my own music. I'm trying to engrave an
orchestral piece that requires 'time/space notation'. I found most of the
instructions in the manual for this, however, I can't figure out how to
put the first noteheads of the measures exactly over their respective bar
lines (like in some of Tristan Murail's scores, for example). Could you
please give me an advice on how to achieve this?


Any help is highly appreciated,

I can't really imagine what this should look like - can you provide an
excerpt or scan of this!?

thanks
Eluze


Dear Eluze,


thank you for your reply. Attached please find two PNGs. The 
'current_state.png' shows an example of the settings I'm using right now (with 
the note head coming a bit after the dashed barline) and 'what_i_need.png' 
would be the solution that I'm looking for (with the barline exactly on the 
first note of the measure, which I solved for now with some graphic apps, but 
of course, that's not a real solution).


I don't know if it's of much use for your purposes, but you can use a 
notehead glyph as a rehearsal mark, which positions it directly on the 
barline:


\relative c' {
d4 d d d
\once \override Score.RehearsalMark #'extra-offset = #'(0 . -5.9)
\mark\markup\normalsize { \musicglyph #noteheads.s2 } d
}

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Re: Noteheads exactly over bar lines

2012-03-09 Thread Siska Ádám
On 2012.03.10., at 3:00, Nick Payne wrote:
On 10/03/12 10:24, Siska Ádám wrote:
 On 2012.03.09., at 23:44, -Eluze wrote:
 Siska Ádám-4 wrote:
 Dear list,
 
 
 I've been using Lilypond for a while, but only to create excerpts of
 classical music. Now I'd like to try whether I could switch from
 hand-engraving to Lilypond with my own music. I'm trying to engrave an
 orchestral piece that requires 'time/space notation'. I found most of the
 instructions in the manual for this, however, I can't figure out how to
 put the first noteheads of the measures exactly over their respective bar
 lines (like in some of Tristan Murail's scores, for example). Could you
 please give me an advice on how to achieve this?
 
 
 Any help is highly appreciated,
 I can't really imagine what this should look like - can you provide an
 excerpt or scan of this!?
 
 thanks
 Eluze
 
 Dear Eluze,
 
 
 thank you for your reply. Attached please find two PNGs. The 
 'current_state.png' shows an example of the settings I'm using right now 
 (with the note head coming a bit after the dashed barline) and 
 'what_i_need.png' would be the solution that I'm looking for (with the 
 barline exactly on the first note of the measure, which I solved for now 
 with some graphic apps, but of course, that's not a real solution).
 
 I don't know if it's of much use for your purposes, but you can use a 
 notehead glyph as a rehearsal mark, which positions it directly on the 
 barline:
 
 \relative c' {
d4 d d d
\once \override Score.RehearsalMark #'extra-offset = #'(0 . -5.9)
\mark\markup\normalsize { \musicglyph #noteheads.s2 } d
 }

Dear Nick,

thanks for this! Although in terms of musical-logic it is not a solution, but 
it looks exactly like what I need.

Thanks,
Ádám


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