Re: grouping in 6/8

2017-04-23 Thread Simon Albrecht

Am 23.04.2017 um 22:23 schrieb Michael Käppler:

Hi Karol,
it depends on which rhythmical structure you want to express.
If you intend a base structure in 8ths where the 4th note is not 
stressed, I would prefer (2).
If you want to achieve a base structure in dotted 8ths, like a 12/16 
signature divided in four beats, I would write (1).


12/16 is a distinct time signature (favoured e.g. by Bach), however a 
proper 6/8 time may also feature situations where 16 16 16 8. grouping 
makes more sense. It really is a matter of style/rhythmic feel. (Though 
many engravers would be stricter than I about per-beat grouping.)


Best, Simon



HTH,
Michael

Am 23.04.2017 um 21:52 schrieb Karol Majewski:

Hi, which grouping is better:

6/8: c16 c16 c16 c8.~ c4.

or

6/8: c16 c16 c6 c16~ c8~ c4.


Couldn't find the answer in "Behind Bars".

-Best
KM



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Re: grouping in 6/8

2017-04-23 Thread Michael Käppler

Hi Karol,
it depends on which rhythmical structure you want to express.
If you intend a base structure in 8ths where the 4th note is not 
stressed, I would prefer (2).
If you want to achieve a base structure in dotted 8ths, like a 12/16 
signature divided in four beats, I would write (1).


HTH,
Michael

Am 23.04.2017 um 21:52 schrieb Karol Majewski:

Hi, which grouping is better:

6/8: c16 c16 c16 c8.~ c4.

or

6/8: c16 c16 c6 c16~ c8~ c4.


Couldn't find the answer in "Behind Bars".

-Best
KM



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grouping in 6/8

2017-04-23 Thread Karol Majewski
Hi, which grouping is better:

6/8: c16 c16 c16 c8.~ c4.

or

6/8: c16 c16 c6 c16~ c8~ c4.


Couldn't find the answer in "Behind Bars".

-Best
KM



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