Re: lilypond-user Digest, Vol 157, Issue 92

2015-12-21 Thread Cynthia Karl 

> On Dec 21, 2015, at 3:10 AM, Simon Albrecht  wrote:
> 
> Pardon, did you want to include any text with this e-mail?
> Also please remember editing the subject line.
> 
> Yours, Simon
> 

No, it was an error, completely inadvertent.  Please accept my abject apologies.

Pat Karl


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Re: lilypond-user Digest, Vol 157, Issue 92

2015-12-21 Thread Simon Albrecht 

Pardon, did you want to include any text with this e-mail?
Also please remember editing the subject line.

Yours, Simon

On 21.12.2015 04:48, Cynthia Karl wrote:


Sent from my iPhone


On Dec 20, 2015, at 6:16 PM, lilypond-user-requ...@gnu.org wrote:

Send lilypond-user mailing list submissions to
lilypond-user@gnu.org

To subscribe or unsubscribe via the World Wide Web, visit
https://lists.gnu.org/mailman/listinfo/lilypond-user
or, via email, send a message with subject or body 'help' to
lilypond-user-requ...@gnu.org

You can reach the person managing the list at
lilypond-user-ow...@gnu.org

When replying, please edit your Subject line so it is more specific
than "Re: Contents of lilypond-user digest..."


Today's Topics:

   1. Re:big (?) challenge: multi-segment / multi-angle
  OttavaBracket (Kieren MacMillan)
   2. Re:saxophon multiphonic, how to (Klaus Blum)
   3. Re:Telemann's "Strich" (Andrew Bernard)
   4. Re:big (?) challenge: multi-segment / multi-angle
  OttavaBracket (Thomas Morley)
   5. Re:Telemann's "Strich" (Andrew Bernard)
   6. Re:big (?) challenge: multi-segment / multi-angle
  OttavaBracket (Kieren MacMillan)
   7. Re:Telemann's "Strich" (Simon Albrecht)
   8. pretty-print and localAlterations (Simon Albrecht)


--

Message: 1
Date: Sun, 20 Dec 2015 17:50:55 -0500
From: Kieren MacMillan 
To: Thomas Morley 
Cc: Lilypond-User Mailing List 
Subject: Re: big (?) challenge: multi-segment / multi-angle
OttavaBracket
Message-ID: <6e5d24fe-910a-4780-b260-d92a87c92...@sympatico.ca>
Content-Type: text/plain; charset=utf-8

Hi Harm,


you don't provide any code ;)

Well, to be honest, I didn?t expect an actual [honest-to-goodness Lilypond 
code] fix: I thought the answer would either be ?look at X snippet? or ?can?t 
be done? or ?this is issue Y?, or in the very best case scenario ?one *could* 
create a ?kneed-spanner? thingee, if one wanted to??

I sometimes forget there are [amazing] people like you on this list, who might 
actually take it upon themselves to solve such a gargantuan problem as a first 
response.  =\

In the future, I?ll make it more explicit when I?m only looking [at first] for 
a quick ?possible/impossible? answer.


I really dislike inline-images.

Hmmm? I think that?s a problem with my mail application; I?ll look into it, and 
try to use only outline (?) attachments from now on.


Below some code, which hopefully does what you want

HOLY M OLY! This is fabulous.
1. Yes, it appears (at least, from your snippet) to do exactly what I want; I will 
test it ?in production", and report back ASAP.
2. Let me know (off-line, if desired) what a reasonable fee is for your work; 
I?ll definitely pay you something.


Every layout-change will likely result in the need of readjusting?

That?s fine by me, at least in the short term: I can do all of the tweaking in 
the edition-engraver (post-layout).


It would be far simpler if one could add an option to make-path-stencil to draw 
dashed lines.
But I found no way to do so. Thus I defined `make-dashed-line-stencil' and 
`make-connected-dashed-line-stencil' first.
With `kneed-line' I try to give you a little easier to use code at hand, but 
I'm really not convinced.

Well, if anyone else finds this idea worth pursuing/sponsoring, perhaps we can 
crowd-source your code into an awesome patch!?

Thanks again!
I?ll report back soon.

Cheers,
Kieren.


Kieren MacMillan, composer
? website: www.kierenmacmillan.info
? email: i...@kierenmacmillan.info




--

Message: 2
Date: Sun, 20 Dec 2015 16:03:15 -0700 (MST)
From: Klaus Blum 
To: lilypond-user@gnu.org
Subject: Re: saxophon multiphonic, how to
Message-ID: <1450652595379-184925.p...@n5.nabble.com>
Content-Type: text/plain; charset=us-ascii

Hi Stefan,

according to a saxophone tutor written by Jean-Marie Londeix, the three keys
for the left palm are called C1, C2 and C4:

% --

\markup \line {
  \center-column {
C1
" "
\scale #'(-1 . 1) \woodwind-diagram
#'saxophone
#'(
(cc . ())
(lh . (d))
(rh . ())
)
  }
  \hspace #4
  \center-column {
C2
" "
\scale #'(-1 . 1) \woodwind-diagram
#'saxophone
#'(
(cc . ())
(lh . (ees))
(rh . ())
)
  }
  \hspace #4
  \center-column {
C4
" "
\scale #'(-1 . 1) \woodwind-diagram
#'saxophone
#'(
(cc . ())
(lh . (f))
(rh . ())
)
  }
}

% --

As you might see, I've flipped the charts with \scale #'(-1 . 1), so they
show the fingerings from the player's perspective. That's what I learned in
my clarinet and saxophone lessons.

HTH,
Klaus



--
View this message

Digest quoting (was: lilypond-user Digest, Vol 157, Issue 92)

2015-12-21 Thread David Kastrup 
Simon Albrecht  writes:

> Pardon, did you want to include any text with this e-mail?
> Also please remember editing the subject line.

Simon, how many copies of this weekly digest do you think we'll want
fully quoted in the next weekly digest?

Chain letters tend to include some "don't break the chain" admonishment.
With regard to digest fullquotes, it is _essential_ to break the chain.

Thank you.

-- 
David Kastrup

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Re: lilypond-user Digest, Vol 157, Issue 92

2015-12-20 Thread Cynthia Karl 


Sent from my iPhone

> On Dec 20, 2015, at 6:16 PM, lilypond-user-requ...@gnu.org wrote:
> 
> Send lilypond-user mailing list submissions to
>lilypond-user@gnu.org
> 
> To subscribe or unsubscribe via the World Wide Web, visit
>https://lists.gnu.org/mailman/listinfo/lilypond-user
> or, via email, send a message with subject or body 'help' to
>lilypond-user-requ...@gnu.org
> 
> You can reach the person managing the list at
>lilypond-user-ow...@gnu.org
> 
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of lilypond-user digest..."
> 
> 
> Today's Topics: 
> 
>   1. Re:big (?) challenge: multi-segment / multi-angle
>  OttavaBracket (Kieren MacMillan)
>   2. Re:saxophon multiphonic, how to (Klaus Blum)
>   3. Re:Telemann's "Strich" (Andrew Bernard)
>   4. Re:big (?) challenge: multi-segment / multi-angle
>  OttavaBracket (Thomas Morley)
>   5. Re:Telemann's "Strich" (Andrew Bernard)
>   6. Re:big (?) challenge: multi-segment / multi-angle
>  OttavaBracket (Kieren MacMillan)
>   7. Re:Telemann's "Strich" (Simon Albrecht)
>   8. pretty-print and localAlterations (Simon Albrecht)
> 
> 
> --
> 
> Message: 1
> Date: Sun, 20 Dec 2015 17:50:55 -0500
> From: Kieren MacMillan 
> To: Thomas Morley 
> Cc: Lilypond-User Mailing List 
> Subject: Re: big (?) challenge: multi-segment / multi-angle
>OttavaBracket
> Message-ID: <6e5d24fe-910a-4780-b260-d92a87c92...@sympatico.ca>
> Content-Type: text/plain; charset=utf-8
> 
> Hi Harm,
> 
>> you don't provide any code ;)
> 
> Well, to be honest, I didn?t expect an actual [honest-to-goodness Lilypond 
> code] fix: I thought the answer would either be ?look at X snippet? or ?can?t 
> be done? or ?this is issue Y?, or in the very best case scenario ?one *could* 
> create a ?kneed-spanner? thingee, if one wanted to??
> 
> I sometimes forget there are [amazing] people like you on this list, who 
> might actually take it upon themselves to solve such a gargantuan problem as 
> a first response.  =\
> 
> In the future, I?ll make it more explicit when I?m only looking [at first] 
> for a quick ?possible/impossible? answer.
> 
>> I really dislike inline-images.
> 
> Hmmm? I think that?s a problem with my mail application; I?ll look into it, 
> and try to use only outline (?) attachments from now on.
> 
>> Below some code, which hopefully does what you want
> 
> HOLY M OLY! This is fabulous.
> 1. Yes, it appears (at least, from your snippet) to do exactly what I want; I 
> will test it ?in production", and report back ASAP.
> 2. Let me know (off-line, if desired) what a reasonable fee is for your work; 
> I?ll definitely pay you something.
> 
>> Every layout-change will likely result in the need of readjusting?
> 
> That?s fine by me, at least in the short term: I can do all of the tweaking 
> in the edition-engraver (post-layout).
> 
>> It would be far simpler if one could add an option to make-path-stencil to 
>> draw dashed lines.
>> But I found no way to do so. Thus I defined `make-dashed-line-stencil' and 
>> `make-connected-dashed-line-stencil' first.
>> With `kneed-line' I try to give you a little easier to use code at hand, but 
>> I'm really not convinced.
> 
> Well, if anyone else finds this idea worth pursuing/sponsoring, perhaps we 
> can crowd-source your code into an awesome patch!?
> 
> Thanks again!
> I?ll report back soon.
> 
> Cheers,
> Kieren.
> 
> 
> Kieren MacMillan, composer
> ? website: www.kierenmacmillan.info
> ? email: i...@kierenmacmillan.info
> 
> 
> 
> 
> --
> 
> Message: 2
> Date: Sun, 20 Dec 2015 16:03:15 -0700 (MST)
> From: Klaus Blum 
> To: lilypond-user@gnu.org
> Subject: Re: saxophon multiphonic, how to
> Message-ID: <1450652595379-184925.p...@n5.nabble.com>
> Content-Type: text/plain; charset=us-ascii
> 
> Hi Stefan, 
> 
> according to a saxophone tutor written by Jean-Marie Londeix, the three keys
> for the left palm are called C1, C2 and C4: 
> 
> % --
> 
> \markup \line { 
>  \center-column {
>C1
>" "
>\scale #'(-1 . 1) \woodwind-diagram
>#'saxophone
>#'(
>(cc . ())
>(lh . (d))
>(rh . ())
>)
>  }
>  \hspace #4
>  \center-column {
>C2
>" "
>\scale #'(-1 . 1) \woodwind-diagram
>#'saxophone
>#'(
>(cc . ())
>(lh . (ees))
>(rh . ())
>)
>  }
>  \hspace #4
>  \center-column {
>C4
>" "
>\scale #'(-1 . 1) \woodwind-diagram
>#'saxophone
>#'(
>(cc . ())
>(lh . (f))
>(rh . ())
>)
>  }
> }
> 
> % --
> 
> As you might see, I've flipped the charts with \scale #'(-1 . 1), so they
> show the fingerings from the