Re: Centering chorus between even verses
Maybe this snippet is what you are looking for: http://lsr.dsi.unimi.it/LSR/Item?id=503 -- Marek Klein http://gregoriana.sk 2008/11/18 Cordilow [EMAIL PROTECTED]: Sometimes it's desirable to have the chorus begin on the same system as the end of the rest of the song. I have a situation where I need to do this. Unfortunately, there are an even number of stacked lyric verses (or whatever you call them). I'd rather have the chorus centered between the two verses in height, rather than having looking like a continuation of one of the verses. Is this possible? I'm trying to mimic what I see printed. -- View this message in context: http://www.nabble.com/Centering-chorus-between-even-verses-tp20554992p20554992.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Short decrescendo
2008/11/18 Cordilow [EMAIL PROTECTED]: Does anyone know how to make this decrescendo go all the way to the a'2? It's supposed to, I think. Try putting \once \override Hairpin #'to-barline = ##f in front of the crescendo / decrescendo you want to extend beyond the barline. Like this. \time 3/4 d'4.^\ (e'8) fis' [(g')] a'2 b'8 (cis'') d''4^\mf ( \once \override Hairpin #'to-barline = ##f cis''^\) b'4 a'2^\! \breathe b'8 cis'' -Risto ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Centering chorus between even verses
Marek Klein wrote: Maybe this snippet is what you are looking for: http://lsr.dsi.unimi.it/LSR/Item?id=503 Yep—that's exactly what I was looking for. :) Thanks! -- View this message in context: http://www.nabble.com/Centering-chorus-between-even-verses-tp20554992p20555131.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Short decrescendo
Risto Vääräniemi-2 wrote: Try putting \once \override Hairpin #'to-barline = ##f in front of the crescendo / decrescendo you want to extend beyond the barline. Like this. … Excellent. Thanks! I guess it wasn't a bug after all, eh? Just a default setting or such. :) -- View this message in context: http://www.nabble.com/Short-decrescendo-tp20554947p20555168.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Dashed/dotted barlines
No, those values don't seem to be listed there (internals s.3.2.9) - maybe they should be, but they are shown in s.1.2.5 of the notation reference. Nick From: Stefan Waler [mailto:[EMAIL PROTECTED] Sent: Tuesday, 18 November 2008 18:53 To: Nick Payne Cc: 'lilypond-user' Subject: Re: Dashed/dotted barlines Thanks a lot! Do I get it right that this is mentioned nowhere in the internals reference?? Stefan Nick Payne wrote: To change an individual bar: \bar dashed or \bar : To change the default barline appearance: \set Timing.defaultBarType = dashed or \set Timing.defaultBarType = : Nick -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Stefan Waler Sent: Tuesday, 18 November 2008 07:05 To: lilypond-user@gnu.org Subject: Dashed/dotted barlines Hi, is it possible to print barlines dotted or dashed for an unmetered part of the score? No virus found in this incoming message. Checked by AVG - http://www.avg.com Version: 8.0.175 / Virus Database: 270.9.4/1793 - Release Date: 17/11/2008 17:24 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Short decrescendo
2008/11/18 Cordilow [EMAIL PROTECTED]: Excellent. Thanks! I guess it wasn't a bug after all, eh? Just a default setting or such. :) Yes. The default behaviour was changed a couple a versions ago. The syntax for the command was changed, too. -Risto ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Dashed/dotted barlines
Quoting Nick Payne [EMAIL PROTECTED]: No, those values don't seem to be listed there (internals s.3.2.9) - maybe they should be, but they are shown in s.1.2.5 of the notation reference. I just updated the source code, so that : and dashed will be included also in IR 3.2.9 in the next release. /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Polymetric notation and percent repeats
Hi all, I'm writing a piece of music with compound signature time 4/4 + 3/4 (i.e. alternating measures of 4/4 and 3/4) with: % Create 4/4 + 3/4 time signature tsMarkup =\markup { \override #'(baseline-skip . 2) \number { \column { 4 4 } \vcenter + \column { 3 4 } } } and then: \override Staff.TimeSignature #'stencil = #ly:text-interface::print \override Staff.TimeSignature #'text = #tsMarkup \clef bass \time 7/4 I can't get the percent repeats printed properly according to the compound signature time. \repeat percent 2 { d1 \bar | d2. | } This outputs two measures as one would expect (4/4 + 3/4), followed by a _single_ 7/4 measure with a percent sign. I would like to get two measures with a double percent on the bar between the two. I've tried using this hack: \repeat percent 2 { d1 \skip 2. | \skip 1 d2. | } This works, but the result is ugly because of the horizontal spacing introduced by the skips. Does anybody know how to use percent repeats with polymetric notation? Regards, Francesco Casadei ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lighter appearance
2008/11/14 Johan Vromans [EMAIL PROTECTED]: Hi, Is there a set of settings to make LP output lighter? Setting line-thickness = \staff-space / 16 seems a good start, but I assume there's more to it. I've tried to make it lighter, for a particular publication -- there is some settings (worked for 2.10, afair): % % \override StaffSymbol #'ledger-line-thickness = #'(1.0 . 0.1) % \override StaffSymbol #'thickness = #0.5 % \override BarLine #'hair-thickness = #0.7 % \override BarLine #'thick-thickness = #4 % \override Slur #'thickness = #3 % \override NoteHead #'font-size = #-0.7 % \override Accidental #'font-size = #-0.7 % \override Dots #'font-size = #-0.7 There may be a lot more. But LP's output is great, indeed. -- Johan -- Dmytro O. Redchuk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lighter appearance
2008/11/14 Johan Vromans [EMAIL PROTECTED]: Hi, Is there a set of settings to make LP output lighter? Setting line-thickness = \staff-space / 16 seems a good start, but I assume there's more to it. I've tried to make it lighter, for a particular publication -- there is some settings (worked for 2.10, afair): % % \override StaffSymbol #'ledger-line-thickness = #'(1.0 . 0.1) % \override StaffSymbol #'thickness = #0.5 % \override BarLine #'hair-thickness = #0.7 % \override BarLine #'thick-thickness = #4 % \override Slur #'thickness = #3 % \override NoteHead #'font-size = #-0.7 % \override Accidental #'font-size = #-0.7 % \override Dots #'font-size = #-0.7 There may be a lot more. But LP's output is great, indeed. -- Johan -- Dmytro O. Redchuk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
No time signature?
I'm new to Lilypond. I've been looking for a way to typeset music without time signatures. This is because I'm transcribing chants that often use _recitativ_ and rarely follow any strict meter--the rhythm of the chant is completely text-driven. Hello Alyozhik, When I'm doing metreless chant from parts of the world where people have names like Alyozhik, I remove the Bar_number_engraver and Time_signature engraver in the layout block and \set Score.timing = ##f in a global definition. The second takes care of both timing and bar lines. If you look here http://www.holycross-hermitage.com/kliros/lilysource/kliros.ly You will find lots of tricks for making this kind of music, including one that lets you cruise through the whole piece without even adding invisible bars for line breaks. This is defined as \chant. However, it messes up the spacing just a wee little bit, so I almost always go back and put the line breaks when I'm done. БъВъПъ -- Пантелеимонъ, монахъ + + + + + + + + + + Господи Їисусе Хрïсте, помилуй мѧ грѣшнаго. + + + + + + + + + + ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Staff alignement
Hi, to keep two staffs nearer I've used the command-lines \overrideProperty #Score.NonMusicalPaperColumn #'line-break-system-details #'((alignment-offsets . (0 -8))) but it works fine only for the first system! In the second one the staffs are already normally distanced. I've tried to repeat the above command-lines befor the first bar of every score system and it works only sometimes (!?!). I've also tried this: \overrideProperty #Score.NonMusicalPaperColumn #'line-break-system-details #'((alignment-offsets . (0 -8))) { c4 c c c ... the all 2nd staff...} without result. Suggestions? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Centering chorus between even verses
Is it just me, or does the brace not show up? 2008/11/18 Marek Klein [EMAIL PROTECTED] Maybe this snippet is what you are looking for: http://lsr.dsi.unimi.it/LSR/Item?id=503 -- Marek Klein http://gregoriana.sk 2008/11/18 Cordilow [EMAIL PROTECTED]: Sometimes it's desirable to have the chorus begin on the same system as the end of the rest of the song. I have a situation where I need to do this. Unfortunately, there are an even number of stacked lyric verses (or whatever you call them). I'd rather have the chorus centered between the two verses in height, rather than having looking like a continuation of one of the verses. Is this possible? I'm trying to mimic what I see printed. -- View this message in context: http://www.nabble.com/Centering-chorus-between-even-verses-tp20554992p20554992.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Centering chorus between even verses
There is only the definition of leftbrace and rightbrace but these are not used in any place. So they don´t show up. I´ve tried to add \rightbrace after \dropLyrics which works quite good, but has one fundamental problem: The brace uses one note as a syllable would. Maybe someon else has a helping idea ... 2008/11/18, james bailey [EMAIL PROTECTED]: Is it just me, or does the brace not show up? 2008/11/18 Marek Klein [EMAIL PROTECTED] Maybe this snippet is what you are looking for: http://lsr.dsi.unimi.it/LSR/Item?id=503 -- Marek Klein http://gregoriana.sk 2008/11/18 Cordilow [EMAIL PROTECTED]: Sometimes it's desirable to have the chorus begin on the same system as the end of the rest of the song. I have a situation where I need to do this. Unfortunately, there are an even number of stacked lyric verses (or whatever you call them). I'd rather have the chorus centered between the two verses in height, rather than having looking like a continuation of one of the verses. Is this possible? I'm trying to mimic what I see printed. -- View this message in context: http://www.nabble.com/Centering-chorus-between-even-verses-tp20554992p20554992.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Centering chorus between even verses
\concat is your friend. It's also my friend. Am 18.11.2008 um 16:36 schrieb Dominic Neumann: There is only the definition of leftbrace and rightbrace but these are not used in any place. So they don´t show up. I´ve tried to add \rightbrace after \dropLyrics which works quite good, but has one fundamental problem: The brace uses one note as a syllable would. Maybe someon else has a helping idea ... 2008/11/18, james bailey [EMAIL PROTECTED]: Is it just me, or does the brace not show up? 2008/11/18 Marek Klein [EMAIL PROTECTED] Maybe this snippet is what you are looking for: http://lsr.dsi.unimi.it/LSR/Item?id=503 -- Marek Klein http://gregoriana.sk 2008/11/18 Cordilow [EMAIL PROTECTED]: Sometimes it's desirable to have the chorus begin on the same system as the end of the rest of the song. I have a situation where I need to do this. Unfortunately, there are an even number of stacked lyric verses (or whatever you call them). I'd rather have the chorus centered between the two verses in height, rather than having looking like a continuation of one of the verses. Is this possible? I'm trying to mimic what I see printed. -- View this message in context: http://www.nabble.com/Centering-chorus-between-even-verses- tp20554992p20554992.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lighter appearance
David Rogers [EMAIL PROTECTED] writes: If you look at a good score of anything that was printed before the time of computers, you can see that Lilypond looks 'almost like real music', and Sibelius looks 'like a computer' This does not necessarily mean that old scores look better than new scores. Modern digital technology provides possibilities that were not feasible with old printing techniques. And no, this does not necessarily mean that new printing look better than old printing, either. As anyone who has seen books typeset in 14pt Times Roman can confirm... I like the way LilyPond does it, but sometimes I'd like it slightly better when it would be just a little bit lighter. Just a personal taste. (My main fonts for typesetting are Garamond Light and Helvetica Light, so probably I'm a Light person.) Okay, back to our regular schedule of beautifully typesetting beautiful music. -- Johan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Polymetric notation and percent repeats
Hi Francesco, 2008/11/18 Francesco Casadei [EMAIL PROTECTED]: I've tried using this hack: \repeat percent 2 { d1 \skip 2. | \skip 1 d2. | } This works, but the result is ugly because of the horizontal spacing introduced by the skips. A slightly different hack, using scaled durations should work: \repeat percent 2 { d1*7/4 \bar | d2.*7/3 } Regards, Neil ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lighter appearance
This will always be a kludge. The font and the line width settings are tuned together. If you really want to do this, you have to recompile LilyPond including the fonts, and update the definitions for the fonts too. On Tue, Nov 18, 2008 at 8:58 AM, Dmytro O. Redchuk [EMAIL PROTECTED] wrote: 2008/11/14 Johan Vromans [EMAIL PROTECTED]: Hi, Is there a set of settings to make LP output lighter? Setting line-thickness = \staff-space / 16 seems a good start, but I assume there's more to it. I've tried to make it lighter, for a particular publication -- there is some settings (worked for 2.10, afair): % % \override StaffSymbol #'ledger-line-thickness = #'(1.0 . 0.1) % \override StaffSymbol #'thickness = #0.5 % \override BarLine #'hair-thickness = #0.7 % \override BarLine #'thick-thickness = #4 % \override Slur #'thickness = #3 % \override NoteHead #'font-size = #-0.7 % \override Accidental #'font-size = #-0.7 % \override Dots #'font-size = #-0.7 There may be a lot more. But LP's output is great, indeed. -- Johan -- Dmytro O. Redchuk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user