Re: Change color after a line break
Am 19.07.2015 um 10:04 schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
[...]
This \applyContext is executed at Score level as no other contexts have
yet been created.
c4\pp\ d e f
\break \stopStaff
\applyContext #(override-color-for-all-grobs (x11-color 'red))
This \applyContext is executed at Voice level. Try
\context Score \applyContext ...
here. You want Score level rather than Staff level in order to also
catch stuff like marks, bar numbers and so on. You might want to use
\context Staff for the first \applyContext, just to make sure that you
don't get it executed in some other context due to unrelated stuff.
\startStaff
\grace { g16[( a g fis]) } g1\ff\!
}
I merely copied the example from lsr, where no explicit contexts are
given, but I think I understand ...
Addendum:
I am using the bleeding edge self-compiled lilypond version 2.19.24
and tried
#(define (override-color-for-all-grobs color)
(lambda (context)
(let loop ((x all-grob-descriptions))
(if (not (null? x))
(let ((grob-name (caar x)))
#{ \override #(list 'Staff grob-name 'color) = #color #}
(loop (cdr x)))
Well, you indend this to be the same thing, but evaluating some music
expression and then throwing it away is not going to cause any visible
results.
Ah, the same mistake again – I had that before, and you corrected me in
another thread. I *really* should be more careful.
By the way, you can write
#{ \override Staff . #grob-name . color = #color #}
instead in cases where an override music expression is actually needed.
Probably #{ \override Staff.#grob-name .color = #color #} would also
work but it seems nicer not to overdo the compression when putting
Scheme in the middle.
Ah, ok. I fiddled with the old Grob #'property syntax and ended with
the list construct. Your proposal look quite better.
as well as the new overrideProperty command provided by David Kastrup
in one of the latest patch series:
#(define (override-color-for-all-grobs color)
(lambda (context)
(let loop ((x all-grob-descriptions))
(if (not (null? x))
(let ((grob-name (caar x)))
(overrideProperty (list 'Score grob-name 'color) color)
(loop (cdr x)))
No, overrideProperty is a real old thing (and also returns a music
expression which will use a different mechanism when interpreted). What
I provided was propertyOverride (yes, that's a really fabulous naming
choice that will never cause anybody to confuse the two).
Ah, that's the culprit! I remembered that you provided (override ...)
at Scheme level and renamed the command shortly after that, but somehow
I confused overrideProperty and propertyOverride.
Which again
is just another alias for what you wrote above, and as it is returning a
music expression, will not do the trick for you in the same way than the
other overrides.
Yes, I understand.
Now let's for exercise sake actually try going through a music
expression here. If we do that, we cannot go through an \applyContext
hook since then no iterator will get to see our override any more. We
could try creating Override stream events and sending them to the
context ourselves (that's how the respective iterators work) but that's
sort of pointless. Instead, just let us create and use overrides
directly:
overrideColorForAll =
#(define-music-function (color) (color?)
#{ #@(map (lambda (dsc)
#{ \override Score . #(car dsc) . color = #color
#})
all-grob-descriptions)
#})
Thanks a lot! Just to check that I have understood the underlying
mechanism, I rewrote that according to
overrideColorForAll =
#(define-music-function (color) (color?)
#{ #@(map (lambda (dsc)
(propertyOverride (list 'Score (car dsc) 'color) color))
all-grob-descriptions)
#})
which seems to do the trick as well without switching between Scheme and
LilyPond whithin overrideColorForAll.
\relative c' {
\overrideColorForAll #(x11-color 'blue)
c4\pp\ d e f
\break \stopStaff
\overrideColorForAll #(x11-color 'red)
\startStaff
\grace { g16[( a g fis]) } g1\ff\!
}
Thanks for your detailed explanations!
Marc
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Re: Repeated Spiral Line
Am 19. Juli 2015 10:41:44 MESZ, schrieb Malte Meyn lilyp...@maltemeyn.de: I don’t have a very clear idea but I know that the music font “Bravura” has these and similar symbols. So you might consider using this font or perhaps its LilyPond adaptation “Profondo”. As LilyPond doesn't support these glyphs I doubt Abraham has integrated them in Profondo. Links to Bravura/SMuFL: http://www.smufl.org/fonts/ (the font) http://www.smufl.org/files/smufl-1.18.pdf (see p. 250 ff. for these symbols) http://lilypondblog.org/2014/01/smufl-fonts-in-lilypond/ and http://lilypondblog.org/2014/02/feta-and-bravura/ (two blog posts about using SMuFL fonts in LilyPond) Link to Profondo: http://fonts.openlilylib.org/profondo/ (I’m not sure whether it contains all the SMuFL symbols but you can easily try out the font to see it in action with “normal” music by downloading the font and including profondo.ily) Am 19.07.2015 um 07:33 schrieb Nike Hedges: I want to write spiral (spring) lines which express to play each of notes with rotating repeatedly. Like: [image: Inline image 1] An excerpt from Murail Mach 2.5 A lot of contemporary pieces use such lines, but I couldn't find any information in LilyPond world so far. I only thought glissando could express them but no such style available yet. Does anybody know how to write these? Thanks, Nike ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Change color after a line break
Marc Hohl m...@hohlart.de writes:
Thanks a lot! Just to check that I have understood the underlying
mechanism, I rewrote that according to
overrideColorForAll =
#(define-music-function (color) (color?)
#{ #@(map (lambda (dsc)
(propertyOverride (list 'Score (car dsc) 'color) color))
all-grob-descriptions)
#})
which seems to do the trick as well without switching between Scheme
and LilyPond whithin overrideColorForAll.
If you want to avoid switching to LilyPond, you can of course replace
#{ #@... #} with (make-simultaneous-music ...).
Or to be completely nitpicky, (make-simultaneous-music (set-origin!...))
so that point-and-click/error information of the overrides will be
correct. Which is sort of pointless for this particular application
since overrides are no clickable entities and the only conceivable error
is when `color' is not a color and then the music function would not
have accepted it in the first place.
--
David Kastrup
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Re: Change color after a line break
David Kastrup d...@gnu.org writes:
Marc Hohl m...@hohlart.de writes:
Thanks a lot! Just to check that I have understood the underlying
mechanism, I rewrote that according to
overrideColorForAll =
#(define-music-function (color) (color?)
#{ #@(map (lambda (dsc)
(propertyOverride (list 'Score (car dsc) 'color) color))
all-grob-descriptions)
#})
which seems to do the trick as well without switching between Scheme
and LilyPond whithin overrideColorForAll.
If you want to avoid switching to LilyPond, you can of course replace
#{ #@... #} with (make-simultaneous-music ...).
make-sequential-music of course. Doesn't usually make a difference, but
look at
{
\override NoteHead.color = #red
\override Stem.color = #red
c'2 2
}
for a case where it _does_ make a difference.
--
David Kastrup
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Re: Change color after a line break
Marc Hohl m...@hohlart.de writes:
Am 17.07.2015 um 18:59 schrieb Marc Hohl:
Hi list,
for strange reasons, I have to color complete lines in different colors.
I found http://lsr.di.unimi.it/LSR/Item?id=443 which works
great for complete scores, but if I call \applyContext ...
after a line break, the color of the Staff lines does not change.
I tried \stopStaff/\startStaff with no visible difference.
How can I change the definition of override-color-for-all-grobs
to make the second staff line completely red?
The definition is fine. The application isn't.
#(define (override-color-for-all-grobs color)
(lambda (context)
(let loop ((x all-grob-descriptions))
(if (not (null? x))
(let ((grob-name (caar x)))
(display grob-name)
(ly:context-pushpop-property context grob-name 'color color)
(loop (cdr x)))
\relative c' {
\applyContext #(override-color-for-all-grobs (x11-color 'blue))
This \applyContext is executed at Score level as no other contexts have
yet been created.
c4\pp\ d e f
\break \stopStaff
\applyContext #(override-color-for-all-grobs (x11-color 'red))
This \applyContext is executed at Voice level. Try
\context Score \applyContext ...
here. You want Score level rather than Staff level in order to also
catch stuff like marks, bar numbers and so on. You might want to use
\context Staff for the first \applyContext, just to make sure that you
don't get it executed in some other context due to unrelated stuff.
\startStaff
\grace { g16[( a g fis]) } g1\ff\!
}
Addendum:
I am using the bleeding edge self-compiled lilypond version 2.19.24
and tried
#(define (override-color-for-all-grobs color)
(lambda (context)
(let loop ((x all-grob-descriptions))
(if (not (null? x))
(let ((grob-name (caar x)))
#{ \override #(list 'Staff grob-name 'color) = #color #}
(loop (cdr x)))
Well, you indend this to be the same thing, but evaluating some music
expression and then throwing it away is not going to cause any visible
results. By the way, you can write
#{ \override Staff . #grob-name . color = #color #}
instead in cases where an override music expression is actually needed.
Probably #{ \override Staff.#grob-name .color = #color #} would also
work but it seems nicer not to overdo the compression when putting
Scheme in the middle.
as well as the new overrideProperty command provided by David Kastrup
in one of the latest patch series:
#(define (override-color-for-all-grobs color)
(lambda (context)
(let loop ((x all-grob-descriptions))
(if (not (null? x))
(let ((grob-name (caar x)))
(overrideProperty (list 'Score grob-name 'color) color)
(loop (cdr x)))
No, overrideProperty is a real old thing (and also returns a music
expression which will use a different mechanism when interpreted). What
I provided was propertyOverride (yes, that's a really fabulous naming
choice that will never cause anybody to confuse the two). Which again
is just another alias for what you wrote above, and as it is returning a
music expression, will not do the trick for you in the same way than the
other overrides.
Now let's for exercise sake actually try going through a music
expression here. If we do that, we cannot go through an \applyContext
hook since then no iterator will get to see our override any more. We
could try creating Override stream events and sending them to the
context ourselves (that's how the respective iterators work) but that's
sort of pointless. Instead, just let us create and use overrides
directly:
overrideColorForAll =
#(define-music-function (color) (color?)
#{ #@(map (lambda (dsc)
#{ \override Score . #(car dsc) . color = #color
#})
all-grob-descriptions)
#})
\relative c' {
\overrideColorForAll #(x11-color 'blue)
c4\pp\ d e f
\break \stopStaff
\overrideColorForAll #(x11-color 'red)
\startStaff
\grace { g16[( a g fis]) } g1\ff\!
}
--
David Kastrup
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Re: Repeated Spiral Line
I don’t have a very clear idea but I know that the music font “Bravura” has these and similar symbols. So you might consider using this font or perhaps its LilyPond adaptation “Profondo”. Links to Bravura/SMuFL: http://www.smufl.org/fonts/ (the font) http://www.smufl.org/files/smufl-1.18.pdf (see p. 250 ff. for these symbols) http://lilypondblog.org/2014/01/smufl-fonts-in-lilypond/ and http://lilypondblog.org/2014/02/feta-and-bravura/ (two blog posts about using SMuFL fonts in LilyPond) Link to Profondo: http://fonts.openlilylib.org/profondo/ (I’m not sure whether it contains all the SMuFL symbols but you can easily try out the font to see it in action with “normal” music by downloading the font and including profondo.ily) Am 19.07.2015 um 07:33 schrieb Nike Hedges: I want to write spiral (spring) lines which express to play each of notes with rotating repeatedly. Like: [image: Inline image 1] An excerpt from Murail Mach 2.5 A lot of contemporary pieces use such lines, but I couldn't find any information in LilyPond world so far. I only thought glissando could express them but no such style available yet. Does anybody know how to write these? Thanks, Nike ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Change color after a line break
Am 17.07.2015 um 18:59 schrieb Marc Hohl:
Hi list,
for strange reasons, I have to color complete lines in different colors.
I found http://lsr.di.unimi.it/LSR/Item?id=443 which works
great for complete scores, but if I call \applyContext ...
after a line break, the color of the Staff lines does not change.
I tried \stopStaff/\startStaff with no visible difference.
How can I change the definition of override-color-for-all-grobs
to make the second staff line completely red?
Thanks in advance,
Marc
%% http://lsr.di.unimi.it/LSR/Item?id=443
%% see also
http://lilypond.org/doc/v2.18/Documentation/learning/visibility-and-color-of-objects
#(define (override-color-for-all-grobs color)
(lambda (context)
(let loop ((x all-grob-descriptions))
(if (not (null? x))
(let ((grob-name (caar x)))
(display grob-name)
(ly:context-pushpop-property context grob-name 'color color)
(loop (cdr x)))
\relative c' {
\applyContext #(override-color-for-all-grobs (x11-color 'blue))
c4\pp\ d e f
\break \stopStaff
\applyContext #(override-color-for-all-grobs (x11-color 'red))
\startStaff
\grace { g16[( a g fis]) } g1\ff\!
}
Addendum:
I am using the bleeding edge self-compiled lilypond version 2.19.24
and tried
#(define (override-color-for-all-grobs color)
(lambda (context)
(let loop ((x all-grob-descriptions))
(if (not (null? x))
(let ((grob-name (caar x)))
#{ \override #(list 'Staff grob-name 'color) = #color #}
(loop (cdr x)))
as well as the new overrideProperty command provided by David Kastrup in
one of the latest patch series:
#(define (override-color-for-all-grobs color)
(lambda (context)
(let loop ((x all-grob-descriptions))
(if (not (null? x))
(let ((grob-name (caar x)))
(overrideProperty (list 'Score grob-name 'color) color)
(loop (cdr x)))
Marc
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Re: Using force-hshift to create a cross-staff chord
Thanks Keith, that worked. Should I copy this to the bug reporting list?
Knute Snortum
(via Gmail)
On Sat, Jul 18, 2015 at 6:19 PM, Keith OHara k-ohara5...@oco.net wrote:
Knute Snortum ksnortum at gmail.com writes:
I thought the answer would be to force-hshift the lower note but it
doesn't seem to move.
Annoyingly, LilyPond left-aligns the groups of clashing chords between
different staves. The code history says the reason was to left-align
\transpose c c''
\new Staff { f4 g } \\ { g f }
\new Staff { c4 c }
This makes force-hshift often useless for making cross-staff chords.
We should file a bug-report, to at least left-align before applying
explicit force-hshifts
For now, you could use a hidden voice
...
a2 \new Voice{\voiceOne \once \hideNotes a4 } a4
...
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Full measure rest for time 6/8
Dear lilyponders:
http://lilybin.com/is7dml/1
The following is the log file showing barcheck failed, but the pdf display OK.
How to code full bar rest for time 6/8?Immanuel,Ming
log file...Starting
lilypond-windows.exe 2.18.2 [test_full-bar-rest.ly]...Processing
`K:/LILY_POND/jesus-of-galilee/test_full-bar-rest.ly'Parsing...Interpreting
music...K:/LILY_POND/jesus-of-galilee/test_full-bar-rest.ly:11:20: warning:
barcheck failed at: 3/8tt = {\global r8 | R4. s4. | R4. s4. | r4. \tuplet 4/3
{d'8 c'8 bf8 g8} a4. r4 \bar|.} %m30-34Preprocessing graphical
objects...Finding the ideal number of pages...Fitting music on 1 page...Drawing
systems...Layout output to `test_full-bar-rest.ps'...Converting to
`./test_full-bar-rest.pdf'...Success: compilation successfully
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TextSpanner + \mark?
Is there a way to use a textspanner with a \mark? Rationale: accel. and rit. directions are frequently text spanners, but in the score, they aren't printed in every part (as \mark items are not printed in every part). Of course, in the parts, they must appear (as \mark's do). Currently (as far as I know), to get this, I have to \tag them and suppress them from the score. Is there a better way? hjh ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Full measure rest for time 6/8
MING TSANG tsan...@rogers.com writes: Dear lilyponders: http://lilybin.com/is7dml/1 The following is the log file showing barcheck failed, but the pdf display OK. How to code full bar rest for time 6/8? R2. or R8*6 or R4.*2 -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Full measure rest for time 6/8
Excuse me, but how on earth did you get the idea of writing { R4. s4. }
? It’s got to be R2. only, of course.
A ‘R’ rest is always interpreted like { | R | }, so there will be
warnings if these barchecks fail.
Yours, Simon
Am 19.07.2015 um 15:37 schrieb MING TSANG:
Dear lilyponders:
http://lilybin.com/is7dml/1
Inline image
The following is the log file showing barcheck failed, but the pdf
display OK. How to code full bar rest for time 6/8?
Immanuel,
Ming
log file...
Starting lilypond-windows.exe 2.18.2 [test_full-bar-rest.ly]...
Processing `K:/LILY_POND/jesus-of-galilee/test_full-bar-rest.ly'
Parsing...
Interpreting music...
K:/LILY_POND/jesus-of-galilee/test_full-bar-rest.ly:11:20
https://ca-mg6.mail.yahoo.com/neo/0: warning: barcheck failed at: 3/8
tt = {\global r8 |
R4. s4. | R4. s4. | r4. \tuplet 4/3 {d'8 c'8 bf8 g8} a4. r4 \bar|.}
%m30-34
Preprocessing graphical objects...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...
Layout output to `test_full-bar-rest.ps'...
Converting to `./test_full-bar-rest.pdf'...
Success: compilation successfully completed
Completed successfully in 1.4.
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Re: TextSpanner + \mark?
Unfortunately no. See https://code.google.com/p/lilypond/issues/detail?id=3176. Yours, Simon Am 19.07.2015 um 15:43 schrieb James Harkins: Is there a way to use a textspanner with a \mark? Rationale: accel. and rit. directions are frequently text spanners, but in the score, they aren't printed in every part (as \mark items are not printed in every part). Of course, in the parts, they must appear (as \mark's do). Currently (as far as I know), to get this, I have to \tag them and suppress them from the score. Is there a better way? hjh ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: TextSpanner + \mark?
Simon Albrecht simon.albrecht at mail.de writes: Unfortunately no. See https://code.google.com/p/lilypond/issues/detail?id=3176. I had a feeling that was the answer. :( It's not a huge deal for my current project, but it's certainly a weakness. hjh ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: un-bold font inside \tempo
Thanks, Simon! That's great to know.
On Thu, Jul 16, 2015 at 11:41 PM, Simon Albrecht simon.albre...@mail.de
wrote:
Hi Bruno,
to avoid creating a new markup from scratch you can use LSR snippet no.
869 http://lsr.di.unimi.it/LSR/Item?id=869
http://lsr.di.unimi.it/LSR/Item?id=869 to modify the default. Example
attached.
Yours best,
Simon
Am 17.07.2015 um 01:19 schrieb Bruno Ruviaro:
Hi all,
This is my first post on this list, and my first week using Lilypond for
a real project. Learning a lot in a compressed amount of time... ;-)
I am trying to get metronome markings with ca. before the number, but
without bold face characters. How can I cancel the bold face font inside a
\tempo command?
The snippet below shows what I've got so far. Bar 2 is what I'm getting by
using \markup inside \tempo. Bar 3 shows what I would like to get. I'm
happy to use Bar 3 solution if that's the only way, but I suppose there is
a solution from inside \tempo?
Thanks for any tips!
Bruno
% ===
\version 2.18.2
melody = \relative c'' {
% regular
\tempo 4=120
% using markup inside tempo
% characters are printed in bold face
c4 d e f
\tempo \markup {
\concat {
\smaller \general-align #Y #DOWN \note #4 #1
=
\italic ca.
\hspace #0.25
120
}
}
c d e f
% not using tempo to avoid bold face
c^\markup {
\concat {
\smaller \general-align #Y #DOWN \note #4 #1
=
\italic ca.
\hspace #0.25
120
}
}
d e f
c d e f
}
\score {
\new Staff { \melody }
\layout { }
}
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Re: Full measure rest for time 6/8
Simon,It is clear for me now. Thank you. No hard feeling, not at
all.Immanuel,Ming.
On Sunday, July 19, 2015 6:20 PM, Simon Albrecht simon.albre...@mail.de
wrote:
Am 20.07.2015 um 00:08 schrieb MING TSANG:
Simon: I have been Using R1 before but not knowing how to use it for others I
thought R4. s4. will make up a full measure of 6/8.
Which is correct :-) And the printed output does not differ, whether you use {
R4. s4. } or { R2. }, since the MMR (MultiMeasureRest) is centered in the bar
anyway. Also, with something like { R2.*4 }, it will often be necessary to
print the rest multiple times, once in every measure that it spans.
So the only issue about your coding is the bar checking that Lily
automatically performs with R.
I am learning by coming to the Lists for help.
Which is a good thing and I’m sorry if I’ve been too harsh.
I hope it’s clear now.
Immanuel,
Simon
On Sunday, July 19, 2015 9:46 AM, Simon Albrecht simon.albre...@mail.de
wrote:
Excuse me, but how on earth did you get the idea of writing { R4. s4. } ?
It’s got to be R2. only, of course.
A ‘R’ rest is always interpreted like { | R | }, so there will be warnings if
these barchecks fail.
Yours, Simon
Am 19.07.2015 um 15:37 schrieb MING TSANG:
Dear lilyponders:
http://lilybin.com/is7dml/1
The following is the log file showing barcheck failed, but the pdf display OK.
How to code full bar rest for time 6/8? Immanuel, Ming
logfile... Starting
lilypond-windows.exe 2.18.2 [test_full-bar-rest.ly]... Processing
`K:/LILY_POND/jesus-of-galilee/test_full-bar-rest.ly' Parsing... Interpreting
music... K:/LILY_POND/jesus-of-galilee/test_full-bar-rest.ly:11:20: warning:
barcheck failed at: 3/8 tt = {\global r8 | R4. s4. | R4. s4. | r4. \tuplet
4/3 {d'8 c'8 bf8 g8} a4. r4 \bar|.} %m30-34 Preprocessing graphical
objects... Finding the ideal number of pages... Fitting music on 1 page...
Drawing systems... Layout output to `test_full-bar-rest.ps'... Converting to
`./test_full-bar-rest.pdf'... Success: compilation successfully completed
Completed successfully in 1.4.
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Re: Tweaking in an engraver
On 20 July 2015 at 05:01, David Kastrup d...@gnu.org wrote:
An engraver has the advantage that it is at the latest possible point in
the pipeline. But it might be too late to actually change pitches
before other engravers get to see them.
From what Scheme-fiddling I’ve been doing, it seems that the results
of display-scheme-music are yet to be “folded” (my word). So something
like:
%%
\version 2.18.2
myMusic = \new Voice {
{ c'1 s }
{ s1 d' } % equivalent (typographically) to { c'1 d' }
}
\displayMusic \myMusic
%%%
…will give (as it probably should) an expression with
'SimultaneousMusic. Is it possible to created a “folded” version in
Scheme, or is that done by the engravers later, when it would be too
late to fiddle with?
Vaughan
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Re: Full measure rest for time 6/8
Am 20.07.2015 um 00:08 schrieb MING TSANG:
Simon:
I have been Using R1 before but not knowing how to use it for others I
thought R4. s4. will make up a full measure of 6/8.
Which is correct :-) And the printed output does not differ, whether you
use { R4. s4. } or { R2. }, since the MMR (MultiMeasureRest) is centered
in the bar anyway. Also, with something like { R2.*4 }, it will often be
necessary to print the rest multiple times, once in every measure that
it spans.
So the only issue about your coding is the bar checking that Lily
automatically performs with R.
I am learning by coming to the Lists for help.
Which is a good thing and I’m sorry if I’ve been too harsh.
I hope it’s clear now.
Immanuel,
Simon
On Sunday, July 19, 2015 9:46 AM, Simon Albrecht
simon.albre...@mail.de wrote:
Excuse me, but how on earth did you get the idea of writing { R4. s4.
} ? It’s got to be R2. only, of course.
A ‘R’ rest is always interpreted like { | R | }, so there will be
warnings if these barchecks fail.
Yours, Simon
Am 19.07.2015 um 15:37 schrieb MING TSANG:
Dear lilyponders:
http://lilybin.com/is7dml/1
Inline image
The following is the log file showing barcheck failed, but the pdf
display OK. How to code full bar rest for time 6/8?
Immanuel,
Ming
log file...
Starting lilypond-windows.exe 2.18.2 [test_full-bar-rest.ly]...
Processing `K:/LILY_POND/jesus-of-galilee/test_full-bar-rest.ly'
Parsing...
Interpreting music...
K:/LILY_POND/jesus-of-galilee/test_full-bar-rest.ly:11:20
https://ca-mg6.mail.yahoo.com/neo/0: warning: barcheck failed at: 3/8
tt = {\global r8 |
R4. s4. | R4. s4. | r4. \tuplet 4/3 {d'8 c'8 bf8 g8} a4. r4 \bar|.}
%m30-34
Preprocessing graphical objects...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...
Layout output to `test_full-bar-rest.ps'...
Converting to `./test_full-bar-rest.pdf'...
Success: compilation successfully completed
Completed successfully in 1.4.
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Re: Full measure rest for time 6/8
Thank you David. Appreciated your dedication to the goodness of lilypond.Immanuel,Ming. On Sunday, July 19, 2015 9:45 AM, David Kastrup d...@gnu.org wrote: MING TSANG tsan...@rogers.com writes: Dear lilyponders: http://lilybin.com/is7dml/1 The following is the log file showing barcheck failed, but the pdf display OK. How to code full bar rest for time 6/8? R2. or R8*6 or R4.*2 -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Full measure rest for time 6/8
Simon:I have been Using R1 before but not knowing how to use it for others I
thought R4. s4. will make up a full measure of 6/8.I am learning by coming to
the Lists for help. Thank you.Immanuel,Ming.
On Sunday, July 19, 2015 9:46 AM, Simon Albrecht simon.albre...@mail.de
wrote:
Excuse me, but how on earth did you get the idea of writing { R4. s4. } ?
It’s got to be R2. only, of course.
A ‘R’ rest is always interpreted like { | R | }, so there will be warnings if
these barchecks fail.
Yours, Simon
Am 19.07.2015 um 15:37 schrieb MING TSANG:
Dear lilyponders:
http://lilybin.com/is7dml/1
The following is the log file showing barcheck failed, but the pdf display OK.
How to code full bar rest for time 6/8? Immanuel, Ming
log file... Starting
lilypond-windows.exe 2.18.2 [test_full-bar-rest.ly]... Processing
`K:/LILY_POND/jesus-of-galilee/test_full-bar-rest.ly' Parsing... Interpreting
music... K:/LILY_POND/jesus-of-galilee/test_full-bar-rest.ly:11:20: warning:
barcheck failed at: 3/8 tt = {\global r8 | R4. s4. | R4. s4. | r4. \tuplet
4/3 {d'8 c'8 bf8 g8} a4. r4 \bar|.} %m30-34 Preprocessing graphical
objects... Finding the ideal number of pages... Fitting music on 1 page...
Drawing systems... Layout output to `test_full-bar-rest.ps'... Converting to
`./test_full-bar-rest.pdf'... Success: compilation successfully completed
Completed successfully in 1.4.
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Re: Extend piano sustain pedal indication to end of bar
Hi Keith,
By no means missing the point! Works fine. Thanks! I would never have thought
it was so simple - I was expecting a hundred lines of Scheme code.
I seem to always miss that these various properties are often in other
inherited interfaces, and so have trouble finding them in the manual.
Andrew
On 19 July 2015 at 15:03:27, Keith OHara (k-ohara5...@oco.net) wrote:
I might be missing the point, but
\transpose c c' {
\set Staff.pedalSustainStyle = #'bracket
\override Staff.PianoPedalBracket.to-barline = ##t
c4\sustainOn e g b
g1\sustainOff }
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extra measure in verse of vocal music
A particular song has four verses and a refrain. Verses 2 and 3 have one extra measure about 5 measures before the refrain. I am confused on how best to handle the issue. Any suggestions would be appreciated. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Using force-hshift to create a cross-staff chord
I see that you submitted patch. Thank you.
Knute Snortum
(via Gmail)
On Sun, Jul 19, 2015 at 6:13 AM, Knute Snortum ksnor...@gmail.com wrote:
Thanks Keith, that worked. Should I copy this to the bug reporting list?
Knute Snortum
(via Gmail)
On Sat, Jul 18, 2015 at 6:19 PM, Keith OHara k-ohara5...@oco.net wrote:
Knute Snortum ksnortum at gmail.com writes:
I thought the answer would be to force-hshift the lower note but it
doesn't seem to move.
Annoyingly, LilyPond left-aligns the groups of clashing chords between
different staves. The code history says the reason was to left-align
\transpose c c''
\new Staff { f4 g } \\ { g f }
\new Staff { c4 c }
This makes force-hshift often useless for making cross-staff chords.
We should file a bug-report, to at least left-align before applying
explicit force-hshifts
For now, you could use a hidden voice
...
a2 \new Voice{\voiceOne \once \hideNotes a4 } a4
...
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Re: Tweaking in an engraver
Mistyped on my phone first time. I am after something like your solution. Part of my motivation was to learn how engravers work. I can follow up with more detail in a few days when I return home. Sent from my iPod On 19 Jul 2015, at 19:12, Peter Gentry peter.gen...@sunscales.co.uk wrote: The OP described wanting to tweak a note property depending on its pitch. Now I may be missing something but do you need to create an engraver for this. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: TextSpanner + \mark?
James Harkins jamshar...@qq.com writes: Is there a way to use a textspanner with a \mark? Rationale: accel. and rit. directions are frequently text spanners, but in the score, they aren't printed in every part (as \mark items are not printed in every part). Of course, in the parts, they must appear (as \mark's do). Currently (as far as I know), to get this, I have to \tag them and suppress them from the score. Is there a better way? If you don't use textspanners for other stuff, you can remove the respective engraver from Staff and add it to Score. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Tweaking in an engraver
The OP described wanting to tweak a note property depending on its pitch. Now I may be missing something but do you need to create an engraver for this. My instrumentranges.ly examines note pitch an based on a suplied criterion changes notehead colour and style - is this the sort of thing you had in mind. \version 2.19.15 % - % include function file instrument_ranges.ly % usuage include -- \include ./ranges/instrument_ranges.ly % usuage call -- \naturalizeInstrumentRange instrument music % this function will confine all pitches to the individual instruments range % Note the ranges refer to music transposed for each instrument not the true pitches. % use % for comment outside scheme function - use ; inside scheme functions % - #(define (naturalize-instrument-range p instrument ) (let ((o (ly:pitch-octave p)) (a (* 4 (ly:pitch-alteration p))) ;; alteration, a, in quarter tone steps, for historical reasons (n (ly:pitch-notename p))) (define np 0) (define op (+ (+ (+ (* 14 o) ) (* n 2) ) (/ a 2))) ;; clarinet range e to f' -1 2 0 to 1 3 0 (-11 to 20) (cond ((equal? instrument clarinet ) (if ( op -38) (begin (set! o (+ o 1))) ) (if ( op -24) (begin (set! o (+ o 1))) ) (if ( op -10) (begin (set! o (+ o 1))) ) (if ( op 62) (begin (set! o (- o 1))) ) (if ( op 48) (begin (set! o (- o 1))) ) (if ( op 34) (begin (set! o (- o 1))) ) ) ; bass clarinet range eb to f' -1 1 2 (-1 2 -2) to 1 3 0 (-11 to 34) ((equal? instrument bass clarinet eb ) (if ( op -39) (begin (set! o (+ o 1))) ) (if ( op -25) (begin (set! o (+ o 1))) ) (if ( op -11) (begin (set! o (+ o 1))) ) (if ( op 62) (begin (set! o (- o 1))) ) (if ( op 48) (begin (set! o (- o 1))) ) (if ( op 34) (begin (set! o (- o 1))) ) ) ; bass clarinet range c to f' -1 1 2 (-1 2 -2) to 1 3 0 (-14 to 34) ((equal? instrument bass clarinet c ) (if ( op -42) (begin (set! o (+ o 1))) ) (if ( op -28) (begin (set! o (+ o 1))) ) (if ( op -14) (begin (set! o (+ o 1))) ) (if ( op 62) (begin (set! o (- o 1))) ) (if ( op 48) (begin (set! o (- o 1))) ) (if ( op 34) (begin (set! o (- o 1))) ) ) ;; flute range c to f' 0 0 0 to 1 3 0 (0 to 34) ((equal? instrument flute) (if ( op -28) (begin (set! o (+ o 1))) ) (if ( op -14) (begin (set! o (+ o 1))) ) (if ( op 0) (begin (set! o (+ o 1))) ) (if ( op 62) (begin (set! o (- o 1))) ) (if ( op 48) (begin (set! o (- o 1))) ) (if ( op 34) (begin (set! o (- o 1))) ) ) ;; alto range d to f' 0 1 0 to 1 3 0 ((equal? instrument alto) (if ( op -28) (begin (set! o (+ o 1))) ) (if ( op -14) (begin (set! o (+ o 1))) ) (if ( op 0) (begin (set! o (+ o 1))) ) (if ( op 62) (begin (set! o (- o 1))) ) (if ( op 48) (begin (set! o (- o 1))) ) (if ( op 34) (begin (set! o (- o 1))) ) ) ) (ly:make-pitch o n (/ a 4)) )) % - % a variable for the notehaed color on pitch change % - my-color = #(x11-color 'red) % - % this function rebuilds the music object optionally changing pitch and notehead color % - #(define (instrumentrange music instrument ) ( ly:music? string? ) ; extract the various portions of the music object (let ((es (ly:music-property music 'elements)) (e (ly:music-property music 'element)) (p (ly:music-property music 'pitch))) ; rebuild any 'elements unchanged (if (pair? es) (ly:music-set-property! music 'elements (map (lambda (x) (instrumentrange x instrument)) es))) ; rebuild any 'element unchanged (if (ly:music? e) (ly:music-set-property! music 'element (instrumentrange e instrument ))) ;rebuild the pitch and if a changed pitch add the color tweak (if (ly:pitch? p) (let ((new-pitch (naturalize-instrument-range p instrument))) (ly:music-set-property! music 'pitch new-pitch) (if (and (not (equal? p new-pitch)) (color? my-color)) (ly:music-set-property! music 'tweaks (acons 'color my-color (acons 'style 'harmonic (ly:music-property music 'tweaks))) music)) naturalizeInstrumentRange = #(define-music-function (parser location instrument m ) ( string? ly:music? ) (instrumentrange m instrument )) %
Re: Repeated Spiral Line
On Sunday, July 19, 2015, Urs Liska [via Lilypond] ml-node+s1069038n178808...@n5.nabble.com wrote: Am 19. Juli 2015 10:41:44 MESZ, schrieb Malte Meyn [hidden email] http:///user/SendEmail.jtp?type=nodenode=178808i=0: I don’t have a very clear idea but I know that the music font “Bravura” has these and similar symbols. So you might consider using this font or perhaps its LilyPond adaptation “Profondo”. As LilyPond doesn't support these glyphs I doubt Abraham has integrated them in Profondo. That's correct, but it is on my TODO list. For the time being, it's better to use the original code that was created to use SMuFL fonts in LilyPond (as shown previously in this thread at lilypondblog.org). The nice thing is that you can use both Profondo (for native support of the core set of glyphs) and the lily2smufl code to provide instant access to every other glyph found in Bravura. It's a win-win, I think. This is part of why I've hesitated to integrate the rest of the Bravura directly into Profondo. I don't think it will provide that much more convenience than is already available. - Abraham Links to Bravura/SMuFL: http://www.smufl.org/fonts/ (the font) http://www.smufl.org/files/smufl-1.18.pdf (see p. 250 ff. for these symbols) http://lilypondblog.org/2014/01/smufl-fonts-in-lilypond/ and http://lilypondblog.org/2014/02/feta-and-bravura/ (two blog posts about using SMuFL fonts in LilyPond) Link to Profondo: http://fonts.openlilylib.org/profondo/ (I’m not sure whether it contains all the SMuFL symbols but you can easily try out the font to see it in action with “normal” music by downloading the font and including profondo.ily) Am 19.07.2015 um 07:33 schrieb Nike Hedges: I want to write spiral (spring) lines which express to play each of notes with rotating repeatedly. Like: [image: Inline image 1] An excerpt from Murail Mach 2.5 A lot of contemporary pieces use such lines, but I couldn't find any information in LilyPond world so far. I only thought glissando could express them but no such style available yet. Does anybody know how to write these? Thanks, Nike ___ lilypond-user mailing list [hidden email] http:///user/SendEmail.jtp?type=nodenode=178808i=1 https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [hidden email] http:///user/SendEmail.jtp?type=nodenode=178808i=2 https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [hidden email] http:///user/SendEmail.jtp?type=nodenode=178808i=3 https://lists.gnu.org/mailman/listinfo/lilypond-user -- If you reply to this email, your message will be added to the discussion below: http://lilypond.1069038.n5.nabble.com/Repeated-Spiral-Line-tp178783p178808.html To start a new topic under User, email ml-node+s1069038n...@n5.nabble.com javascript:_e(%7B%7D,'cvml','ml-node%2bs1069038n...@n5.nabble.com'); To unsubscribe from Lilypond, click here http://lilypond.1069038.n5.nabble.com/template/NamlServlet.jtp?macro=unsubscribe_by_codenode=2code=dGlzaW1zdC5saWx5cG9uZEBnbWFpbC5jb218Mnw4MzU3Njg3MDU= . NAML http://lilypond.1069038.n5.nabble.com/template/NamlServlet.jtp?macro=macro_viewerid=instant_html%21nabble%3Aemail.namlbase=nabble.naml.namespaces.BasicNamespace-nabble.view.web.template.NabbleNamespace-nabble.view.web.template.NodeNamespacebreadcrumbs=notify_subscribers%21nabble%3Aemail.naml-instant_emails%21nabble%3Aemail.naml-send_instant_email%21nabble%3Aemail.naml -- View this message in context: http://lilypond.1069038.n5.nabble.com/Repeated-Spiral-Line-tp178783p178839.html Sent from the User mailing list archive at Nabble.com.___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: extra measure in verse of vocal music
I definitely have lots of suggestions, but I wonder if you can provide a minimal example showing what you are at and why it's not what you want? That way I know if any of my suggestions are of any help. Thanks! Also, have you read through the Learning and Notation manual's sections on using lyrics? I think you'll find all the answers there based on what I understand from your question. - Abraham On Sunday, July 19, 2015, Peter Hiltz [via Lilypond] ml-node+s1069038n178864...@n5.nabble.com wrote: A particular song has four verses and a refrain. Verses 2 and 3 have one extra measure about 5 measures before the refrain. I am confused on how best to handle the issue. Any suggestions would be appreciated. ___ lilypond-user mailing list [hidden email] http:///user/SendEmail.jtp?type=nodenode=178864i=0 https://lists.gnu.org/mailman/listinfo/lilypond-user -- If you reply to this email, your message will be added to the discussion below: http://lilypond.1069038.n5.nabble.com/extra-measure-in-verse-of-vocal-music-tp178864.html To start a new topic under User, email ml-node+s1069038n...@n5.nabble.com javascript:_e(%7B%7D,'cvml','ml-node%2bs1069038n...@n5.nabble.com'); To unsubscribe from Lilypond, click here http://lilypond.1069038.n5.nabble.com/template/NamlServlet.jtp?macro=unsubscribe_by_codenode=2code=dGlzaW1zdC5saWx5cG9uZEBnbWFpbC5jb218Mnw4MzU3Njg3MDU= . NAML http://lilypond.1069038.n5.nabble.com/template/NamlServlet.jtp?macro=macro_viewerid=instant_html%21nabble%3Aemail.namlbase=nabble.naml.namespaces.BasicNamespace-nabble.view.web.template.NabbleNamespace-nabble.view.web.template.NodeNamespacebreadcrumbs=notify_subscribers%21nabble%3Aemail.naml-instant_emails%21nabble%3Aemail.naml-send_instant_email%21nabble%3Aemail.naml -- View this message in context: http://lilypond.1069038.n5.nabble.com/extra-measure-in-verse-of-vocal-music-tp178864p178865.html Sent from the User mailing list archive at Nabble.com.___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: TextSpanner + \mark?
Lack of easy tempo spanners is one of Lilypond's most prominent weaknesses. A rall... spanner as a tempo mark for all players is absolutely standard notation. Attached is a template I arrived at a while ago with the help of some other forum users, that solves the problem in most cases, and doesn't require sacrificing the use of spanners elsewhere. http://lilypond.1069038.n5.nabble.com/file/n178836/tempo-spanners.png tempo-spanners.ly http://lilypond.1069038.n5.nabble.com/file/n178836/tempo-spanners.ly -- View this message in context: http://lilypond.1069038.n5.nabble.com/TextSpanner-mark-tp178824p178836.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tweaking in an engraver
Sent from my iPod On 19 Jul 2015, at 19:12, Peter Gentry peter.gen...@sunscales.co.uk wrote: The OP described wanting to tweak a note property depending on its pitch. Now I may be missing something but do you need to create an engraver for this. My instrumentranges.ly examines note pitch an based on a suplied criterion changes notehead colour and style - is this the sort of thing you had in mind. \version 2.19.15 % - % include function file instrument_ranges.ly % usuage include -- \include ./ranges/instrument_ranges.ly % usuage call -- \naturalizeInstrumentRange instrument music % this function will confine all pitches to the individual instruments range % Note the ranges refer to music transposed for each instrument not the true pitches. % use % for comment outside scheme function - use ; inside scheme functions % - #(define (naturalize-instrument-range p instrument ) (let ((o (ly:pitch-octave p)) (a (* 4 (ly:pitch-alteration p))) ;; alteration, a, in quarter tone steps, for historical reasons (n (ly:pitch-notename p))) (define np 0) (define op (+ (+ (+ (* 14 o) ) (* n 2) ) (/ a 2))) ;; clarinet range e to f' -1 2 0 to 1 3 0 (-11 to 20) (cond ((equal? instrument clarinet ) (if ( op -38) (begin (set! o (+ o 1))) ) (if ( op -24) (begin (set! o (+ o 1))) ) (if ( op -10) (begin (set! o (+ o 1))) ) (if ( op 62) (begin (set! o (- o 1))) ) (if ( op 48) (begin (set! o (- o 1))) ) (if ( op 34) (begin (set! o (- o 1))) ) ) ; bass clarinet range eb to f' -1 1 2 (-1 2 -2) to 1 3 0 (-11 to 34) ((equal? instrument bass clarinet eb ) (if ( op -39) (begin (set! o (+ o 1))) ) (if ( op -25) (begin (set! o (+ o 1))) ) (if ( op -11) (begin (set! o (+ o 1))) ) (if ( op 62) (begin (set! o (- o 1))) ) (if ( op 48) (begin (set! o (- o 1))) ) (if ( op 34) (begin (set! o (- o 1))) ) ) ; bass clarinet range c to f' -1 1 2 (-1 2 -2) to 1 3 0 (-14 to 34) ((equal? instrument bass clarinet c ) (if ( op -42) (begin (set! o (+ o 1))) ) (if ( op -28) (begin (set! o (+ o 1))) ) (if ( op -14) (begin (set! o (+ o 1))) ) (if ( op 62) (begin (set! o (- o 1))) ) (if ( op 48) (begin (set! o (- o 1))) ) (if ( op 34) (begin (set! o (- o 1))) ) ) ;; flute range c to f' 0 0 0 to 1 3 0 (0 to 34) ((equal? instrument flute) (if ( op -28) (begin (set! o (+ o 1))) ) (if ( op -14) (begin (set! o (+ o 1))) ) (if ( op 0) (begin (set! o (+ o 1))) ) (if ( op 62) (begin (set! o (- o 1))) ) (if ( op 48) (begin (set! o (- o 1))) ) (if ( op 34) (begin (set! o (- o 1))) ) ) ;; alto range d to f' 0 1 0 to 1 3 0 ((equal? instrument alto) (if ( op -28) (begin (set! o (+ o 1))) ) (if ( op -14) (begin (set! o (+ o 1))) ) (if ( op 0) (begin (set! o (+ o 1))) ) (if ( op 62) (begin (set! o (- o 1))) ) (if ( op 48) (begin (set! o (- o 1))) ) (if ( op 34) (begin (set! o (- o 1))) ) ) ) (ly:make-pitch o n (/ a 4)) )) % - % a variable for the notehaed color on pitch change % - my-color = #(x11-color 'red) % - % this function rebuilds the music object optionally changing pitch and notehead color % - #(define (instrumentrange music instrument ) ( ly:music? string? ) ; extract the various portions of the music object (let ((es (ly:music-property music 'elements)) (e (ly:music-property music 'element)) (p (ly:music-property music 'pitch))) ; rebuild any 'elements unchanged (if (pair? es) (ly:music-set-property! music 'elements (map (lambda (x) (instrumentrange x instrument)) es))) ; rebuild any 'element unchanged (if (ly:music? e) (ly:music-set-property! music 'element (instrumentrange e instrument ))) ;rebuild the pitch and if a changed pitch add the color tweak (if (ly:pitch? p) (let ((new-pitch (naturalize-instrument-range p instrument))) (ly:music-set-property! music 'pitch new-pitch) (if (and (not (equal? p new-pitch)) (color? my-color)) (ly:music-set-property! music 'tweaks (acons 'color my-color (acons 'style 'harmonic (ly:music-property music 'tweaks))) music))
Re: Tweaking in an engraver
Peter Gentry peter.gen...@sunscales.co.uk writes: My instrumentranges.ly examines note pitch an based on a suplied criterion changes notehead colour and style - is this the sort of thing you had in mind. \version 2.19.15 % - % include function file instrument_ranges.ly % usuage include -- \include ./ranges/instrument_ranges.ly % usuage call -- \naturalizeInstrumentRange instrument music % this function will confine all pitches to the individual instruments range % Note the ranges refer to music transposed for each instrument not the true pitches. % use % for comment outside scheme function - use ; inside scheme functions % - #(define (naturalize-instrument-range p instrument ) (let ((o (ly:pitch-octave p)) (a (* 4 (ly:pitch-alteration p))) ;; alteration, a, in quarter tone steps, for historical reasons (n (ly:pitch-notename p))) (define np 0) (define op (+ (+ (+ (* 14 o) ) (* n 2) ) (/ a 2))) Uh, (define op (+ (* 14 o) (* n 2) (/ a 2))) ;; clarinet range e to f' -1 2 0 to 1 3 0 (-11 to 20) (cond ((equal? instrument clarinet ) (if ( op -38) (begin (set! o (+ o 1))) ) Why `begin' here? (if ( op -38) (set! o (1+ o))) % this function rebuilds the music object optionally changing pitch and notehead color % - #(define (instrumentrange music instrument ) ( ly:music? string? ) Interesting. This calls ly:music? on string? which unsurpringly returns #f since string? is not a music expression. #f is subsequently ignored. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tweaking in an engraver
Peter Gentry peter.gen...@sunscales.co.uk writes: The OP described wanting to tweak a note property depending on its pitch. Now I may be missing something but do you need to create an engraver for this. Yes and no. If you quote music in a different transposition and still want stuff to work on it, you will not be able to solve this at the music expression level. As long as there is no danger of quoting or subsequent \relative or \transpose or expansion of repeat chords or isolated durations... An engraver has the advantage that it is at the latest possible point in the pipeline. But it might be too late to actually change pitches before other engravers get to see them. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
