[LUTE] Re: Composers you wish had a bigger legacy

2018-08-07 Thread Braig, Eugene
Well, not individual pieces, but a cycle when taken in whole.  His first guitar 
book opens with a set of 24 passacaglias spanning all keys, the last few bars 
of each modulating to the next implying the possibility of through performance 
of any select set in series.

Best,
Eugene


-Original Message-
From: Mayes, Joseph  
Sent: Tuesday, August 7, 2018 10:24 PM
To: Braig, Eugene ; Christopher Wilke 
Cc: Lutelist Net 
Subject: Re: [LUTE] Re: Composers you wish had a bigger legacy

OK I completely agree that Bartolotti is a wonderful and underappreciated 
composer. But I have not encountered much chromatic music. Of course, I am only 
familiar with his guitar music - are we talking about something else?

Joseph Mayes

From: lute-...@cs.dartmouth.edu  on behalf of 
Christopher Wilke 
Sent: Tuesday, August 7, 2018 11:48 AM
To: Braig, Eugene
Cc: Lutelist Net
Subject: [LUTE] Re: Composers you wish had a bigger legacy

   I move that Bartolotti be posthumously be given a "Chromy" award for
   his contribution to chromatic music. May his rainbow-color bust now
   join the ones of Gesualdo, Wagner and Schoenberg already in the
   Chromatic Composers Hall of Fame.
   Chris
   [1]Sent from Yahoo Mail for iPhone

   On Tuesday, August 7, 2018, 9:43 AM, Braig, Eugene 
   wrote:

   Ludovico Roncalli: same.

   I also wish Angiol Michele Bartolotti was better recognized for his
   contribution to fully chromatic music.

   Eugene

   -Original Message-

   From: [2]lute-...@cs.dartmouth.edu <[3]lute-...@cs.dartmouth.edu> On
   Behalf Of Ido Shdaimah

   Sent: Tuesday, August 7, 2018 9:03 AM

   To: lutelist Net <[4]lute@cs.dartmouth.edu>

   Subject: [LUTE] Re: Composers you wish had a bigger legacy

 Giovanni Zamboni: only one book (though still a lot more than

 others...).

 --

   To get on or off this list see list information at
   [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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References

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   2. mailto:lute-...@cs.dartmouth.edu
   3. mailto:lute-...@cs.dartmouth.edu
   4. mailto:lute@cs.dartmouth.edu
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Re: Composers you wish had a bigger legacy

2018-08-07 Thread Mayes, Joseph
OK I completely agree that Bartolotti is a wonderful and underappreciated 
composer. But I have not encountered much chromatic music. Of course, I am only 
familiar with his guitar music - are we talking about something else?

Joseph Mayes

From: lute-...@cs.dartmouth.edu  on behalf of 
Christopher Wilke 
Sent: Tuesday, August 7, 2018 11:48 AM
To: Braig, Eugene
Cc: Lutelist Net
Subject: [LUTE] Re: Composers you wish had a bigger legacy

   I move that Bartolotti be posthumously be given a "Chromy" award for
   his contribution to chromatic music. May his rainbow-color bust now
   join the ones of Gesualdo, Wagner and Schoenberg already in the
   Chromatic Composers Hall of Fame.
   Chris
   [1]Sent from Yahoo Mail for iPhone

   On Tuesday, August 7, 2018, 9:43 AM, Braig, Eugene 
   wrote:

   Ludovico Roncalli: same.

   I also wish Angiol Michele Bartolotti was better recognized for his
   contribution to fully chromatic music.

   Eugene

   -Original Message-

   From: [2]lute-...@cs.dartmouth.edu <[3]lute-...@cs.dartmouth.edu> On
   Behalf Of Ido Shdaimah

   Sent: Tuesday, August 7, 2018 9:03 AM

   To: lutelist Net <[4]lute@cs.dartmouth.edu>

   Subject: [LUTE] Re: Composers you wish had a bigger legacy

 Giovanni Zamboni: only one book (though still a lot more than

 others...).

 --

   To get on or off this list see list information at
   [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. https://overview.mail.yahoo.com/?.src=iOS
   2. mailto:lute-...@cs.dartmouth.edu
   3. mailto:lute-...@cs.dartmouth.edu
   4. mailto:lute@cs.dartmouth.edu
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Dowland's Courante

2018-08-07 Thread Stewart McCoy
   This evening I had the pleasure of playing Dowland's "Were every
   thought an eye" from his Pilgrimes Solace (1612). It seemed very
   familiar, and then I recognised it as Dowland's Courante in Thomas
   Simpson's Taffel-Consort (1621). I didn't know of this concordance. I
   can find no mention of it in Diana Poulton's book John Dowland, and no
   mention in the introduction to the Scolar Press facsimile of A
   Pilgrimes Solace. Have I discovered something new, or is it already
   common knowledge?

   Stewart McCoy

   --


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[LUTE] Re: 18th Century dance or musical forms associated with particular regions

2018-08-07 Thread Christopher Stetson
   Sorry, I didn't read the subject line.   Portugal really had time for
   music by the 18th c.

   On Tue, Aug 7, 2018 at 12:14 PM, Christopher Stetson
   <[1]christophertstet...@gmail.com> wrote:

Romanesca for Rome?And I'm surprised there isn't more
 Renaissance
music associated with Portugal.Maybe they were too busy
 inventing
global hegemony?
Best, and keep playing,
Chris.
On Tue, Aug 7, 2018 at 4:43 AM, Edward C. Yong
<[1][2]edward.y...@gmail.com> wrote:
 IIRC in theory La Folia is Portuguese in origin, even though
  strongly
 associated with Spain.
 On 2 August 2018 at 15:00, Anthony Hart
  <[1][2][3]anthony.hart1...@gmail.com>
 wrote:
  I am looking for particular musical forms associated
 with
  Sicily,
   Rome
   and Portugal (Lisbon). The Sicilian area is easy -
  Siciliano,
   but any
  ideas about the others?
  Thanks
  Anthony
  --
  __
 __
   __
  Anthony Hart MSc, LLCM,ALCM.
  Musicologist and Independent Researcher
  Highrise Court 'B', Apt 2, Tigne' Street, Sliema,
 SLM3174,
  MALTA
  Mob: +356 9944 9552.
  e-mail: [1][2][3][4]resea...@antoninoreggio.com;
 web:
  [2][3][4][5]www.monsignor-reggio.com
  NEW Publications: EDIZIONE ANTONINO
 REGGIO
  - [3][4][5][6]www.edizionear.com
  for information and special offer
  --
   References
  1. mailto:[5][6][7]resea...@antoninoreggio.com
  2. [6][7][8]http://www.monsignor-reggio.com/
  3. [7][8][9]http://www.edizionear.com/
   To get on or off this list see list information at
   [8][9][10]http://www.cs.dartmouth.
 edu/~wbc/lute-admin/index.html
 --
  References
 1. mailto:[10][11]anthony.hart1...@gmail.com
 2. mailto:[11][12]resea...@antoninoreggio.com
 3. [12][13]http://www.monsignor-reggio.com/
 4. [13][14]http://www.edizionear.com/
 5. mailto:[14][15]resea...@antoninoreggio.com
 6. [15][16]http://www.monsignor-reggio.com/
 7. [16][17]http://www.edizionear.com/
 8. [17][18]http://www.cs.dartmouth.
 edu/~wbc/lute-admin/index.html
--
 References
1. mailto:[19]edward.y...@gmail.com
2. mailto:[20]anthony.hart1...@gmail.com
3. mailto:[21]resea...@antoninoreggio.com
4. [22]http://www.monsignor-reggio.com/
5. [23]http://www.edizionear.com/
6. mailto:[24]resea...@antoninoreggio.com
7. [25]http://www.monsignor-reggio.com/
8. [26]http://www.edizionear.com/
9. [27]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   10. mailto:[28]anthony.hart1...@gmail.com
   11. mailto:[29]resea...@antoninoreggio.com
   12. [30]http://www.monsignor-reggio.com/
   13. [31]http://www.edizionear.com/
   14. mailto:[32]resea...@antoninoreggio.com
   15. [33]http://www.monsignor-reggio.com/
   16. [34]http://www.edizionear.com/
   17. [35]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:christophertstet...@gmail.com
   2. mailto:edward.y...@gmail.com
   3. mailto:anthony.hart1...@gmail.com
   4. mailto:resea...@antoninoreggio.com
   5. http://www.monsignor-reggio.com/
   6. http://www.edizionear.com/
   7. mailto:resea...@antoninoreggio.com
   8. http://www.monsignor-reggio.com/
   9. http://www.edizionear.com/
  10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  11. mailto:anthony.hart1...@gmail.com
  12. mailto:resea...@antoninoreggio.com
  13. http://www.monsignor-reggio.com/
  14. http://www.edizionear.com/
  15. mailto:resea...@antoninoreggio.com
  16. http://www.monsignor-reggio.com/
  17. http://www.edizionear.com/
  18. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  19. mailto:edward.y...@gmail.com
  20. mailto:anthony.hart1...@gmail.com
  21. mailto:resea...@antoninoreggio.com
  22. http://www.monsignor-reggio.com/
  23. http://www.edizionear.com/
  24. mailto:resea...@antoninoreggio.com
  25. http://www.monsignor-reggio.com/
  26. http://www.edizionear.com/
  27. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  28. mailto:anthony.hart1...@gmail.com
  29. mailto:resea...@antoninoreggio.com
  30. http://www.monsignor-reggio.com/
  31. http://www.edizionear.com/
  32. mailto:resea...@antoninoreggio.com
  33. http://www.monsignor-reggio.com/
  34. http://www.edizionear.com/
  35. 

[LUTE] Re: 18th Century dance or musical forms associated with particular regions

2018-08-07 Thread Christopher Stetson
   Romanesca for Rome?   And I'm surprised there isn't more Renaissance
   music associated with Portugal.   Maybe they were too busy inventing
   global hegemony?
   Best, and keep playing,
   Chris.

   On Tue, Aug 7, 2018 at 4:43 AM, Edward C. Yong
   <[1]edward.y...@gmail.com> wrote:

IIRC in theory La Folia is Portuguese in origin, even though
 strongly
associated with Spain.
On 2 August 2018 at 15:00, Anthony Hart
 <[1][2]anthony.hart1...@gmail.com>
wrote:
 I am looking for particular musical forms associated with
 Sicily,
  Rome
  and Portugal(Lisbon). The Sicilian area is easy -
 Siciliano,
  but any
 ideas about the others?
 Thanks
 Anthony
 --
 
  __
 Anthony HartMSc, LLCM,ALCM.
 MusicologistandIndependentResearcher
 Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174,
 MALTA
 Mob: +356 9944 9552.
 e-mail:[1][2][3]resea...@antoninoreggio.com; web:
 [2][3][4]www.monsignor-reggio.com
 NEWPublications:EDIZIONEANTONINOREGGIO
 -[3][4][5]www.edizionear.com
 for information and special offer
 --
  References
 1. mailto:[5][6]resea...@antoninoreggio.com
 2. [6][7]http://www.monsignor-reggio.com/
 3. [7][8]http://www.edizionear.com/
  To get on or off this list see list information at
  [8][9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
 References
1. mailto:[10]anthony.hart1...@gmail.com
2. mailto:[11]resea...@antoninoreggio.com
3. [12]http://www.monsignor-reggio.com/
4. [13]http://www.edizionear.com/
5. mailto:[14]resea...@antoninoreggio.com
6. [15]http://www.monsignor-reggio.com/
7. [16]http://www.edizionear.com/
8. [17]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:edward.y...@gmail.com
   2. mailto:anthony.hart1...@gmail.com
   3. mailto:resea...@antoninoreggio.com
   4. http://www.monsignor-reggio.com/
   5. http://www.edizionear.com/
   6. mailto:resea...@antoninoreggio.com
   7. http://www.monsignor-reggio.com/
   8. http://www.edizionear.com/
   9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  10. mailto:anthony.hart1...@gmail.com
  11. mailto:resea...@antoninoreggio.com
  12. http://www.monsignor-reggio.com/
  13. http://www.edizionear.com/
  14. mailto:resea...@antoninoreggio.com
  15. http://www.monsignor-reggio.com/
  16. http://www.edizionear.com/
  17. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Composers you wish had a bigger legacy

2018-08-07 Thread Christopher Wilke
   I move that Bartolotti be posthumously be given a "Chromy" award for
   his contribution to chromatic music. May his rainbow-color bust now
   join the ones of Gesualdo, Wagner and Schoenberg already in the
   Chromatic Composers Hall of Fame.
   Chris
   [1]Sent from Yahoo Mail for iPhone

   On Tuesday, August 7, 2018, 9:43 AM, Braig, Eugene 
   wrote:

   Ludovico Roncalli: same.

   I also wish Angiol Michele Bartolotti was better recognized for his
   contribution to fully chromatic music.

   Eugene

   -Original Message-

   From: [2]lute-...@cs.dartmouth.edu <[3]lute-...@cs.dartmouth.edu> On
   Behalf Of Ido Shdaimah

   Sent: Tuesday, August 7, 2018 9:03 AM

   To: lutelist Net <[4]lute@cs.dartmouth.edu>

   Subject: [LUTE] Re: Composers you wish had a bigger legacy

 Giovanni Zamboni: only one book (though still a lot more than

 others...).

 --

   To get on or off this list see list information at
   [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. https://overview.mail.yahoo.com/?.src=iOS
   2. mailto:lute-...@cs.dartmouth.edu
   3. mailto:lute-...@cs.dartmouth.edu
   4. mailto:lute@cs.dartmouth.edu
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Composers you wish had a bigger legacy

2018-08-07 Thread Braig, Eugene
Ludovico Roncalli: same.

I also wish Angiol Michele Bartolotti was better recognized for his 
contribution to fully chromatic music.

Eugene


-Original Message-
From: lute-...@cs.dartmouth.edu  On Behalf Of Ido 
Shdaimah
Sent: Tuesday, August 7, 2018 9:03 AM
To: lutelist Net 
Subject: [LUTE] Re: Composers you wish had a bigger legacy

   Giovanni Zamboni: only one book (though still a lot more than
   others...).

   --


To get on or off this list see list information at 
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] Re: Composers you wish had a bigger legacy

2018-08-07 Thread Ido Shdaimah
   Giovanni Zamboni: only one book (though still a lot more than
   others...).

   --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: 18th Century dance or musical forms associated with particular regions

2018-08-07 Thread Edward C. Yong
   IIRC in theory La Folia is Portuguese in origin, even though strongly
   associated with Spain.

   On 2 August 2018 at 15:00, Anthony Hart <[1]anthony.hart1...@gmail.com>
   wrote:

I am looking for particular musical forms associated with Sicily,
 Rome
 and Portugal   (Lisbon). The Sicilian area is easy - Siciliano,
 but any
ideas about the others?
Thanks
Anthony
--

 __
Anthony Hart   MSc, LLCM,ALCM.
Musicologist   and   Independent   Researcher
Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
Mob: +356 9944 9552.
e-mail:   [1][2]resea...@antoninoreggio.com; web:
[2][3]www.monsignor-reggio.com
NEW   Publications:   EDIZIONE   ANTONINO   REGGIO
-   [3][4]www.edizionear.com
for information and special offer
--
 References
1. mailto:[5]resea...@antoninoreggio.com
2. [6]http://www.monsignor-reggio.com/
3. [7]http://www.edizionear.com/
 To get on or off this list see list information at
 [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:anthony.hart1...@gmail.com
   2. mailto:resea...@antoninoreggio.com
   3. http://www.monsignor-reggio.com/
   4. http://www.edizionear.com/
   5. mailto:resea...@antoninoreggio.com
   6. http://www.monsignor-reggio.com/
   7. http://www.edizionear.com/
   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html