[LUTE] Re: streaming lute gig

2011-06-06 Thread Ron Andrico
   Chris:
   There is some pictorial evidence of strolling lutenists from the
   English masque and French ballet de cour.  I'm only venturing a guess
   about this but perhaps the cinematic idea of the strolling lutenist
   came from the influence of German directors like Fritz Lang in the
   early days of Hollywood, incorporating echos of the Wandervogel
   aesthetic.
   Best wishes,
   Ron Andrico
Date: Sun, 5 Jun 2011 23:23:08 -0400
To: lute@cs.dartmouth.edu
From: christophertstet...@gmail.com
Subject: [LUTE] Re: streaming lute gig
However, I'm wondering where the idea of the strolling lutenist comes
from. I'm not an expert, and I don't play one on TV, but I can't
recall any original pictorial or written sources indicating anyone
playing the lute and walking. Is it a 19th century romanticisation?
A pre-Raphaelite fantasy? Anyone know, or have an opinion?
   --


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[LUTE] Re: Streaming lute gig

2011-06-06 Thread Roman Turovsky

Exactly my sentiment.
RT

From: Stewart McCoy lu...@tiscali.co.uk

You can be sure that anyone who wants you to dress up, is not
interested in listening to the music.  
Best wishes,


Stewart McCoy.




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[LUTE] Re: streaming lute gig

2011-06-06 Thread Ed Durbrow
   On Jun 6, 2011, at 12:23 PM, Christopher Stetson wrote:

   However, I'm wondering where the idea of the strolling lutenist
 comes
   from.  I'm not an expert, and I don't play one on TV, but I can't
   recall any original pictorial or written sources indicating anyone
   playing the lute and walking.  Is it a 19th century
 romanticisation?
   A pre-Raphaelite fantasy?  Anyone know, or have an opinion?

   One of those 17th century English lute books, I can't remember which,
   mentions you can play standing. There are descriptions of masques that
   would indicate standing if not strolling.

   Ed Durbrow
   Saitama, Japan
   [1]http://www.musicianspage.com/musicians/9688/
   [2]http://www9.plala.or.jp/edurbrow/

   --

References

   1. http://www.musicianspage.com/musicians/9688/
   2. http://www9.plala.or.jp/edurbrow/


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[LUTE] Re: streaming lute gig

2011-06-06 Thread Ed Durbrow
   On Jun 6, 2011, at 4:09 AM, Edward Mast wrote:

   I'm always a bit surprised to see performers of Renaissance music
   dressed  in period costumes.  Why is it common?

   It is entertainment (something I didn't learn in music school). My job
   is to be a foreigner in an odd costume playing unfamiliar music to an
   audience that consists 99% of people who have never seen or heard a
   lute. I'm fine with that.

Performers playing Bach, Haydn, Mozart, Beethoven, etc. don't
   typically dress in costumes of the day.  Why are Dowland, Dalza ,Lassus
   or  Dufay,  Machaut, etc. different?

   It might be because of the Ren faires or just the music being more
   accessible to a general audience or the harmonies more rock-like. I'm
   not sure why, or if it is really the case. I've seen other performances
   in Baroque costumes or quasi-Baroque costumes. I have a Baroque costume
   too, but I don't know if I've ever used it for performance. We may have
   rented it out a time or two. I would like to use it with the B. guitar
   if I could ever get a set of memorized material up and running. I think
   Baroque lute repertoire is just too lugubrious for the kind of
   entertainment gigs I do here. I see no reason why not though in
   different circumstances. I saw Tom Berghan at a LSA seminar a while
   back give a wonderful performance in costume with recitations between
   the pieces. It worked on so many levels.

   I just think it detracts from the timeless quality of Medieval and
   Renaissance music, and tries to present the illusion that the performer
   is something other than what he or she is: a 21st century musician.

   That is probably because you play Renaissance music yourself and expect
   the respect for the music that you would give. For people who don't, it
   is part of the fantasy/entertainment, like idealized Disney fairy book
   characters in Disney's image of what the old ones looked like.

   That being said, if I were earning my money playing Renaissance music,
   I would probably do what's required to get the gig.  Including dressing
   in period costume (with a few muttered complaints to myself).

   No complaints from me. In fact, if I were judged by my playing alone I
   would get more nervous.

   But my main response to Ed's performance is 'Bravo'.  To play such an
   extensive repertory so well and from memory (perhaps with some
   improvisation?), is impressive indeed.   Congratulations, Ed, and thank
   you for posting the video.

   I'll say thank you, though I certainly used to play better. I was just
   celebrating being back playing again after so long off and the hand
   problems and all.

   Ed Durbrow
   Saitama, Japan
   [1]http://www.musicianspage.com/musicians/9688/
   [2]http://www9.plala.or.jp/edurbrow/

   --

References

   1. http://www.musicianspage.com/musicians/9688/
   2. http://www9.plala.or.jp/edurbrow/


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[LUTE] Re: Streaming lute gig

2011-06-06 Thread wikla

I wholeheartedly second this so true fact! And also starting with
Greensleeves and repeating it every now and then. And do not forget the
great Folias! You can repeat it ad infinitum... And later in a different
key and tempo - as many times you wish! ;-)

Arto

On Mon, 06 Jun 2011 08:12:02 -0400, Roman Turovsky
r.turov...@verizon.net wrote:
 Exactly my sentiment.
 RT
 
 From: Stewart McCoy lu...@tiscali.co.uk
 You can be sure that anyone who wants you to dress up, is not
 interested in listening to the music.  
 Best wishes,
 
 Stewart McCoy.
 
 
 
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 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] Re: streaming lute gig

2011-06-05 Thread Edward Mast
I'm always a bit surprised to see performers of Renaissance music dressed  in 
period costumes.  Why is it common?  Performers playing Bach, Haydn, Mozart, 
Beethoven, etc. don't typically dress in costumes of the day.  Why are Dowland, 
Dalza ,Lassus or  Dufay,  Machaut, etc. different?  I just think it detracts 
from the timeless quality of Medieval and Renaissance music, and tries to 
present the illusion that the performer is something other than what he or she 
is: a 21st century musician.  

That being said, if I were earning my money playing Renaissance music, I would 
probably do what's required to get the gig.  Including dressing in period 
costume (with a few muttered complaints to myself).

But my main response to Ed's performance is 'Bravo'.  To play such an extensive 
repertory so well and from memory (perhaps with some improvisation?), is 
impressive indeed.   Congratulations, Ed, and thank you for posting the video. 


On Jun 4, 2011, at 8:53 PM, Ed Durbrow wrote:

   On Jun 5, 2011, at 4:38 AM, G. Crona wrote:
 
   Very nice Ed, thanks!
   I liked your costume, (especially the feather). How many courses?
 
   7
 
   Did you amplify?
 
   Yes, there is a little pin mic with a windscreen on it jammed between a
   piece of wood and the soundboard. This wood is stuck between the bridge
   and strings and extends down. I believe Edward Martin came up with this
   tactic, so thank you Ed.
 
   Please provide us with a list of the tunes you played.
 
   The usual suspects: Greensleeves and theme from Romeo  Juliet are the
   only pieces the general public recognizes..., well also possibly the --
   made famous by Respighi. Then there was Bianco Fiore/Dell attore  So
   ben mi Chi'a buon tempo from Caroso, Ungaresca, Bransles de village
   Gassen Hawer  Welscher Tantz by Newsidler, maybe some Dalza, Kemps
   Jig, My Lady Hundson's by Dowland. I think that's about it.
 
   Sorry to anyone who checked the link and found it didn't load. A number
   of people reported that. The link still works for me. I'm at the
   beginning and 2 hours in.
 
 [1]http://www.ustream.tv/recorded/15130542
 
   Ed Durbrow
   Saitama, Japan
   [2]http://www.musicianspage.com/musicians/9688/
   [3]http://www9.plala.or.jp/edurbrow/
 
   --
 
 References
 
   1. http://www.ustream.tv/recorded/15130542
   2. http://www.musicianspage.com/musicians/9688/
   3. http://www9.plala.or.jp/edurbrow/
 
 
 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Re: streaming lute gig

2011-06-05 Thread Guy Smith
Performers of Bach, Haydn, ... often dress in period costume of the late
19th century...

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Edward Mast
Sent: Sunday, June 05, 2011 12:09 PM
To: Ed Durbrow
Cc: G. Crona; LuteNet list
Subject: [LUTE] Re: streaming lute gig

I'm always a bit surprised to see performers of Renaissance music dressed
in period costumes.  Why is it common?  Performers playing Bach, Haydn,
Mozart, Beethoven, etc. don't typically dress in costumes of the day.  Why
are Dowland, Dalza ,Lassus or  Dufay,  Machaut, etc. different?  I just
think it detracts from the timeless quality of Medieval and Renaissance
music, and tries to present the illusion that the performer is something
other than what he or she is: a 21st century musician.  

That being said, if I were earning my money playing Renaissance music, I
would probably do what's required to get the gig.  Including dressing in
period costume (with a few muttered complaints to myself).

But my main response to Ed's performance is 'Bravo'.  To play such an
extensive repertory so well and from memory (perhaps with some
improvisation?), is impressive indeed.   Congratulations, Ed, and thank you
for posting the video. 


On Jun 4, 2011, at 8:53 PM, Ed Durbrow wrote:

   On Jun 5, 2011, at 4:38 AM, G. Crona wrote:
 
   Very nice Ed, thanks!
   I liked your costume, (especially the feather). How many courses?
 
   7
 
   Did you amplify?
 
   Yes, there is a little pin mic with a windscreen on it jammed between a
   piece of wood and the soundboard. This wood is stuck between the bridge
   and strings and extends down. I believe Edward Martin came up with this
   tactic, so thank you Ed.
 
   Please provide us with a list of the tunes you played.
 
   The usual suspects: Greensleeves and theme from Romeo  Juliet are the
   only pieces the general public recognizes..., well also possibly the --
   made famous by Respighi. Then there was Bianco Fiore/Dell attore  So
   ben mi Chi'a buon tempo from Caroso, Ungaresca, Bransles de village
   Gassen Hawer  Welscher Tantz by Newsidler, maybe some Dalza, Kemps
   Jig, My Lady Hundson's by Dowland. I think that's about it.
 
   Sorry to anyone who checked the link and found it didn't load. A number
   of people reported that. The link still works for me. I'm at the
   beginning and 2 hours in.
 
 [1]http://www.ustream.tv/recorded/15130542
 
   Ed Durbrow
   Saitama, Japan
   [2]http://www.musicianspage.com/musicians/9688/
   [3]http://www9.plala.or.jp/edurbrow/
 
   --
 
 References
 
   1. http://www.ustream.tv/recorded/15130542
   2. http://www.musicianspage.com/musicians/9688/
   3. http://www9.plala.or.jp/edurbrow/
 
 
 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html






[LUTE] Re: streaming lute gig

2011-06-05 Thread demery

 Performers of Bach, Haydn, ... often dress in period costume of the late
 19th century...

 -Original Message-
 From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
 Behalf
 Of Edward Mast
 Sent: Sunday, June 05, 2011 12:09 PM
 To: Ed Durbrow
 Cc: G. Crona; LuteNet list
 Subject: [LUTE] Re: streaming lute gig

 I'm always a bit surprised to see performers of Renaissance music dressed
 in period costumes.  Why is it common?

i cant speak for others, I have had three typical situations, each with a
different dress.

Since 1974 I have been a member of the Society for Creative Anachronism,
to atten any of their events one must dress in garb and interact with
others in persona as best as possible.  Much of my music is done in that
context, so I am dressed in garb of necessity.

For a time I was a member of a colegium musicum, required dress was black
pants and black turtleneck.

Otherwise I perform casually in casual dress.

I dont find the clothes making any mental difference, unless my hose are
slipping of course.


--
Dana Emery



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[LUTE] Re: streaming lute gig

2011-06-05 Thread Christopher Stetson
   Hi, all,

   I echo the bravo! for Ed's performance, and express my surprise at
   the many concordances with the pieces I play in a similar situation.



   I'm not surprised, though, about the costume.  It's frequently a
   request that people have, and when you come down to it, one of the
   reasons for playing Renaissance music is an attempt to recreate the
   sounds of the 16th century, and thereby gain some understanding of the
   experience of those alive then.  The clothing just adds to the
   experience.



   Further, one could argue that the music of Dowland, Dalza, Lassus,
   Machaut, etc. (and Bach, for that matter) did not prove to be
   timeless.  It passed into essential oblivion and had to be recreated
   (from sometimes slim evidence) by later enthusiasts after those who
   might have heard it when it was new were long dead.  The music of
   Beethoven, Mozart, et al., while not unchanging and therefore not
   exempt from historical revival, currently constitutes an unbroken
   tradition.  Time will tell if that continues.



   However, I'm wondering where the idea of the strolling lutenist comes
   from.  I'm not an expert, and I don't play one on TV, but I can't
   recall any original pictorial or written sources indicating anyone
   playing the lute and walking.  Is it a 19th century romanticisation?
   A pre-Raphaelite fantasy?  Anyone know, or have an opinion?



   Best to all, and keep playing,

   Chris.



   On Sun, Jun 5, 2011 at 3:09 PM, Edward Mast [1]nedma...@aol.com
   wrote:

 I'm always a bit surprised to see performers of Renaissance music
 dressed  in period costumes.  Why is it common?  Performers playing
 Bach, Haydn, Mozart, Beethoven, etc. don't typically dress in
 costumes of the day.  Why are Dowland, Dalza ,Lassus or  Dufay,
 Machaut, etc. different?  I just think it detracts from the timeless
 quality of Medieval and Renaissance music, and tries to present the
 illusion that the performer is something other than what he or she
 is: a 21st century musician.
 That being said, if I were earning my money playing Renaissance
 music, I would probably do what's required to get the gig.
 Including dressing in period costume (with a few muttered complaints
 to myself).
 But my main response to Ed's performance is 'Bravo'.  To play such
 an extensive repertory so well and from memory (perhaps with some
 improvisation?), is impressive indeed.   Congratulations, Ed, and
 thank you for posting the video.

   On Jun 4, 2011, at 8:53 PM, Ed Durbrow wrote:
  On Jun 5, 2011, at 4:38 AM, G. Crona wrote:
   
  Very nice Ed, thanks!
  I liked your costume, (especially the feather). How many courses?
   
  7
   
  Did you amplify?
   
  Yes, there is a little pin mic with a windscreen on it jammed
   between a
  piece of wood and the soundboard. This wood is stuck between the
   bridge
  and strings and extends down. I believe Edward Martin came up with
   this
  tactic, so thank you Ed.
   
  Please provide us with a list of the tunes you played.
   
  The usual suspects: Greensleeves and theme from Romeo  Juliet are
   the
  only pieces the general public recognizes..., well also possibly
   the --
  made famous by Respighi. Then there was Bianco Fiore/Dell attore 
   So
  ben mi Chi'a buon tempo from Caroso, Ungaresca, Bransles de village
  Gassen Hawer  Welscher Tantz by Newsidler, maybe some Dalza, Kemps
  Jig, My Lady Hundson's by Dowland. I think that's about it.
   
  Sorry to anyone who checked the link and found it didn't load. A
   number
  of people reported that. The link still works for me. I'm at the
  beginning and 2 hours in.
   
[1][2]http://www.ustream.tv/recorded/15130542
   
  Ed Durbrow
  Saitama, Japan
  [2][3]http://www.musicianspage.com/musicians/9688/
  [3][4]http://www9.plala.or.jp/edurbrow/
   
  --
   
References
   
  1. [5]http://www.ustream.tv/recorded/15130542
  2. [6]http://www.musicianspage.com/musicians/9688/
  3. [7]http://www9.plala.or.jp/edurbrow/
   
   
To get on or off this list see list information at
[8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:nedma...@aol.com
   2. http://www.ustream.tv/recorded/15130542
   3. http://www.musicianspage.com/musicians/9688/
   4. http://www9.plala.or.jp/edurbrow/
   5. http://www.ustream.tv/recorded/15130542
   6. http://www.musicianspage.com/musicians/9688/
   7. http://www9.plala.or.jp/edurbrow/
   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: streaming lute gig

2011-06-04 Thread G. Crona

Very nice Ed, thanks!

I liked your costume, (especially the feather). How many courses? Did you 
amplify? Please provide us with a list of the tunes you played.


Well done!

G.

- Original Message - 
From: Ed Durbrow edurb...@sea.plala.or.jp

To: LuteNet list lute@cs.dartmouth.edu
Sent: Friday, June 03, 2011 5:25 PM
Subject: [LUTE] streaming lute gig



  I played my first gig in over a year yesterday and today. It was
  streamed live on the internet and is still up. For how long, I don't
  know. My embarrassing bits are at the beginning and at about two hours
  in. Just skip the first couple of pieces, they are horrible.

  [1]http://www.ustream.tv/recorded/15130542
  Ed Durbrow
  Saitama, Japan 




To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: streaming lute gig

2011-06-04 Thread Ed Durbrow
   On Jun 5, 2011, at 4:38 AM, G. Crona wrote:

   Very nice Ed, thanks!
   I liked your costume, (especially the feather). How many courses?

   7

   Did you amplify?

   Yes, there is a little pin mic with a windscreen on it jammed between a
   piece of wood and the soundboard. This wood is stuck between the bridge
   and strings and extends down. I believe Edward Martin came up with this
   tactic, so thank you Ed.

   Please provide us with a list of the tunes you played.

   The usual suspects: Greensleeves and theme from Romeo  Juliet are the
   only pieces the general public recognizes..., well also possibly the --
   made famous by Respighi. Then there was Bianco Fiore/Dell attore  So
   ben mi Chi'a buon tempo from Caroso, Ungaresca, Bransles de village
   Gassen Hawer  Welscher Tantz by Newsidler, maybe some Dalza, Kemps
   Jig, My Lady Hundson's by Dowland. I think that's about it.

   Sorry to anyone who checked the link and found it didn't load. A number
   of people reported that. The link still works for me. I'm at the
   beginning and 2 hours in.

 [1]http://www.ustream.tv/recorded/15130542

   Ed Durbrow
   Saitama, Japan
   [2]http://www.musicianspage.com/musicians/9688/
   [3]http://www9.plala.or.jp/edurbrow/

   --

References

   1. http://www.ustream.tv/recorded/15130542
   2. http://www.musicianspage.com/musicians/9688/
   3. http://www9.plala.or.jp/edurbrow/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: streaming lute gig

2011-06-03 Thread David van Ooijen
Great outfit, Ed; love those stockings, kawaii! ;-)

David

On 3 June 2011 17:25, Ed Durbrow edurb...@sea.plala.or.jp wrote:
   I played my first gig in over a year yesterday and today. It was
   streamed live on the internet and is still up. For how long, I don't
   know. My embarrassing bits are at the beginning and at about two hours
   in. Just skip the first couple of pieces, they are horrible.

   [1]http://www.ustream.tv/recorded/15130542




-- 
***
David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
***



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