[LUTE] Re: Tempi in French baroque from Lully to Couperin?

2009-02-04 Thread Jean-Marie Poirier
And of course, the other thing to do is to work with dancers specializing in 
baroque dancing, quite an experience in terms of tempi !

Jean-Marie

=== 04-02-2009 08:09:51 ===


Try to grab Antoine Geoffroy-Dechaume's little book  Les secrets de la musque 
ancienne... It must be out of print by now, but maybe Abebooks.com can find 
it ? Another good read is, after all these years, Robert Donington's Early 
Music and A Performer's Guide to Baroque Music. Lots of info about what the 
treatises said about tempo at the time of Lully and after.

Best,

Jean-Marie


=== 03-02-2009 22:05:07 ===

Hi collective wisdom(?),

what are the contemporary opinions of the tempos (=tempi) of French
baroque dances at the end of the 17th century and at the very beginnings
of the 18th?  Allemande, courante, sarabande, gigue, gavotte, menuet,
passagalia, etc.?  As far as I know, there has been very different
interpretations of some original advice; differences varying by factor 2!

What is the true truth of today?  :-)

Arto



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04-02-2009 



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[LUTE] Re: Tempi in French baroque from Lully to Couperin?

2009-02-03 Thread Andreas Schlegel
Dear Arto

There's a very big book from Klaus Miehling: Das Tempo in der Musik
von Barock und Vorklassik, Wilhelmshaven (Florian Noetzel)
verbesserte und stark erweiterte Neuausgabe 2003. ISBN 3-7959-0590-7
It's on my desktop ready for studies...
And it's as always: The truth is not so simple! Very often there were
different tempos for the same dance f.ex. for a Courante: a slower
and a faster type.

Andreas



Am 03.02.2009 um 22:05 schrieb wi...@cs.helsinki.fi:


 Hi collective wisdom(?),

 what are the contemporary opinions of the tempos (=tempi) of French
 baroque dances at the end of the 17th century and at the very
 beginnings
 of the 18th?  Allemande, courante, sarabande, gigue, gavotte, menuet,
 passagalia, etc.?  As far as I know, there has been very different
 interpretations of some original advice; differences varying by
 factor 2!

 What is the true truth of today?  :-)

 Arto



 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Andreas Schlegel
Eckstr. 6
CH-5737 Menziken
+41 (0)62 771 47 07
lute.cor...@sunrise.ch


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[LUTE] Re: Tempi in French baroque from Lully to Couperin?

2009-02-03 Thread David Rastall
On Feb 3, 2009, at 4:33 PM, Andreas Schlegel wrote:

 Very often there were
 different tempos for the same dance f.ex. for a Courante: a slower
 and a faster type.

Was it perhaps a matter of mood as well as tempo?

Davidr
dlu...@verizon.net




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[LUTE] Re: Tempi in French baroque from Lully to Couperin?

2009-02-03 Thread Jean-Marie Poirier
Try to grab Antoine Geoffroy-Dechaume's little book  Les secrets de la musque 
ancienne... It must be out of print by now, but maybe Abebooks.com can find it 
? Another good read is, after all these years, Robert Donington's Early Music 
and A Performer's Guide to Baroque Music. Lots of info about what the 
treatises said about tempo at the time of Lully and after.

Best,

Jean-Marie


=== 03-02-2009 22:05:07 ===

Hi collective wisdom(?),

what are the contemporary opinions of the tempos (=tempi) of French
baroque dances at the end of the 17th century and at the very beginnings
of the 18th?  Allemande, courante, sarabande, gigue, gavotte, menuet,
passagalia, etc.?  As far as I know, there has been very different
interpretations of some original advice; differences varying by factor 2!

What is the true truth of today?  :-)

Arto



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
---
Orange vous informe que cet  e-mail a ete controle par l'anti-virus mail. 
Aucun virus connu a ce jour par nos services n'a ete detecte.

= = = = = = = = = = = = = = = = = = = 
  
jmpoiri...@wanadoo.fr
http://poirierjm.free.fr
04-02-2009