Re: DM-SIG IT-SIG: costs of backup

2006-03-08 Thread Melissa C. Winans
Deborah -- Jeff's point about utilizing near-line storage is well 
taken.  This would allow archived images to be accessed relatively 
quickly without tying up capacity on active servers with material 
which may not be accessed very frequently, and also would provide 
some insulation against changes in backup media formats.


A related technology which is worth considering is 
disk-to-disk-to-tape backups, in which files are first collected on a 
dedicated backup server or near-line storage unit, which can then be 
backed up to tape or other removable media at suitable 
intervals.  The current version of Veritas Backup Exec (now part of 
Symantec) is just one of many backup products which utilize this strategy.


Your idea about adding backup costs to grant and special project 
budgets is **definitely** worth pursuing.  While it may not be 
feasible to cover the costs of backups for all eternity, It would be 
completely reasonably to expect that they be covered for the life of 
the project.  To this end, the budget for any project that will add 
large amounts of data should at least be expected to cover initial 
costs for additional backup media and backup drives, as well as 
additional disk space on whatever server(s) will store the files.


The details of how you calculate a reasonable cost will depend on the 
project and your local setup, so what follows should be regarded as 
an example rather than an exact formula:
   * Get the PI of the project to estimate the amount of new data 
that will be added in the course of the project.  She/he may be 
hesitant to do so, but be firm, because this is information that you 
will need if you are to plan intelligently for the new load that is 
about to be added to your system.  Add a fudge factor of 10 - 20% to 
whatever figure the PI comes up with to allow for unanticipated storage needs.
   * Armed with this total, figure out how many tapes/CDs/DVDs would 
be required to run your normal backup schedule for at least one year, 
using all new media.  Assume a compression ratio of 1:1 (i.e.: no 
compression) in doing this calculation.
   * If your ability to get backups done in a reasonable length of 
time is already stretched, add in the cost of one or more additional 
backup drives (and, if needed, other backup-related hardware).
   * Add in any extra hard drives or other hardware that will be 
required to accommodate the new data.
   * Calculate what all of this would cost at today's prices.  In 
the case of backup media, don't automatically assume that the newer, 
higher capacity formats are the most economical choice.  Depending on 
the total amount of data to be backed up and your normal backup 
schedule, the newer formats may or may not be a better deal.  For a 
graphic example of this, spend some time experimenting with Quantum's 
Tape Product Advisor tool, a link to which can be found near the top 
of the following page:

http://www.quantum.com/Products/TapeDrives/Index.aspx
Although the results depicted there are only approximations, changing 
the variables and seeing how the theoretically "perfect" number of 
drives and tapes changes can be instructive.

Melissa Winans
Senior LAN Administrator
Texas Memorial Museum
University of Texas at Austin
512-232-4263

At 03/08/2006 12:34 PM, Jeff Evans wrote:

Hi Deborah,

I look forward to reading this string as it develops.

FOR IMAGES:
I am an advocate for near-line storage- SANs or NAS devices.  This
option can cut your costs dramatically (or somewhat anyway) and can
help you in delivering files over the network.  Usually after the
databases have all the jpeg and reference files they need, larger tif
files can be near line or off line.   My past life as a system
integrator always makes me question the ROI of housing large image
files on a fully functioning server.  An honest assessment of which
files will actually be requested over the coming year or two, is a
good one and may save you back-up headaches as well as network time
and money.

As you know the industry is moving fast in the direction of back-up
servers.  But I feel tape backups will be around for a while as well
due to the fact that many firms have policies stipulating a copy of
the backups is to be housed off-site.

We are also keen on the idea of a fast server with limited space.
Servers such as these can be deployed locally for the small group of
users that need a given set of data/files.  With a small  deployment
(less than 1TB) these size servers are easily backed up with a
desktop type tape drive or a smaller backup server.  Beyond price, a
further advantage of a smaller server is that the users are forced to
manage the files - especially archiving older files.  For tape
backup, I recommend AIT.  AIT-3 and AIT-4 are the current flavors.

JEFF

Jeffrey Evans
Digital Imaging Specialist
Princeton University Art Museum
609.258.8579


On Mar 8, 2006, at 10:06 AM, Deborah Wythe wrote:


Hello--

We've been having a discussion here abo

Fwd: Orphan Works Testimony

2006-03-08 Thread Misunas, Marla
 
>From Amalyah Keshet, Israel Museum:

 
Orphan Works Testimony, House Judiciary Intellectual Property Subcommittee   
March 8

Many thanks to Diane Zorich for bringing this important opportunity for action 
to the attention of MCN President Marla Misunas, and to the MCN Board of 
Directors for signing MCN on as a supporter.  

"Maria Pallante-Hyun, Associate General Counsel and Director of Licensing at 
the Solomon R. Guggenheim Foundation/Guggenheim Museum (and a frequent MCN 
speaker at IP SIG sessions at MCN conferences), will be presenting important 
testimony on behalf of the cultural heritage community at the House Judiciary 
Intellectual Property Subcommittee hearing on Orphan Works (i.e., works whose 
copyright owner cannot be located).  The hearing is slated for Wednesday, March 
8th, at 2:00 PM on Capital Hill.

Maria and attorneys from many other museums have been spearheading the orphan 
works initiative on behalf of cultural heritage organizations.  This 
opportunity to testify in front of the House Judiciary IP Subcommittee to lay 
out the concerns that cultural organizations have with orphan works legislation 
is very important. Organizations "signing on" to the testimony include AAM, 
ALA, ARTStor, JSTOR and CAA. We want to emphasize that a strong showing of 
consensus for Maria's testimony is critically important for achieving an Orphan 
Works legislative solution that best meets all of our needs."

"The issue of orphan works is of great importance to MCN's constituency.  Our 
members' attempts to make museum collections and archival information 
accessible to the public are often thwarted by their inability to locate 
copyright owners.  They frequently have to keep materials from public 
programming because copyright ownership cannot be determined and their 
institutions cannot assume the risks of potential infringements.

We believe Ms. Pallante-Hyun's testimony crystalizes our concerns and outlines 
a positive and equitable way of addressing the orphan works issue.  
Implementing her suggestions would result in an outpouring of previously 
"off-limits" materials, resulting in untold research and educational 
opportunities."


Date: Tue, 07 Mar 2006 09:19:55 -0500
From: "Diane M. Zorich" 
Subject: IP SIG:  Fwd: RE: Orphan works Testimony

For those true policy wonks out there, Maria Pallante-Hyun's testimony on 
behalf of museums and orphan works legislation can be seen live on March 8 at 
2:00PM:

http://judiciary.house.gov/oversight.aspx?ID=22 or 
http://judiciary.house.gov/schedule.aspx

Diane M. Zorich
113 Gallup Road
Princeton, NJ 08542 USA
Voice: 609-252-1606
Fax: 609-252-1607
Email:  dzor...@mindspring.com



Amalyah Keshet
Head of Image Resources & Copyright Management
The Israel Museum, Jerusalem
Chair, MCN IP SIG 

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Re: DM-SIG IT-SIG: costs of backup

2006-03-08 Thread Jeff Evans

Hi Deborah,

I look forward to reading this string as it develops.

FOR IMAGES:
I am an advocate for near-line storage- SANs or NAS devices.  This  
option can cut your costs dramatically (or somewhat anyway) and can  
help you in delivering files over the network.  Usually after the  
databases have all the jpeg and reference files they need, larger tif  
files can be near line or off line.   My past life as a system  
integrator always makes me question the ROI of housing large image  
files on a fully functioning server.  An honest assessment of which  
files will actually be requested over the coming year or two, is a  
good one and may save you back-up headaches as well as network time  
and money.


As you know the industry is moving fast in the direction of back-up  
servers.  But I feel tape backups will be around for a while as well  
due to the fact that many firms have policies stipulating a copy of  
the backups is to be housed off-site.


We are also keen on the idea of a fast server with limited space.   
Servers such as these can be deployed locally for the small group of  
users that need a given set of data/files.  With a small  deployment  
(less than 1TB) these size servers are easily backed up with a  
desktop type tape drive or a smaller backup server.  Beyond price, a  
further advantage of a smaller server is that the users are forced to  
manage the files - especially archiving older files.  For tape  
backup, I recommend AIT.  AIT-3 and AIT-4 are the current flavors.


JEFF

Jeffrey Evans
Digital Imaging Specialist
Princeton University Art Museum
609.258.8579


On Mar 8, 2006, at 10:06 AM, Deborah Wythe wrote:


Hello--

We've been having a discussion here about the exploding costs of  
network backup, as digital image collections grow, and also about  
potential future costs such as format migration. While the cost of  
backup tapes tends to go down as time passes, the formats are also  
continually being improved, with new formats then going back up in  
price, so the costs over time don't really decrease. And, of  
course, as we continue into digital imaging full speed, we're  
creating assets that are never going to be deleted.


I'd be interested in hearing about any creative ideas people have  
implemented or are thinking about. I've floated the possibility of  
adding a fixed percentage to any digital imaging special project  
budget in order to create a "longevity endowment." Not at all sure  
if that's workable, but it's an idea out of the box.


Thanks,
Deb Wythe


Deborah Wythe
Brooklyn Museum
Head, Digital Collections and Services
200 Eastern Parkway
Brooklyn, NY 11238
tel: 718 501 6311
fax: 718 501 6125
email: deborahwy...@hotmail.com




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DM-SIG IT-SIG: costs of backup

2006-03-08 Thread Deborah Wythe

Hello--

We've been having a discussion here about the exploding costs of network 
backup, as digital image collections grow, and also about potential future 
costs such as format migration. While the cost of backup tapes tends to go 
down as time passes, the formats are also continually being improved, with 
new formats then going back up in price, so the costs over time don't really 
decrease. And, of course, as we continue into digital imaging full speed, 
we're creating assets that are never going to be deleted.


I'd be interested in hearing about any creative ideas people have 
implemented or are thinking about. I've floated the possibility of adding a 
fixed percentage to any digital imaging special project budget in order to 
create a "longevity endowment." Not at all sure if that's workable, but it's 
an idea out of the box.


Thanks,
Deb Wythe


Deborah Wythe
Brooklyn Museum
Head, Digital Collections and Services
200 Eastern Parkway
Brooklyn, NY 11238
tel: 718 501 6311
fax: 718 501 6125
email: deborahwy...@hotmail.com




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Network (www.mcn.edu). To post messages to this list, send emails to:
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