[MCN-L] Bar coding museums objects

2007-10-31 Thread Sally Fletcher
Dear Annamaria

At the Australian National Maritime Museum we have been using bar
coding since c 1988 when the Museum was first established. We barcode
all our objects by simply tying a barcode label to the object if
possible, or sticking a label on to the object's housing. Object
identification numbers are also written on objects in the usual way and
can be keyed into the barcode reader or directly into our CMS if
necessary. All our storage locations, including shelves, boxes, crates
etc are also barcoded. We have developed a simple system of keeping
barcode labels aside when the object is put on display and then
re-uniting the object with its label as part of our exhibition demount
and return to storage processes. 

We originally ran our bar coding software using DBase in conjunction
with our old RBase database. However, when we ungraded to TMS in 2005,
we began using the TMS barcode manager tool (slightly customised). We
are investigating using Bartender  software for barcode label printing.
From our preliminary testing, this looks to be a flexible and easy to
use piece of software. We will be upgrading our hand held bar code
readers within the next few months and we expect to be able to see a
variety of data on the screen, including object record images.

As a previous subscriber noted, it is possible for people to make
mistakes still, however, we find that bar coding minimises room for
error and significantly improves our ability to move and update the
locations of a significant number of objects each year. We have accurate
location and location history records for each object. 

Regards, Sally

Sally Fletcher
Senior Registrar
Ph: +61 2 9298 3726
Fax: +61 2 9298 3780


 annamaria.pomaswank at gmail.com Monday, 29 October 2007 
Dear all,
I would like to know :
1. how many museums are using the
barcoding objects inventory system
2. if the CMS they use support the system
3. A feedback on the use of this tool
Annamaria Poma Swank
Rinascimento Digitale project consultant
pomaswank at rinascimento-digitale.it 
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[MCN-L] Bar coding museums objects

2007-10-31 Thread Fraser, Natalia
Museum Victoria (Melbourne, Australia) is currently undertaking a major
collection inventory project. An important aspect of this project is the
bar-coding of sections of our collection. The system we're using to
capture the bar-code data is called Museum Victoria Wireless Input
System for EMu (MVWISE). This is a mobile data input tool for the
central collection management system we use - KeEMu
(http://www.kesoftware.com/emu/index.html) . 

 

MVWISE was developed internally at Museum Victoria as means of accessing
KeEMu, in real time, in a mobile environment. MVWISE is not limited to
use with bar-coding, or to inventory control, however that is our major
focus at this stage. The system is also available for use by other
institutions employing KeEMu.

 

Further information regarding MVWISE, and a list of current clients, can
obtained at http://mvwise.museum.vic.gov.au/.

 

Please feel free to contact me directly with any further inquires about
MVWISE, our collection inventory project or bar-coding implementation.

 

Natalia Fraser

Manager, Collection Location Systems

 

Museum Victoria

GPO Box 666

Melbourne VIC 3001

Australia

Telephone+61 3 9385 4231

Facsimile +61 3 9383 7924

Mobile  0409 569 930

Email nfraser at museum.vic.gov.au mailto:nfraser at museum.vic.gov.au
 

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[MCN-L] RFID cards in Museums

2007-10-31 Thread John Bedard
We are evaluating the use of RFID cards for members.  Has anybody
already implemented RFID in their membership cards? If so, would you
will be willing to share your experience and how you are using them?
 
Thanks in advance for sharing
 
John
 
 
John R. Bedard
Director of Information Projects and Services
The Minneapolis Institute of Arts
2400 Third Avenue South
Minneapolis, MN 55404
Phone: 612-870-3268
Fax: 612-870-3004
Email: JBedard at artsmia.org 
www.artsmia.org 
www.artsconnected.org



[MCN-L] Last Call! Persistence of Memory Conference, Seattle - Deadline is Nov. 9

2007-10-31 Thread Julie Martin Carlson
REGISTRATION DEADLINE:  Friday, November 9.



PERSISTENCE OF MEMORY

A Two-day Conference on Digital Preservation

 

NOVEMBER 28-29, 2007

Hilton Seattle

Seattle, Washington  

 

A conference presented by the

Northeast Document Conservation Center

Co-sponsored by OCLC Western Service Center  

 

WHAT IS PERSISTENCE OF MEMORY? This two-day conference, taught by a faculty
of national experts, addresses the question of digital longevity. The
conference will highlight evolving best practices for digital preservation
to help you with the life-cycle management of your institution's
collections. Topics include: The All-Important Metadata, Surveying Digital
Preservation Readiness, Preserving Audio, Preserving Video, Preserving
Digital Art, and Business Models for Preservation, and Trusted Digital
Repositories.

 

WHO SHOULD ATTEND? Librarians, archivists, museum professionals, information
technology professionals, and administrators responsible for managing and
preserving digital resources.

 

TO VIEW ABSTRACTS AND SPEAKER BIOS, Visit NEDCC's Web site, www.nedcc.org
http://www.nedcc.org/ .

 

A FINAL ADDITION: Jim Gemmell of the Microsoft Research Institution will
wrap up the program with a look at MyLifeBits, a research project that began
as a quest to digitally chronicle every aspect of a person's life.

 

WHAT DOES THE CONFERENCE COST?  $350  

WHEN IS THE REGISTRATION DEADLINE?  Friday, November 9, 2007 

FOR COMPLETE CONFERENCE DETAILS, HOTEL INFORMATION, AND TO REGISTER ONLINE

Go to: www.nedcc.org http://www.nedcc.org/ 

 

QUESTIONS ABOUT REGISTRATION?   

Contact Ginny Hughes, ghughes at nedcc.org

978-470-1010, ext. 224 

 

QUESTIONS ABOUT CONFERENCE CONTENT?

Contact Lori Foley, lfoley at nedcc.org

978-470-1010, ext. 223   

 

Partial funding of this conference is provided by the Institute of Museum 

and Library Services. NEDCC gratefully acknowledges support for its field
service 

activities by the National Endowment for the Humanities.