[MCN-L] Job Posting; Yale Art Gallery

2007-09-28 Thread John ffrench
Yale University Art Gallery
Digital Photographer
Salary Grade:  E

Please apply on-line at: http://www.yale.edu/hronline/

Work Site: LSF & Kahn (Work will be divided between two studios, and  
staff are expected to provide their own transportation).

General Purpose:
Yale University Art Gallery is seeking a full-time Photographer to  
photograph two-dimensional and three-dimensional art objects from  
their extensive and diverse art collection using high-end digital  
equipment.
Works from the collection include large scale sculpture and  
furniture, highly reflective silver objects, as well as traditional  
paintings, works on paper and general 3D art works.

Additionally, this position serves to provide color management  
support and art handling to the department. This includes processing  
new and existing digital photography images in preparation for  
publication. The process requires matching hues and tones of digital  
files to original objects and approval of images while following  
established standards for this process.

Essential Duties:
1. Plan the composition of the photograph; select the appropriate  
technical approach, equipment, and accessories to achieve the desired  
results.

Evaluate the technical requirements of complex projects.  Although  
there are accepted techniques used in the digitizing process,  
assignments may require innovation to resolve problems that are not  
necessarily governed by established procedures.
Exercise a high degree of artistic sensitivity and skill to plan the  
composition, lighting, background, and color values of each  
assignment so the final product meets museum standards and  
achieves assignment objectives.
Judge and correct digital image files for color accuracy,  
contrast and density when compared to original objects. Use computer  
accessories and techniques to modify the color, color balance, and  
contrast of photographic images
Consult with gallery staff including curators, registrars, designers,  
educators, and information resources to gather information about  
gallery projects and develop an understanding of the technical and  
artistic objectives of a project.  Determine the most appropriate  
techniques and methods as well as time needed to complete assignments  
or projects based on this knowledge.
Handle and moves fragile and irreplaceable objects with care so they  
are not damaged or destroyed during the set up, production states,  
and strike.
Keep apprised of advances in the field and advise supervisor of the  
applications for new technology and how this technology will shape  
working methods and procedures in the future.

Experience and Training:
Six years of related work experience (photography), four of them in  
the same job family at the next lower level, and high school  
education; or four years of related work experience and an Associate  
degree; or little or no work experience and a Bachelor degree in a  
related field; or an equivalent combination of experience and education.
Experience utilizing professional digital camera systems.
Demonstrated ability to discriminate and adjust fine tonal variations  
and color fidelity of the digital reproductions against original  
objects.
Working knowledge of Adobe Photoshop CS2 or CS3 software.
PREFERRED:  BA /BFA degree. Art museum/gallery photography experience.
6. Portfolio of work required of all interviewed applicants.


Skills and Abilities:
Must have a broad knowledge of photographic processes, methods and  
new technologies.
Candidate must be team-oriented, flexible and able to work  
independently and collaboratively in a rapidly changing environment.
Command of a variety of cameras and equipment including large format,  
medium format, 35mm, copy stand, electronic strobe, continuous  
lighting, and diffusers.
Clean, care for, and store photographic equipment and lenses in  
accordance with accepted practices and policies of the department.
Maintain and perform basic repairs on photographic equipment and  
perform basic computer repair and maintenance of Macintosh computer  
image capture system.
Ability to complete photographic assignments which include using  
digital cameras, Macintosh computers and operating system, and  
database computer applications to produce digital images of the  
gallery?s collections.
Knowledge of the computerized processes and systems that are used to  
scan or digitally capture images onto CD?s, DVD?s and other media  
such as servers.
Ability to judge and correct digital proofs for color, contrast and  
density when compared to original objects or transparencies and to  
use computer accessories and techniques to modify color, color  
balance and contrast of photographic images.
Knowledge of the computerized processes that are used to scan  
photographic media (slides, transparencies, and film) to produce  
digital images and the specialized software applications  
(Photoshop, Bridge, Toast, Capture One) used to man

[MCN-L] compressing TIFFs for museum collection images

1970-01-08 Thread John ffrench
I would agree with Jeff.  Don't compress but rather plan for more  
space and/or make a subset of compressed images.
We store all of our files to server uncompressed.

*
John ffrench
Associate Director
Visual Resources Department
Yale University Art Gallery
tel. 203.432.8051
fax. 203.432.9369

john.ffrench at yale.edu
http://artgallery.yale.edu



On Jan 31, 2007, at 4:12 PM, Jeffrey Evans wrote:

> No - don't compress. Write DVDs if you have to.  Or buy more space.
> Another issue will be reading a compressed Tiff - you may hit some  
> potholes
> software-wise. Also as your systems and software packages upgrade,  
> its one
> more headache to worry about.
>
> JEFF
>
> Jeffrey Evans
> Digital Imaging Specialist
> Princeton University  Art Museum
> (609) 258-8579
>
>
>
>
>
>
> On 1/31/07 4:08 PM, "Friscia, Jeanne"  wrote:
>
>> We at SFMOMA are on the heels of ingesting our permanent  
>> collection high
>> resolution TIF files into our DAMS system and faced with the issue of
>> whether or not to use compressed tiffs. While we know that they
>> represent a lossless standard, we wonder if anyone has thoughts on
>> issues that may arise concerning corruption, preservation, etc. In  
>> other
>> words, is this really a good idea and are there cons to the pros of
>> saving storage space?
>>
>> Thanks,
>>
>> Jeanne Friscia
>>
>>
>>
>> Jeanne Friscia
>>
>> Visual Resources Specialist
>>
>> Collections Information Access Department
>>
>> SFMOMA
>>
>> (415) 357-4103
>>
>>
>>
>>
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