Greetings,
Sound sight and sense around sound by sight with sense around by with sound
sight sense will apologise truthfully. Com to allowing.
As often as not as often as not they as often as not were to be going away.
A plan that is made and causes it to be that if they were after all not
behaving as if they could by an indifference to an extravagantly prepared
advantage which is by nearly their importance advising them to be more than as
well as if by the time that it is to be comparatively obtained in an
intentional adjustment of the renewal and bestowal of whether by the chance of
their adjoining they may be colliding without an impatience which can be
changed to an addition of their bestowal which is in a way might it be shadowed
as because of this which is an objection to their having it can be an interval
of it just the same which is preferably not only a reason because they may be
that is if it could be to notice that having looked to see. It should never be
an exact copy. What is the difference between starting and starting when may
they like it looking part of the time as if very much their hope that they will
be without in the meantime furnishing it as an advantage which it
is to the more delighted explanation of their being very ready to send very
many apples.
(Stein, Gertrude, 'How to Write')
Marsha:
Very dynamic, don't you think? Fitting of the code of art? Too dynamic? This
is from the chapter titled 'A Vocabulary of Thinking'. Ms. Stein was a very
clever intellectual. Some would say far far more clever than Joyce, but, alas,
a woman. Her writing was extremely influential on the Beat writers. I am
wondering how these torn pages of words will be experienced in a collage. Do
words, without meaning, affect the viewer? Are we human beings so captivated
by writing that we will be compelled to try to discover a meaning?
Marsha
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