Re: [mb-style] Type of a Work? Re: RFC-339: Partial Works Relationship Inheritance

2011-11-02 Thread symphonick
2011/11/1 Jim DeLaHunt from.nab...@jdlh.com


 But I believe that MusicBrainz editors face a huge problem in contributing
 data on classical and opera music: the MusicBrainz structure doesn't do
 enough of the work of representing the complexity of naming classical and
 operatic music. I want the Works table to be part of the solution (NGS
 'Works' should help cut CSG Gordian Knot,

 http://lists.musicbrainz.org/pipermail/musicbrainz-style/2010-December/010713.html
 ).
 When the rest of the system is ready enough, I will be proposing either a
 change to this rule for Parts Relationship Type.


I'd also like us to try and finish a basic CSG works guideline first. But I
don't really understand (maybe I missed something in the big thread): it's
easier (and also more work) to always create a 1:1 recording - work, but
what would you want this for?  How do you want to display these works in
the UI?

/symphonick
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Re: [mb-style] RFC-339: Work/Relationship Inheritance in Works Trees

2011-11-02 Thread symphonick
Do you mean that Mozart can't be the composer for the parent work Requiem
because it would mean that AR would end up on childs that M. didn't
compose? The same thing for Holst  Planets, added Pluto version?

/symphonick
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Re: [mb-style] Adding a conductor-orchestra relationship?

2011-11-02 Thread Nicolás Tamargo de Eguren
2011/11/2 Nicolás Tamargo de Eguren reosare...@gmail.com



 On Wed, Nov 2, 2011 at 10:30 AM, symphonick symphon...@gmail.com wrote:
  Can you use the proposals we started working with a year ago?
 
 
 http://wiki.musicbrainz.org/Proposal:Conductor_Position_Relationship_Type_Proposal
  there are more proposals, including concertmaster  section leader (which
  I'm not sure we can pull off; IME it's hard to get reliable data +
 there's
  confusion  translation problems regarding the titles)

 Oh, I hadn't seen this before. I'll take a look at it :)


Hmm, while I can see why someone might want all the detail, I wonder
whether it isn't a little bit too much and maybe keeping it to just
conductor or at most to assistant, principal and maybe guest is
enough? As I said though, I am not an expert on the matter, it's mostly
that I feel there's a space to fill here but that this is a bit of overkill.

 /symphonick

 
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Re: [mb-style] Adding a conductor-orchestra relationship?

2011-11-02 Thread symphonick
2011/11/2 Nicolás Tamargo de Eguren reosare...@gmail.com


 On Wed, Nov 2, 2011 at 10:30 AM, symphonick symphon...@gmail.com wrote:

  Can you use the proposals we started working with a year ago?
 
 
 http://wiki.musicbrainz.org/Proposal:Conductor_Position_Relationship_Type_Proposal

 Hmm, while I can see why someone might want all the detail, I wonder
 whether it isn't a little bit too much and maybe keeping it to just
 conductor or at most to assistant, principal and maybe guest is
 enough? As I said though, I am not an expert on the matter, it's mostly
 that I feel there's a space to fill here but that this is a bit of overkill.

 Yeah. I haven't seen a tuba conductor position (instrument)  maybe it's
better use assistant for both associate  assistant to avoid confusion.

/symphonick
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Re: [mb-style] Adding a conductor-orchestra relationship?

2011-11-02 Thread Nicolás Tamargo de Eguren
On Wed, Nov 2, 2011 at 11:23 AM, symphonick symphon...@gmail.com wrote:



 2011/11/2 Nicolás Tamargo de Eguren reosare...@gmail.com


 On Wed, Nov 2, 2011 at 10:30 AM, symphonick symphon...@gmail.com wrote:

  Can you use the proposals we started working with a year ago?
 
 
 http://wiki.musicbrainz.org/Proposal:Conductor_Position_Relationship_Type_Proposal

 Hmm, while I can see why someone might want all the detail, I wonder
 whether it isn't a little bit too much and maybe keeping it to just
 conductor or at most to assistant, principal and maybe guest is
 enough? As I said though, I am not an expert on the matter, it's mostly
 that I feel there's a space to fill here but that this is a bit of overkill.

 Yeah. I haven't seen a tuba conductor position (instrument)  maybe
 it's better use assistant for both associate  assistant to avoid
 confusion.


I guess that's there more for cases like conducted strings and the
like... Although while I've certainly seen conducted strings, I don't
know if strings conductor is usually considered a position on its own...
(I also haven't seen emeritus but I guess I just didn't look long enough?)


 /symphonick

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[mb-style] Recording-level orchestration/instrumentation

2011-11-02 Thread Nikki
Hello

Right now we have arranger on both works and recordings, but the 
sub-types for orchestration and instrumentation only exist on works. 
Should those relationships be added to recordings too?

Nikki

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Re: [mb-style] Recording-level orchestration/instrumentation

2011-11-02 Thread Nicolás Tamargo de Eguren
On Wed, Nov 2, 2011 at 2:29 PM, Nikki aei...@gmail.com wrote:

 Hello

 Right now we have arranger on both works and recordings, but the
 sub-types for orchestration and instrumentation only exist on works.
 Should those relationships be added to recordings too?

I would say yes. If in the future the decision is taken of allowing them
only at work level, they could be easily migrated by work-splitting.

 Nikki

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Re: [mb-style] Adding a conductor-orchestra relationship?

2011-11-02 Thread symphonick
2011/11/2 Nicolás Tamargo de Eguren reosare...@gmail.com



 On Wed, Nov 2, 2011 at 11:23 AM, symphonick symphon...@gmail.com wrote:



 2011/11/2 Nicolás Tamargo de Eguren reosare...@gmail.com


  On Wed, Nov 2, 2011 at 10:30 AM, symphonick symphon...@gmail.com
 wrote:

  Can you use the proposals we started working with a year ago?
 
 
 http://wiki.musicbrainz.org/Proposal:Conductor_Position_Relationship_Type_Proposal

 Hmm, while I can see why someone might want all the detail, I wonder
 whether it isn't a little bit too much and maybe keeping it to just
 conductor or at most to assistant, principal and maybe guest is
 enough? As I said though, I am not an expert on the matter, it's mostly
 that I feel there's a space to fill here but that this is a bit of overkill.

 Yeah. I haven't seen a tuba conductor position (instrument)  maybe
 it's better use assistant for both associate  assistant to avoid
 confusion.


 I guess that's there more for cases like conducted strings and the
 like... Although while I've certainly seen conducted strings, I don't
 know if strings conductor is usually considered a position on its own...
 (I also haven't seen emeritus but I guess I just didn't look long enough?)


Sounds like a recording - artist AR to me. But conductor emeritus actually
exists, I had an example on my research page. Or if it was in the
discussion thread?
But I have no problem with not implementing it.

/symphonick
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Re: [mb-style] RFC-337: Add 'solo' performer relationship attribute

2011-11-02 Thread Alex Mauer
On 11/01/2011 06:16 PM, Jim DeLaHunt wrote:
 How about focussing on the credits. Something like:

 'Solo': This indicates that the credits single out this artists'
 performance on this recording as a 'solo', in whatever wording is
 conventional for that kind of Release.

 Does that help?

It does, but I’d rather not exclude the situation where the credits 
themselves don’t specify but other research does determine the correct 
artist who performed a solo.

—Alex Mauer “hawke”


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Re: [mb-style] RFC-337: Add 'solo' performer relationship attribute

2011-11-02 Thread Frederic Da Vitoria
2011/11/2, Alex Mauer ha...@hawkesnest.net:
 On 11/01/2011 06:16 PM, Jim DeLaHunt wrote:
 How about focussing on the credits. Something like:

 'Solo': This indicates that the credits single out this artists'
 performance on this recording as a 'solo', in whatever wording is
 conventional for that kind of Release.

 Does that help?

 It does, but I’d rather not exclude the situation where the credits
 themselves don’t specify but other research does determine the correct
 artist who performed a solo.

Not excluding this would allow users to enter the wrong solos which
symphonick showed, wouldn't it?

-- 
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(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org

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Re: [mb-style] Type of a Work? Re: RFC-339: Partial Works Relationship Inheritance

2011-11-02 Thread caller#6


On 11/01/2011 09:45 AM, Jim DeLaHunt wrote:
 Well, that's easy. We just go to the documentation page for Work
 (http://wiki.musicbrainz.org/Work) and follow the instructions there.

 *Attributes*... *Type*... The type of work. Hmm, I wonder what they mean by
 that. It's probably explained elsewhere on the page.

 *Types of works*... Aha! Here we go.

 [snip]

 Seems fairly straightforward. The Type menu on the Work entity is said to
 have two choices: Discrete, and Aggregated.  So let's look at the actual
 menu.

 Oh no! It says Aria, Ballet, Cantata, ..., Song. But not Discrete and
 not Aggregated. And none of the entries actually in the Type menu are
 described in the Type attribute section of the documentation!

 Perhaps a good next step would be for someone who remembers the creation of
 the Type menu in the Works editor to propose new text for the Work
 documentation which describes the Type choices actually in the menu.

Paul's Work Draft [1] is slightly more up-to-date than wiki/Work.

I /believe/ the types list as it exists now was created more  for the 
purpose of testing than for anything else. As luks has said elsewhere 
[2],  NGS was meant to mainly improve on the release/recording model, 
the minimalistic work model was added to experiment with the data and 
see how to make it useful.

Based on discussion in the Work Guidelines Draft 1 thread [3] , I added 
the idea of a form attribute, and re-purposed type to describe 
/only/ the work's place in a Work Tree.

Alex / caller#6


[1] http://wiki.musicbrainz.org/User:PBryan/Work/Draft_1
[2] 
http://musicbrainz.1054305.n4.nabble.com/RFC-Concept-of-works-group-tp3535348p3535462.html
[3] 
http://musicbrainz.1054305.n4.nabble.com/Work-Style-Guideline-Draft-1-tp3794061p3799204.html

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Re: [mb-style] RFC-339: Work/Relationship Inheritance in Works Trees

2011-11-02 Thread Jim DeLaHunt
Hi, symphonick:


symphonick wrote:
 
 Do you mean that Mozart can't be the composer for the parent work
 Requiem
 because it would mean that AR would end up on childs that M. didn't
 compose? 
 

It depends what meaning you want to convey. If what you want to say is,
there is a musical composition Requiem, and nobody gets credit for being
composer of the whole thing, but Mozart gets credit as composer of some
parts and somebody else gets credit as composer of the other parts

Then yes, Mozart can't be composer of the parent Work entity.

However, take a look at the work entity 'Requiem in D minor, K. 626 (Süßmayr
completion): I. Introitus: Requiem aeternam'
(http://musicbrainz.org/work/e27bda6e-531e-36d3-9cd7-b8ebc18e8c53). It lists
Mozart as Composer, and Süßmayr as Additional Composer.  If you want to say
that Mozart is the Composer of the composition overall, and Süßmayr is the
Additional Composer of some movements...

Then link Mozart as Composer to the parent Work entity, and link Süßmayr to
child Work entities as Additional Composer.

This may be one case where we have a conflict between a simpler popular
understanding (Mozart wrote the Mozart Requiem) and a more historically
accurate understanding (Mozart wrote most of some movements, only bits of
others, and never finished it).


symphonick wrote:
 
 The same thing for Holst  Planets, added Pluto version?
 

Again, what really matters is what meaning the editor wants to convey.

RFC-339 doesn't try to extend the expressive power of MusicBrainz ARs, or to
find a way to express complicated realities in simple terms. It just tries
to make clearer what ARs in Work Trees actually mean.

By the way, the ARs on the Süßmayr completion of Mozart's Requiem are a bit
messy. See all the redundancy, and the different combinations of writers in
the various Work entities:
http://musicbrainz.org/search?query=Requiem+in+D+minor%2C+K.+626+%28S%C3%BC%C3%9Fmayr+completion%29type=worklimit=100

Thanks to your nudging, I've added another rule to RFC-339 (Inheritance
status matters) and another Discussion point.

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Re: [mb-style] Recording-level orchestration/instrumentation

2011-11-02 Thread Jim DeLaHunt

Nicolás Tamargo de Eguren wrote:
 
 On Wed, Nov 2, 2011 at 2:29 PM, Nikki lt;aeizyx@gt; wrote:
 Hello

 Right now we have arranger on both works and recordings, but the
 sub-types for orchestration and instrumentation only exist on works.
 Should those relationships be added to recordings too?
 
 I would say yes. If in the future the decision is taken of allowing them
 only at work level, they could be easily migrated by work-splitting.
 

+1

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Re: [mb-style] RFC-337: Add 'solo' performer relationship attribute

2011-11-02 Thread Jim DeLaHunt
Hawke:


Alex Mauer wrote:
 
 ... I’d rather not exclude the situation where the credits themselves
 don’t specify but other research does determine the correct artist who
 performed a solo.
 

When and how would you expect this sort of situation to come up?

One scenario I can imagine is: a 1950 LP release of a smokin' hot 1949 Duke
Ellington Live concert. Exquisitely edited, detailed cover notes say
Saxophone - Jim DeLaHunt (solo).  Fast forward to 2011: budget label
issues a digital remaster of this LP, but with cheap and shabby CD label
that just says, Saxophone - DeLaHunt. 

In that case, someone who entered a Relationship based on the cheap and
shabby CD label wouldn't include solo, but someone who later found the
1950 LP release would have grounds to add the attribute solo.

I think this is a great opportunity for the editor to appeal to the Style
Principles (http://wiki.musicbrainz.org/Style/Principle). Artist Intent and
Most Common Version override Style Guidelines.

If no Release ever give a performance a solo credit, then how can you be
sure that the solo attribute is Artist Intent and not editor trying to
rewrite history?

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Re: [mb-style] Type of a Work? Re: RFC-339: Partial Works Relationship Inheritance

2011-11-02 Thread Jim DeLaHunt

symphonick wrote:
 
 2011/11/1 Jim DeLaHunt lt;from.nabble@gt;
 

 But I believe that MusicBrainz editors face a huge problem in
 contributing
 data on classical and opera music: the MusicBrainz structure doesn't do
 enough of the work of representing the complexity of naming classical and
 operatic music. I want the Works table to be part of the solution (NGS
 'Works' should help cut CSG Gordian Knot,

 http://lists.musicbrainz.org/pipermail/musicbrainz-style/2010-December/010713.html
 ).
 When the rest of the system is ready enough, I will be proposing either a
 change to this rule for Parts Relationship Type
 
 ... But I don't really understand (maybe I missed something in the big
 thread): it's
 easier (and also more work) to always create a 1:1 recording - work, but
 what would you want this for?  How do you want to display these works in
 the UI?
 

By this I take it you mean: what would I want the Works table to do as
part of cutting the CSG Gordian Knot?

I would like to see expert CSG editors build up finely-crafted Work Trees
for classical and opera works, with the Work titles that can be re-used as
Recording or Track titles. Of course, the Work entities would have to
correspond to track boundaries which recordings usually use. 

Then I'd like a Works-first Add Release wizard. This would let an editor,
even one who doesn't know the CSG well, find the Work Tree that their
Release presents, and move Work Titles into Recording Titles. From there,
the titles become Track Titles.  What would the UI be?  A great question. We
need to design it. Getting good Classical support for novice editors is a
long road, we won't get there in one step. 


symphonick wrote:
 
 ...I'd also like us to try and finish a basic CSG works guideline
 first
 

Agreed. When the rest of the system is ready enough. Including the
relevant Style guidelines.


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[mb-style] Override the same ARs? Difficult

2011-11-02 Thread Jim DeLaHunt
Hi, folks:

One comment that's appeared repeatedly in the discussion of Relationship
Inheritance is that whether a directly attached Relationship could
override the same Relationship inherited from elsewhere.  I have a
problem defining the terms override and same in the context of
Relationships. 

MusicBrainz allows an editor to attach a second Relationship to an entity as
long as it differs in some detail from the first. 

There can be two Composer Relationships from two Artists to the same Work
entity.  If both relationships are Composer Relationships, are they the
same? Should one override the other? The basic relationships editor
doesn't seem to think so.

There can can be two Composer Relationships from the same artist to same
Work entity, if one has a date and the other doesn't. Are these
Relationships the same? Should one override the other? The basic
relationships editor doesn't seem to think so.

Maybe an example will help. This is a single Work entity, so there is no
issue of inheritance.
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: Requiem
aeternam
http://musicbrainz.org/work/e27bda6e-531e-36d3-9cd7-b8ebc18e8c53

This Work has a Composer Relationship to Mozart, and a Additional Composer
Relationship to Süßmayr. Are those the same? Should one have overridden
the other? I think not.

There are actually two Composer Relationships to Mozart. One has no dates,
one has a date of 1791. Are those the same? Should one have overridden
the other?  In this case, I think yes.  When the editor came to enter the
second relationship, the software should have guided them to modify the
first relationship instead.

But suppose you want to express the meaning, Artist Composed this Work from
1788-1789, and also for a period in 1791?  Should there be two Composer
Relationships to the same Work entity, differing only in dates?

The current Advanced Relationship scheme in MusicBrainz has limitations.
There are things it would be nice to express that it can't right now.  It
might be nice to add a way to override an inherited copy of the same
Relationship. I think it's possible to invent improvements to the current
system. But it won't be easy to define the improvement, and say precisely
what the details should be.

No Reply Necessary (NRN), I just want to put that thought into our
consciousness.

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Re: [mb-style] Recording-level orchestration/instrumentation

2011-11-02 Thread jesus2099
+1
for orchestration and instrumentation on recordings

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Re: [mb-style] Sidebar links

2011-11-02 Thread jesus2099
Why on Earth don’t we add ALL the bloody URLs in the sidebar ? 

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