Re: [mb-style] RFC: recordings: remove remaster from the 'should not be merged' list

2011-11-08 Thread MeinDummy

lorenz pressler wrote:
 
 http://musicbrainz.org/doc/Style/Recording
 
 ###
 
 3. What should and shouldn't be merged together?
 
 # change:
 shouldn't merge different edits, mixes, remixes or remasters of a  
 performance.
 # into:
 shouldn't merge different edits, mixes or remixes of a performance.
 
 # add:
 should normally merge remasters unless theres an clear audible difference  
 between them. *
 
 # add:
 3.2 remasters
 most remaster jobs just consist of some minor adjustment in volume and  
 cutting silence. In these cases merging is valid and remastering credit  
 should be added to the release only (not the recordings itself).  If there  
 is a real difference they should not be merged and it is mandatory to add  
 a short disamiguation comment to the remastered recordings, detailed info  
 can be added to the annotations.
 
 ###
 
 maybe someone can add a nice example? i only recall someone mentioned some  
 beatles remasters and the rhcp/californication release.
 or should it be the other way round: don't merge unless you hear no  
 difference? imho most remasters are just a marketing hoax to sell old  
 recordings again. real remasters worth of their own recordings are sparse  
 (at least in my collection).
 
 regards,
 
 -- 
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 PGP 0x92E9551A

Here are two examples for remastered albums containing recordings that
should definitely not be merged:

The Sisters of Mercy - First and Last and Always
http://musicbrainz.org/release-group/8dba5572-6b3d-3e31-ab32-51d1f3ed1f69
This one is quite complex with different mixes used as sources for the
remasters. Details are given in
http://en.wikipedia.org/wiki/First_and_Last_and_Always#Different_editions_of_the_album

A more straightforward one is Front 242 - Geography
http://musicbrainz.org/release-group/7526b5ca-a954-3a2d-bf67-2e9bb44ab338
http://en.wikipedia.org/wiki/Geography_%28album%29

Note that all contained recordings have disambiguation comments to
(hopefully) prevent merging.
BTW, does anyone have a good idea how to fix the mess of PUIDs and AcoustIDs
for these tracks and prevent them from becoming messed up again?

A problem that most probably will come up with the proposed change of the
guideline is that editors and/or voters either have the original or the
remaster at hand.
And even if you happen to have both versions it will still be disputable
whether or not there is a clear audible difference.
Keeping originals and remasters separate has the advantage of being a much
clearer guideline with a lot less room for discussion.
OTOH, for compilations it is usually not clear whether they contain original
or remastered tracks. Things would be a lot easier if there was only one
recording for both versions.

Christian (MD)

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Re: [mb-style] RFC-rato: Add DJ-mix to the RG type list

2011-11-08 Thread Nikki
Andii Hughes wrote:
 What's the status with this?  I don't recall seeing an RFV.

When I asked Nicolás about it, he said he wanted to wait until we get 
types and attributes.

Nikki

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Re: [mb-style] RFC-rato: Add DJ-mix to the RG type list

2011-11-08 Thread Nicolás Tamargo de Eguren
On Tue, Nov 8, 2011 at 11:45 AM, Nikki aei...@gmail.com wrote:

 Andii Hughes wrote:
  What's the status with this?  I don't recall seeing an RFV.

 When I asked Nicolás about it, he said he wanted to wait until we get
 types and attributes.


Yeah. I would like to wait a bit because introducing DJ-mix like this would
mean a lot of releases would suddenly be in the wrong category, while
introducing it as an attribute would make much more sense. If I don't see
any progress towards this in a few months, I will probably bring this up
again though, but I am hoping we can see some progress here.


 Nikki

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Re: [mb-style] RFC: recordings: remove remaster from the 'should not be merged' list

2011-11-08 Thread Frederic Da Vitoria
2011/11/8, MeinDummy meindu...@nurfuerspam.de:

 A problem that most probably will come up with the proposed change of the
 guideline is that editors and/or voters either have the original or the
 remaster at hand.
 And even if you happen to have both versions it will still be disputable
 whether or not there is a clear audible difference.
 Keeping originals and remasters separate has the advantage of being a much
 clearer guideline with a lot less room for discussion.
 OTOH, for compilations it is usually not clear whether they contain original
 or remastered tracks. Things would be a lot easier if there was only one
 recording for both versions.

Maybe we are missing a level here. We sometimes need a recording
level, almost in/as the common sense (sorry, I feel I am not
formulating this clearly), which would be useful for your compilations
example, but at other times we need a master level to keep audibly
distinct remasters separate.

-- 
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(davitof)

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Re: [mb-style] RFC: recordings: remove remaster from the 'should not be merged' list

2011-11-08 Thread Nicolás Tamargo de Eguren
On Tue, Nov 8, 2011 at 12:19 PM, Frederic Da Vitoria davito...@gmail.comwrote:

 2011/11/8, MeinDummy meindu...@nurfuerspam.de:
 
  A problem that most probably will come up with the proposed change of the
  guideline is that editors and/or voters either have the original or the
  remaster at hand.
  And even if you happen to have both versions it will still be disputable
  whether or not there is a clear audible difference.
  Keeping originals and remasters separate has the advantage of being a
 much
  clearer guideline with a lot less room for discussion.
  OTOH, for compilations it is usually not clear whether they contain
 original
  or remastered tracks. Things would be a lot easier if there was only one
  recording for both versions.

 Maybe we are missing a level here. We sometimes need a recording
 level, almost in/as the common sense (sorry, I feel I am not
 formulating this clearly), which would be useful for your compilations
 example, but at other times we need a master level to keep audibly
 distinct remasters separate.


It's not the first time an idea like this is brought up, and if this was a
place were only people with a {computer/library} science degree entered
information, I'd say go for it (and also add an arrangement level). But I
think it would be way too confusing for casual users (I know people already
find the current amount of levels hard).


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 (davitof)

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Re: [mb-style] RFC-rato: Add DJ-mix to the RG type list

2011-11-08 Thread Andii Hughes
2011/11/8 Nicolás Tamargo de Eguren reosare...@gmail.com:


 On Tue, Nov 8, 2011 at 11:45 AM, Nikki aei...@gmail.com wrote:

 Andii Hughes wrote:
  What's the status with this?  I don't recall seeing an RFV.

 When I asked Nicolás about it, he said he wanted to wait until we get
 types and attributes.

 Yeah. I would like to wait a bit because introducing DJ-mix like this would
 mean a lot of releases would suddenly be in the wrong category, while
 introducing it as an attribute would make much more sense. If I don't see
 any progress towards this in a few months, I will probably bring this up
 again though, but I am hoping we can see some progress here.

 Nikki

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Is that something likely in the near future?  And without another big
schema redesign?

I already think this is long overdue and I'm not sure how a lot of
releases would suddenly be in the wrong category.  They'd only get
there by edits and, to my mind, a lot of releases already are in the
wrong category i.e. a lot of DJ mixes are mixed up with compilations
and it will be a big job to separate them.
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Re: [mb-style] RFC: Reduce the requisites for Live Performance Relationship Type

2011-11-08 Thread jacobbrett

Nicolás Tamargo de Eguren wrote:
 
 On Fri, Oct 28, 2011 at 9:58 PM, Nikki lt;aeizyx@gt; wrote:
 
 jacobbrett wrote:
  * Radio, TV, and internet-streamed performances are considered to be
 'live'.
  * This relationship type should not be used to link from compilations
 of
  live performances, nor should it be linked to box sets.
  * The song order of the live release does not have to match the song
 order
  of the studio release.
  * At least 80% of the tracks from the studio release must be present on
 the
  live release.
  * At least 80% of tracks on the live release must be present on the
 studio
  release.
  * For either of the above two guidelines, the 80% requirement may
 be
  lowered if sufficient reason exists, subject to agreement by voters.
 
  I think it may be worth keeping the above guidelines, though the 80%
 rules
  are a bit superflous.

 What about something like The original and live releases should contain
 mostly the same songs? (instead of the last three bullet points)
 
 
 Hmm, I would even just say The live release should contain most of the
 songs in the original (without blocking the option that it also has a
 good
 amount of songs from other albums if it is still advertised and sold as a
 live version of *that* one album).
 
 
 Nikki

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Hey,

I think both are good suggestions...I suppose I'd go with the wording that's
most applicable to real releases...

May anybody provide examples (I don't know how to find the entities of those
24 relationships)?

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Re: [mb-style] RFC-rato: Add DJ-mix to the RG type list

2011-11-08 Thread Nicolás Tamargo de Eguren
On Tue, Nov 8, 2011 at 1:00 PM, Andii Hughes gnu_and...@member.fsf.orgwrote:

 2011/11/8 Nicolás Tamargo de Eguren reosare...@gmail.com:
 
 
  On Tue, Nov 8, 2011 at 11:45 AM, Nikki aei...@gmail.com wrote:
 
  Andii Hughes wrote:
   What's the status with this?  I don't recall seeing an RFV.
 
  When I asked Nicolás about it, he said he wanted to wait until we get
  types and attributes.
 
  Yeah. I would like to wait a bit because introducing DJ-mix like this
 would
  mean a lot of releases would suddenly be in the wrong category, while
  introducing it as an attribute would make much more sense. If I don't see
  any progress towards this in a few months, I will probably bring this up
  again though, but I am hoping we can see some progress here.
 
  Nikki
 
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 Is that something likely in the near future?  And without another big
 schema redesign?

 I already think this is long overdue and I'm not sure how a lot of
 releases would suddenly be in the wrong category.  They'd only get
 there by edits and, to my mind, a lot of releases already are in the
 wrong category i.e. a lot of DJ mixes are mixed up with compilations
 and it will be a big job to separate them.


What I mean is: currently Dj-mixes are in the category they're expected
to be (compilations). But by adding DJ-mix, they'd suddenly all be in the
wrong place (compilations) until manually fixed. And this needs a schema
change, but we will have two schema change releases per year, so that
doesn't imply that it has to wait years like NGS did.

I think I'll wait until the next schema change release (estimated for
mid-January). If this is not added in that one, I will RFV it and do it
manually (as I agree it's quite annoying now).

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Re: [mb-style] RFC: recordings: remove remaster from the 'should not be merged' list

2011-11-08 Thread Frederic Da Vitoria
2011/11/8, Nicolás Tamargo de Eguren reosare...@gmail.com:
 On Tue, Nov 8, 2011 at 12:19 PM, Frederic Da Vitoria
 davito...@gmail.comwrote:

 2011/11/8, MeinDummy meindu...@nurfuerspam.de:
 
  A problem that most probably will come up with the proposed change of
  the
  guideline is that editors and/or voters either have the original or the
  remaster at hand.
  And even if you happen to have both versions it will still be disputable
  whether or not there is a clear audible difference.
  Keeping originals and remasters separate has the advantage of being a
 much
  clearer guideline with a lot less room for discussion.
  OTOH, for compilations it is usually not clear whether they contain
 original
  or remastered tracks. Things would be a lot easier if there was only one
  recording for both versions.

 Maybe we are missing a level here. We sometimes need a recording
 level, almost in/as the common sense (sorry, I feel I am not
 formulating this clearly), which would be useful for your compilations
 example, but at other times we need a master level to keep audibly
 distinct remasters separate.


 It's not the first time an idea like this is brought up, and if this was a
 place were only people with a {computer/library} science degree entered
 information, I'd say go for it (and also add an arrangement level). But I
 think it would be way too confusing for casual users (I know people already
 find the current amount of levels hard).

Yes, you are right, there are already too many levels. Reality is complex :-)

-- 
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(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
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Re: [mb-style] RFC-rato: Add DJ-mix to the RG type list

2011-11-08 Thread Andii Hughes
2011/11/8 Nicolás Tamargo de Eguren reosare...@gmail.com:

 What I mean is: currently Dj-mixes are in the category they're expected to
 be (compilations). But by adding DJ-mix, they'd suddenly all be in the wrong
 place (compilations) until manually fixed.

Sure.  But how would a schema change affect this?  Doing this either
as a new type
or an attribute of an existing type, it's still going to need lots of
manual edits to add
the new data.

 And this needs a schema change,
 but we will have two schema change releases per year, so that doesn't imply
 that it has to wait years like NGS did.
 I think I'll wait until the next schema change release (estimated for
 mid-January). If this is not added in that one, I will RFV it and do it
 manually (as I agree it's quite annoying now).

Well is there a bug or something for this?  What makes you think it
might happen with the next schema change?


 --
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Re: [mb-style] RFC: recordings: remove remaster from the 'should not be merged' list

2011-11-08 Thread Lemire, Sebastien
I've also had problems with remastered tracks.
I understand that some would like to keep them separate, but as Christian
said above, it's often very difficult to find out which remastered version
of a track you might have on a certain album or especially compilation. I
think in a lot of cases, for smaller artists, I'm afraid the information
might be impossible to get.

It almost seems to me that this information should be stored at track level
rather than recording level. Perhaps with a special attribute in the tracks
in the tracklist or more simply as part of the style.

Sebastien

On Tue, Nov 8, 2011 at 6:54 AM, Frederic Da Vitoria davito...@gmail.comwrote:

 2011/11/8, Nicolás Tamargo de Eguren reosare...@gmail.com:
  On Tue, Nov 8, 2011 at 12:19 PM, Frederic Da Vitoria
  davito...@gmail.comwrote:
 
  2011/11/8, MeinDummy meindu...@nurfuerspam.de:
  
   A problem that most probably will come up with the proposed change of
   the
   guideline is that editors and/or voters either have the original or
 the
   remaster at hand.
   And even if you happen to have both versions it will still be
 disputable
   whether or not there is a clear audible difference.
   Keeping originals and remasters separate has the advantage of being a
  much
   clearer guideline with a lot less room for discussion.
   OTOH, for compilations it is usually not clear whether they contain
  original
   or remastered tracks. Things would be a lot easier if there was only
 one
   recording for both versions.
 
  Maybe we are missing a level here. We sometimes need a recording
  level, almost in/as the common sense (sorry, I feel I am not
  formulating this clearly), which would be useful for your compilations
  example, but at other times we need a master level to keep audibly
  distinct remasters separate.
 
 
  It's not the first time an idea like this is brought up, and if this was
 a
  place were only people with a {computer/library} science degree entered
  information, I'd say go for it (and also add an arrangement level). But I
  think it would be way too confusing for casual users (I know people
 already
  find the current amount of levels hard).

 Yes, you are right, there are already too many levels. Reality is complex
 :-)

 --
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 (davitof)

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Re: [mb-style] RFC: recordings: remove remaster from the 'should not be merged' list

2011-11-08 Thread Andii Hughes
On 4 November 2011 16:14, lorenz pressler l...@gmx.at wrote:

 http://musicbrainz.org/doc/Style/Recording

 ###

 3. What should and shouldn't be merged together?

 # change:
 shouldn't merge different edits, mixes, remixes or remasters of a
 performance.
 # into:
 shouldn't merge different edits, mixes or remixes of a performance.

 # add:
 should normally merge remasters unless theres an clear audible difference
 between them. *

 # add:
 3.2 remasters
 most remaster jobs just consist of some minor adjustment in volume and
 cutting silence. In these cases merging is valid and remastering credit
 should be added to the release only (not the recordings itself).  If there
 is a real difference they should not be merged and it is mandatory to add
 a short disamiguation comment to the remastered recordings, detailed info
 can be added to the annotations.

 ###

 maybe someone can add a nice example? i only recall someone mentioned some
 beatles remasters and the rhcp/californication release.
 or should it be the other way round: don't merge unless you hear no
 difference? imho most remasters are just a marketing hoax to sell old
 recordings again. real remasters worth of their own recordings are sparse
 (at least in my collection).

 regards,

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-1.

No, this is too vague.  Requiring differing recordings depending on
the user's ability to perceive audible differences depends not only on
the user being able to discern such differences (which varies from
person to person), but also on them having access to said recording.

In all the cases I'm aware of, remasters are separate either because
they are on a known remaster or have different ISRCs, and that's good
enough for me to suggest these are different recordings.  One
advantage is the ISRC can be used to see the proliferation of
remastered versions across different releases (e.g. the new Queen
remasters appear both on remastered studio albums and new 'Deep Cuts'
compilations).

I don't see any good reason to destroy remastering data.  Why would we
want to do this?
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Re: [mb-style] RFC-339: Work/Relationship Inheritance in Works Trees

2011-11-08 Thread Lemire, Sebastien
Hi Jim, some comments about the revised RFC-339.

I must admit that I have trouble understanding some parts of your proposal
as well.
In particular the Relationship Inheritance Rules part. I understand the
various inheritance possibilities but I must say I fail to see how these
rules have to do with Musicbrainz. Are they implemented at the moment?
Should they be implemented? If so, between which entities in MB? Also, you
write in several parts except for the Parts Relationship Type (Work-Work)
but I was under the impression that the whole point of this RFC was in fact
for inheritance between child and parent works. So I'm confused...

That said, I'm 100% in favor of the concept as I understood it (and still
do globally, I think) that we should have inheritance rules between
entities (in this case work-work) so that can minimize data entry, reduce
useless duplicate ARs (thus reducing errors), etc...

This RFC just seems to explain what inheritance but that I don't see any
practical applications in MB. (Will they come in a future RFCs?)

I think what would be useful is quick and concise explanation of the
purpose of this RFC as well as they goal that you wish to get to should it
pass. What will it fix.

Sebastien

On Mon, Nov 7, 2011 at 7:48 PM, Jim DeLaHunt from.nab...@jdlh.com wrote:

 At 1:04 AM -0800 11/7/11, symphonick [via MusicBrainz mailing lists]
 wrote:
  IMHO it would be better if the page began with your proposal
  examples, and you could get into details further down. Judging
 from your responses to my other mail, I obviously don't understand
 exactly what you're suggesting here.

 Symphonick and swisschris:

 Thank you for your feedback. I'm getting the impression that the way
 I wrote the proposal text isn't communicating clearly. It's hard for
 me to improve this, because the text is clear to *me*. But I'll try.

 If the page begins like this, is it a big improvement?


 =
 Work/Relationship Inheritance in Works Trees

 When one Work entity (Parent) is linked to another Work (Child)
 with the Parts Relationship Type (Child is part of Parent), then
 each Work entity inherits the Relationships on the other Work entity.
 The inheritance rules are:

 1. *Indivisibility*. Any relationship to a Work entity applies to the
 all of the composition (or part of a composition) to which the Work
 refers, and to any portion of it. This applicability is called full
 coverage.

 2. *All of Child inherits from Parent*. Any relationship to the
 Parent Work means that the same relationship applies also to the
 entire portion of the musical composition to which the Child Work
 refers (i.e., with full coverage).

 3. *Some of Parent inherits from Child*. Any relationship to the
 Child means that the same relationship applies to some non-zero
 portion, and maybe or maybe not all, of Parent. This applicability is
 called partial coverage.

 4. *Siblings don't inherit*. Given another Work entity, Child 2,
 which also has a Parts Relationship Type saying Child 2 is a part of
 Parent, then any relationship to Child does not imply any meaning
 about that relationship and Child 2. Inheritance passes between
 parent and child, but not from one child to another of the same
 parent.

 5. *Inheritance is transitive*. Given yet another Work entity,
 Grandchild, which has a Parts Relationship Type saying Grandchild is
 a part of Child, then any relationship which Child inherits from
 Parent, Grandchild in turn inherits from Child (its parent). Any
 relationship which Child inherits from Grandchild (its own child),
 Parent in turn inherits from Child.

 6. *Inheritance status matters*. Anything which displays or
 interprets Relationships should present the distinction between
 inherited and direct Relationships, between inheritance from distant
 and immediately-linked relatives, and between full and partial
 coverage, in a way that's appropriate.

 =
 Examples

 ...[more text goes here]...


 =
 Definitions

 ...[more text goes here]...


 =
 Discussion

 ...[more text goes here]...




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