Re: [mb-style] Master and Performance entities

2014-09-24 Thread lixobix
Frederic Da Vitoria wrote
 There must be something I am missing here: Our developers have created a
 quite efficient release tracks editor which enables us to enter ARs for
 all
 the tracks at the same time with almost no more work than entering a
 release level AR. So why not enable something similar for masters (if /
 when then are implemented)?

 MusicBrainz-style@.musicbrainz

 http://lists.musicbrainz.org/mailman/listinfo/musicbrainz-style

I think the issue is that whilst there is a strong argument that master
should link recordings and tracks, there is also a strong desire to display
the information at release level, so that one can easily see that releases
a,b, and c use x masters of the recordings, whilst releases d, e, and f use
y masters.



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Re: [mb-style] Master and Performance entities

2014-09-24 Thread Frederic Da Vitoria
2014-09-24 13:54 GMT+02:00 lixobix arjtap...@gmail.com:

 Frederic Da Vitoria wrote
  There must be something I am missing here: Our developers have created a
  quite efficient release tracks editor which enables us to enter ARs for
  all
  the tracks at the same time with almost no more work than entering a
  release level AR. So why not enable something similar for masters (if /
  when then are implemented)?

  MusicBrainz-style@.musicbrainz

  http://lists.musicbrainz.org/mailman/listinfo/musicbrainz-style

 I think the issue is that whilst there is a strong argument that master
 should link recordings and tracks, there is also a strong desire to display
 the information at release level, so that one can easily see that releases
 a,b, and c use x masters of the recordings, whilst releases d, e, and f use
 y masters.


Ah, I see. Couldn't the release-level master info be computed dynamically
from track-level? I mean, of course it technically could, but would it cost
too much in terms of overhead?

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org
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Re: [mb-style] Master and Performance entities

2014-09-24 Thread symphonick
2014-09-24 7:54 GMT+02:00 Frederic Da Vitoria davito...@gmail.com:

 2014-09-23 23:31 GMT+02:00 symphonick symphon...@gmail.com:


 2014-09-19 11:34 GMT+02:00 Frederic Da Vitoria davito...@gmail.com:


 2014-09-19 11:18 GMT+02:00 Tom Crocker tomcrockerm...@gmail.com:

 Is this the thing we want to represent, is it definable and do we often
 / ever have data about it on compilations?
 Do we want to attach mastering credits on a per-track basis? That
 seems a bit backwards.

 Why backwards? There are certainly lots of situations where masters
 will come from different sources. I am of course thinking of compilations,
 but also of releases such as this
 https://musicbrainz.org/release/86d5fc27-0b65-4750-95e2-fb42d6017c4e,
 the second disc could be a different master.


 There are lots of potential sources for tracks on compilations (old
 vinyl, tapes, masters...) but what do we want to be able to represent? What
 level of complexity and what fit with reality? Do we care about the vinyl
 master vs. the CD master? It might be the best solution to enter a
 mastering credit (mastered by ... on ...)  on a per track basis but if
 masters are much more like an ordered set of (our type of) recordings it
 might be best to represent them as such, and see if there's a way within
 that we can handle complexities like compilations. If that was at a medium
 level it would work with your suggested release.


 My preference would be for sound differences. If the CD sounds exactly
 like the vinyl (this is not plausible but it should be possible), then I'd
 expect only one Master in MB. But if the sounds differ, then I expect 2
 separate Masters, even if both are on the same medium. Of course, data
 should be also taken into account. If a mastering engineer recreates
 exactly the same sound as another master, there should be 2 Masters in MB
 because there would be 2 Mastering Engineer ARs to enter.



 Percieved sound differences are in practice unusable as proof, unless we
 are dealing with intended differences; like 1973 version vs. 2010 remaster.
 But in those cases you would have liner notes or similar anyway.


 Yes, if we are speaking of albums. But in compilations, liner notes are
 often missing, so that we have to rely on our ears to decide.



 More than anything, if we do add something let's make sure it is simple
 to use and transparent to anyone who doesn't care.

 Yes, very important! Users who don't understand what a master is (and
 furthermore, what MB calls a Master) should not be tempted to enter data.


 But, I also think KRSCuan might be right.  We have tons of stuff to fix
 and millions of releases to add, so I'm not sure adding another potential
 layer of data that most people won't care about is the best use of our 
 time.


 I am not sure either, and I agree there could be more urgent things to
 develop (like the reliability data you wrote about above). OTOH, the volume
 of missing releases should not prevent us from improving existing data.
 Just like the fact that we will certainly never know the names of all the
 engineers who recorded existing tracks should not induce us to throw away
 the Recording Engineer AR.



 Regarding specific tracks; maybe a (release - release) AR which would
 show the master engineer @ track level when (if) you know the exact release
 a specific compilation track was sourced from?

 Otherwise some sort of headings inside the release group for specific
 masters maybe could work? Like:

 Release ...
 Official
 Foo   CD
 Foo   Vinyl
 *1997 remaster
 Foo   CD
 *2010 remaster
 Foo   CD


  probably leave deafult = unspecified = original. My suggestion would be
 to have no more detail than this.


 There must be something I am missing here: Our developers have created a
 quite efficient release tracks editor which enables us to enter ARs for all
 the tracks at the same time with almost no more work than entering a
 release level AR. So why not enable something similar for masters (if /
 when then are implemented)?

 --
 Frederic Da Vitoria
 (davitof)


Now you got me worried; it's already quite hard to find the exact recording
you want when there are lots of similar recordings to choose from. How
would the master-info be shown in the search boxes?

/symphonick
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