Re: [mb-style] RFC: Use of Colon in Classical Tracks

2007-02-11 Thread Frederic Da Vitoria

2007/2/11, Robert Kiessling <[EMAIL PROTECTED]>:

To me it looks more like the discussion ended without conclusion. I
didn't see and RFC of RFV or this which would have brought a clear
conclusion. Looking at recent votes and editor comments, even less
(there have been suggestions to change to ":" style). To me that means
there's a clear need for clarification.

As I read it, a key objection was that a rule like this would
over-specify and over-complicate CSG. However it was also mentioned that
this argument can be addressed in two ways, by separating "hard" rules
from suggestions, and by providing multiple, genre specific and thus
focused entry points into CSG ("HowToAddASymphony").

Another objection was that this would be two different uses of ":".
However logically speaking, those two uses are special cases of a more
general use: the ">=" relation (part/subpart use is ">" where
heading/tempo use is "=").

If the agreement is that "Menuetto: Allegro" is equally valid as the
other forms, then we should make that clear. Leaving it completely open
as folklore doesn't help anyone, IMNOHO. Whether it's formulated as a
general "this is what colon means" rule or just as two examples is a
different question.


I agree, No position is a kind of position and should be stated as such.

--
Frederic Da Vitoria

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Re: [mb-style] RFC: Use of Colon in Classical Tracks

2007-02-11 Thread Robert Kiessling
leivhe wrote:
> Robert Kiessling wrote:
>>
>> Requiem in D minor, KV 626: III. Sequenz: No 4. Recordare
>> Streichquartett Es-dur, KV 428: III. Menuetto: Allegro
>>
> The second example was discussed at quite some length recently:
> 
> http://www.nabble.com/Colon-period-usage-in-track-titles-tf2790003s2885.html#a7784101
> 
> The conclusion was to not standardize this, because 1) it proved
> difficult to agree on what would be "the best way", and 2) it was not
> felt as important enough, and/or the usefulness of standardization was
> not clear.

To me it looks more like the discussion ended without conclusion. I
didn't see and RFC of RFV or this which would have brought a clear
conclusion. Looking at recent votes and editor comments, even less
(there have been suggestions to change to ":" style). To me that means
there's a clear need for clarification.

As I read it, a key objection was that a rule like this would
over-specify and over-complicate CSG. However it was also mentioned that
this argument can be addressed in two ways, by separating "hard" rules
from suggestions, and by providing multiple, genre specific and thus
focused entry points into CSG ("HowToAddASymphony").

Another objection was that this would be two different uses of ":".
However logically speaking, those two uses are special cases of a more
general use: the ">=" relation (part/subpart use is ">" where
heading/tempo use is "=").

If the agreement is that "Menuetto: Allegro" is equally valid as the
other forms, then we should make that clear. Leaving it completely open
as folklore doesn't help anyone, IMNOHO. Whether it's formulated as a
general "this is what colon means" rule or just as two examples is a
different question.

Robert


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Re: [mb-style] RFC: Use of Colon in Classical Tracks

2007-02-11 Thread leivhe

Robert Kiessling wrote:

There seems to be consensus about two occasions where a colon should be
used in classical track titles, however there are no examples for this
in CSG.

Examples for this:

Requiem in D minor, KV 626: III. Sequenz: No 4. Recordare
Streichquartett Es-dur, KV 428: III. Menuetto: Allegro

Other contenders of the part name in the second example seem to be:

Menuetto (Allegro)
Menuetto. Allegro



The second example was discussed at quite some length recently:

http://www.nabble.com/Colon-period-usage-in-track-titles-tf2790003s2885.html#a7784101

The conclusion was to not standardize this, because 1) it proved 
difficult to agree on what would be "the best way", and 2) it was not 
felt as important enough, and/or the usefulness of standardization was 
not clear.


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Re: [mb-style] RFC: Use of Colon in Classical Tracks

2007-02-09 Thread Aaron Cooper

On 2/9/07, Robert Kiessling <[EMAIL PROTECTED]> wrote:

There seems to be consensus about two occasions where a colon should be
used in classical track titles, however there are no examples for this
in CSG.

Examples for this:

Requiem in D minor, KV 626: III. Sequenz: No 4. Recordare
Streichquartett Es-dur, KV 428: III. Menuetto: Allegro

Other contenders of the part name in the second example seem to be:

Menuetto (Allegro)
Menuetto. Allegro

Numbering of the first example may be more controversial. Some
possibilities:

III. Sequenz: 4. Recordare
III. Sequenz: No. 4 Recordare
III. Sequenz: No. 4. Recordare
III. Sequenz: Recordare
IIId. Sequenz: Recordare

The last variant would follow [1]. However I don't believe this is
applicable here since we're not talking about an arbitrary split of one
piece across multiple tracks.

Comments?

References:

[1] http://wiki.musicbrainz.org/MultiTrackMovementStyle
[2] http://wiki.musicbrainz.org/ClassicalTrackTitleStyle



IMO, the colon makes more sense.  I don't consider my knowledge
extensive so I'm willing to go either way.

In regards to the Requiem example, I think IIId. is the way to go.

--
-Aaron

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[mb-style] RFC: Use of Colon in Classical Tracks

2007-02-09 Thread Robert Kiessling
There seems to be consensus about two occasions where a colon should be
used in classical track titles, however there are no examples for this
in CSG.

Examples for this:

Requiem in D minor, KV 626: III. Sequenz: No 4. Recordare
Streichquartett Es-dur, KV 428: III. Menuetto: Allegro

Other contenders of the part name in the second example seem to be:

Menuetto (Allegro)
Menuetto. Allegro

Numbering of the first example may be more controversial. Some
possibilities:

III. Sequenz: 4. Recordare
III. Sequenz: No. 4 Recordare
III. Sequenz: No. 4. Recordare
III. Sequenz: Recordare
IIId. Sequenz: Recordare

The last variant would follow [1]. However I don't believe this is
applicable here since we're not talking about an arbitrary split of one
piece across multiple tracks.

Comments?

References:

[1] http://wiki.musicbrainz.org/MultiTrackMovementStyle
[2] http://wiki.musicbrainz.org/ClassicalTrackTitleStyle


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