Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-02-02 Thread symphonick
2012/2/1 Frederic Da Vitoria davito...@gmail.com

 2012/1/31, symphonick symphon...@gmail.com:
  2012/1/31 Frederic Da Vitoria davito...@gmail.com
 
  2012/1/31 David Gasaway d...@gasaway.org
 
  On Tue, Jan 31, 2012 at 11:42, Frederic Da Vitoria 
 davito...@gmail.com
  wrote:
 
   For example displaying all the recordings of a work. In that case,
  since you
   started from a work, you know the composer, of course.
 
  And on other pages you have the reverse problem, thus composer
  disambiguation?  For me, it all comes down to artist credits, and
  IMO composition is contribution worthy of recording credit when it
  comes to classical.  Even if you disagree, I don't see the point in
  using solutions like disambiguation comments when you can just go
  ahead and properly link the artist with an AC.  Seems a reasonable
  compromise to me.  After all, we've gone through so much effort to
  remove artist credits from other titles/comments.
 
 
  I'm just trying to find a reasonable solution, one which solve all
  foreseeable problems. Yes, on other pages, I would have the reverse
  problem, nobody said it would be easy and that one simple solution would
  solve everything.
 
 
  I expect composer disambiguation to be needed only in rare cases. (but
  maybe more often if we use identical work=recording titles)

 Maybe not. Less frequent because usually users searching in classical
 will know in advance the composer they want, but any search for
 sonata would benefit from having the composer.
  I guess that if I had to choose between having composer + main
 performers even where I don't need all of them or missing one of them
 (for example the composer), I prefer the first option. I'd rather have
 too much info than not enough.

 But maybe it would be possible to remove superfluous elements when
 they were part of the search terms. For example, when searching for
 performances of a work, remove the work's composer from the display,
 or when searching for performances by a performer, remove that
 performer. This actually would be an improvement not only for
 classical.

 --
 Frederic Da Vitoria
 (davitof)


Seems there is some concern about composer disambiguation.
A search in recordings for concerto piano 5 allegro (without composer
shown):

Recording:Piano Concerto No. 5 in D major: III. Allegro
Artist:Francesco Nicolosi
Release:   Piano Concertos Nos. 1, 3 and 5

Recording:Concerto para piano nº 5, W521: III. Allegretto
Artist:Royal Philharmonic Orchestra, Cristina Ortiz
Release:   5 Piano Concertos

Recording: Konzert für Klavier und Orchester Nr. 5 Es-Dur, Op. 73: III.
Rondo. Allegro
Artist: Емил Табаков, Anton Dikov
Release:Piano Concerto No. 5 Emperor / Piano Sonata No. 8
Pathetique

Recording:Piano Concerto No. 5 in C major L'Incendie par l'Orage, H.
39: III. Rondo allegro
Artist:Northern Sinfonia, Benjamin Frith
Release:   Piano Concertos Nos. 5 and 6

With recording titles = work titles I'm not sure we even need composer
disambiguation.
Can anyone come up with an example that must have it?

/symphonick
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-02-01 Thread Frederic Da Vitoria
2012/1/31, symphonick symphon...@gmail.com:
 2012/1/31 Frederic Da Vitoria davito...@gmail.com

 2012/1/31 David Gasaway d...@gasaway.org

 On Tue, Jan 31, 2012 at 11:42, Frederic Da Vitoria davito...@gmail.com
 wrote:

  For example displaying all the recordings of a work. In that case,
 since you
  started from a work, you know the composer, of course.

 And on other pages you have the reverse problem, thus composer
 disambiguation?  For me, it all comes down to artist credits, and
 IMO composition is contribution worthy of recording credit when it
 comes to classical.  Even if you disagree, I don't see the point in
 using solutions like disambiguation comments when you can just go
 ahead and properly link the artist with an AC.  Seems a reasonable
 compromise to me.  After all, we've gone through so much effort to
 remove artist credits from other titles/comments.


 I'm just trying to find a reasonable solution, one which solve all
 foreseeable problems. Yes, on other pages, I would have the reverse
 problem, nobody said it would be easy and that one simple solution would
 solve everything.


 I expect composer disambiguation to be needed only in rare cases. (but
 maybe more often if we use identical work=recording titles)

Maybe not. Less frequent because usually users searching in classical
will know in advance the composer they want, but any search for
sonata would benefit from having the composer.
 I guess that if I had to choose between having composer + main
performers even where I don't need all of them or missing one of them
(for example the composer), I prefer the first option. I'd rather have
too much info than not enough.

But maybe it would be possible to remove superfluous elements when
they were part of the search terms. For example, when searching for
performances of a work, remove the work's composer from the display,
or when searching for performances by a performer, remove that
performer. This actually would be an improvement not only for
classical.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org

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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-31 Thread symphonick
2012/1/31 David Gasaway d...@gasaway.org

 On Sun, Jan 29, 2012 at 08:55, symphonick symphon...@gmail.com wrote:
  http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits
 
  Thought this might be a good place to start the CSG RFCs, didn't hear
  anything negative about this in the discussion thread. (track artists
 will
  be in another RFC later).

 I guess I'm just dense today.  Can someone please explain the
 justification for excluding the composer from the AC?  While the
 composer may not have had a direct hand in the recording, they had a
 rather critical indirect hand in it.  Usually the qualification for an
 AC is .. a prominent credit on the cover/spine/back.  About the
 closest I can find in the style guides after a quick search is
 Featured artists, which says That is, they are given credit on the
 cover or track listing of a release by another artist in a manner
 which elevates their contribution above normal liner note credits.
 Which to me, says a composer would qualify.

 That said, recording ACs are really murky for me.  Credits for the
 same recording can change from release to release.  Is that what this
 discussion is about?


That's it; the recording represents audio  the composer was not involved
in creating it. Having performers in the recording ACs will make sense for
lists of performances of a work; instead of a long list of allegros by
Mozart the list will say who actually performed on that recording.

The composer is not less critical outside classical? Composers are credited
for the work with a composer AR.

/symphonick
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-31 Thread Frederic Da Vitoria
2012/1/31, David Gasaway d...@gasaway.org:
 On Tue, Jan 31, 2012 at 01:09, symphonick symphon...@gmail.com wrote:

 That's it; the recording represents audio  the composer was not involved
 in
 creating it. Having performers in the recording ACs will make sense for
 lists of performances of a work; instead of a long list of allegros by
 Mozart the list will say who actually performed on that recording.

 I understand why it's useful to have the performers included, I guess.
 But rather than deal with composer disambiguation comments, why not
 just include the composer to begin with.  What is the practical
 downside of including the composer?

Wouldn't it put repetitive information in pages where we could wish a
more focused display?

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org

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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-31 Thread David Gasaway
On Tue, Jan 31, 2012 at 08:45, Frederic Da Vitoria davito...@gmail.com

 Wouldn't it put repetitive information in pages where we could wish a
 more focused display?

Which pages are those?  From what I've gathered from earlier
discussion, the information is not repetitive, since people are
proposing composer disambiguation to but the recording in context.

-- 
-:-:- David K. Gasaway
-:-:- Email: d...@gasaway.org

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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-31 Thread Frederic Da Vitoria
2012/1/31 David Gasaway d...@gasaway.org

 On Tue, Jan 31, 2012 at 08:45, Frederic Da Vitoria davito...@gmail.com

  Wouldn't it put repetitive information in pages where we could wish a
  more focused display?

 Which pages are those?  From what I've gathered from earlier
 discussion, the information is not repetitive, since people are
 proposing composer disambiguation to but the recording in context.


For example displaying all the recordings of a work. In that case, since
you started from a work, you know the composer, of course.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-31 Thread David Gasaway
On Tue, Jan 31, 2012 at 11:42, Frederic Da Vitoria davito...@gmail.com wrote:

 For example displaying all the recordings of a work. In that case, since you
 started from a work, you know the composer, of course.

And on other pages you have the reverse problem, thus composer
disambiguation?  For me, it all comes down to artist credits, and
IMO composition is contribution worthy of recording credit when it
comes to classical.  Even if you disagree, I don't see the point in
using solutions like disambiguation comments when you can just go
ahead and properly link the artist with an AC.  Seems a reasonable
compromise to me.  After all, we've gone through so much effort to
remove artist credits from other titles/comments.

-- 
-:-:- David K. Gasaway
-:-:- Email: d...@gasaway.org

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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-31 Thread Frederic Da Vitoria
2012/1/31 David Gasaway d...@gasaway.org

 On Tue, Jan 31, 2012 at 11:42, Frederic Da Vitoria davito...@gmail.com
 wrote:

  For example displaying all the recordings of a work. In that case, since
 you
  started from a work, you know the composer, of course.

 And on other pages you have the reverse problem, thus composer
 disambiguation?  For me, it all comes down to artist credits, and
 IMO composition is contribution worthy of recording credit when it
 comes to classical.  Even if you disagree, I don't see the point in
 using solutions like disambiguation comments when you can just go
 ahead and properly link the artist with an AC.  Seems a reasonable
 compromise to me.  After all, we've gone through so much effort to
 remove artist credits from other titles/comments.


I'm just trying to find a reasonable solution, one which solve all
foreseeable problems. Yes, on other pages, I would have the reverse
problem, nobody said it would be easy and that one simple solution would
solve everything.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-31 Thread symphonick
2012/1/31 Frederic Da Vitoria davito...@gmail.com

 2012/1/31 David Gasaway d...@gasaway.org

 On Tue, Jan 31, 2012 at 11:42, Frederic Da Vitoria davito...@gmail.com
 wrote:

  For example displaying all the recordings of a work. In that case,
 since you
  started from a work, you know the composer, of course.

 And on other pages you have the reverse problem, thus composer
 disambiguation?  For me, it all comes down to artist credits, and
 IMO composition is contribution worthy of recording credit when it
 comes to classical.  Even if you disagree, I don't see the point in
 using solutions like disambiguation comments when you can just go
 ahead and properly link the artist with an AC.  Seems a reasonable
 compromise to me.  After all, we've gone through so much effort to
 remove artist credits from other titles/comments.


 I'm just trying to find a reasonable solution, one which solve all
 foreseeable problems. Yes, on other pages, I would have the reverse
 problem, nobody said it would be easy and that one simple solution would
 solve everything.

 --
 Frederic Da Vitoria
 (davitof)

 Membre de l'April - « promouvoir et défendre le logiciel libre » -
 http://www.april.org


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I expect composer disambiguation to be needed only in rare cases. (but
maybe more often if we use identical work=recording titles)

-- 

/symphonick
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread Frederic Da Vitoria
2012/1/30, symphonick symphon...@gmail.com:
 2012/1/29 Frederic Da Vitoria davito...@gmail.com

 2012/1/29 Rupert Swarbrick rswarbr...@gmail.com

 symphonick symphon...@gmail.com writes:
  http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits
 
  Thought this might be a good place to start the CSG RFCs, didn't hear
  anything negative about this in the discussion thread. (track artists
 will
  be in another RFC later).
 
  This RFC will expire on Sunday, February 5th.

 I'm not overly keen on this, but fine. However, this needs to have some
 more specific examples to be useful. For example, who should be credited
 for the following?

  (1) A symphony movement. (Orchestra and conductor?)
  (2) A violin sonata (Violinist and Pianist)
  (3) An opera chorus
  (4) An opera aria

 Until an answer can be found (and written down!) for this, I'm not at
 all happy. After that, I'll go skipping in the fields surrounded by
 butterflies and the world will be wonderful.


 I believe the answer is: whoever is useful for characterising (is this the
 correct word?) the recording, which means usually
 (1) both
 (2) both
 (3) probably the main opera performers
 (4) it depends on whether the aria is extracted from a full recording or
 if it is part of a recital.

 But this is a general rule. For example, it could be acceptable to enter
 only the violinist in a violin concerto, when it is known that no other
 recording from that violinist exists.

 --
 Frederic Da Vitoria
 (davitof)


 I added examples of all those (just no URLs yet).
 4) I'd put in soloist / conductor / orchestra regardless

I'd do the same, but I wouldn't vote No on an edit which included for
example only the soloist if there is no ambiguity issue.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org

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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread symphonick
2012/1/30 Frederic Da Vitoria davito...@gmail.com

 2012/1/30, symphonick symphon...@gmail.com:
  2012/1/29 Frederic Da Vitoria davito...@gmail.com
 
  2012/1/29 Rupert Swarbrick rswarbr...@gmail.com
 
  symphonick symphon...@gmail.com writes:
   http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits
  
   Thought this might be a good place to start the CSG RFCs, didn't hear
   anything negative about this in the discussion thread. (track artists
  will
   be in another RFC later).
  
   This RFC will expire on Sunday, February 5th.
 
  I'm not overly keen on this, but fine. However, this needs to have some
  more specific examples to be useful. For example, who should be
 credited
  for the following?
 
   (1) A symphony movement. (Orchestra and conductor?)
   (2) A violin sonata (Violinist and Pianist)
   (3) An opera chorus
   (4) An opera aria
 
  Until an answer can be found (and written down!) for this, I'm not at
  all happy. After that, I'll go skipping in the fields surrounded by
  butterflies and the world will be wonderful.
 
 
  I believe the answer is: whoever is useful for characterising (is this
 the
  correct word?) the recording, which means usually
  (1) both
  (2) both
  (3) probably the main opera performers
  (4) it depends on whether the aria is extracted from a full recording or
  if it is part of a recital.
 
  But this is a general rule. For example, it could be acceptable to enter
  only the violinist in a violin concerto, when it is known that no other
  recording from that violinist exists.
 
  --
  Frederic Da Vitoria
  (davitof)
 
 
  I added examples of all those (just no URLs yet).
  4) I'd put in soloist / conductor / orchestra regardless

 I'd do the same, but I wouldn't vote No on an edit which included for
 example only the soloist if there is no ambiguity issue.


Ok. BTW I just remembered the discussion about [unknown], so I updated
http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits again.

( it should really be Recording/Artist, not /Credits)

/symphonick
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread Rupert Swarbrick
symphonick symphon...@gmail.com writes:
 Ok. BTW I just remembered the discussion about [unknown], so I updated
 http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits again.

 ( it should really be Recording/Artist, not /Credits)

Cool, this looks fine to me.

Rupert


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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread Nicolás Tamargo de Eguren
On Mon, Jan 30, 2012 at 11:43 AM, symphonick symphon...@gmail.com wrote:
 2012/1/30 Frederic Da Vitoria davito...@gmail.com

 2012/1/30, symphonick symphon...@gmail.com:
  2012/1/29 Frederic Da Vitoria davito...@gmail.com
 
  2012/1/29 Rupert Swarbrick rswarbr...@gmail.com
 
  symphonick symphon...@gmail.com writes:
   http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits
  
   Thought this might be a good place to start the CSG RFCs, didn't
   hear
   anything negative about this in the discussion thread. (track
   artists
  will
   be in another RFC later).
  
   This RFC will expire on Sunday, February 5th.
 
  I'm not overly keen on this, but fine. However, this needs to have
  some
  more specific examples to be useful. For example, who should be
  credited
  for the following?
 
   (1) A symphony movement. (Orchestra and conductor?)
   (2) A violin sonata (Violinist and Pianist)
   (3) An opera chorus
   (4) An opera aria
 
  Until an answer can be found (and written down!) for this, I'm not at
  all happy. After that, I'll go skipping in the fields surrounded by
  butterflies and the world will be wonderful.
 
 
  I believe the answer is: whoever is useful for characterising (is this
  the
  correct word?) the recording, which means usually
  (1) both
  (2) both
  (3) probably the main opera performers
  (4) it depends on whether the aria is extracted from a full recording
  or
  if it is part of a recital.
 
  But this is a general rule. For example, it could be acceptable to
  enter
  only the violinist in a violin concerto, when it is known that no other
  recording from that violinist exists.
 
  --
  Frederic Da Vitoria
  (davitof)
 
 
  I added examples of all those (just no URLs yet).
  4) I'd put in soloist / conductor / orchestra regardless

 I'd do the same, but I wouldn't vote No on an edit which included for
 example only the soloist if there is no ambiguity issue.


 Ok. BTW I just remembered the discussion about [unknown], so I updated
 http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits again.

 ( it should really be Recording/Artist, not /Credits)

You mean it wasn't there all along? *whistles*
 /symphonick

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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread caller#6



On 01/30/2012 01:43 AM, symphonick wrote:
2012/1/30 Frederic Da Vitoria davito...@gmail.com 
mailto:davito...@gmail.com



I'd do the same, but I wouldn't vote No on an edit which included for
example only the soloist if there is no ambiguity issue.


Ok. BTW I just remembered the discussion about [unknown], so I updated 
http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits again.




Sounds good to me.  A few thoughts:

1. (Looking at your examples) would it make sense to use (er, recommend) 
transliterated ACs (to match the release script)?


2. Can this proposal be expanded to also add CSG feat. artist style to 
/Style/Old_style_practices [1] ?


3. I'd like to add a Rationale (and/or History) section.

For 2 and 3, I'll try to put something together before you go to rfv 
(but only if doing so won't hold up your proposal). Or if it makes more 
sense, I could work (slowly) on a more comprehensive /CSG_history page.


Alex / awol_caller#6

[1] http://musicbrainz.org/doc/Style/Old_style_practices
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread Frederic Da Vitoria
2012/1/30, caller#6 meatbyproduct-musicbra...@yahoo.com:

 On 01/30/2012 01:43 AM, symphonick wrote:
 2012/1/30 Frederic Da Vitoria davito...@gmail.com
 mailto:davito...@gmail.com


 I'd do the same, but I wouldn't vote No on an edit which included for
 example only the soloist if there is no ambiguity issue.


 Ok. BTW I just remembered the discussion about [unknown], so I updated
 http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits again.


 Sounds good to me.  A few thoughts:

 1. (Looking at your examples) would it make sense to use (er, recommend)
 transliterated ACs (to match the release script)?

 2. Can this proposal be expanded to also add CSG feat. artist style to
 /Style/Old_style_practices [1] ?

 3. I'd like to add a Rationale (and/or History) section.

 For 2 and 3, I'll try to put something together before you go to rfv
 (but only if doing so won't hold up your proposal). Or if it makes more
 sense, I could work (slowly) on a more comprehensive /CSG_history page.

I think putting the history close to the related page is more
efficient: the history pages will be shorter, more focused, and they
will act as a reminder. While if we use a giant history page, it will
probably grow so large that nobody will want to read it and we will
forget to update it.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org

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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread Alex Mauer
On 01/29/2012 01:48 PM, symphonick wrote:
 I have updated http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Artist

 (the examples exist in MB, but I'm not adding URLs as long as recording
 artist = composer)

I’m confused…is this RFC for that page or for the originally linked

http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits

Thanks!

—Alex Mauer “hawke”



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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread symphonick
2012/1/30 Frederic Da Vitoria davito...@gmail.com

 2012/1/30, caller#6 meatbyproduct-musicbra...@yahoo.com:
 
  On 01/30/2012 01:43 AM, symphonick wrote:
  2012/1/30 Frederic Da Vitoria davito...@gmail.com
  mailto:davito...@gmail.com
 
 
  I'd do the same, but I wouldn't vote No on an edit which included
 for
  example only the soloist if there is no ambiguity issue.
 
 
  Ok. BTW I just remembered the discussion about [unknown], so I updated
  http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits again.
 
 
  Sounds good to me.  A few thoughts:
 
  1. (Looking at your examples) would it make sense to use (er, recommend)
  transliterated ACs (to match the release script)?
 
  2. Can this proposal be expanded to also add CSG feat. artist style to
  /Style/Old_style_practices [1] ?
 
  3. I'd like to add a Rationale (and/or History) section.
 
  For 2 and 3, I'll try to put something together before you go to rfv
  (but only if doing so won't hold up your proposal). Or if it makes more
  sense, I could work (slowly) on a more comprehensive /CSG_history page.

 I think putting the history close to the related page is more
 efficient: the history pages will be shorter, more focused, and they
 will act as a reminder. While if we use a giant history page, it will
 probably grow so large that nobody will want to read it and we will
 forget to update it.


2  3 sounds good (I agree about a shorter history section).

1. IMO it makes sense to follow the language of the relase - so maybe as
printed? (which means I'll change to Zukerman). 2 issues: Can/should we
enter credits with family name only (Bach, Menuhin etc), and what to do
if different releases have different versions of the name? I think it's
pretty unusual, but I suppose it could happen with
Tjaijkovskij/Thcaikovsky. most common probably won't help if there are
only 2 releases.

/symphonick
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread Alex Mauer
On 01/30/2012 11:45 AM, symphonick wrote:
 1. IMO it makes sense to follow the language of the relase - so maybe
 as printed? (which means I'll change to Zukerman).

+1, but I know some people object to “as printed” for whatever reason.

 2 issues:
 Can/should we enter credits with family name only (Bach, Menuhin
 etc),

IMO: No. Use the full name: 1. We don’t use only the family name 
anywhere else. 2. Artists with the same last name (Strauss, Bach, many 
others)

 and what to do if different releases have different versions of
 the name? I think it's pretty unusual, but I suppose it could happen
 with Tjaijkovskij/Thcaikovsky. most common probably won't help if

IMO it’s best to standardize this one. Best would be to use the main 
artist name, soyou don’t have to type a different name variant every 
time. This can be best handled through proper localization once we have 
that support in MB.

—Alex Mauer “hawke”


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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread symphonick
They seem identical... I think has something to do with this...

/symphonick

2012/1/30 Alex Mauer ha...@hawkesnest.net

 On 01/29/2012 01:48 PM, symphonick wrote:
  I have updated
 http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Artist
 
  (the examples exist in MB, but I'm not adding URLs as long as recording
  artist = composer)

 I’m confused…is this RFC for that page or for the originally linked

 http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits

 Thanks!

 —Alex Mauer “hawke”



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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread Alex Mauer
On 01/30/2012 12:27 PM, symphonick wrote:
 They seem identical... I think has something to do with this...

http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Artist
http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Artist

They are completely different text and completely different URLS…they 
seem to be different proposals, no?


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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread symphonick
2012/1/30 Alex Mauer ha...@hawkesnest.net

 On 01/30/2012 11:45 AM, symphonick wrote:
  1. IMO it makes sense to follow the language of the relase - so maybe
  as printed? (which means I'll change to Zukerman).

 +1, but I know some people object to “as printed” for whatever reason.

  2 issues:
  Can/should we enter credits with family name only (Bach, Menuhin
  etc),

 IMO: No. Use the full name: 1. We don’t use only the family name
 anywhere else. 2. Artists with the same last name (Strauss, Bach, many
 others)

  and what to do if different releases have different versions of
  the name? I think it's pretty unusual, but I suppose it could happen
  with Tjaijkovskij/Thcaikovsky. most common probably won't help if

 IMO it’s best to standardize this one. Best would be to use the main
 artist name, soyou don’t have to type a different name variant every
 time. This can be best handled through proper localization once we have
 that support in MB.

 —Alex Mauer “hawke”


So match script more than match language?

/symphonick
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread symphonick
sorry, it's CSG2012:
http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Artist




2012/1/30 Alex Mauer ha...@hawkesnest.net

 On 01/30/2012 12:27 PM, symphonick wrote:
  They seem identical... I think has something to do with this...

 http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Artist
 http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Artist

 They are completely different text and completely different URLS…they
 seem to be different proposals, no?


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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread Alex Mauer
On 01/30/2012 12:37 PM, symphonick wrote:
 So match script more than match language?

Yes, I guess that describes it pretty well. Though I wouldn’t object to 
“no change at all” (i.e. Пётр Ильич Чайковский instead of any Latin 
variant of Tchaikovsky).

Though that does make it hard to read for those who don’t read non-latin 
scripts.

—Alex Mauer “hawke”


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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread David Hilton
I'm having some trouble seeing a good use case for the composer
disambiguation; in most cases, I add all relevant relationships to a
recording shortly after creating the recording - and if ARs are added
from the recording page itself (which is not difficult when adding a
new recording), there is no benefit.

I could see a benefit when making a new work and linking to existing
instances of the work, BUT the recordings that need to be associated
to the work won't have the disambiguating information.  Recordings
that have the composer disambiguation won't need to be linked to
additional ARs, right?

Who would add the composer disambiguation but leave the recording in
an unfinished state?  Wouldn't they either complete the
ARs+disambiguation or leave both undone?


What am I missing?

Thanks,
David



On Mon, Jan 30, 2012 at 11:52 AM, Alex Mauer ha...@hawkesnest.net wrote:
 On 01/30/2012 12:37 PM, symphonick wrote:
 So match script more than match language?

 Yes, I guess that describes it pretty well. Though I wouldn’t object to
 “no change at all” (i.e. Пётр Ильич Чайковский instead of any Latin
 variant of Tchaikovsky).

 Though that does make it hard to read for those who don’t read non-latin
 scripts.

 —Alex Mauer “hawke”


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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread symphonick
2012/1/30 David Hilton quercus.aeter...@gmail.com

 I'm having some trouble seeing a good use case for the composer
 disambiguation; in most cases, I add all relevant relationships to a
 recording shortly after creating the recording - and if ARs are added
 from the recording page itself (which is not difficult when adding a
 new recording), there is no benefit.

 I could see a benefit when making a new work and linking to existing
 instances of the work, BUT the recordings that need to be associated
 to the work won't have the disambiguating information.  Recordings
 that have the composer disambiguation won't need to be linked to
 additional ARs, right?

 Who would add the composer disambiguation but leave the recording in
 an unfinished state?  Wouldn't they either complete the
 ARs+disambiguation or leave both undone?


 What am I missing?

 Thanks,
 David



We should always enter ARs. Composer disambiguation should only be used if
the same performers have recorded a work by a different composer with a
similar title, let's say we have 2 works just titled sonatina, no opus.
Both recorded by Glenn Gould:
Sonatina by Glenn Gould (Chopin)
Sonatina by Glenn Gould (Schubert)

But usually there will be (different) catalogue numbers involved so you
won't need this.

/symphonick



 On Mon, Jan 30, 2012 at 11:52 AM, Alex Mauer ha...@hawkesnest.net wrote:
  On 01/30/2012 12:37 PM, symphonick wrote:
  So match script more than match language?
 
  Yes, I guess that describes it pretty well. Though I wouldn’t object to
  “no change at all” (i.e. Пётр Ильич Чайковский instead of any Latin
  variant of Tchaikovsky).
 
  Though that does make it hard to read for those who don’t read non-latin
  scripts.
 
  —Alex Mauer “hawke”
 
 
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-30 Thread David Gasaway
On Sun, Jan 29, 2012 at 08:55, symphonick symphon...@gmail.com wrote:
 http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits

 Thought this might be a good place to start the CSG RFCs, didn't hear
 anything negative about this in the discussion thread. (track artists will
 be in another RFC later).

I guess I'm just dense today.  Can someone please explain the
justification for excluding the composer from the AC?  While the
composer may not have had a direct hand in the recording, they had a
rather critical indirect hand in it.  Usually the qualification for an
AC is .. a prominent credit on the cover/spine/back.  About the
closest I can find in the style guides after a quick search is
Featured artists, which says That is, they are given credit on the
cover or track listing of a release by another artist in a manner
which elevates their contribution above normal liner note credits.
Which to me, says a composer would qualify.

That said, recording ACs are really murky for me.  Credits for the
same recording can change from release to release.  Is that what this
discussion is about?

-- 
-:-:- David K. Gasaway
-:-:- Email: d...@gasaway.org

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[mb-style] RFC-348: Artist Credits for Recordings

2012-01-29 Thread symphonick
http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits

Thought this might be a good place to start the CSG RFCs, didn't hear
anything negative about this in the discussion thread. (track artists will
be in another RFC later).

This RFC will expire on Sunday, February 5th.

/symphonick
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-29 Thread lorenz pressler

 the old CSG performer disambiguation (add performers to the title of the  
 release and releasegroup) does not apply anymore.

this is about recording AC so release or releasegrp is irrelevant.


-- 
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PGP 0x92E9551A

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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-29 Thread symphonick
2012/1/29 lorenz pressler l...@gmx.at


  the old CSG performer disambiguation (add performers to the title of the
  release and releasegroup) does not apply anymore.

 this is about recording AC so release or releasegrp is irrelevant.


Yeah, maybe it is superfluous here. It will be in the release/RG page too.

/symphonick
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-29 Thread Rupert Swarbrick
symphonick symphon...@gmail.com writes:
 http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits

 Thought this might be a good place to start the CSG RFCs, didn't hear
 anything negative about this in the discussion thread. (track artists will
 be in another RFC later).

 This RFC will expire on Sunday, February 5th.

I'm not overly keen on this, but fine. However, this needs to have some
more specific examples to be useful. For example, who should be credited
for the following?

  (1) A symphony movement. (Orchestra and conductor?)
  (2) A violin sonata (Violinist and Pianist)
  (3) An opera chorus
  (4) An opera aria

Until an answer can be found (and written down!) for this, I'm not at
all happy. After that, I'll go skipping in the fields surrounded by
butterflies and the world will be wonderful.

Rupert


pgp6xtB0k4YFW.pgp
Description: PGP signature
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-29 Thread symphonick
2012/1/29 Rupert Swarbrick rswarbr...@gmail.com

 symphonick symphon...@gmail.com writes:
  http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits
 
  Thought this might be a good place to start the CSG RFCs, didn't hear
  anything negative about this in the discussion thread. (track artists
 will
  be in another RFC later).
 
  This RFC will expire on Sunday, February 5th.

 I'm not overly keen on this, but fine. However, this needs to have some
 more specific examples to be useful. For example, who should be credited
 for the following?

  (1) A symphony movement. (Orchestra and conductor?)
  (2) A violin sonata (Violinist and Pianist)
  (3) An opera chorus
  (4) An opera aria

 Until an answer can be found (and written down!) for this, I'm not at
 all happy. After that, I'll go skipping in the fields surrounded by
 butterflies and the world will be wonderful.

 Rupert


Hmm, needs better explanation, obviously. To clarify: this is about
recording to performer ARs, and we want them all. All performers should be
linked to the appropriate recordings.

/symphonick
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-29 Thread symphonick
sorry - I'm mixing things up here. disregard the AR stuff.

2012/1/29 symphonick symphon...@gmail.com

 2012/1/29 Rupert Swarbrick rswarbr...@gmail.com

 symphonick symphon...@gmail.com writes:
  http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits
 
  Thought this might be a good place to start the CSG RFCs, didn't hear
  anything negative about this in the discussion thread. (track artists
 will
  be in another RFC later).
 
  This RFC will expire on Sunday, February 5th.

 I'm not overly keen on this, but fine. However, this needs to have some
 more specific examples to be useful. For example, who should be credited
 for the following?

  (1) A symphony movement. (Orchestra and conductor?)
  (2) A violin sonata (Violinist and Pianist)
  (3) An opera chorus
  (4) An opera aria

 Until an answer can be found (and written down!) for this, I'm not at
 all happy. After that, I'll go skipping in the fields surrounded by
 butterflies and the world will be wonderful.

 Rupert


 Hmm, needs better explanation, obviously. To clarify: this is about
 recording to performer ARs, and we want them all. All performers should be
 linked to the appropriate recordings.

 /symphonick




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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-29 Thread symphonick
I have updated http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Artist

(the examples exist in MB, but I'm not adding URLs as long as recording
artist = composer)

/symphonick

2012/1/29 symphonick symphon...@gmail.com

 sorry - I'm mixing things up here. disregard the AR stuff.


 2012/1/29 symphonick symphon...@gmail.com

 2012/1/29 Rupert Swarbrick rswarbr...@gmail.com

 symphonick symphon...@gmail.com writes:
  http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits
 
  Thought this might be a good place to start the CSG RFCs, didn't hear
  anything negative about this in the discussion thread. (track artists
 will
  be in another RFC later).
 
  This RFC will expire on Sunday, February 5th.

 I'm not overly keen on this, but fine. However, this needs to have some
 more specific examples to be useful. For example, who should be credited
 for the following?

  (1) A symphony movement. (Orchestra and conductor?)
  (2) A violin sonata (Violinist and Pianist)
  (3) An opera chorus
  (4) An opera aria

 Until an answer can be found (and written down!) for this, I'm not at
 all happy. After that, I'll go skipping in the fields surrounded by
 butterflies and the world will be wonderful.

 Rupert


 Hmm, needs better explanation, obviously. To clarify: this is about
 recording to performer ARs, and we want them all. All performers should be
 linked to the appropriate recordings.

 /symphonick




 --

 /symphonick

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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-29 Thread Frederic Da Vitoria
2012/1/29 Rupert Swarbrick rswarbr...@gmail.com

 symphonick symphon...@gmail.com writes:
  http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits
 
  Thought this might be a good place to start the CSG RFCs, didn't hear
  anything negative about this in the discussion thread. (track artists
 will
  be in another RFC later).
 
  This RFC will expire on Sunday, February 5th.

 I'm not overly keen on this, but fine. However, this needs to have some
 more specific examples to be useful. For example, who should be credited
 for the following?

  (1) A symphony movement. (Orchestra and conductor?)
  (2) A violin sonata (Violinist and Pianist)
  (3) An opera chorus
  (4) An opera aria

 Until an answer can be found (and written down!) for this, I'm not at
 all happy. After that, I'll go skipping in the fields surrounded by
 butterflies and the world will be wonderful.


I believe the answer is: whoever is useful for characterising (is this the
correct word?) the recording, which means usually
(1) both
(2) both
(3) probably the main opera performers
(4) it depends on whether the aria is extracted from a full recording or if
it is part of a recital.

But this is a general rule. For example, it could be acceptable to enter
only the violinist in a violin concerto, when it is known that no other
recording from that violinist exists.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org
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Re: [mb-style] RFC-348: Artist Credits for Recordings

2012-01-29 Thread symphonick
2012/1/29 Frederic Da Vitoria davito...@gmail.com

 2012/1/29 Rupert Swarbrick rswarbr...@gmail.com

 symphonick symphon...@gmail.com writes:
  http://wiki.musicbrainz.org/Proposal:CSG2012/Recording/Credits
 
  Thought this might be a good place to start the CSG RFCs, didn't hear
  anything negative about this in the discussion thread. (track artists
 will
  be in another RFC later).
 
  This RFC will expire on Sunday, February 5th.

 I'm not overly keen on this, but fine. However, this needs to have some
 more specific examples to be useful. For example, who should be credited
 for the following?

  (1) A symphony movement. (Orchestra and conductor?)
  (2) A violin sonata (Violinist and Pianist)
  (3) An opera chorus
  (4) An opera aria

 Until an answer can be found (and written down!) for this, I'm not at
 all happy. After that, I'll go skipping in the fields surrounded by
 butterflies and the world will be wonderful.


 I believe the answer is: whoever is useful for characterising (is this the
 correct word?) the recording, which means usually
 (1) both
 (2) both
 (3) probably the main opera performers
 (4) it depends on whether the aria is extracted from a full recording or
 if it is part of a recital.

 But this is a general rule. For example, it could be acceptable to enter
 only the violinist in a violin concerto, when it is known that no other
 recording from that violinist exists.

 --
 Frederic Da Vitoria
 (davitof)


I added examples of all those (just no URLs yet).
4) I'd put in soloist / conductor / orchestra regardless

/symphonick
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